Furniture

TRANSITION PERIOD ROYAL CHEST OF DRAWERS Attributed to Simon Oeben Satinwood and satinwood veneer, chased and gilded bronze ornamentation, restored Flanders marble top, recessed front opening with five drawers in three rows, canted uprights, cambered legs finished with bronze claws. Marks: F N 183 (Château de Fontainebleau furniture storage mark F under closed royal crown) on the back and reverse of the marble top, the frame and reverse of the marble top numbered with stencil N°9; minor accidents and missing parts, veneer lightened by the sun. H. 86 cm (33 ¾ in.) l. 148 cm (58 ¼ in.) P. 65 cm (25 ½ in.) Provenance: Most likely delivered for Étienne François, Marquis de Stainville, duc de Choiseul at the Château de Chanteloup, circa 1765; Mentioned in 1786 at Château de Fontainebleau in the bedroom of Dauphin Louis Joseph (1781-1789); Mentioned in 1787 at Château de Fontainebleau in the bedroom of Dauphin Louis Joseph (1781-1789). Comparative bibliography : V. Moreau, Chanteloup, un moment de grâce autour du duc de Choiseul, Paris, 2007, p.248-249. A Transitional royal gilt-bronze mounted and satinwood commode, attributed to Simon Oeben This lot is sold in aid of the 30 Millions d'Amis Foundation. This lot is being sold in aid of 30 Millions d'Amis. The stencil mark F (couronné) N°183 on the back and reverse of the marble top of our commode corresponds to the inventory of the Château de Fontainebleau in 1787: " N°183. Une commode à deux grands tiroirs et 3 petits dans la frise plaquée de bois satiné uni, annneaux et sabots de bronze de couleur, dessus de marbre de Flandre de 4 pieds 1/2 de large [1m46]" (1). In the inventory of the château the previous year (1786, O1 3397), the chest of drawers is described in the same terms in the same room of the Dauphin Louis Joseph, without an inventory number or a number from the Journal du Garde-Meuble de la Couronne that could identify its delivery date. It seems certain that this chest of drawers was not one of the deliveries made by the royal furniture guard's usual suppliers (Joubert then Riesener), duly recorded on a daily basis in the furniture guard's register. More likely, it was part of a batch of furniture purchased from a dealer. A similar satinwood commode, also by Simon Oeben and with the Fontainebleau mark F (couronné) N°976, was placed in 1787 in the bedroom of the Duchesse d'Orléans (Sotheby's Monaco sale, February 26-27, 1992, n°220, then Edmond Safra collection, then Christie's London, Exceptional sale, July 6, 2023, lot 27) (fig. 1). Like the commode shown here, it could not be identified by a number in the Journal du Garde Meuble Royal, but had brush numbers on its frame (n°I Chambre). Its marble was that of commode N°974, which formed its counterpart in the bedroom of the Duchess of Orleans, with the same brush marks (from chapel N°I C). We thus had three similar commodes by Simon Oeben, unmarked in the Garde-Meuble journal, but with brush marks corresponding to an earlier inventory. Given that Simon Oeben's main client was Étienne-François, Duc de Choiseul (1719-1785), whose Château de Chanteloup and Parisian residence he furnished, these chests of drawers are closely related to the Chanteloup furnishings. After Choiseul's death, when the château was sold to the Duc de Penthièvre in 1786, some of the furniture was retained. However, a comparison of Choiseul's inventory with that of Penthièvre shows that many pieces were sold at that time, the dates coinciding with the appearance of the commodes at Fontainebleau. In Choiseul's inventory of 1786 (2), no fewer than thirty commodes were listed in the château's apartments, including three in mahogany, three in satinwood and twenty-four in "bois des Indes", a vague term used at the time to designate exotic wood veneers. Their descriptions are too brief to confirm that they correspond to this type of commode, but later inventories point to this model. It is therefore likely that some of this furniture was sold by the Choiseul estate to the Garde-Meuble de la Couronne, according to Christian Baulez (3). Only two chests of drawers in the Duchesse de Choiseul's bedroom had their ornaments in gilded bronze. In bedroom no. 9, "a table of bois des Indes, a commode of similar wood" were inventoried, and together with a set of crimson lampas, fetched the substantial sum of 1800 livres. This could therefore correspond to the number 9 found on the frame and reverse of the marble top of our copy.

