Lot 's search

Sat 11 May

Paar russische Cloisonné - Kannen - Each cut lead crystal and silver 88 zolotniki (916/1000), fully gilt and color enameled, each cylindrical lead crystal body with flared stand and solid, attached handle, each richly cut with stars in vertical fields, each with elaborate vermeil mounting with wide neck cuffs with capped snout and humped hinged lid with lever pull system, the neck cuffs, snouts and lids decorated with old Russian knot motifs or swirl rosettes, surrounded by or with swirl rosettes. swirl rosettes, surrounded by or embedded in decorative bands with repeating geometric or floral motifs in colored floral motifs in colored cloisonné enamel against a cream-colored ground, the insides entirely gilt, each with the Russian guarantee mark on the inner frame with indication of fineness and Moscow hallmark (Kokoshnik to the right with "88" and "Δ"), master's mark "ПОВЧИННИКОВЪ" and imperial double-headed eagle, the cover again with Russian guarantee mark with indication of fineness and Moscow hallmark (Kokoshnik to the right with "88" and "Δ"), each h ~35 cm, combined weight 4.660 gr, Owtschinnikow Moscow 1908 - 1917, both in very good condition, almost perfect condition, undamaged and unrestored 9201 The typical knot and spiral motifs originate from old Russian ornamentation and are found in particular in works by the Owtschinnikow workshop, as early as the 1870s, the founder Pavel Ovchinnikov created this typical Russian style, the models used for this were partly taken from the work Histoire de l'ornement russe du Xe au XVIe siècle d'après les manuscrits by Victor Ivanovich Butovski, published in 1870 Prov.: Private collection East Westphalia, acquired in Zurich in the 1980s

Estim. 3 200 EUR

Sat 11 May

Russischer Schmuckgürtel - Silver 84 zolotniki (875/1000) chased, cast, drawn, engraved and nielloed, two-piece buckle with plug-in catch in the shape of a dagger and 25 long oval links with niello decoration, on the reverse of the dagger guarantee mark Russia with inspection mark for Kiev (Kokoshnik with "AB"), on each link master's mark "MM", buckle 80 x 69 mm, total length 81 cm, weight 171 gr, Master M.M. Gouvernement Kiev 1896 - 1908, good original condition with slight signs of age and wear, uncleaned 2908 Ref.: Andrei Gilodo 1994, Russian Silver No. 84 with full-page illustration (similar example) and Wolf-Dieter Seiwert 2009, Schmuck aus dem Orient, Kostbarkeiten der Sammlung Bir, p. 217, no. 582 and 275/276, nos. 714-719 (The Bir Collection is considered one of the most extensive and best private collections of oriental jewelry, a significant part of which is on permanent display at the Grassi Museum in Leipzig).

Estim. 150 EUR

Thu 16 May

Silver censer, Saint Petersburg, first quarter of the 19th century. Triangular body with cut angles. Hallmarks: 84, St. Petersburg, assayer "А-Я" (Alexander Ilyich Yachinov, active 1795-1826) and silversmith (hallmark not found). Total height: 54 cm; body size: 9.5 cm square; total weight: 218 g

Estim. 400 - 600 EUR

Thu 16 May

Nikolai Egorovich SVERCHKOV (1817-1898) Affidavit (at a standstill) mounted by Ch. Webber, 1864 Oil on canvas. Signed and dated lower left. A label on the frame reads "Affidavit / Born in 1861 by JAVELOT and DALHIA, winner in 1864 of the Derby universel and the grand prix de la société d'Encouragement à Bruxelles, Trained and ridden by TOM OSBORNE, winner in 1866 of the DEAUVILLE cup and several other prizes, Trained by J. BOLDRICK, ridden by Ch. WEBBER, owned by Mr. Hippolyte LUNEL". 54 x 64 cm Large contemporary wood and gilded plaster frame with cartel. Minor damage to frame. Affidavit is a chestnut belonging to Hippolyte Lunel (1832-1906), speculator, financier and stable owner until 1868. This horse raced from 1864 to 1866: second in the Prix du Jockey-Club (French Derby) at Chantilly in 1864, he took part in the Grand Prix de Bade in September 1864. In 1866, he was the first winner of the newly-created Coupe de Deauville (renamed Grand Prix de Deauville in 1871). Dictionnaire du sport français by Ned Pearson, Paris 1872. Webber (Charles ?) was a jockey who in 1866 rode the horse Étoile Filante, owned by Hippolyte Lunel. The Derby (Journal universel des courses et du sport) of May 22, 1866 announces that Tom Osborne is no longer in the service of Mr. H. Lunel and has been replaced by Boldrick. There is also a lithograph of Affidavit after Jonny Audy (1844-1882).

Estim. 8 000 - 12 000 EUR

Thu 16 May

Alexei Petrovich BOGOLIUBOV (1824-1896) [attributed to] Pont des Arts seen from the Pont du Carrousel, circa 1885-1890 Oil on canvas. Unsigned. "A Bogoliuboff" inscribed in point on the stretcher top right. 48 x 64 cm This painting should be compared with an oil on paper by Bogoliubov dated 1889 with the same subject and composition, offered at Sotheby's on June 7, 2010. The work was of a smaller format and featured a few differences from the present painting (barges, Louvre buildings, the dome of the Institut...). In the same spirit, he painted the Eiffel Tower (which, like the Pont des Arts, is a metal structure) in 1889, also with the Seine in the foreground at dusk (Musée Carnavalet). The Musée Carnavalet also has a very similar painting by Stanislas Lépine (1835-1892): le pont des Arts vu du pont Royal (circa 1884).

Estim. 10 000 - 15 000 EUR

Thu 16 May

Alexei Stepanovich STEPANOV (1858-1923) Two Women in a Boat Oil on canvas mounted on cardboard. Signed lower left. 41 x 60 cm

Estim. 400 - 500 EUR

Thu 16 May

Leonid Demianovich BLINOV (1867-1903) Saklia in Alupka (Crimea) Oil on cardboard. Signed lower left. Titled on the back. 24 x 43.5 cm

Estim. 180 - 250 EUR

Thu 16 May

Konstantin Alexeevich KOROVIN (1861-1939) Troika on a bridge, c. 1930 Oil and gouache on cardboard. Signed in Russian К. Коровинъ lower right. 38 x 46 cm

Estim. 12 000 - 18 000 EUR

Thu 16 May

Konstantin Alexeevich KOROVIN (1861-1939) Troika through a village, c. 1930 Oil and gouache on panel. Signed in French C. Korovine lower left. 32 x 39 cm

Estim. 10 000 - 15 000 EUR

Thu 16 May

Konstantin Alexeevich KOROVIN (1861-1939) Horse-drawn sleigh, c. 1930 Oil and gouache on cardboard. Signed in French C. Korovine and annotated Russia lower left. 32 x 41 cm

Estim. 8 000 - 12 000 EUR

Thu 16 May

Nikolai Dmitrievich MILLIOTTI (1874-1962) Portrait of a young man Oil on canvas. Signed upper left and located Paris upper right. 80 x 65 cm

