Furniture & Works of art

181. Gervais-Maximilien-Eugène DURAND Writing table with desk of rectangular form decorated with Japanese lacquer panels hira maki-e and taka maki-e with gold and silver decoration of aquatic plants and landscapes on a black background. It opens with two secret drawers opening by a hidden push-button and a desk. The gilded bronze feet in caryatid are joined by a spacer decorated with interlacing. Ornamentation in chased and gilded bronze. Stamped G. DURAND. Louis XVI style, end of the XIXth century, after the model the model made by Adam Weisweiler for Marie-Antoinette. Antoinette. 75 x 82 x 46 cm. The model which was used by Gervais Durand is the famous made by Adam Weisweiler in 1784 and delivered by the merchant merchant Dominique Daguerre to the Garde-Meuble of the Crown. This table is now kept in the Louvre Museum du Louvre (inv. OA 5509), was once destined for the inner cabinet of of Marie-Antoinette in the Château de Saint-Cloud. Sold during the revolutionary sales, it was acquired by the Empress by Empress Eugenie in 1865, then transferred to the Louvre in 1870. This iconic piece of furniture of the decorative arts, combines precious precious Japanese lacquer, finely chiseled and gilded bronze ornaments gilded bronze ornaments, which were expressly modeled by François Rémond. The structure of the piece of furniture is very characteristic of the innovative taste of the of the time, introduces the spacer with interlacing, of English English inspiration. Mrs Patricia Lemonnier, in her reference book on the work of reference work on the work of Weisweiler, lists eleven different different forms of spacer. The very characteristic design of the spacer of this writing table is used by Weisweiler only on two on two tables. Proof of its success, many cabinetmakers in the 19th century made slavish copies of this illustrious table, among others Beurdeley Beurdeley, Dasson, Fourdinois, Gouverneur, Lexcellent, Millet, Zwiener. Beurdeley presented a writing table on his stand at the Chicago Exposition of 1893, another one by Lexcellent was was shown at the 1900 World's Fair in Paris. Among the many collectors, let us quote in particular Cornelius II Vanderbilt who acquired one of these tables for the tables for the Petit Salon of his New York home at the corner of Fifth Avenue and 57th Street. Let us also mention the Empress of Russia who, in 1901, bought a writing table from Millet, now in the Hermitage Museum. in the Hermitage Museum. It is the World Fair of 1889 which consecrated the career of of Gervais Durand with the obtaining of a silver medal. In 1902, he joined forces with his son Frédéric-Louis, who succeeded him who succeeded him around 1920 and in turn became associated with his son Pierre, until the closure of the company around 1933. A table of this model, stamped DURAND was sold at Drouot (Beaussant Lefèvre, 18/06/2010, lot 226). Bibliography : - LEDOUX-LEBARD, Denise, Les ébénistes du XIXe siècle 1795-1889, Editions de l'Amateur, Paris, 1984. - LEMONNIER, Patricia, Weisweiler, editions Monelle Hayot, Paris, 1983. - PAYNE, Christopher, Paris, La Quintessence du Meuble au XIXe siècle, éditions Monelle Hayot, Paris, 2018, page 214. - ZEISLER, Wilfried, The French art and luxury object in Russia (1881-1917), éditions Mare & Martin, Paris, 2014.

Louis MAJORELLE (1859-1926). Mahogany and mahogany veneer bedroom furniture molded and carved with foliage decoration including : - a straight bed. 150 x 155 cm (the crosspieces are missing). - a rectangular bedside with a console, a shelf and a drawer. 104 x 36,5 x 32 cm (veneer of the shelf stained and warped). - a large rectangular mirror cabinet opening in the central part by a door with a beveled glass mirror, the sides opening by a leaf topped by a niche, the lower part opening by seven drawers. Drawing handles in bronze decorated with creeper and stylized foliage. With its keys. 230 x 159 x 44 cm (slight accidents, stains and traces of humidity). Stamped in black on the back of the cabinet "Majorelle, decorator, 124 R. de Provence, Paris". Art-nouveau period.