LOUIS XV STYLE BUREAU PLAT DIT "DE L'ABBÉ TERRAY" Based on a model by Nicolas Pierre Severin Satinwood veneer, chased and gilded bronze ornamentation, three drawers on the belt, curved legs surmounted by shells and foliage. H.:79 cm (31 in.) l.:201 cm (79 ¼ in.) P.:98 cm (38 ½ in.) Comparative bibliography: C. Mestdagh, L'Ameublement d'Art Français 1850-1900, Les Éditions de l'Amateur, Paris, 57, 283 and 284. C. Payne, Paris, La Quintessence du Meuble au XIXe siècle, Éditions Monelle Hayot, 2018, p.148. A Louis XV style gilt-bronze mounted and satinwood bureau plat, after the model by Nicolas Pierre Severin Our elegant flat desk, with its monumental proportions, is a replica of the famous Abbé Terray desk, kept at the Musée du Louvre since 1924 (inv. OA 7805). The original was made around 1760 for Louis XV's last Controller General of Finances, and is stamped by Nicolas Pierre Severin, Master in 1757. Better known for his work as a restorer, some authors have speculated that he acted as restorer and that the desk is the work of Joseph Baumhauer. This model enjoyed great success in the 19th century, as evidenced by the stamped examples produced by the leading cabinetmakers of the day, including Henri Dasson, Alfred Beurdeley, Paul Sormani and Gervais Durand. Rare on the market, among the latest examples to come up for sale in recent years: - Christie's Paris, April 23, 2013, lot 575 (signed Sormani and dated 1881) ; - Sotheby's New York, April 22, 2010, lot 128 (signed Beurdeley); - Sotheby's New York, April 14, 2016, lot 614 (signed E. Laurent Rue Charonne). It should be noted that all these copies are smaller than ours, which is the same size as the original copy in the Louvre.

Le Corbusier Lounger/Chaise Longue LC4, Cassina Italy 2nd half 20th century, designed by Le Corbusier, Charlotte Perriand and Pierre Jeanneret, c. 1928, chrome-plated steel frame, black leather, on blackened iron frame, marked on lounger frame: Cassina, company logo, LC4, no. 60615 and Le Corbusier, with original hanging label and booklet by Cassina, h: approx. 75 cm, w: approx. 50 cm, d: approx. 61 cm, good condition, 4224 - 0025

LOUIS XVI PERIOD CYLINDER DESK Attributed to Claude-Charles Saunier In satin-finish and satin-finish veneer decorated on all sides, with chased and gilded bronze ornamentation, the cylinder opens with a flap revealing a writing desk, three drawers and two compartments, two sliding side shelves, the belt opens with four drawers, resting on eight sheathed legs;small accidents and missing parts. Dimensions (closed) : H.:115 cm (45 ¼ in.) l.:191,5 cm (75 ½ in.) P.:95 cm (37 ½ in.) A Louis XVI gilt-bronze mounted and satinwood cylinder desk, attributed to Claude-Charles Saunier Stylistically dating from the years 1775-1780, this very large cylinder desk is one of the most accomplished examples of this new type of writing desk, created in the 1760s by Jean-François Oeben, before becoming a great success due to its practicality. With its resolutely architectural lines, veneered in the finest satin-finish and embellished with sober, finely chased bronze ornamentation, it can be compared with the cylinder desks produced by the best cabinetmakers of the Louis XVI period, such as Claude-Charles Saunier. The rare radiant sun motif found on the cylinder of our example can be found on a cylinder desk stamped by Saunier and illustrated in P. Kjellberg, Le Mobilier Français du XVIIIe siècle, Les Éditions de L'Amateur, Paris, 1999, p.821. It should also be noted that the same bronze escutcheons and keyhole adorn the top of the legs of a cylinder desk stamped by Jean Caumont and sold at Sotheby's Paris, April 4, 2023, lot 79.