Estim. 3 000 - 4 000 EUR

Thu 16 May

Pavel Dmitrievitch CHMAROFF (1874-1950) Seaside Oil on canvas. Signed lower left. 64 x 97.8 cm

Estim. 2 000 - 3 000 EUR

Thu 16 May

Konstantin Ivanovich GORBATOV (1874-1945) Bouquet of flowers at the window Oil on paper pasted on canvas. Signed lower left. (Small craquelures). 61 x 44 cm

Estim. 5 000 - 6 000 EUR

Thu 16 May

Konstantin Ivanovich GORBATOV (1876-1945) Fishermen's village. Capri, circa 1930 Oil on canvas. Signed lower right. 46.5 x 65 cm

Estim. 20 000 - 30 000 EUR

Thu 16 May

Nikolai Nikolaevich SAPUNOV (1880-1912) Still life with a vase of flowers and oranges, 1910 Oil on canvas. Signed and dated lower right. 80.5 x 61 cm

Estim. 4 000 - 6 000 EUR

Thu 16 May

Leon (Lev Maximovich) SCHULMANN (GASPARD) (1883-1964) Painter in the snow, 1907 Oil on panel. Signed, located Paris and dated lower right. On the back, a label on the mounting board indicates in ink "N°4. Un artiste inconnu / Léon Schulmann" and in graphite, a price of 250 f. 22 x 27.5 cm Léon Schulmann came to Paris in 1905 and settled there, with a foray into Russia in the autumn of 1907 and 1908. On December 24, 1908, in Paris, he married Eugénie Evlyn Gasper, an American from New York, and used his wife's Frenchized name to sign "Léon Gaspar Schulman(n)", "Léon S. Gaspar" and then, from 1914 onwards, "Léon Gaspard". Signature, date and place are consistent.

Estim. 2 000 - 3 000 EUR

Thu 16 May

Alexander Alexandrovich RUBTZOFF (1884-1949) Landscape near Oran, 1914 Oil on canvas mounted on cardboard. Signed and dated lower right. Located Oran lower left. 17.5 x 28 cm

Estim. 2 000 - 2 500 EUR

Thu 16 May

Georges (Gueorguy Alexandrovitch) LAPCHINE (1885-1950) Russian village in autumn Oil on canvas. Signed lower right. 54.5 x 74 cm

Estim. 4 000 - 6 000 EUR

Thu 16 May

Wladimir (Vladimir Konstantinovich) PETROFF (circa 1890-after 1938) Interior of the Blue Mosque, 1930 Oil on canvas mounted on cardboard. Signed, located Stamboul and dated lower right. 40 x 57 cm Interior of the Blue Mosque (Sultan Ahmet Mosque) with one of the four massive pillars (the one on the right in the background) supporting the dome.

Estim. 800 - 1 200 EUR

Thu 16 May

Anatola (Anatoli Sergueievitch) SOUNGOUROFF (1911-1982) Autumn, 1980 Oil on canvas. Signed lower right. Dated on the back. 55 x 46 cm

Estim. 300 - 400 EUR

Thu 16 May

Zenitta TAZIEFF (1886-1984) Still life, 1978 Oil on paper. Signed and dated upper right. On the back a pencil sketch of a female nude. (Tack holes). 61 x 48.5 cm Zenitta Iliassovna Kloupt, widow of Mohamet Sabir Tazieff, married Liège poet [Jacques] Robert Vivier in 1922. She is Haroun Tazieff's mother.

Estim. 150 - 200 EUR

Thu 16 May

Vasyl (Vasily Mikhailovich) KHMELUK (1903-1986) Pheasant, still life Oil on canvas. Signed lower left. 24.5 x 33 cm

Estim. 800 - 1 200 EUR

Thu 16 May

Anatoly Evguenietch POUTILINE (b. 1946) Pause, 1984 Oil on canvas. Signed, dated and titled on the back. 33 x 55 cm Provenance : Galerie Gorky, Paris.

Estim. 200 - 300 EUR

Thu 16 May

Vladimir Alexandrovich Bulgin (1938-2001) "Icons Four oils on canvas. Three signed and dated lower right, one dated 1980 and two dated 1985. 73 x 60 cm; 65 x 51 cm; 55 x 46 cm and 74 x 51 cm

Estim. 1 000 - 1 500 EUR

Thu 16 May

Oscar Yakovlevitch RABINE (1928-2018) Still life, 1988 Oil on canvas. Signed and dated lower right. Titled, dated and numbered 976 on the back. 130 x 162 cm In the foreground, a still life with a symbolic representation of Montmartre in the background.

Estim. 30 000 - 50 000 EUR

Thu 16 May

Oscar Yakovlevitch RABINE (1928-2018) Poet Sabguir in Paris, 1988 Oil on canvas. Signed and dated lower right. Titled, dated and numbered 973 on the back. 130 x 162 cm Guenrikh Veniaminovitch Sapguir (1928-1999). Poet, writer, scriptwriter. From 1944, he was a participant in Yevgeny Kropivnitsky's (Oscar Rabin's father-in-law) literary and artistic workshop in Moscow, and from the late 1950s, in the close circle of poets and artists formed around Kropivnitsky and his pupil Oscar Rabin, known as the "Lianozov School". Sapguir came to Paris for the first time in November 1987. In 1988, William Brui photographed him in Normandy.

Estim. 30 000 - 50 000 EUR

Thu 16 May

Fedor Yakovlevitch ALEXEEV (1753-1824) Palace quay seen from the Saint-Pierre et Saint-Paul fortress Oval watercolor on paper. Unsigned. Bears three labels on the back with reference: 1 - the title with the painter's name in Russian and Latin letters "N. Brodsky". 2 - "Ф. Я.Алексеев (1799): ref. Русское искусство 18-го века. страница 291" (F. Ya. Alexeev (1799): ref. Russian Art of the 18th century page 291). 3 - "Ф. Алексеев 1790 / Ref. Русский пейзаж стр. 457 / Алексеев монография" (F. Alexeev 1790 / Ref. The Russian Landscape, p. 457 / Alexeev monograph). 12 x 15.5 cm on view In an important early 19th-century gilt bronze frame. Frame size: 28 x 31 cm Provenance: Michel Brodsky Collection. F. Ya. Alexeev painted a large picture in 1799 entitled "View of the Peter and Paul Fortress and the Palace Quay" (oil on canvas, 71.5 x 109 cm), which is now in the Russian Museum in St. Petersburg. The name on the label on the back is not accurate and refers to a 1794 painting in the Tretyakov Gallery in Moscow. This miniature differs in some details from the Russian Museum's painting: the brig in the foreground, the position of the canoe in relation to the fortress pier, the figures...

Estim. 12 000 - 18 000 EUR

Thu 16 May

Anonymous. First half of the 19th century. Portrait of a boy Miniature on bone. Watercolor and gouache. 6 x 4.8 cm Exhibition: On the back, exhibition label from 1985-1986 at the Manège in Saint Petersburg (then Leningrad).