CLOCK IN CARTEL OF APPLICATION AND ITS CONSOLE, IN MARQUETRY KNOWN AS "BOULLE", BY MARTIN IN PARIS, STAMPED A. DUBOIS, WITH JURAND STAMP, LOUIS XV PERIOD in gilt bronze and veneer of brown tortoiseshell and brass. It opens with a glass door with rocaille molding. The round dial, with scroll decoration, inlaid with white enamelled cartouches with Roman numerals for the hours and Indian numerals for the minutes; signed "Martin à Paris" as well as the back plate of the movement. Rich rocaille decoration of gilded bronze in volute and foliated "C". The console stamped with the letter F. It is surmounted by a child Jupiter also associated with the twentieth century and has the damping a seed foliage. (Restorations) A Louis XV period gilt bronze and brass Boulle marquetry cartel clock by Martin and Dubois 156 x 54 x 27 CM - 61,4 x 21,3 x 10,6 IN. - - Jacques Dubois was one of the greatest Parisian cabinetmakers during the reign of Louis XVl. He obtained his master's degree in 1742 and became the King's cabinetmaker where he worked for the great nobility. The Dubois stamp guaranteed high-end furniture, highly prized in France and abroad. He produced a large number of remarkable works and his particular know-how constituted the "Dubois style" close to the Rocaille style. He used in abundance moving and irregular bronzes for the ornamentation and framing of chests of drawers, corner pieces and desks made of amaranth wood veneer, rosewood, violet wood, satinwood.... One of his great specialties was the use of European varnish in the taste of the Far East as well as panels in Chinese lacquer on a black and red background. All his creations of great richness and extraordinary fantasy were rather large and medium in size and chests of drawers, flat desks and sloping desks were his favorite furniture. In 1752 he became a juror of the guild of carpenters and cabinetmakers whose role was to judge the quality of the furniture produced by his colleagues. In 1763 he was charged with evaluating the estate left by Jean François Oeben. And after his own death a few months later, an inventory of his work was made to evaluate the influence of his work in the development of the Louis XV style. His workshop on the rue de Charenton was taken over by his son René in 1763 who continued his father's work for another twenty years, also enjoying a glowing reputation.

Travail japonais, dans le goût de Shen Quan (1682-1760) - Japanese production, in the style of Shen Quan (1682-1760) Important screen with eight panels, ink on silk, summer and winter scenes: couple of cranes near pine woods, flying over a couple of ducks, mandarins within lotuses, a couple of peacocks near magnolias and peonies. Edo period (1603 - 1868), 18th c. H 200×L 480cm L 60cm (each panel) Note: Posterior mounting, most likely French. This screen was probably one of a pair, the other decorated with winter and fall scenes. Shen Quan (1682-1760), Qing dynasty painter, was particularly apt at flower and bird painting. In 1731, invited by the Japanese emperor, he took his students to Japan, where he lived and taught for three years. His work was much appreciated in Japan, and made a formidable impact on Japanese painting.

Aubusson tapestry representing a hunt, the border with foliage, flowers and birds 18th century H. 194 cm - L. 249 cm PFD Important restorations, border probably associated

Rectangular piece of furniture of trade with height of support in moulded oak opening by 50 drawers arranged on 5 columns. The uprights in baluster fluted half-columns. Brass drawer handles. Late 19th, early 20th century. 132 x 241 x 52 cm. (back of the furniture in plywood, an element of the baseboard to be reattached on the side).

Beautiful small carved and gilded wood bracket, decorated with masks, volutes and foliage Regency period H. 32 cm - W. 39 cm - D. 16 cm PFD Accidents and missing parts

Eero SAARINEN (1910 - 1961) Edition KNOLL INTERNATIONAL of the years 1970 Swivel stool, tulip-shaped base in white lacquered metal, seat upholstered in fabric H. 43 cm - D. 39 cm

Rectangular canopy bed in walnut turned, molded and carved, the uprights in twisted columns, the headboard decorated with a pediment decorated with characters, central face and foliage. The lower part with double arches decorated with angels' heads, busts of characters and acorns. The surrounding base decorated with inclined gadroons. The whole resting on four ball feet. Neo-Renaissance style, 19th century With bed base, mattress and canopy in fringed fabric. 230 x 220 x 135 cm. (slight accidents and missing, ball feet to be reattached).

