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Michelangeli GUALVERIO (1929-1991) Lion Sculpture composed of pieces of wood glued together. Circa 1960. Marked on reverse Made by Sangiovanni, Orvieto. H: 35.5 cm - W: 35 cm - D: 14 cm

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Claude GILLI (1938-2015). Still life - 1999. Sculptural painting, oil on painted wood panels, cut and assembled in a box. Signed lower right. 61 x 67.5 cm

Sun 19 May

Gorgeous "BLACK FORREST" SCULPTURE IN WOOD - "Standing bear" - Fine quality - H: 114 cm

Sun 19 May

BIG FRENCH BULLDOG IN GESCULATED WOOD - H: 80 cm -GRAND DIMENSION -.

Sun 19 May

SINGLE GREAT AZIATIC SCULPTURE IN WOOD - With 3 characters - H: 145 cm

Sun 19 May

BIG PAINT PAD SCULPED IN TROPICAL WOOD - H: 53 L: 93 cm GIGANTESQUE Tortue des Galapagos - SCULPÉ EN BOIS dans la masse - ( Chelonoidis niger ) - H : 53 L : 93 cm GRANDE DIMENSION - Très belle expression.

Sun 19 May

BIG PAINT PAD SCULPED IN TROPICAL WOOD - H: 53 L: 93 cm GIGANTESQUE Tortue des Galapagos - SCULPTÉ EN BOIS dans la masse - ( Chelonoidis niger ) - H : 53 L : 93 cm GRANDE DIMENSION - Très belle expression.

Sun 19 May

BIG NOSE HEARING IN SCULPTEED WOOD - H: 93 cm Très imposant . GRANDE Dimension - Sculpté dans la masse - à signaler un éclat sur le bout de la corne certainement lors d'une bataille...

Sun 19 May

BEAUTIFUL WOOD SCULPATED SPIRIT - Polychrome - H: 53 cm Beau miroir sculpté avec des fleurs et polychromé en bois sculpté - Polychrome - H : 53 cm Style Versaille -

Sun 19 May

French school of the 1930s Panther in natural carved wood with black patina. 20 x 52 x 21 cm. Name added in pencil under the piece: Rousseau Defert.

Sun 19 May

Nat : Popa Medaw Set of three polychrome wood sculptures. Burma, 19th and early 20th century H: 45, 45 and 68 cm Great Nat Me Wunna. accompanied by her sons Shwe Hpyin Naungdaw and Shwe Hpyin Nyidaw. According to legend, King Anawrahta of Bagan ordered Byatta, a figure endowed with supernatural powers, to fetch fresh flowers ten times a day from Mount Popa. Byatta fell in love with Me Wunna. She died of grief after Byatta's death, and became known as Popa Medaw. Slight cracks in the bases. The original hand-held weapons are missing.

Charles-Alphonse COMBES (1891-1968). Head of a woman. Wood sculpture, inscribed "Seri". Bearing under the base a label "offert en 1947 par Charles-Alphonse COMBES...". 35 x 22 cm.

Charles-Alphonse COMBES (1891-1968). Sorcerer's head. Wood sculpture, inscribed "Seri". Bearing under the base a label "offert en 1947 par Charles-Alphonse COMBES...". 40.5 x 28 cm.

Malagasy school circa 1930. Couple. Pair of palm tree sculptures. 39 x 24 cm (approx.).

Carved macassar ebony subject representing an African warrior, holding a spear in his left hand (the shield is probably missing). Carved signature under the base (illegible). Gabon, circa 1930. 30.5 x 8 cm.

Beautifully carved exotic wood profile of a man. Gabon, circa 1930. 35.5 x 20 cm

Carved exotic wood profile of a man. Gabon, circa 1930. 32 x 20.5cm

Virgin and Child Jesus in carved, stuccoed and gilded wood (missing; as is). 19th century. 41 x 12.5 cm (excluding base, probably reported).

Walnut carving of a draped figure. 19th century. 44.5 x 22 cm (as is).