Estim. 800 - 1 200 EUR

Thu 16 May

Vera Alexandrovna ORLOWA (1876-1964) Portrait of a young girl, 1915 Watercolor and gouache. Signed lower right and dated 1915 December below left shoulder. 23 x 19 cm

Estim. 150 - 200 EUR

Thu 16 May

David Ossipovitch WIDHOPFF (1867-1933) Elegant couple in the street Ink. Signed lower left. (Torn and missing in the margins). 65 x 50 cm

Estim. 150 - 200 EUR

Thu 16 May

Georges Ferdinand BIGOT (1860-1927) Type of muzhik Charcoal. Signed lower right. Titled lower center. 28 x 22.5 cm Attached is a small ink on tracing paper, titled upper right: Church and House in a Small Russian Village. 15 x 13.5 cm

Estim. 100 - 150 EUR

Thu 16 May

Filip Andreevitch MALIAVIN (1869-1940) Profile of a peasant woman Colored pencil and crayon. Signed lower right. 14 x 21 cm

Estim. 300 - 400 EUR

Thu 16 May

Fedot Vasilyevich SYCHKOV (1870-1958) Peasant woman at the gate, 1929 Watercolor and gouache. Signed and dated lower right. 53.5 x 40.5 cm

Estim. 600 - 800 EUR

Thu 16 May

Alexandre Evguenievitch IACOVLEFF (1887-1938) And Léon LAUGIER (1879-1962) painter African figure, 1928 Painted porcelain plate with scalloped rim. Signed and dated on the front. Signed, dated and dedicated on the back to Léon Laugier. Diameter: 23.5 cm

Estim. 2 000 - 3 000 EUR

Thu 16 May

Nicolas Alexandrovitch ISSAIEV (1891-1977) Portrait of a man Pastel. Signed lower right. Study of a woman on the back. (Fold and small tear in margin). 51.5 x 41 cm

Estim. 150 - 180 EUR

Thu 16 May

Lev Smaragdovich TCHISTOVSKY (1902-1969) Nude lying down Three pencils. Signed lower left. 46 x 61 cm

Estim. 2 000 - 3 000 EUR

Thu 16 May

Vladimir Grigorievitch WEISBERG (1924-1985) Seated nude, back, 1970 Watercolor. Monogrammed lower left and dated right. 21 x 28 cm Provenance : Elfrida Filippi Collection. By descent.

Estim. 400 - 600 EUR

Thu 16 May

Vladimir Grigorievich WEISBERG (1924-1985) Standing nude, 1968 Watercolor. Dated lower left. 38.8 x 27 cm Provenance : Elfrida Filippi Collection. By descent.

Estim. 400 - 600 EUR

Thu 16 May

Lev Smaragdovich TCHISTOVSKY (1902-1969) Lying Woman Aquatint. In the lower margin in graphite: justified 295/350 on the left and signed on the right. 35 x 47 cm

Estim. 200 - 300 EUR

Thu 16 May

Ernst Iossifovich NEIZVESTNY (1925-2016) Horse, 1968 Etching. Monogrammed and dated in the plate. Signed lower left in the margin in graphite. 33 x 22 cm Provenance : Elfrida Filippi Collection. By descent.

Estim. 150 - 200 EUR

Thu 16 May

Vyacheslav Vasilyevich KALININ (1939-2022) Bird. Etching. In the margin, lower left, justified 3/15 and dedicated to Elfrida [Filippi]. Signed lower right. 23 x 44.5 cm Provenance : Elfrida Filippi Collection. By descent.

Estim. 150 - 200 EUR

Thu 16 May

Sebastián Fernández de MEDRANO (1645-1705) Jacobus HARREWIJN (1650-1727) (engraver) Carta Geographica de una moderna descripcion, de el IMPERIO de la RUSIA BLANCA, o gran DUCADO de MOSCOVIA, y de un viaje que un embaxador de el CZAR de MOSCOVIA, hizo, atravesando toda la TARTARIA MAYOR, al IMPERADOR de la CHINA. ("Carte géographique d'une description moderne de l'EMPIRE de RUSSIE BLANCHE, ou Grand-Duché de Moscovie, et d'un voyage qu'un ambassadeur du TSAR de MOSCOU fait, traversant toute la TARTARIA MAJEURE, chez l'EMPEREUR de CHINA"). Etching. Lower left, a cartel of Russian ethnographic drawings contains the title. At bottom right, an architectural element surmounted by Chinese ethnographic drawings bears the author's name below the scale: "Delineada por Alberto Fernandez Juaquin Mienson Discipulo de al Autor" (Drawn for Alberto Fernandez Juaquin Mienson disciple of the author) and signed by the engraver at far right. Antwerp, 1709. [Printed by Henricus and Cornelius Verdussen]. 29 x 42.5 cm Sebastian de Medrano (or de Mora), Spanish military engineer, general, director of the Brussels Military Academy. Alberto Mienson (XVII - after 1722), professor at the Brussels Military Academy, colonel and military engineer. Jacobus Harrewijn, Brussels engraver.

Estim. 300 - 400 EUR

Thu 16 May

Fedor Nikolaevitch GADAYEV (1858-1896) 20 silver prints from the Caucasus view series. Between 1894 and 1896. Mounted on the photographer's cardboard stand bearing the general title of the series. Each photograph is captioned at the foot of the plate (some captions are no longer legible). 12.2 x 16.8 cm (21.8 x 26.8 cm with mount) F. N. Gadayev had studios in Kislovodsk and Pyatigorsk. He was the official photographer of the Caucasus spas. He is best known for this series of views of the Caucasus, of which he published an album in 1891.

Estim. 300 - 400 EUR

Thu 16 May

Carle VERNET (1758-1836) [drawn by] Philibert-Louis DEBUCOURT (1755-1832) [engraved by] Farewell of a Russian to a Parisian Woman Aquatint enhanced with watercolor. Published by Charles Bance, Paris. S. d. [1814]. 41 x 29 cm (under glass). Plate no. 5 from the 1st issue of a suite of 56 plates entitled "Collection de costumes dessinés d'après nature par Carle Vernet".

Estim. 150 - 200 EUR

Thu 16 May

Adrien Pierre François GODEFROY (1777-1865) [engraver] Officers of the Russian Army Colorized print from the series "Armées des Souverains Alliés": year 1814 N°1. Monogrammed in the plate lower right. 28 x 40 cm (under glass).

Estim. 200 - 300 EUR

Thu 16 May

Jean Henri BENNER (1776-1836) Collection of twenty-four portraits of the Imperial Family, painted by H. Benner, who obtained permission from his MAJESTY THE EMPEROR to have these portraits engraved. Many of these portraits were engraved by André-Joseph MÉCOU (1770-1837). Other engravers also contributed to the work: Charles JOHANNOT (1789-1824), Antoine Jean Baptiste COUPÉ (1782-1865) and Friedrich JOHN (1769-1843). St. Petersburg: M. Saint-Florent, Libraire. In Moscow, at M. Rosenstrauch's, Magasin Cosmétique. [1817]. The engravings were printed in Paris by Chardon. Enclosed is the subscription list. 1 volume in folio. On the front flyleaf, a dedication "Offert à Madame Briand / par l'auteur / S-Pétersbourg le 6 may 1823".