160.1 Henry DASSON (attributed to) Small flying table of rectangular form in mahogany and mahogany veneer, opening by a drawer on a small side. side. It rests on four cambered legs joined by a a shelf between the legs. Ornamentation in chased and gilded bronze such as knob draw knob, falls, lingotiere, openwork gallery and sabots. Louis XV style, late 19th century. 71 x 34, 5 x 27 cm. (Minor restorations and a small chip in one of the corners of the drawer). Two similar tables, stamped Henry Dasson and dated 1879 are reproduced in Paris, La Quintessence du Meuble au XIXth century, Christopher Payne, editions Monelle Hayot, Paris, 2018, page 307.

Charles CATTEAU (1880-1956) BOCH FRERES - KERAMIS LA LOUVIERE Enamelled stoneware vase with an ovoid body with shoulders. Rotating decoration of a frieze of stylized birds in reserve and light brown enamelled relief on a cracked white background. Signed with the two names, marked with the stamps Boch La Louvière and Grès KERAMIS and numbered D. 1026 for the decoration and 914 for the shape under the base. H. 31 cm

CHINE DYNASTIE MING, MARQUE ET PÉRIODE WANLI (1573 - 1619) - = Important porcelain aquarium with wucai decoration decorated with ducks among lotuses, the basin of circular form with a slightly rounded body decorated with four pairs of mandarin ducks frolicking among the blooming lotuses and other aquatic plants, the whole surmounted by a spiral frieze. The flat lip is decorated with a waving scroll. The six-character mark Da Ming Wan Li Nian Zhi in blue underglaze in a frame below the lip. With a high natural wood display base. H. 25,5 cm - D. 49 cm PROVENANCE Collection of a French diplomat, then by descent. A similar piece sold by Christies, sale "Fine Chinese Ceramics and Works of Art Part I & II" of 15 September 2011, New York, lot 1483. NOTE The depiction of ducks in a lotus pond as a decorative motif on ceramics originated in Tang Dynasty productions and became particularly popular during the Yuan Dynasty on blue-white dishes and vases. The popularity of this motif continued throughout the Ming and Qing dynasties. The iconography of the duck couple is associated with fidelity and harmony. In "Designs as Signs: Decoration and Chinese Ceramics", Percival David Foundation, London, 2001, Stacey Pierson details that Mandarin duck pairs represent fidelity or marital harmony, as they are said to unite for life. Combined with the lotus, homophone of He ("Harmony"), they may represent the wish to have male offspring. Only three other Wanli period aquariums with the same decoration appear to have survived, and three of these are in museum collections. The most widely published example is a slightly smaller model (44.2 cm diam.) from the Idemitsu collection, illustrated in the exhibition catalog, "In Pursuit of the Dragon," Seattle Art Museum, 1988, p. 133, no. 66. Another larger example (58.5 cm diameter), marked Wanli, in the Victoria and Albert Museum, is illustrated in S. Jenyns, "Ming Pottery and Porcelain", London, 1953, pl. 101. A third example (46.5 cm diameter) is illustrated in "Mayuyama, Seventy Years", vol. 2, Tokyo, 1976, p. 317, no. 950. This characteristic decoration was also used on other pieces of the Wanli period, including a wucai-decorated garlic-head vase, bearing the mark of the Wanli emperor, in the collection of the Palace Museum, illustrated in "The Complete Treasures of the Palace Museum - 38 - Porcelains in Polychrome and Contrasting Colours", Hong Kong, 1999, p. 30, no. 27. CONDITION REPORT Bottom is missing, body cut and heavily restored, old restorations, wears, scratches, frittings, lacks of enamels, many cracks and chips

Marc HELD (1932) Low rocking chair called Culbuto Fiberglass-reinforced polyester, wool sheet 71 x 73 x 69 cm. Knoll, circa 1975 References: - Charlotte & Peter Fiell, 70s Decorative Art, Taschen, 2000, p. 404. - Gilles de Bure, Mobilier Français 1965-1979, Du Regard, 1983, p.56. - Catalog of the exhibition, Design Français 1960-1990. Trois decennies, Centre Georges Pompidou, 1988, p. 223.