Mon 20 May

Nicole GUYHART (1948-2021) : Figure. Polychrome wood sculpture. Signed on reverse and dated 2010. H : 32 cm. Wear and tear. Nicole GUYHART-DELAFOSSE (1948-2021) A member of the Art Construit International art group, Nicole GUYHART has exhibited in Venezuela, Germany and Paris galleries.

Mon 20 May

Wood and metal sculpture. H: 41.5 cm. Wear and accidents. An animal head is included.

Mon 20 May

5 AZIATIC SCULPTURES IN WOOD - H: 20 to 40 cm

Mon 20 May

AZIATIC SCULPTURE IN WOOD - "Rider on water buffalo" - H: 40 cm

Mon 20 May

André Eijberg (sculpteur, Ixelles 1929- la Hulpe 2012). - Johanna. Pyrenean wood sculpture. Signed with the artist's monogram and dated (20)04. On base. Total height : 34.5 cm.

Mon 20 May

M. DAVID Sculpture Inlaid wood. Signature on base 1950s. 103x35x35 cm.

Mon 20 May

GAETAN FISH Sculpture Wood, metal. Engraved signature Prod. Cassina, 1963 37.5x37 cm. Small defects

Tue 21 May

DON KEN (1958 - ) - DON KEN (1958 - ) - Beautiful sculpture in wood with plexi box - "Mickey Mouse" - Signed - H: 56 cm

Tue 21 May

ALFONS VAN BEURDEN (1854 - 1938) - ALFONS VAN BEURDEN (1854 - 1938) - "Christ" - Sculpture in wood - Signed - H: 58 cm (+ paternosters)

Tue 21 May

BIG SCULPTURE IN WOOD - H: 88 cm - Le petit Arbre Rebelge - GRANDE DIMENSION - Décoration de Jardin -

Tue 21 May

BIG SCULPTURE IN WOOD - With fertility symbols - H: 173 cm

Tue 21 May

Sculpture IN WOOD - "Indian" - H: 80 cm

Tue 21 May

2 AFRICAN SCULPTURES IN WOOD - HEIGHT UP TO 44 CM

Tue 21 May

4 SCULPTURES IN WOOD - "BLACK FORREST" - "Bears" - Height up to 19 cm.

Tue 21 May

BIG Sculpture IN WOOD - "The Guitarist" - H: 77 cm

Tue 21 May

ANTIQUE SCULPTURE IN WOOD - "Rider on horseback" - Remains of polychrome - H: 36 cm

Tue 21 May

ANDRE POTTEAU (1909 - 1953) - ANDRE POTTEAU (1909 - 1953) - Sculpture in wood - "Nude" - Signed - H: 29 cm

Tue 21 May

3 BEAUTIFUL SCULPTURES IN WOOD - "Mammoths" - L: 25 to 38 cm

Tue 21 May

Large wooden head of a roaring lion with an imposing mane carved from the mass - H: 75 cm - LARGE SIZE - Very expressive head - Exceptional work of impressive realism - the Art of Sculpture.

Tue 21 May

CONSTANT PERMEKE (1886 - 1952) - CONSTANT PERMEKE (1886 - 1952) - "Cat" - Sculpture in wood - Signed - H : 41 cm

Tue 21 May

Magnificent hand-painted cat in carved wood - H: 50 cm - In shimmering colors - Felis silvestris catus - Kitty or pussycat

Tue 21 May

Magnificent hand-painted cat in carved wood - H: 51 cm - In shimmering colors - Felis silvestris catus - Kitty or pussycat

Tue 21 May

South American polychrome carved wooden sculpture representing the Madonna, 19th century, h cm 66 (defects)

Tue 21 May

Wood sculpture depicting St. Catherine of Alexandria with Massezio at her feet, 19th century, height 89.5 cm

Tue 21 May

Holy Bishop, carved and polychrome wood sculpture. 19th century, h cm 90 (defects and missing)

Tue 21 May

Two antique polychrome wood carvings depicting saints, h max cm 33.5, (defects)

Tue 21 May

The family, carved wood sculpture, Makonde art, 20th century, h cm 111 (defects)

Tue 21 May

Lot of 3 carved wooden sculptures depicting a drinker, a log splitter and a pipe smoker, 20th century, max. height 30.5

Tue 21 May

ARICO' GIANNI (1941 - 2021) - ARICO' GIANNI (1941 - 2021) The coupleTwo sculpture-seats. 1970. Solid wood.. . Dimensions: 94 x 38 x 80 cm; 88 x 50 x 114 cmLiterature: Gianni Aricò. L'opera, Il Poligrafo, Padova 2009, p. 103

CARDENAS Solano, born 1964 Black and white signal mixed technique in wood and metal on metal base (some soiling), monogrammed on back Height: 38.5 cm + base.