Estim. 1 500 - 2 000 EUR

Thu 16 May

Ivan Ivanovitch BETSKOY (1704-1795) The plans and statutes of the various establishments ordered by her Imperial Majesty Catherine II for the education of youth and the general utility of her Empire. Written in Russian by M. Betsky and translated into French, from the originals, by Mr Clerc. Volume I In-4. 173 pp. Amsterdam: Marc-Michel Rey, 1775. Frontispiece and some vignettes engraved by Grigory Fedorovitch SREBRENITZY (1741-1779) in 1768 for Betzkoy's "Statuts pour l'éducation de deux cents demoiselles bien-nées" (in Russian). Other vignettes are by Stepan (Étienne) PANINE (1739-1775): six from the work "General Plan of the Moscow House of Education" 1767 (in Russian) and seven new ones, and by Dmitri Fedorovitch GUERASSIMOV (1739-1784) for the work "Foundation of the House of Education" 1763 (in Russian). Other vignettes are also included, some unsigned.

Estim. 1 000 - 1 500 EUR

Thu 16 May

Nicolas Gueorguevitch duc de LEUCHTENBERG (1872-1929) [Author]. Vladimir Fedorovich KOZLIANINOV (1881-1959) [editor] Boris Vassilievitch ZVORIKINE (1872-1942) [illustrator] History of the Horse Guards Regiment 12 volumes of plates and one volume of text. Paperback. The first cover is illustrated by B. V. Zvorikine. 244 plates out of text, 198 in black and 46 in color. Trilingual edition: Russian-French-English. Edited by Prince Segueï Sergueevitch BELOSSELSKY-BELOZERSKY (1895-1978). Paris, 1961. Edition 300 copies (copy no. 235). In slipcase (stained).

Estim. 500 - 600 EUR

Thu 16 May

Jacques FERRAND (1943-2007) 1 - Princely families of Georgia. Essay on the genealogical reconstruction (1880-1983) of 21 families recognized as princely by the Russian Empire. Published by the author. 1983. 286 pp. 2 - Les familles comtales de l'ancien empire de Russie en émigration. Published by the author. 1983. 251 pp.

Estim. 200 - 300 EUR

Thu 16 May

Jean COCTEAU (1889-1963) Joseph-Paul IRIBE (1883-1935) Vaslav Nijinsky Square in-4° booklet of six verses by Jean Cocteau, each illustrated with a drawing by Paul Iribe in praise of Nijinsky, depicting him in two ballets, "Giselle" and "Schéherazade". Société générale d'impression, Paris, 1910. 8 unnumbered pages, held together by a silk cord. Edition of 1000 copies, one of 934 on Japon.

Estim. 200 - 300 EUR

Thu 16 May

Igor's country tale Book embellished with 10 full-page illustrations, vignettes, cul-de-lampes and initials. Moscow, Academia, 1934. 52 pp. Edition of 3300 copies. In 1934, "Academia" published two versions of this work: a literature version and a fine arts version. This is the version presented here. For the illustrations, Ivan Ivanovitch Golikov (1886-1937), Palekh's best miniaturist of his time, was commissioned.

Estim. 200 - 300 EUR

Thu 16 May

Steel candlestick. Tula. First half of the 19th century. Steel and brass garlands. Rectangular base with cut angles. Cylindrical shaft and thumb grip. Height: 5.9 cm; base dim.: 9 x 7.7 cm

Estim. 1 800 - 2 500 EUR

Thu 16 May

Amethyst glass bowl on gilt bronze base. Possibly Saint Petersburg. First quarter of the 19th century. Square gilt bronze base. Fluted cylindrical shaft also in amethyst glass between two gilt bronze elements. Height: 19.6 cm; bowl diameter: 18 cm

Estim. 1 800 - 2 500 EUR

Thu 16 May

Bust of Alexander III. Late 19th century. Brown patina bronze proof signed V. Germain. Square base with "ALEXANDRE III" engraved on the front. Height : 16 cm This bust was probably made for the Franco-Russian Alliance in 1892-1894.

Estim. 300 - 400 EUR

Thu 16 May

Evgeni (Eugen Johann) Lvovich NAPS (1848- after 1917) The Return from the Hunt, circa 1880-1890 Bronze proof with brown patina. Signed on the base "SULP. NAPS" ON THE BASE. Founder's signature "Fabr. C.F. WOERFFEL / Saint Petersburg". Height: 17.5 cm; base size: 29 x 14.3 cm

Estim. 800 - 1 200 EUR

Thu 16 May

Porcelain Easter egg. Early 20th century. Light brown in color with a depiction of Jesus carrying the Cross before a kneeling Simon of Cyrene and in opposition the two gilded letters "Х В" (initials of Christ is Risen). Height: 9 cm

Estim. 180 - 250 EUR

Thu 16 May

Porcelain egg. Early 20th century. Gilded egg with a large yellow oval reserve depicting the Elevation of the Cross by the Empress Saint Helena. Height: 8.8 cm

Estim. 150 - 200 EUR

Thu 16 May

Porcelain egg. Early 20th century. Light blue in color with a large red oval reserve in a gilded frame with a representation of Christ blessing the wine and in opposition the two gilded letters "IС ХС" (initials of Jesus Christ). Height: 8 cm

Estim. 120 - 180 EUR

Thu 16 May

Porcelain Easter egg. Early 20th century. Midnight-blue in color with gilded scrolls and a large cream reserve with the representation of Christ Pantocrator on the globe and in opposition the words "Христосъ" (Christ). Height: 5.5 cm

Estim. 100 - 150 EUR

Thu 16 May

Porcelain egg. Early 20th century. Pale pink with a large oval reserve depicting the Annunciation. Height: 7.2 cm

Estim. 120 - 180 EUR

Thu 16 May

Porcelain Easter egg. Early 20th century. Red in color with a large oval reserve in a gilded frame with a representation of Christ Pantocrator and in opposition the two letters "Х В" (initials of Christ is risen). Height: 10 cm

Estim. 200 - 300 EUR

Thu 16 May

Porcelain Easter egg. Early 20th century. Pink in color with a large oval reserve in a gilded frame with a representation of the Virgin of Kazan on a cream background and in opposition the two gilded letters "Х В" (initials of Christ is risen). Height: 9.8 cm

Estim. 180 - 250 EUR

Thu 16 May

VICHNIAKOV and Son. Circa 1880. Round pill box. On the lid, a tarantass harnessed as a troika. Papier-mâché, lacquer paint. Marking on inside of lid extremely worn. Height: 2 cm; diameter: 4.5 cm

Estim. 80 - 120 EUR

Thu 16 May

Two large papier-mâché boxes, painted on lacquer. Fedoskino, circa 1960. Rectangular boxes on four small feet. 1 - The lid is painted after Vasily Grigorievich Perov's painting "Hunters at a halt". Boris Mikhailovich Morozov (1932-2010). Signed lower right. 25.5 x 19 x 6.6 cm 2 - The lid is painted after Viktor Mikhailovich Vasnetzov's painting "Tsarevich Ivan riding the gray wolf". Nikolai Pavlovich Aldoshkin (1931-1990). Signed lower right. 25.5 x 18.6 x 6.7 cm