Jean PROUVÉ (1901-1984) Chair n°300 dite démontable Oak plywood, steel sheet 80 x 41 x 47 cm. Ateliers Jean Prouvé, circa 1951 References: - Exhibition catalog, Jean Prouvé, Galerie Jousse Seguin & Enrico Navarra, 1998, p. 141. - C. Coley & R. Guidot & F.C. Prodhon, Jean Prouvé Volume II, Galerie Patrick Seguin, 2007, p. 260. - Peter Sulzer, Jean Prouvé Complete Works Volume 3 1944-1954, Birkhauser, 2008, p. 34. - Jean Prouvé concepteur constructeur, Pen Magazine, 2012, p. 73. - Carlos Mota, A touch of style, Assouline, 2015, n.p.

Georges JOUVE (1910-1964) Lamp called Bacchus Ceramic, brass Signed and monogrammed on the back H. : 38 cm. Circa 1950 References: - Michel Faré, Georges Jouve, Art et Industrie, 1965, p.16. - Georges Jouve, Jousse entreprise, 2005, p. 305.

Pair of molded, carved and stained beechwood armchairs, with flat and rounded back, decorated with foliage and flowers. Louis XV period. H : 97 cm, W : 71 cm

TEAPOT OF THE SERVICE OF THE KING LOUIS-PHILIPPE IN THE CASTLE OF EU Pestum teapot of 2nd size and its lid in porcelain, decorated on the upper edge of a frieze with pale green background decorated on each side of a cartouche with black background decorated with polychrome, the rest decorated with various friezes in gold, the handle and spout gilded with gold. Good good condition. Royal Manufacture of Sevres, 1847. Green manufacturing mark dated 1846, gold decoration mark with crowned LP figure dated 1847, red mark of the castle of Eu, mark of the painter I.G. and mark of the gilder Moyez. H. 15.5 cm. Provenance Service described as "pale green background, polychrome flower cartels on black background, central rosettes and ornaments printed in gold", ordered by King Louis-Philippe for the castle of Eu in January 1836 for 60 place settings, it will be increased several times in October 1842, August 1844, June 1847 and July 1848, before being delivered after the fall of the King to the Ministry of Foreign Affairs in March 1852. Paid out of his own personal coffers, the King did not count on his favorite summer residence that was the castle of Eu. One only has to compare the selling price of the plates of this service: 45 francs, the palm of the most expensive service in proportion. One it was found at the family table at the time of the stays of Orleans at the seaside, but it was also used but it was also used for official visits, such as those of Queen Victoria in 1843 and 1845.

DAUM NANCY Vase Acid-etched glass Signed H. 18 cm

Pair of painted and gilded wood marquises, decorated with foliage and flowers, resting on arched feet, covered with green silk; (belt strapped and not examined). Louis XV style. H : 93 cm, L : 82 cm

Pair of small pots in fine earthenware. Cup and saucer with green bottom in Sevres porcelain. (Repair) Cup and saucer in porcelain of Vienna. (Repair) Small vase in white porcelain BERNARDEAU.