BOULLE marquetry veneered one-door sideboard. Napoleon III style. H.: 123 cm ; W.: 83 cm ; D.: 35 cm. (accidents. split marble)

PAIR OF LOUIS XVI PERIOD CHIFFONIÈRE TABLES Stamped by André-Louis Gilbert In rosewood, amaranth, holly and stained wood veneer, with chased and gilded bronze ornamentation, the top encircled by an openwork gallery, the front opening with three drawers, the tapered legs with simulated fluting, stamped A.L.GILBERT under the front crosspiece;small accidents and missing parts, two missing keyholes. H.:76 cm (30 in.) W.:43 cm (17 in.) P.:32 cm (12 ½ in.) André-Louis Gilbert, master in 1774 A pair of Louis XVI gilt-bronze mounted, tulipwood, amaranth and hollywood tables en chiffonniere, stamped by André-Louis Gilbert This lot is sold in aid of the 30 Millions d'Amis Foundation. This lot is being sold in aid of 30 Millions d'Amis. * Information for buyers: When leaving the EU, a CITES re-export certificate may be required, at the expense of the future buyer. * Information to buyers: For an exit from the EU, a CITES re-export certificate will be necessary, at the buyer's expense. This type of small chiffonière table, featuring quartefoil marquetry within a trellis, was very popular around 1775. Although our pair is stamped by André-Louis Gilbert, Master in 1774, he is not the sole creator of this model. Indeed, comparable models were executed by other cabinetmakers such as Godefroy Dester (Fig. 1: Christie's Paris sale, November 8, 2013, lot 202) or Jacques Laurent Cosson (Fig. 2: Sotheby's Monaco sale, March 4, 1989, lot 233).