Estim. 150 - 200 EUR

Thu 16 May

Box and three boxes in papier-mâché painted on lacquer. Palekh. 1 - Rectangular box on four small feet. The lid is painted with the duel scene between Peresvet and Tcheloubey. Soïn. Palekh. On the foot, the story of the duel. Situated on the left and signed on the right. 17.3 x 10.4 x 3.7 cm 2 - Small rectangular box in papier-mâché, painted on lacquer. On the lid, a water carrier. Bottom left "Палех" (Palekh), middle title "На воду" (fetching water) and right initials "ЗВ" (Z V). 15.3 x 8 x 2.9 cm 3 - Small rectangular box in papier-mâché, paint on lacquer. Scene from the epic "Volga and Mikula Selianinovich". Probably Anna Alexandrovna Kotoukhina. 4.5 x 3.3 x 2.6 cm - Small square papier-mâché box, painted on lacquer. In a central circular medallion, a scene from the fairy tale "The Firebird". In the border, around the miniature, from left to right: "Палех" (Palekh), the title "Жар-птица" (The Firebird) and the initials "СА" (SA). 6 x 6 x 3.5 cm

Estim. 150 - 200 EUR

Thu 16 May

Lot of papier-mâché objects, lacquer painting. 1 - Small round papier-mâché box, painted on lacquer. Scene from the fairy tale "The Frog Princess". On the border, around the miniature, from left to right: "Мстера" (Mstera), the title "Царевна-лягушка" (The Frog Princess) and the signature "Новикова О." (Novikova O.). Height: 3.1 cm; diameter: 6.8 cm 2 - Two round papier-mâché brooches, painted on lacquer. The old man and the little golden fish. Diameter: 5.2 cm Bouquet of flowers. Scalloped edge. Diameter: 5 cm

Estim. 100 - 150 EUR

Thu 16 May

Cast bronze neck cross. Late 15th - 17th century. The obverse and reverse molds of a 15th-century encolpion model were used to cast this cross. This encolpion model features, on the obverse, the Crucifixion surmounted by the Holy Spirit in the form of a dove surmounted by the letters "IСЪ ХЪ" (Jesus Christ). On either side of the Crucified One are bust figures of the Apostle John, surmounted by the letter "А" and the Mother of God, surmounted by the letter "K". Above Christ's arms, the inscription "СБ" (Son of God) to the left and "НИ" (Nika-Victory). On the reverse is the Mother of God and in circular medallions, two six-winged seraphim (above and below) and two archangels holding a scepter (right and left). 6.5 x 4 x 0.4 cm

Estim. 100 - 150 EUR

Thu 16 May

Miniature icon of the holy martyr Elijah. Moscow, 1864. Oklad in engraved silver plate, vermeil frame. Marks: 84, Moscow 1864. No visible goldsmith's hallmark. 4.5 x 4 x 1.4 cm; gross weight: 33 g

Estim. 100 - 150 EUR

Thu 16 May

Icon of Saint Nicholas. Saint Petersburg, 1860s. Oklad in silver and vermeil with repoussé decoration. Silver and vermeil nimbus with serrated edge. Hallmarks: 84, Saint Petersburg, 186... (incomplete strike) and silversmith "ПСП" (Petr Savelev Petrov). The assayer's initials are illegible. 12 x 10 cm; gross weight: 133 g

Estim. 300 - 400 EUR

Thu 16 May

Icon of Saint Nicholas the Thaumaturgist. 19th century. Oklad in repoussé and engraved brass. Nimbus in repoussé brass. 22 x 17 cm

Estim. 200 - 300 EUR

Thu 16 May

Icon of Christ Pantocrator. Moscow (?), late 19th century. Oklad in engraved silver leaf and silver baguette frame with suspension ring. In a shaped box. Hallmarks: 84 and goldsmith "аС" (hallmark badly struck) (not listed). 4.8 x 4 cm; gross weight: 19 g

Estim. 200 - 300 EUR

Thu 16 May

Icon of the Virgin of Pechersk. Late 19th century. Oklad in engraved sheet metal and frame, both in vermeil. Hallmarks: 84 and silversmith "ЛС" (difficult to read). 8.8 x 7.5 cm; gross weight: 79 g

Estim. 180 - 250 EUR

Thu 16 May

Silver and vermeil diptych. Moscow, late 19th century. Engraved on the front with the Cross with spear and sponge and on the back with the prayer "Пресвятая Богородица спаси насъ" (Most Holy Mother of God save us). Inside on the left flap, the Virgin of Kazan and on the right flap, Saint Nicholas, both icons with an engraved silver and vermeil oklad in a vermeil frame. Hallmarks: 84, Moscow circa 1896 and silversmith "ИС" (Ivan Dmitrievitch Saltykov). 6.6 x 8.8 cm (open); weight: 54 g

Estim. 400 - 600 EUR

Thu 16 May

Small icon of the Deisis. Kostroma ? late 19th - early 20th century. Painted porcelain icon in a case with a hinged silver and vermeil oklad acting as a lid. At the back, a hinged foot to hold the icon. Marked: "ЛМ" (Leonid Metlin, Podolskoe village?). 8 x 7.5 x 2 cm; gross weight: 140 g

Estim. 300 - 400 EUR

Thu 16 May

Icon of the Resurrection of Christ. Moscow, early 20th century. Oklad and nimbus mounted in silver plate and engraved vermeil. On the back of the icon, two ink stamps "Стефанъ З. Щаклевъ / Иерусалимъ" (Stéphane Z. Chtchaklev / Jerusalem) and "Благословение отъ живоноснаго гроба и отъ горы Голгофы в Иерусалиме" (Blessing of the Life-bearing Tomb and Mount Golgotha in Jerusalem) with a dedication in Bulgarian: "I offered this icon as a souvenir to my wife Ekaterina Maximova in the city of Sofia. Comes from the city of Jerusalem. 23. IV. 1910", dedication signed ST. Z. Shchaklev. Hallmarks: 84, Moscow 1899-1908 and silversmith "М.К" (unidentified). 22.5 x 17.8 cm; gross weight: 399 g In a wood and gilded stucco frame, all in a wooden kiot. 33.5 x 29 cm The Chtchaklev family of Jerusalem is mentioned in a letter from the Bulgarian Patriarch Kyril dated April 1, 1962, in which he states that Chtchaklev has already been dead for 8 years. [Patriarch Kyril's collection in the Bulgarian State Archives].