FRANCE, D'EPOQUE ART-DECO ca.1930 - Desk lamp with eagle In gilded bronze, the eagle holding in its beak a glass wick in gradation of milky white and pink, the mounting in copper. Dimensions: h. 40 cm

*PAIRE DE BOUGEOIRS en bronze patiné et doré ciselé de palmettes, laurier, croisillons et têtes de de femme à couronnes fleuries - *Pair of patinated and gilded bronze CANDLES chiseled with palmettes, laurel, crosses and women's heads with flowered crowns Empire style H: 28 cm (missing)

PAIR OF TORCHES, BY THOMIRE-DUTERME, FOR THE CRYSTAL STAIRCASE, CHARLES X PERIOD in cut crystal and gilded and chased bronze. The columnar shaft, with a diamond-shaped motif with a frieze of roses and lanceolate petals at the base, rests on a circular base decorated with friezes of garlands of flowers and water leaves, the upper part with stylized crosses decorated with flowers (Missing a wick) A Charles X period pair of crystal and bronze candlesticks by Thomire-Duterme for the Escalier de Cristal 27,5 X 13 CM - 10,83 X 5,12 IN. - - The Escalier de Cristal, a Parisian firm created by Mrs. Desarnaud, née Marie Jeanne Rosalie Charpentier, in 1804, was famous during the Restoration for its furniture and objects in crystal mounted on bronze. Located at the Palais Royal, n° 162 and 163, it was taken over around 1847 by Lahoche and Boin, then Lahoche alone in 1852, Lahoche and Pannier in 1857 and finally Pannier Frères from 1890 to 1923. It is only towards the end of the reign of Louis Philippe that the house began to manufacture furniture of cabinet making and then took a great importance in this branch. Specialized in the copy of 18th century furniture, the quality and the execution of these pieces of furniture are such that sometimes they were taken for the originals, and their origin discovered during restorations, the dismantling having brought to light the stamp. The Escalier de Cristal also participated in the propagation of Japonism, under the influence of its "artistic director", Henry Pannier. Pierre-Philippe Thomire (1757-1843) received his master foundryman's diploma on May 18, 1772. He was the most important Parisian bronze worker of the last quarter of the 18th century and the first decades of the following century. He first worked for Pierre Gouthière, the king's chiseler and founder, then collaborated with Louis Prieur from the mid-1770s. He then became one of the official bronze workers of the royal factory of Sèvres, working on the bronze decoration of the great creations of the time. After the Revolution, he joined Antoine-François Duterme, a bronze merchant, at the depot on rue Taitbout n° 15 (1806-1808). The workshops on rue Boucherat n° 7 (1806-1817), store on rue du Fbg Poissonnière (1817), rue de la Chaussée d'Antin n° 51 (1843), rue Blanche n° 45 (1847). Thomire-Duterme and Co. successor of Mr. Lignereux, furniture merchant, street Taitbout n°41, give notice that as from the 1st nivôse the goodwill will be opened for their account, that they joined the factory of bronzes and gilding which held a long time the aforementioned Mr. Thomire, street Taitbout n°6, so that in the future the two houses will make only one. (newspaper of Paris n° 90 Friday 30 frimaire year XIII, S.629 or December 4, 1804, n°92 Sunday 2 nivôse year XIII, S, 645 or December 23, 1804). It is thus this association Pierre-Philippe Thomire and Antoine-François Duterme which marketed this clock. The Salon of 1806 was the first one in which they exhibited. They received several medals for bronzes at the industry fairs. Their production is one of the most important and considerable; becoming the greatest suppliers of bronzes of furnishing for the castles and imperial palates. At the same time, they worked for a rich French and foreign private clientele, including some of Napoleon's marshals.