neoclassical russian imperial gueridon, late 18th century Attributed to Christian Meyer In stained hornbeam floral marquetry on a rosewood base, the top decorated in the center with an allegory of a River God in the form of a reclining Old Man amidst jagged foliage scrolls, the maple, lemon and stained hornbeam border with a motif of flowering falls au naturel, the waist opening into a drawer, the sheathed mounts with simulated flutes ending in casters. Marks on the reverse:old printed label inscribed in Cyrillic "Царскосельскаго / Дворцового Правленiя141", and numerous inventory numbers H.:70 cm (27 ½ in.) w.:86 cm (34 in.) P.:62 cm (24 ½ in.) Provenance: Delivered for the Tsarkoye Selo Palace; Most likely sold by order of the Soviet government between the late 20s and early 30s; Swiss private collection since 1935. A Russian Imperial Neoclassical floral marquetry, rosewood, maplewood, and bois citronnier gueridon, late 18th century, attributed to Christian Meyer * Information for buyers: When leaving the EU, a CITES re-export certificate may be required, at the expense of the future buyer. * Information to buyers: For an exit from the EU, a CITES re-export certificate will be necessary, at the buyer's expense. This elegant coffee table is reminiscent of the excellent work of cabinetmakers working for the Russian aristocracy and imperial family in Saint Petersburg at the end of the 18th century. The superb marquetry of our piece allows us to link it to the work of Christian Meyer, rightly considered the finest cabinetmaker of the period and who worked actively for the imperial court, delivering pieces for the Hermitage as well as for Chateau Michel, Pavlosk and Tsarkoe Selo. Our table is characterized by a structure combining sober neoclassical lines with a very pure decor, the top distinguished by the use of contrasting colored veneers, surrounding a central cartouche. The tabletop's fine marquetry, combining extremely jagged foliate scrolls and strikingly naturalistic floral bouquets, is influenced by the work of the architect Charles Cameron (1745-1812) and the Italian Michelangelo Pergolesi, who were to be a major source of inspiration in Christian Meyer's work. Comparable inlays can be found on a number of tables delivered by Meyer for the imperial court (cfr. N. Guseva, T. Semyonova, Russian Eighteenth Century Furniture in the Hermitage Collection, The State Hermitage Publishers, 2015, p.330-348). It should also be remembered that the decoration on the belt of our table, adorned with a stylized foliage motif marquetry, can be found on a pair of high-backed pieces of furniture designed by Christian Meyer for the Winter Palace and illustrated in N. Guseva, T. Semyonova, Russian Eighteenth Century Furniture in the Hermitage Collection, The State Hermitage Publishers, 2015, p.374-375. The motif of the central painting on the top of our piece is framed by scrolls and ornaments that were very much in vogue in interior decoration and that the architect Cameron would use in many of his designs for Russian imperial palaces (cfr. fig. 1 and fig. 2). As for the central decoration depicting the allegory of a River God, most probably the Tiber or another Italian river, Meyer seems to have been inspired here by the large number of 18th-century engravings illustrating this subject (see figs. 3, 4 and 5). As illustrated by the numerous inventory numbers and the label printed on the underside of our tabletop, it was made for the Tsarkoe Selo Palace, the summer residence of the Russian imperial family, some twenty kilometers from Saint Petersburg. The imperial estate of Tsarkoe Selo comprises the Catherine Palace, built in the mid-18th century for Empress Elisabeth by the Italian architect Francesco Bartolomeo Rastrelli (1700-1771), and the Alexander Palace, a neoclassical residence built between 1792 and 1796; the latter was the preferred residence of the last Tsar Nicholas II, his wife, Tsarina Alexandra, and their children. The printed label, dating from the interwar period, shows that the table was still in Tsarskoye Selo at the beginning of the 20th century. As for its fate after the 1917 revolution, it is very likely that it followed the fate of many other pieces of Russian imperial furniture that left the country between 1928 and 1932 when the Soviet authorities organized mass sales of works of art.

LOUIS XVI-STYLE FLAT DESK, AFTER JEAN-HENRI RIESENER By Louis Bontemps In mahogany and mahogany veneer, chased and gilded bronze ornamentation, gilded leather top, three drawers on the belt, fluted sheath legs, signed "L.Bontemps a Paris 1908" on the lingotière;wear to the varnish. H.:77 cm (30 ¼ in.) l.:130 cm (51 ¼ in.) P.:70 cm (27 ½ in.) Louis Bontemps, active late 19th-early 20th century A Louis XVI style gilt-bronze mounted and mahogany bureau plat, after Jean-Henri Riesener, by Louis Bontemps

BARGUEÑO, SPANISH WORK FROM THE 17th CENTURY In walnut, carved and gilded wood, ivory inlays, the front opening with seven drawers around a central leaf, the sides fitted with wrought-iron handles, resting on a later period base fitted with three drawers;minor accidents. Dimensions (bargueno) : H.:47.5 cm (18 ¾ in.) l.:91 cm (35 ¾ in.) P.:31 cm 12 ¼ in.) Dimensions (with base): H.:109.5 cm (43 in.) l.:95 cm (37 ½ in.) P.:34 cm (13 ½ in.) Provenance: Acquired from an antique dealer in Spain in the 1970s-1980s ; By descent to the present owner; Private collection, Paris. A 17th century walnut, giltwood and ivory inlaid Spanish bargueno, on a later stand *Marketing authorization within the European Union. *Authorisation to sell within the EU. * Information for buyers : When leaving the EU, a CITES re-export certificate may be required, at the expense of the future buyer. * Information to buyers: For an exit from the EU, a CITES re-export certificate will be necessary, at the buyer's expense.