Estim. 500 - 600 EUR

Thu 16 May

Icon of Christ in a silver and vermeil oklad. Moscow, early 20th century. Wooden kiot. Hallmarks: 84, Moscow 1899-1908 and silversmith "ИА" (Ivan Alexeevitch Alexeev). 13.5 x 11 cm; gross weight: 162 g

Estim. 400 - 600 EUR

Thu 16 May

Icon of Christ Pantocrator. Moscow, early 20th century. Oklad in stamped and engraved silver plate. Hallmarks: 84, Moscow after 1908 and silversmith "ГС" (probably Gavril Sergueevitch Slobodchikov-Zherine). 22 x 17 cm; gross weight: 558 g

Estim. 280 - 350 EUR

Thu 16 May

Silver Icon of the Virgin of Iveria. Moscow, early 20th century. Champlevé enamel and painted enamel icon in a filigree silver frame. On the back, a prayer to the Virgin in champlevé enamel. The icon is surmounted by a square, filigree silver hoop with a bas-relief representation of the Face of Christ on the front, with gilding residue. Hallmarks: 84, Moscow 1899-1908 and silversmith "ПО" (Pavel Akimov Ovtchinnikov). 7.5 x 4.7 cm; gross weight: 83 g

Estim. 300 - 400 EUR

Thu 16 May

Icon of the Virgin Odigitria. Western Russia, late 18th - early 19th century. Icon of the type of the Virgin of Smolensk (or Chouïa-Smolensk?), with strong Italian influence. Tempera on wood. 31 x 30.5 cm

Estim. 300 - 400 EUR

Thu 16 May

Monthly icon or November menologe. First half of the 19th century. Label on back "Panel from the church of St (?) in Sebastopol brought back from the Crimea by Captain Duran of the 9th B[ataill]on de Chasseurs 1855". The name of the church is not legible. Tempera on wood. 52.5 x 42 cm Damage. The 9th Battalion of Foot Chasseurs (later, in 1927, of Alpine Chasseurs) actually took part in the Crimean campaign. The churches of Sevastopol were looted by Allied troops.

Estim. 400 - 600 EUR

Thu 16 May

Icon of Saint Nicholas the Thaumaturgist. 19th century. Tempera on wood. 31 x 22 cm

Estim. 180 - 250 EUR

Thu 16 May

Icon of the meeting of saints from Pechersk monastery. 19th century. In the upper part, an icon of the Dormition of the Virgin, held by two angels, irradiates the monastery painted in the central part. The saints are distributed on either side, with the most important in the lower band. Tempera on wood. Frame formed by impression in levkas. 17.6 x 13.8 cm

Estim. 300 - 400 EUR

Thu 16 May

Icon of Saint Elijah, Saint Peter and Saint Onuphre. 19th century. The prophet Elijah is in the center with, on the left, Saint Peter of Athos and, on the right, Saint Onuphre the Anachoret, surmounted by the Holy Face. Tempera on wood. 16.5 x 15 cm

Estim. 300 - 400 EUR

Thu 16 May

Icon of the Virgin "Joy to all the afflicted". Second half of the 19th century. First, the Virgin dresses the naked and heals the sick. Above her, in a semicircle of clouds, Christ blesses. Tempera on wood. 31.2 x 26.5 cm

Estim. 250 - 350 EUR

Thu 16 May

Icon of Saint Elisha of Laurychava and Saint Alexandra. Late 19th century. The blessing Christ surmounts the two full-length saints. Tempera on wood. In a wooden kiot with a gilded frame carved with foliage. 17 x 13 cm (icon) and 31.5 x 28.5 cm (kiot)

Estim. 400 - 600 EUR

Thu 16 May

Icon of the Head of Saint John the Forerunner. Late 19th century. Tempera on wood. 22.4 x 17.8 cm

Estim. 200 - 300 EUR

Thu 16 May

Icon of the apparition of the Virgin Mary to Saint Sergius of Radonezh. Late 19th century. The Virgin Mary, accompanied by the apostles Saint Peter and Saint John, appears to Saint Sergius and his disciple Saint Micah, both kneeling. The decoration depicts the interior of the monastery. The Trinity of the Old Testament above in a semicircle of clouds is intended to bind Saint Sergius and the Trinity for the glory of the Laure de la Trinité-Saint-Serge. Tempera on wood. 31.5 x 28.6 cm

Estim. 300 - 400 EUR

Thu 16 May

Bronze quadriptych of the twelve Great Festivals. 19th century. Each panel features four vignettes and is topped by a bulbous dome. In the first panel: the Annunciation, the Nativity of Jesus, the Nativity of the Virgin and the Presentation of the Virgin in the Temple, with the Crucifixion in the bulb. Second section: the Presentation of the Lord in the Temple, Christ's Baptism, the Transfiguration and the Entry into Jerusalem, with Christ at God's right hand in the bulb. Third: the Resurrection, the Ascension of Christ, Pentecost and the Dormition of the Virgin Mary, with the Elevation of the Cross in the bulb. The fourth panel features the adoration of four miraculous icons of the Mother of God: the Virgin of Tikhvin, the Virgin of Vladimir, the Virgin of Smolensk and the Virgin of the Sign, with the Laudation of the Virgin in the bulb. On the outside of the central panel is the Cross on Golgotha. Sky-blue enameled bronze. 18 x 40.5 cm (open)

Estim. 100 - 150 EUR

Thu 16 May

Bronze quadriptych of the twelve Great Festivals. 19th century. Each panel features four vignettes and is topped by a bulbous dome. The first panel features the Annunciation, the Nativity of Jesus, the Nativity of the Virgin Mary and the Presentation of the Virgin Mary in the Temple, with the Crucifixion in the bulb. In the second section: the Presentation of the Lord in the Temple, Christ's Baptism, the Transfiguration and the Entry into Jerusalem, with Christ at God's right hand in the bulb. Third: the Resurrection, the Ascension of Christ, Pentecost and the Dormition of the Virgin Mary, with the Elevation of the Cross in the bulb. The fourth panel features the adoration of four miraculous icons of the Mother of God: the Virgin of Tikhvin, the Virgin of Vladimir, the Virgin of Smolensk and the Virgin of the Sign, with the Laudation of the Virgin in the bulb. On the outside of the central panel is the Cross on Golgotha. Sky-blue enameled bronze. 17.5 x 40 cm open