PAIR OF SCONCES WITH ANGELS IN ACANTHUS LEAFY TERM, BY PIERRE CHIBOUT, END OF THE EMPIRE PERIOD in chased and gilded bronze. They are represented with a band in their curly hair, the wings raised, the arms raised carrying a lanceolate corolla from which five arms of light spring up, four of them in leafy cornucopia and one in the center in quiver also leafy. Monogrammed on the back A late Empire period pair of ormolu wall-lights with acanthus leaf ending angels by Pierre Chibout 57 x 25,50 x 31 CM - 22,4 x 10 x 12,2 IN. - - Bibliography The drawing of this model is preserved in the museum of the decorative arts of Paris (Album Maciet 93, drawing CD 3767) and published p. 356 of Hans Ottomeyer & Proschel's book "Vergoldete Bronzen" To be compared Pair of sconces sold at Christie's during the sale "A Parisian pied-à-terre curated by Hubert de Givenchy", September 14, 2021, lot n° 1, with a provenance from the Kugel gallery Pierre Chibout (1779-1824), a Parisian master bronzemaker, renowned for his quality of chiseling, delivered bronze furniture sconces, torches, candelabras, and andirons for the imperial family and the highest dignitaries of the Empire. The pair of sconces that we present for sale is inspired by the model called "aux enfants" created by Pierre Philippe Thomire at the beginning of the 19th century. It was a great success and was the subject of numerous orders from the imperial furniture store. Thomire delivered the first series to the Château de Fontainebleau in 1808. He was followed by the best bronziers who used the model to decorate the emperor's bedroom, the prince's apartments and the empress's grand salon at the Château de Fontainebleau. This was followed by commissions for the Château de Rambouillet and the small salon of the Empress at the Trianon.

189. Emmanuel Alfred BEURDELEY (called Alfred II) or Henri VIAN Chandelier " aux Termes " with six arms of light in bronze finely chiseled and gilded with matte and glossy by three caryatids. The arms in scroll with with foliage end in cups with gadroons and binnacles decorated with pearls. The central part of form baluster shape in old blued metal is decorated with tigettes and a frieze of foliage. A seed decorates each end of the chandelier. Louis XVI style, late 19th century end of the XIXth century. (Wear and tear to the blued metal). D : 80 cm - D : 50 cm The model of the chandelier we present dates from the end of the XVIIIth century and was made by the famous bronzemaker century and was made by the famous bronze worker François Rémond. It is now kept in the Nissim de Camondo Museum in Paris (Inv. CAM 146). (Inv. CAM 146) and was offered in 1808 by Napoleon to Cambaceres for his Parisian residence, the present Hôtel de Roquelaure. Among the identical models sold at auction, let us quote in particular: A chandelier belonging to the Pierre Lecoules Collection (second sale), Farrando SVV, Drouot, 18/03/2022, lot 126. A comparable chandelier was sold in Paris (Tajan, June 23, 2020, lot

Pair of silver torches, the tap in the shape of a vase, the shaft with cut sides molded and decorated with shells, the base chiseled with a marriage coat of arms under a marquis crown. Master-smith : Jean François BOUCHOT, received master in Paris for Sens on March 8, 1765. Paris, 1761. H. 25,5 cm. Diameter at the base : 15 cm. Weight : 1185 g.

A brass and enamelled metal table lamp in the style of Oscar Torlasco, circa 1950 30 x 35 cm 150 - 200 €

Important pair of candelabras in chased and gilded bronze with five lights and motives of two children sitting in the shade of acanthus, Louis XV style, work of the end of the XIXth century Height : 80 cm each (one arm of light is missing from each candelabra as well as the bobèches)

PAIR OF CANDLES in gilded bronze decorated with dragons 20th century H : 32,5 cm

LIGHTNING with 5 lights in red glass of Murano.

154. JANSEN PARIS Small armchair of office or dressing table with wrap-around back in carved and gilded wood, decorated with flowers and foliage. Feet cambered legs. Raspberry lampas upholstery. Fabric of cleanliness marked " JANSEN PARIS " in ink with the stencil. Louis XV style, circa 1900. 69 x 54 x 48 cm. (Small chips and gold wear). Established around 1880 at 9, rue de Rocroy in Paris, Jansen moved permanently to 9, rue Royale in 1885 and became an upholsterer decorator. He was awarded a silver medal at the the Amsterdam Exhibition in 1883 and in of Paris in 1889. Bibliography : LEDOUX-LEBARD, Denise, The French furniture of the XIXth century, Les editions of the Amateur, Paris, 1989.

158.1 Pair of important armchairs with frame in molded, carved carved and gilded. The flat and curved back is topped by a rose in full bloom in a cartouche, in the a shell flanked by a flowering twig. Armrests brackets in light whiplash and legs and cambered legs ending in a scroll. Upholstery of raspberry and gray Damask. Louis XV style, after 1900. 99 x 74 x 74 cm. (Some stains on the upholstery).