Tue 21 May

A JAPANESE WOOD OKIMONO OF JUROJIN TAISHO ERA, 20TH CENTURY The God of Good Fortune depicted standing, holding his gnarled staff in one hand and a peach in the other, with long loose robes and a cap covering his elongated forehead; signed Kazuaki saku at the back for Hoshi Kazuaki / Ichimei (act. c.1917), 33.5cm; in a tomobako wood box, titled Jurojin no zo (A statue of Jurojin) at the front and with a long inscription at the back of the sliding door reading 'This was made by Mr Hoshi Kazuaki / Ichimei of Osaka in Taisho 6 (1917), on 31 st of the tenth month, to celebrate Tenchosetsu, the Emperor’s long life, a wood carving of God Jurojin, wishing to celebrate a long and felicitous life like Jurojin, inscribed by Niwayama Takemasa'. (2) The inscription on the box was written by the collector, Niwayama Takemasa (1843-1918), a scholar, Shinto priest, and an official retainer who served the lord of Himeji Domain, Himeji City, Hyogo Prefecture.

Tue 21 May

SHOICHI AND COLLEEN SAKURAI HEISEI ERA, 21ST CENTURY A Japanese wood and rice paper illuminated sculpture entitled ‘Curtain', raised on a pine wood stand with short legs, signed in sumi ink, seal and inscribed, 33cm x 36cm x 94cm. Exhibited: ‘Re-Birth: The Collective Works of Colleen and Soichi Sakurai’, 20th February-24th April 2009, TUV Rheinland Forum, Yokohama. The Sakurais describe this piece as 'hand-whittled wood with pine base; high and low relief created by an old technique of burning the wood and then 'scouring' it with an uzukuri (type of bamboo brush)'.

Tue 21 May

SHOICHI AND COLLEEN SAKURAI HEISEI ERA, 21ST CENTURY Two Japanese wood and rice paper illuminated sculptures entitled ‘The Bag', both of tall form with a cord attached to the top and each raised on a pine wood stand with short legs, both with two signatures in sumi ink and with two red seals, one taller than the other, 79cm x 38cm x 120cm and 54cm x 23cm x 66cm respectively. (2) Exhibited: ‘Re-Birth: The Collective Works of Colleen and Soichi Sakurai’, 20th February-24th April 2009, TUV Rheinland Forum, Yokohama.

Tue 21 May

SHOICHI AND COLLEEN SAKURAI HEISEI ERA, 21ST CENTURY Two Japanese wood and rice paper illuminated sculptures, one entitled 'Spirit' and the other 'Continue', both signed in sumi ink and each with a red stamp, both with the reverse also signed, sealed and inscribed, the first 89cm x 69cm x 16cm and the other 92cm x 61cm x 16cm. (2)

Tue 21 May

SPANISH SCHOOL (19th century) "Sleeping Baby Jesus" - Sculpture in carved, polychrome and gilded wood Work that follows the original model of Martínez Montañés, from the 17th century. Fouls. Measurements: 15 x 44 x 20 cm

Tue 21 May

Elvio Becheroni - Sculpture Width cm 305 Depth cm 38 Height cm 210 Wood sculpture: pau brasil, disenchanted forest Title: The Tree of Seven Possibilities, 1992 Published.

Tue 21 May

Elvio Becheroni - Sculpture Width 95 cm Depth 35 cm Height 115 cm. Pau Brasil wood sculpture entitled The Tree of Strength and Rage (1st) from 1992. Amazonia disenchanted forest series. Published.