Estim. 100 - 150 EUR

Thu 16 May

Embroidered icon of the Resurrection of Christ, in a repoussé vermeil box. Greece, 1820-1830. Icon woven and embroidered with gold thread, silver thread and small river pearls. The repoussé silver case features a hinged rectangular flap decorated with a double-headed eagle holding in its talons a cross and an Orthodox episcopal crosier beneath an imperial crown, the symbol of the patriarchs of Constantinople. On either side of the eagle, an inscription: Κ[Ύ]Ρ[Ι] * ΛΛΟΣ / Ε[ΛΈΩ] * Θ[ΕΟΎ] / ΑΡ * ΧΙΕ[ΠΊΣΚΟΠΟΣ] / ΚΩΝΣΤ[ΑΝΤΙΝΟΥ] * ΠΌΛΕ[ΩΣ] / ΝΈΑΣ Ρ[Ώ] * Μ[ΗΣ] Κ[ΑΙ] ΟΙΚΟΥ[ΜΕΝΙΚΌΣ] / Π[ΑΤ]Ρ[Ι]Ά* ΡΧΗΣ (Κύριλλος ελέω θεού αρχιεπίσκοπος Κωνσταντινουπόλεως Νέας Ρώμης και οικουμενικός πατριάρχης), (Cyril by the mercy of God Archbishop of Constantinople the New Rome and Ecumenical Patriarch) which corresponds to the full titulature of the Patriarch of Constantinople. To the left of the crown, two depictions of cities, with their symmetrical counterparts to the right, all surmounted by a trophy of arms. The frame of this flap is decorated with horns of plenty, foliage and flowers. The opening reveals the inner icon. The upper part of the case is in the form of a pediment decorated with flowers supporting an imperial crown. The back of the case is equipped with a hinged foot. 27.5 x 21 cm Slightly missing. In a red morocco case framed with gilded iron scrolls. Patriarch Cyril VI (Konstantin Serpedzoglou 1769-1821) was Patriarch of Constantinople from 1813 to 1818. Born in Andrinople, of which he was metropolitan, he was executed there by the Turks in repression of the Greek revolt. The city represented with the double wall is undoubtedly Constantinople, renowned for its multiple ramparts, and the other city could be Andrinople. The trophy of arms is probably an allusion to the armed Greek revolt of 1821. The Resurrection is a symbol of the resurrection of the Greek people, as well as that promised to the unfortunate patriarch (canonized in 1993).

Estim. 3 000 - 4 000 EUR

Thu 16 May

Icon of Saint George. Greece, 19th century. Oklad in repoussé silver. Tempera on wood. 15.7 x 12.5 cm; weight: 129 g (oklad alone) Board heavily attacked by woodborers. Paint damage and missing parts.

Estim. 300 - 400 EUR

Thu 16 May

Icon of the patriarchs Saints Athanasius, Cyril and Ignatius. Greece, 19th century. Saint Athanasius the Great and Saint Cyril, patriarchs of Alexandria, Saint Ignatius the Theophore, patriarch of Antioch. Tempera on gold ground. 46 x 34 cm Cracks, accidents and missing paint.

Estim. 300 - 400 EUR

Thu 16 May

Icon of Saint Eleutherus of Illyria. Greece, early 19th century. He is depicted full-length. Christ blessing in the upper left corner within a quarter-circle of clouds. Oklad in embossed and engraved silver, with a background decorated with foliage and foliage. Tempera on wood. Intra-family dedication in Greek on the back. No apparent hallmark. 37.5 x 28.5 cm; gross weight: 2060 g

Estim. 800 - 1 200 EUR

Thu 16 May

Icon of Saint Auxence of Bythinia. Greece, early 19th century. The saint is depicted against a landscape background of mountains. He is blessed by Christ in the clouds in the upper left corner. Tempera on wood. Gold background. 34 x 25 cm Lacks and accidents to the paint layer.

Estim. 300 - 500 EUR

Thu 16 May

Gospel. Moldavia, 1834. Printed during the reign of Nicholas I at the Neamt monastery printing house by the monk Isaie, while Veniamin was archbishop and metropolitan of Moldavia and Suceava, and Domitian archimandrite of the Neamt and Socola monasteries. Bound in red velvet (worn and faded) with, on the first board, an oval silver-embossed medallion of the Resurrection and, on the fourth board, an oval medallion of the Crucifixion. The plates have four silver spandrels embossed with rays (two missing from the fourth plate). 400p. 4 full-page lithographs and several vignettes. 35.2 x 24 cm The printing house of this Neamt monastery was founded in 1803 by Veniamin Kostaki [Benjamin Costache] (1768-1846).

Estim. 400 - 500 EUR

Thu 16 May

Silver and cloisonné enamel tripod saleron. Moscow, 1890. Saleron in the form of a small pot on three ball feet. The body decorated with a belt of polychrome cloisonné enamel flowers on an amati background, outlined with a sky-blue enamel fillet and a row of navy-blue cloisonné enamel half-pearls at the base and neck. Hallmarks: 84, Moscow 1890, assayer "А-Р" (Alexander Vasilyevich Romanov) and silversmith "ИС" (Ivan Dmitrievich Saltykov). Height: 3.8 cm; diameter 5.4 cm; gross weight: 56 g

Estim. 100 - 150 EUR

Thu 16 May

Small silver and cloisonné enamel goblet. Moscow, 1894. Truncated cone-shaped body decorated with polychrome cloisonné enamel foliage on an amati background, the neck and base highlighted with a row of sky-blue cloisonné enamel pearls. Hallmarks: 84, Moscow 1894, assayer "ЛО" (Lev Friedrikhovitch Oleks), and silversmith "ИЯГ." (Ivan Yakovlevitch Grichine). Height: 5.4 cm; neck diameter: 4.4 cm; gross weight: 60 g

Estim. 300 - 400 EUR

Thu 16 May

Silver and cloisonné enamel sugar bowl. Moscow, 1895. Truncated cone-shaped body decorated with stylized flowers and foliage in polychrome cloisonné enamel on an amati background between two rows of pearls in sky-blue cloisonné enamel. Hallmarks: 84, Moscow 1895, assayer "А-С" (Alexander Vladislavovich Skovronsky) and silversmith "ИС" (Ivan Dmitrievich Saltykov). Height: 5cm (without handle); diameter: 11.5cm; gross weight: 238g

Estim. 600 - 800 EUR

Thu 16 May

Suite of eleven vermeil and cloisonné enamel teaspoons. Moscow, late 19th century. Russian model, with a partly twisted, partly enameled handle. Drop spoon. The back of the spoon is underlined by a circle of sky-blue enamel pearls surrounding a stylized flower and foliage design in polychrome cloisonné enamel on an amati background. Hallmarks: 84, Moscow circa 1896, and silversmith "ВА" (Vassily Semenov Agafonov). Length: 10.9 cm; gross weight: 148 g In a shaped case.

Estim. 800 - 1 200 EUR

Thu 16 May

Suite of six enameled silver spoons. Moscow, late 19th century. Russian model with partly twisted and partly enameled handles. Drop spoon. The back of the spoon is highlighted by a circle of white enamel pearls surrounding a sky-blue enameled filigree scroll design. Hallmarks: 84, Moscow circa 1896, and silversmith "В.А." (Vasily Ivanovich Andreev). Length: 10.5 cm; gross weight: 76 g

Estim. 200 - 300 EUR

All lots "Russian paintings" Advanced search

Sat 11 May

Sat 11 May

Thu 16 May

Silver censer, Saint Petersburg, first quarter of the 19th century. Triangular body with cut angles. Hallmarks: 84, St. Petersburg, assayer "А-Я" (Alexander Ilyich Yachinov, active 1795-1826) and silversmith (hallmark not found). Total height: 54 cm; body size: 9.5 cm square; total weight: 218 g

Thu 16 May

Thu 16 May

Thu 16 May

Alexei Stepanovich STEPANOV (1858-1923) Two Women in a Boat Oil on canvas mounted on cardboard. Signed lower left. 41 x 60 cm