Le Corbusier Sofa LC2, Cassina Italy 2nd half 20th century, designed by Le Corbusier, Charlotte Perriand and Pierre Jeanneret around 1928, chrome-plated steel frame, black leather, marked on frame: Cassina, company logo, LC2, no. 100660 and Le Corbusier, with original hanging label and booklet by Cassina, seat height: approx. 49 cm, total height: approx. 68 cm, w: approx. 126.5 cm, d: approx. 69 cm, good condition, 4224 - 0024

Ernst MUMENTHALER (1901-1978) and Otto MEIER (1901-1982), in the style of : BUREAU MALLE dépliable "Magic Box" en bois naturel ouvrant à deux vantaux laissant découvrir un cabinet de travail comprenant une table à écrire dépliable avec un tiroir en ceinture, plusieurs niches et compartiments ainsi qu'une lampe à flexible en métal. Scandinavian work, circa 1960 (traces of wear). Dim. unfolded: 164 x 76 x 115 cm. Closed size: 82 x 53 x 115 cm.

PAIR OF SCONCE BRACKETS IN THE ROCOCO STYLE Carved and gilded wood, decorated with acanthus leaf scrolls H.:34,5 cm (13 ½ in.) l.:34 cm (13 ¼ in.) A pair of Rococo style giltwood wall-brackets

PIERRE BONNEFILLE (BORN 1958) Enfilade, lacquered and textured wood structure, in a cameo of coppery brown tones on the front forming a geometrical decoration; opening to two rows of four drawers and two double doors framing a single door in the center; resting on a recessed base, vertical handles in patinated brass. (Slight stains). Height 75 cm - Length 230 cm - Depth 50 cm PROVENANCE : Special order from the artist Private collection, Paris

Modernist rug in the taste of Serge Poliakoff, bears an embroidered inscription on a stitched weft "Serge Poliakoff". 232 x 175 cm

Pierre VANDEL (born 1939) Pair of sofa-end coffee tables with two glass tops structure and base in Plexiglas and brass. Edition Vandel, Paris, circa 1980. H: 50 cm - W: 50 cm - D: 70 cm (Marks and wear).

SUITE OF FOUR WALL BRACKETS IN THE LOUIS XV STYLE Comprising a pair in gilded plaster decorated with shells and a pair in carved and gilded wood decorated with staples and foliate scrolls, the pair in plaster bearing a printed label on the back inscribed "LEBRUN CADRES ANCIENS ET MODERNES DEPUIS 1847(...)";minor accidents. H:32,5 and 27,5 cm (12 ¾ and 10 ¾ in.) l.:31 and 26,5 cm (12 and 10 ½ in.) Two pairs of Rococo style wall-brackets, one pair plaster, the other one giltwood This lot is sold in aid of the 30 Millions d'Amis Foundation. This lot is being sold in aid of 30 Millions d'Amis.

REGENCY PERIOD CONSOLE Carved and gilded wood, Flanders marble top, the belt decorated in the center with a sunflower inscribed in a cartouche flanked by dragons and foliate scrolls, the console legs joined by an X-shaped brace decorated in the front with a shell and surmounted by a sunflower. H.:83 cm (32 ¾ in.) l.:137 cm (54 in.) P.:72 cm (28 ¼ in.) A Regence giltwood console Made towards the end of the reign of Louis XIV or during the early years of the Regency, this console still retains reminiscences of the post-1700 Louis-Quatorzian style. The perfect symmetry of the central clasp and the scrolls below the belt, as well as the shape of the crosspieces, all recall the compositions of tables and consoles from the Louis XIV period. The quality of its execution and the richness of its ornamental vocabulary mean that it can be compared with the work of the decorative wood artists who worked for the Crown. Indeed, the sculptors Jules Degoullons (c.1671-1738), André Legoupil (1660/5-1733), Martin Bellan (†1714) and Pierre Taupin (c.1692-1739) founded, on January 21, 1699, the Société pour les Bâtiments du Roi (Society for the King's Buildings), whose primary aim was to work for the sovereign, princes and princesses of the blood, and the principal members of the royal family, but who over time also executed works for the nobility, great lords and financiers. Alas, as is usual with gilded wood furniture, unless there is a precise indication of provenance, such as that of the consoles for the Palais Royal for example, known from drawings contemporary with their manufacture, it is almost impossible to find them in the inventories of the Ancien Régime.

