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Thu 16 May

ROBERT & COURVOISIER, PENDULETTE D'OFFICIER O MARESCIALLA, BRONZEUR AINE' BILLON, SVIZZERA, 1760 - CIRCA in architectural form ornamented with foliate friezes in relief, molded base frame traversed by continuous leaves, mixtilinear cyma centered by cornucopias united by love knot, double foliate volute socket terminating in a curl, signed on the back by bronzist Ainé Billon, white enamel dial signed Robert Et Courvoisier within glass bezel with stylized decoration, Arabic numerals for hours and minute scale in 15, Breguet-style burnished steel hands and index alarm. Movement 15-day winding, primordial anchor escapement, hour, half and quarter chime on two bells with three hammers, chime selection lever in base, 'grande' and 'petite sonnerie', 'silence'. Tirage alarm clock with dedicated hammer. H. 25 cm, W. 17 cm, D. 11 cm. A RARE GILT BRONZE PENDULETTE D'OFFICIER, WITH GRANDE AND PETITE SONNERIE,BRONZEUR AINE' BILLON SWITZERLAND, C. 1760. The 'pendules d'officier,' historically originating from La Chaux-de-Fonds in the Swiss region of Neuchâtel and known in Italy as marshals, are particular clocks produced from the last quarter of the 18th century and in use until the end of the following century. As studies confirm, from early on they were to be considered objects of prestige even if almost exclusively intended for furnishing, so much so that the most important examples were equipped with complex machines, alarm clock, quarter chime, petite sonnerie, grande sonnerie and, in very rare cases just as in our officier. Lot from Sotheby's auction, Furniture, ceramics and objets d'art and the collection of Don Pietro Bruno di Belmonte, June 20, 2006, lot no. 348 Reference bibliography: ; R. Huguenin, J. M. Piguet, 'La Neuchâteloise. Histoire et technique de la pendule neuchâteloise, XVIII-XXI siècle', 2017. ; L. Magistretti, L. Pippa, 'The rhythms of time. History and evolution of the pendulette de voyage', Milan 1998. ; C. Allix, 'Carriage clocks', London 1974. ; Tardy, 'Les coqs de montres de la collection de M. E. Coinon', Paris, 1955. ; A. Chapuis, 'Pendules Neuchâteloises ; Documents Nouveaux', Neuchâtel 1930. ; A. Chapuis, 'Histoire de la Pendulerie Neuchâteloise', Neuchâtel et Paris 1917.

Estim. 2 000 - 3 000 EUR

Thu 16 May

F. BARBEDIENNE A PARIS, OROLOGIO A TRITTICO, CON CARRO E AMORINI, FRANCIA 1870 CIRCA - Gilt and finely chiseled bronze triptych consisting of clock and two candelabra in the 'Tous les Louis' taste. The clock is concealed within a tangle of rocaille, molded to resemble a chariot, on which a cherub with torch is seated. White enamel dial signed F. Barbadienne Paris, Roman numerals for hours, Arabic numerals in 5 o'clock for minutes, Louis XVI-style hands, movement with metal suspension, hour and half-hour chime on bell. The carriage: h. 34 cm, w. 27 cm, d. 16 cm, the candlesticks h. 26.5 cm, w. 17 cm F. BARBEDIENNE IN PARIS, TRIPTYCH CLOCK, WITH CHARIOT AND CUPIDOS, FRANCE 1870 CA Ferdinand Barbedienne (Aug. 6, 1810 ; Mar. 21, 1892) was a prominent French brozist. The son of a small farmer in Calvados, he began his career as a wallpaper merchant in Paris. In 1838 he entered into partnership with Achille Collas (1795-1859), who had invented a machine to create miniature replicas of bronze statues. Together they started a business selling miniatures of ancient statues from museums throughout Europe, making the art more accessible and affordable to all. With the outbreak of the Franco-Prussian War in 1870, the company had to switch to cannon casting due to metal shortages, but later resumed the bronzeur business. After Barbedienne's death in 1892, who was buried in Père-Lachaise Cemetery, the company was carried on by his grandson Gustave Leblanc until 1952. Barbedienne worked plaster for Antoine Louis Barye and Auguste Rodin.

