DROUOT
Saturday 11 May at : 12:00 (CEST)

Auction 25: Modern Art, Graphics & Photography

Nosbüsch & Stucke GmbH - 493088922090 - Email

Fasanenstraße 28 / 29 10719 Berlin, Germany
Exhibition of lots
jeudi 02 mai - 11:00/18:00, Nosbüsch & Stucke GmbH
Information Conditions of sale
Live
Register
939 results

Lot 1544 - Albers, Josef. Interaction of Color (Die Wechselbeziehung der Farbe). Text and commentary volume. With 81 loose double sheets with color serigraphs. Starnberg, Keller/Albers, 1973. 78 pp. (text); 47 pp. (commentary). 37 x 27.5 cm. Plates loose in original leatherette case, original leatherette binding (text) and original brochure (commentary) with spine titles together in original leatherette slipcase with spine title (slipcase somewhat soiled and scuffed, spine of case soiled). First German edition of Albers' famous color theory, published ten years after the original edition. - One of 1000 copies. - Die Lesbarkeit der Kunst 48 - Saur II, 48 - cf. Danilowitz p. 20 - The 81 folding plates contain one or sometimes several color serigraphs or color offsets, some with fold-out color elements that illustrate Albers' theories, such as the "Bezold effect", the application of which led him to his "Homage-to-the-Square" pictures. - Albers dedicated this publication to his students: "This book is my thanks to my students." - "Among the numerous publications on his own work as well as on general questions of art theory and art education, the book 'Interaction of Color' became the most famous." (R. Langenberg, in Legibility of Art. 1999). - Designed by Norman Ives, who was later also responsible for Albers' "Formulation : Articulation". - Inside in perfect condition. - Enclosed: I. Josef Albers. graphic tectonic. Cologne, Galerie der Spiegel, 1968. original cardboard. - With autograph dedication by Albers on the flyleaf. - With crease throughout. - II Josef Albers. Paintings and "interaction of color". Catalog Kunstverein Munich, 1970. original cardboard. - III Gomringer, Eugen. Introduction "Interaction of Color" in Starnberg, October 2, 1970. 5 pp.

Estim. 2 000 - 3 000 EUR

Lot 1610 - Bloom, Barbara. BROKEN (Two leaf chopstick holders). Two celadon chopstick holders, one broken and repaired with gold, wrapped in openwork paper in triangular gift box with greenish Japanese paper cover and two wax seals in pyramid-shaped black cardboard outer packaging, outside with computer-generated colored paper with gold overlays and gold leaves, inside with green Japanese paper as well as a color photograph and an X-ray of the two porcelain bowls. Signed, titled and dated on the enclosed ceritifact. 1997. dimensions of the chopstick holders: 9 x 4 x 2 cm each. Gift box (pyramid): 20 x 24 x 24 cm. Photograph/X-ray: each 25 x 20 cm (framed: 37 x 29.5 cm). Assemblage by the American artist Barbara Bloom (born 1951), one of the most important representatives of postmodernism, whose works have been exhibited at MoMA in New York, the Museum of Contemporary Art in Los Angeles, the MAK in Vienna, the Serpentine Gallery in London and the Hamburger Bahnhof, among others. - The heart of the multi-part object is a chopstick holder repaired in the manner of the traditional Japanese art of "Kintsugi", which is juxtaposed with an unbroken but otherwise identical "chopstick holder". The differences between the two ceramic bowls, which are barely perceptible in the photograph, are all the more striking in the identically framed X-ray photograph. - In addition to the signed original certificate, an invoice from the Raffaela Cortese Gallery in Milan and a slide with a photograph of the ensemble by A. Maniscaldo are included. - The gift packaging (cardboard box and pyramid) somewhat dusty, stained and creased, the paper banderole attached to the triangular cardboard box with a seal somewhat creased, the two celadon porcelain bowls very good.

Estim. 1 300 - 2 000 EUR

Lot 1622 - Brockmann, Gottfried. Intellectuals. Picture sheet of the time. 12 drypoints on laid paper. Each signed and with sheet number. Copy: 11/20. 1927/1963. motif dimensions: 29 x 22.5 cm. Sheet dimensions: 52.5 x 39.5 cm. With the 12 original etching plates from 1927 - The etchings in typographically marked folders, the plates in covers and the loose title page with handwritten numbering in a dark green linen case with mounted spine label. - Printed at the Muthesius Werkschule in Kiel, 1963 - First hand-signed edition for the artist's 60th birthday. - Gottfried Brockmann (1903-1983) was a master student of Heinrich Campendonk at the Düsseldorf Art Academy in 1928 and took part in the annual exhibition of the Deutscher Künstlerbund in Cologne in 1929. Brockmann was chairman of the Rhenish Secession and, after the National Socialists seized power in 1933, campaigned against fascist and anti-Semitic propaganda and the dismissal of the director of the Düsseldorf Academy. Brockmann then fled to Berlin because of the repression that followed. In 1937, prints by Brockmann were destroyed as part of the "Degenerate Art" campaign. Between 1943 and 1945, Brockmann served in the army and was taken prisoner of war by the Americans until 1946. In 1948, he was a member of the artists' group "Gruppe der Progressiven 1948". From 1955 Brockmann taught at the Muthesius Werkschule in Kiel. - The etchings minimally browned and a few sheets with scattered foxing, slight creases or somewhat handling marks, the plates in good condition, the linen case somewhat rubbed, minimally stained and scratched. VAT: #

Estim. 4 000 - 6 000 EUR