18th CENTURY - NÎMOIS WORK Chest of drawers in carved natural wood decorated with staples and foliage, the slightly curved front opening with two drawers, the apron richly openwork decorated with staples and scrolls, the sides with molded caissons, the whole resting on four arched feet. Dim.: 91 x 125 x 60 cm. approx. Scratches and knocks to the wood, beautiful patina, restored and patched parts, used condition

LOUIS XV LOW BOOKCASE Rosewood and violet veneer, chased and gilded bronze ornamentation, gray veined marble top, the front opening with three drawers and two screen doors revealing an interior formerly fitted with shelves, resting on a plinth with an openwork cut-out; small accidents and missing parts. H.:95 cm (37 ½ in.) l.:165 cm (65 in.) P.:44,5 cm (17 ½ in.) A Louis XV gilt-bronze mounted, tulipwood and kingwood low bookcase * Information for buyers: When leaving the EU, a re-export CITÈS may be required, at the expense of the future buyer. * Information to buyers: For an exit from the EU, a Citès re-export certificate will be necessary, at the buyer's expense.

MID-20th CENTURY Two-door cabinet in burr wood marquetry and dark wood fillets, with bronze crown or leaf frieze decoration embellished with rosettes, the mirror-trimmed leaves revealing a shelf, a bar and four drawers. Dim.: 205 x 80 x 50 cm. Minor knocks and accidents to the wood, one mirror missing, used condition

LOUIS XVI PERIOD MAN'S DRESSING TABLE In the taste of Philippe Pasquier In mahogany and veneer of mahogany, ebony, cytes root and brass inlays, the top encircled by a frieze with a Greek motif depicting the different phases of the solar eclipse and revealing an interior with a mirror on the reverse, the front opening with four drawers in two rows, the tapered legs with simulated fluting;numerous accidents and missing parts. H.:73 cm (28 ¾ in.), W.:93 cm (36 ½ in.) P.:49,5 cm (19 ½ in.) A Louis XVI mahogany, ebony, cytes root and brass-inlaid man's dressing table, in the taste of Philippe Pasquier This lot is sold in aid of the 30 Millions d'Amis Foundation. This lot is being sold in aid of 30 Millions d'Amis. * Information for buyers: When leaving the EU, a CITES re-export certificate may be required, at the expense of the future buyer. * Information to buyers: For an exit from the EU, a CITES re-export certificate will be necessary, at the buyer's expense.

Modernist rug in the taste of Serge Poliakoff, bears an embroidered inscription on a stitched weft "Serge Poliakoff". 243 x 335 cm

PORCELAIN AND GOLDEN BRONZE BISCUIT GROUP IN THE LATE 19th CENTURY SÈVRES STYLE Representing a seated young man playing the bagpipes and a standing young jardinière holding a basket, the Louis XVI style gilt bronze base;chips H.:36 cm (14 ¼ in.) L.:24 cm (9 ½ in.) A gilt-bronze mounted and Sevres style cookie porcelain group, late 19th century

Christophe DELCOURT: BIBLIOTHÈQUE, "Légend" model in beech-stained wood. Edition ROCHE BOBOIS (marked). Dim. 195 x 209 x 40 cm.