Estim. 50 - 70 EUR

Thu 16 May

AUGUSTE LEMAIRE BRONZEUR, OROLOGIO A PENDOLO D'APPOGGIO CON FANCIULLI PATINATI, POGGIANTE SU BASE - BLACK MARBLE, FRANCE CA 1880 Patina bronze pendulum and mixtilinear black marble base from Belgium, consisting of a large sculptural group depicting a family in classical taste; banded dial in gilt frame, protected by glass, lance hands, movement with metal suspension, hour and half-hour chime on bell, with part-wheel system. H. 56 cm, W. 48 cm, D. 19 cm. AUGUSTE LEMAIRE BRONZEUR, MANTEL MARBLE ; BRONZE PENDULUM CLOCK WITH PATINATED CHILDREN, FRANCE 1880S Auguste Lemaire founded an artistic bronze workshop at 10 rue Saintonge in Paris's Marais district in 1851, producing clocks, cups, statuettes, and other candelabra. He joined the Conseil des Constructions in 1855, and at the Universal Exhibition in Paris in 1855 he was awarded a second-class medal. He produced several important works, including Meditation by A. Schoenewerke (1820-1885), Leonardo da Vinci and Benvenuto Cellini by A.E. Carrier-Belleuse (1824-1887), Cypriot Nursing Love by J.E. Marcellin (1821-1884) (exhibited at the 1863 Salon), and Daphnis and Chloë by M. Moreau (1822-1912). In 1862, Lemaire extended his business to 121 rue Vieille-du-Temple while maintaining his workshop on rue Saintonge. According to Alfred de Champeaux (1833-1903), an inspector of the Fine Arts of the city of Paris, Lemaire produced halos, candelabra, and chandeliers after the Robert brothers' models in the Renaissance or Henry II styles, as well as Louis XVI-style watch parures. The company was later taken over by E. Lhose.

Estim. 50 - 70 EUR

Thu 16 May

Prévost Watteau. Lille. - Prévost Watteau. Lille. 1st half 19th c. The model by Claude Galle. Cast bronze, chased, polished and matte gilding. High rectangular base on four feet. On the front with a finely crafted relief of a battle scene. Rectangular clock case in the center. To its left stands Horatius, who accepts the oath of his sons and holds out three swords to them. The sons in uniform on the right. On the case are three laurel wreaths, prepared for the hoped-for victory. Dial with Roman numerals. Large 14-day pendulum movement with thread suspension and half-hour strike on bell. 22x55x65cm. On guilloché dial inscr. \"Prevost Watteau A Lille\" (Grande Chaussé, Lille, 1829-35). Literature: - Niehüser, Elke: Die Französische Bronzeuhr, Munich 1997. For this model see p.70. - Ottomeyer, Hans and Pröschel, Peter: Vergoldete Bronzen, Munich 1986. For this type comp. p.367, fig.5.13.5. - Tardy, for the master see p.537. The painting \"The Oath of the Horatii\" by Jacques-Louis David, which today is shown at the Musée du Louvre in Paris, served as a template for this pendulum clock. The subject is taken from the stories of the Roman historian Titus Livius, who in his work \"Ab urbe condita\" reports on the battles of the Horatii against the Curiatii. In the 7th century BC, the cities of Rome and Alba Longa were at odds with each other. Since both were afraid of the external threat from the Etruscans, it was decided to spare the troops of both camps and to have a fight of a few representatives of each city. Belonging to the oldest families of Rome, the three sons of the Horatii were chosen as fighters. For Alba Longa, the three brothers of the Curatii clan fought against them. Although the Horatii emerged victorious from the battle, the story nevertheless came to a rather tragic end. Only the youngest brother survived and was able to defeat his opponents only by using a trick. He then killed his sister, who was mourning the loss of her fiancé - one oft he Curatii. The case went down in Roman legal history, as the last descendant of the Curatii was acquitted due to his bravery and steadfastness. Explanations to the Catalogue Prévost Watteau Clocks 19th century Pendulum Clock Bronze gilded

Estim. 5 000 - 7 000 EUR