Thu 16 May

Leonid Demianovich BLINOV (1867-1903) Saklia in Alupka (Crimea) Oil on cardboard. Signed lower left. Titled on the back. 24 x 43.5 cm

Thu 16 May

Konstantin Alexeevich KOROVIN (1861-1939) Troika on a bridge, c. 1930 Oil and gouache on cardboard. Signed in Russian К. Коровинъ lower right. 38 x 46 cm

Thu 16 May

Konstantin Alexeevich KOROVIN (1861-1939) Troika through a village, c. 1930 Oil and gouache on panel. Signed in French C. Korovine lower left. 32 x 39 cm

Thu 16 May

Konstantin Alexeevich KOROVIN (1861-1939) Horse-drawn sleigh, c. 1930 Oil and gouache on cardboard. Signed in French C. Korovine and annotated Russia lower left. 32 x 41 cm

Thu 16 May

Nikolai Dmitrievich MILLIOTTI (1874-1962) Portrait of a young man Oil on canvas. Signed upper left and located Paris upper right. 80 x 65 cm

Thu 16 May

Pavel Dmitrievitch CHMAROFF (1874-1950) Seaside Oil on canvas. Signed lower left. 64 x 97.8 cm

Thu 16 May

Konstantin Ivanovich GORBATOV (1874-1945) Bouquet of flowers at the window Oil on paper pasted on canvas. Signed lower left. (Small craquelures). 61 x 44 cm

Thu 16 May

Konstantin Ivanovich GORBATOV (1876-1945) Fishermen's village. Capri, circa 1930 Oil on canvas. Signed lower right. 46.5 x 65 cm

Thu 16 May

Nikolai Nikolaevich SAPUNOV (1880-1912) Still life with a vase of flowers and oranges, 1910 Oil on canvas. Signed and dated lower right. 80.5 x 61 cm

Thu 16 May

Thu 16 May

Alexander Alexandrovich RUBTZOFF (1884-1949) Landscape near Oran, 1914 Oil on canvas mounted on cardboard. Signed and dated lower right. Located Oran lower left. 17.5 x 28 cm

Thu 16 May

Georges (Gueorguy Alexandrovitch) LAPCHINE (1885-1950) Russian village in autumn Oil on canvas. Signed lower right. 54.5 x 74 cm

Thu 16 May

Thu 16 May

Anatola (Anatoli Sergueievitch) SOUNGOUROFF (1911-1982) Autumn, 1980 Oil on canvas. Signed lower right. Dated on the back. 55 x 46 cm

Thu 16 May

Thu 16 May

Vasyl (Vasily Mikhailovich) KHMELUK (1903-1986) Pheasant, still life Oil on canvas. Signed lower left. 24.5 x 33 cm

Thu 16 May

Anatoly Evguenietch POUTILINE (b. 1946) Pause, 1984 Oil on canvas. Signed, dated and titled on the back. 33 x 55 cm Provenance : Galerie Gorky, Paris.

Thu 16 May

Vladimir Alexandrovich Bulgin (1938-2001) "Icons Four oils on canvas. Three signed and dated lower right, one dated 1980 and two dated 1985. 73 x 60 cm; 65 x 51 cm; 55 x 46 cm and 74 x 51 cm

Thu 16 May

Oscar Yakovlevitch RABINE (1928-2018) Still life, 1988 Oil on canvas. Signed and dated lower right. Titled, dated and numbered 976 on the back. 130 x 162 cm In the foreground, a still life with a symbolic representation of Montmartre in the background.

Thu 16 May

Thu 16 May

Thu 16 May

Anonymous. First half of the 19th century. Portrait of a boy Miniature on bone. Watercolor and gouache. 6 x 4.8 cm Exhibition: On the back, exhibition label from 1985-1986 at the Manège in Saint Petersburg (then Leningrad).

Thu 16 May

Vera Alexandrovna ORLOWA (1876-1964) Portrait of a young girl, 1915 Watercolor and gouache. Signed lower right and dated 1915 December below left shoulder. 23 x 19 cm

Thu 16 May

David Ossipovitch WIDHOPFF (1867-1933) Elegant couple in the street Ink. Signed lower left. (Torn and missing in the margins). 65 x 50 cm

Thu 16 May

Georges Ferdinand BIGOT (1860-1927) Type of muzhik Charcoal. Signed lower right. Titled lower center. 28 x 22.5 cm Attached is a small ink on tracing paper, titled upper right: Church and House in a Small Russian Village. 15 x 13.5 cm

Thu 16 May

Filip Andreevitch MALIAVIN (1869-1940) Profile of a peasant woman Colored pencil and crayon. Signed lower right. 14 x 21 cm

Thu 16 May

Fedot Vasilyevich SYCHKOV (1870-1958) Peasant woman at the gate, 1929 Watercolor and gouache. Signed and dated lower right. 53.5 x 40.5 cm

Thu 16 May

Alexandre Evguenievitch IACOVLEFF (1887-1938) And Léon LAUGIER (1879-1962) painter African figure, 1928 Painted porcelain plate with scalloped rim. Signed and dated on the front. Signed, dated and dedicated on the back to Léon Laugier. Diameter: 23.5 cm

Thu 16 May

Nicolas Alexandrovitch ISSAIEV (1891-1977) Portrait of a man Pastel. Signed lower right. Study of a woman on the back. (Fold and small tear in margin). 51.5 x 41 cm

Thu 16 May

Lev Smaragdovich TCHISTOVSKY (1902-1969) Nude lying down Three pencils. Signed lower left. 46 x 61 cm

Thu 16 May

Vladimir Grigorievitch WEISBERG (1924-1985) Seated nude, back, 1970 Watercolor. Monogrammed lower left and dated right. 21 x 28 cm Provenance : Elfrida Filippi Collection. By descent.

Thu 16 May

Vladimir Grigorievich WEISBERG (1924-1985) Standing nude, 1968 Watercolor. Dated lower left. 38.8 x 27 cm Provenance : Elfrida Filippi Collection. By descent.

Thu 16 May

Lev Smaragdovich TCHISTOVSKY (1902-1969) Lying Woman Aquatint. In the lower margin in graphite: justified 295/350 on the left and signed on the right. 35 x 47 cm

Thu 16 May

Ernst Iossifovich NEIZVESTNY (1925-2016) Horse, 1968 Etching. Monogrammed and dated in the plate. Signed lower left in the margin in graphite. 33 x 22 cm Provenance : Elfrida Filippi Collection. By descent.

Thu 16 May

Vyacheslav Vasilyevich KALININ (1939-2022) Bird. Etching. In the margin, lower left, justified 3/15 and dedicated to Elfrida [Filippi]. Signed lower right. 23 x 44.5 cm Provenance : Elfrida Filippi Collection. By descent.

Thu 16 May

Thu 16 May

Thu 16 May

Thu 16 May

Adrien Pierre François GODEFROY (1777-1865) [engraver] Officers of the Russian Army Colorized print from the series "Armées des Souverains Alliés": year 1814 N°1. Monogrammed in the plate lower right. 28 x 40 cm (under glass).

Thu 16 May