JAPAN. Small four-leaf silk screen painted with cherry branches. Signed lower right. 20th century. Height : 68 cm - Width : 144 cm

17th-CENTURY SUPPORT HEIGHT FURNITURE, PROBABLY ITALIAN WORK In molded walnut, black slate top, the front opening with two leaves, resting on a plinth with an openwork cutout;small accidents and restorations, traces of worms H.:97 cm (38 ¼ in.) l.:74 cm (29 ¼ in.) P.:43,5 cm (17 ¼ in.) A 17th century walnut meuble a hauteur d'appui, probably Italian

LOUIS XIV PERIOD TABLE-BUREAU Work of La Rochelle In guaiac and mahogany, with a drawer at the top, supported by baluster-shaped uprights joined by an X-shaped brace and finished with flattened ball feet. H.:74 cm (29 in.) l.:97,5 cm (38 ¼ in.) P.:65 cm (25 ½ in.) Comparative bibliography: E. Mannoni, Mobilier Régional Charentes Poituou, Massin, Paris, 1997, p.24. A Louis XIV gaiac and mahogany bureau table, La Rochelle

BORSANI OSVALDO (1911 - 1985) - BORSANI OSVALDO (1911 - 1985) Hanging consolle with mirror execution by Arredamenti Borsani Varedo. Wood and mirror. . First half of the 1940s.Dimensions: mirror 70 x 70 x 4 cm; console table 45 x 92 x 21 cmLot accompanied by certificate of authenticity no. 290/2024 issued by Archivio Osvaldo Borsani, Varedo

# CAUCASE Carpet with geometric decoration on a red background, bordered by a frieze on a light background. 220 x 142 cm. (Wear)

SUITE OF SIX EMPIRE-STYLE FRAME GONDOLA CHAIRS In walnut, carved wood and partly gilded, resting on tapered legs surmounted by quivers at the front and sabers at the back, upholstered in silk damask with gold decoration on a blue background; minor accidents, traces of worm damage. H. 80 cm(31 ½ in.) l. 51 cm(20 in.) A set of six Empire style parcel-gilt and walnut chairs en gondole a chassis

ALDO TURA - Low table. Wood veneer covered in aniline-dyed parchment. Italy 1970s. 38.5x99.5x99.5 cm. A LOW TABLE BY A. TURA Very good condition. Signs of wear, small lines.

Pierre Guariche (1926-1995) Two side tables Chromed metal, wood and lacquered wood Designed around 1955 Publisher Steiner Label under the tops 'Home brabantia steel' and 'Siège steiner H 35.5 x W 39 x D 39 cm H 30 x W 30 x D 30 cm

CHRISTOPHER GUY (1960-2020) Important gilded wood headboard with coral branches, composed of two interlocking parts in the center. (Misses, restorations) Height 240 cm - Length 348 cm

Philippe STARCK (born 1949) Disform Edition Miss WIRT armchair Black lacquered metal and leather H. 113 cm - W. 56 cm - D. 46 cm Leather scratches

FONTANA ARTE Low table model "2001", with rectangular top in dark blue tinted glass, hollowed-out belt decorated with four square supports in gilded bronze, wrought-iron base with bronze shoes. Circa 1960 Height 38 cm - Width 90 cm - Depth 40 cm

SPANISH BAROQUE BARGUEÑO In walnut with wrought-iron frame, the front decorated with compartments featuring hardware motifs on a crimson velvet background, the flap revealing a stained bone, carved wood and gilded interior with thirteen drawers and two leaves, the sides fitted with handles, resting on a later-period walnut base. Dimensions (bargueño): H.:65,5 cm (25 ¾ in.) l.:105,5 cm (41 ½ in.) P.:45 cm (17 ¾ in.) Dimensions (base): H.:76 cm (30 in.) l.:75 cm (29 ½ in.) P.:46 cm (18 in.) Provenance: Sotheby's Paris sale November 4, 2015, lot 227 ; Acquired during the latter by the current owner. A Spanish Baroque wrought iron mounted, walnut, tinted horn and giltwood bargueño

ETTORE SOTTSASS - Chest of drawers mod. Mombasa. Open-pore stained ash wood, pearwood, brass. Zanotta production ca. 1989. Signature in fire. 143x82x58 cm. A CHEST OF DRAWES BY E. SOTTSASS Good condition. Slightly visible small lines, signs of wear, minor faults to veneer.