A "Knole" sofa upholstered with floral cotton fabric 76 x 87 x 210 cm 150 - 200 €

IMPORTANT SALON FURNITURE ATTRIBUTED TO JACOB DESMALTER, EMPIRE PERIOD including two large sofas, four armchairs with queen, four armchairs in cabriolet and six chairs; in white and gilded relacquered wood, molded and carved; decorated with moldings on the backs; the armrests with dying lotus flower in large scroll of acanthus leaf finished by a flower; the belt decorated with rosettes, one in the center shouldered with leafy stems; the front legs tapered and ringed finished in toupie are surmounted by palms. Rear legs in saber shape (Wear and tear to the associated textile) An early 19th century Empire period important set of salon furniture attributed to Jacob Desmalter Sofas : 101 X L. 190,5 X 63 CM - 39,8 X 75 X 24,9 IN. Armchairs : 97 X 62 X 53 CM - 38,2 X 24,4 X 20,9 IN. Convertibles : 91 X 60 X 40 CM - 35,8 X 23,6 X 15,7 IN. Chairs : 92 X 51 X 44 CM - 36,2 X 20 X 17,3 IN. - - Closely related to the furniture of Napoleon I's bedroom in the Tuileries and that of Josephine's bedroom in Fontainebleau, the scrolled armrests appear in Jacob Desmalter's production for the first time in these armchairs delivered in 1808. The importance of the salon testifies to the large orders of the Empire's dignitaries.

PAIR OF BERGÈRES WITH QUEEN BACK, EMPIRE PERIOD in green lacquered wood, molded and carved with palms and stylized lotus flowers. Front legs in double baluster and rear legs sabres. Upholstered with a tapestry decorated with domestic animals after François Casanova in the suite of Buffon's plates (Damage and missing parts, especially to the lacquer and the tapestry) A Pair of Empire Bergeres with tapestry from Buffon 94 X 54 X 64 CM - 37 X 21,26 X 25,20 IN. - - Since the first half of the XXth century, until 1980 private hotel, rue Royale, Lille. Then remained in the same family by descent, until today.

CANAPÉ ESTILO LUÍS XVI - Louis XVI style canopy Louis XVI style. Wood lacquered beige and gold. Carved and hollowed out with "Floral and vegetal" motifs decoration. Upholstered with pink, green and beige striped fabric._x000D_ Approx. dimensions: 92x200x76 cm. #_x000D_ Signs of use, flaws in the polychrome, defects, flaws, soiling and stains on the fabrics.

Chaise longue "LC4 Design 1928 Le Corbusier, Pierre Jeanneret and Charlotte Perriand for Thonet, later manufactured by Cassina. Tubular steel chromed and lacquered. Cover in cowhide leather. Marked Le Corbusier No. 47241. light traces of use. Call date: 02.06.2023 Approximate call time: 10:45 Length: 160cm

Large armchair said corner of fire to the queen in carved and gilded beech, resting on four feet arched in angles decorated with acanthus leaves joined by a strut in X. The belt decorated with a large shell and palms on a mosaic background, the amounts of armrests foliated, the right file moved. Regency period H. 97.5 cm - W. 67.5 cm - D. 57 cm

*DEUX FAUTEUILS en bois sculpté, les accotoirs à tête de dauphin - *TWO ARMCHAIRS in carved wood, the armrests with dolphin heads Restoration style H: 91 cm - W: 60 cm - D 46 cm

IMPORTANT CONFIDENTIAL SOFA in oak and brown patinated oak veneer resting on legs with cut sides, an open armrest with three superimposed niches, the back, the seat and the corners covered with red leather quilted seal (some wear). Length. 260 cm. Width 178 cm. Height of armrest 60 cm. Height of the backrest 80 cm. Creation Paco RABANNE realized by a cabinetmaker workshop for his residence of Portsall.