Borek SIPEK (20th century) 1990's Driade edition Janski model Pair of chairs. Lacquered metal structure on four legs, seat and back in multiply, the latter finished in turned wood armrests. H. 80 cm - W. 58 cm - D. 40 cm Scratches. [2]

# Bureau bonheur du jour in floral inlaid wood, opening with two leaves and two drawers, cambered legs and gilt bronze trim. Napoleon III period, 19th century. (Misses). H : 143 cm - W : 84 cm - D : 46 cm.

LOUIS XVI PERIOD CORNER CABINET Stamped by Jean Caumont Rosewood, amaranth and satinwood veneer, chased and gilded bronze ornamentation, restored Sainte-Anne gray marble top, front opening with one leaf, standing on straight legs, stamped J.CAUMONT and JME hallmark on the front right jamb. H.:85 cm (33 ½ in.) l.:71 cm (28 in.) P.:45 cm (17 ¾ in.) Jean Caumont, received master in 1774 A Louis XVI gilt-bronze mounted and tulipwood encoignure, stamped by Jean Caumont * Information for buyers: When leaving the EU, a CITES re-export certificate may be required, at the expense of the future buyer. * Information to buyers: For an exit from the EU, a CITES re-export certificate will be necessary, at the buyer's expense.

Le Corbusier coffee table/side table, LC10 by Cassina, 2nd half 20th century, designed by Charlotte Perriand, Pierre Jeanneret and Le Corbusier around 1928, chrome-plated steel legs, blackened steel table frame, marked on table frame: LC10, no. 4109, Cassina company logo, Le Corbusier and Made in Italy, glass table top with slight scratches, h: 32.5 cm, 70.5 x 70.5 cm, 4224 - 0026

115) SOUTH INDIA. Wooden chest decorated with stylized motifs on the front. Height: 77 cm D : 42 cm W : 124 cm

Original tapis Art Déco. - Original Art Deco RUG. Wool velvet on wool foundation. Geometric design. Circa 1930/40. Size: 150 x 097 cm. (Good condition)

172) Garden furniture including a round iron table and four chairs. D : 94 cm

Rosewood and filleted sloping desk, decorated with flowers. Louis XV style. H.: 93 cm ; W.: 64 cm ; D.: 62 cm. (accidents)

# Encoignure à gradins marqueté de bouquets de fleurs ouvrant par un vantail, ornementation en bronze ororé, la partie haute composée de deux traaux à galerie à fond de glaces biseautées. Napoleon III period, 19th century. H: 156 cm - W: 84 cm - D: 63 cm. (Misses, lifts, twisted gallery).

NEOCLASSICAL ITALIAN CONSOLE TABLE In carved wood, cream lacquered, grey rechampi and partly gilded, top in Sienna yellow and green antico marble veneer, the belt supported by six tapered uprights encircled by rings decorated with stylized foliage; small accidents and missing parts. H.:100 cm (39 ½ in.) l.:149,5 cm (58 ¾ in.) P.:73 cm (28 ¾ in.) An Italian Neoclassical parcel-gilt, cream and gray lacquered console

Original et grand tapis moderne contemporain. - Original and large modern contemporary RUG. Wool velvet on cotton backing. Geometric design. 20th century. Size: 230 x 160 cm. (Beautiful polychromy, good condition).

Louis XVI style desk with two drawers, fluted tapered legs 113 x 63 cm

MANGIAROTTI ANGELO (1921 - 2012) - MANGIAROTTI ANGELO (1921 - 2012) Extendable table from the Programma S11 series for Sorgente del Mobile, Arosio. 1972. Wood. Cm 74x120x120.