Wed 22 May

African carved wooden sculpture representing female bust, 20th century, h 20 cm

Wed 22 May

African ebonized and carved wood sculpture representing a seated female figure, 20th century, h cm 27.5

Wed 22 May

A large Chinese root wood sculpture - A large Chinese root wood sculpture, Qing dynasty, vertically oriented, the gnarled body with a dense array of burls and knots, marked with numerous irregular openings, the surface patinated to a dark chocolate-brown and reddish-brown, root wood stand, overall height on stand very approximately 75cm high x 60cm wide x 38cm deep (2)清 隨形根雕

Wed 22 May

Bodhisattva; China, Yuan-Ming Dynasty, XIII-XIV centuries. Wood with traces of polychrome. Attached certificate C-14. Work exhibited at Feriarte 2006. It has faults. Measurements: 137 x 70 x 37 cm; 137 x 72, 5 x 52 cm (with base). Wooden sculpture representing Bodhisattva. The term bodhisattva designates a being who, by the systematic exercise of the perfect virtues, reaches Buddhahood, but renounces to enter the complete Nirvana in order to help and guide all beings, until all of them are liberated. His determining quality is compassion, supported by wisdom and supreme knowledge. A bodhisattva gives active help and is ready to take upon himself the suffering of all beings and to transfer his karmic merit to others; logically, they are the object of veneration by the believers, who feel them closer and see in them guides and help in their needs. In this particular case, the way in which the back of the sculpture is worked indicates that the piece was originally part of the ornamentation of an architectural space and probably also of a larger sculptural group. In spite of the faults caused by the passage of time, the quality of the carving and the skill of the artist can still be appreciated. During the Yuan dynasty a rich cultural diversity developed. The main cultural achievements were the development of the theater and the novel and the increased use of the written vernacular. Arts and culture also developed and flourished greatly during the Yuan dynasty. The political unity of China and much of Central Asia promoted trade between East and West. The extensive contacts of the Mongols with Western Asia and Europe produced a great deal of cultural exchange. The other cultures and peoples of the Mongol Empire also greatly influenced China. It had greatly facilitated exchange and trade throughout Asia until its decline; communications between the Yuan dynasty and its ally and subordinate in Persia, the Ilkhanate, fostered this development. Buddhism had a great influence on Yuan rule, and Tantric Buddhism of the Tibetan rite had greatly influenced China during this period. Attached certificate C-14. Work exhibited at Feriarte 2006. It has faults.

Wed 22 May

Lohuan; Vietnam, Annam historical region, XVIII- XIX centuries. Red lacquered and gilded wood. It presents faults and wear. measurements: 153 x 52 x 45 cm. Sculpture in red lacquered wood and gilded face and hands, characteristic technique of Vietnamese art. The piece stands out for a great stylization and a certain corporal hieratism that is lowered with the posture of the hands of stylized and long fingers and the inferior movement of the cape. The golden age of Vietnamese art was that of the Sham kingdoms (200-1720), although today it is a relatively little studied civilization. To a large extent, this is because the great achievements of Vietnamese culture are to be found not in the fine arts, but in literature. Nevertheless, a brilliant artistic industry developed, although deeply marked by the aesthetic, philosophical and religious ideas of China. However, some genuine artistic manifestations were maintained, such as the water puppetry, and there will also emerge distinctly Vietnamese phenomena such as Caodaism, a sect originated in 1919. It presents faults and wear.

Wed 22 May

Buddha. Burma, XIX century. Carved and gilded wood. Inlaid with colored crystals. Wooden pedestal painted in black. It shows wear. Measurements: 120 x 52 x 20 cm (total height). Round sculpture in carved and gilded wood, from Burma (now Myanmar) and dated in the nineteenth century. It represents the Buddha in full body, standing and holding with both hands with long fingers the lower part of his sumptuous robe, which falls in neat folds and is trimmed with rhinestones. Several "lakshana" or iconographic symbols identify him. The first we see is the bun hairstyle, symbol of meditation, of spiritual life. As for the half-closed eyes and the arched eyebrows, a serene face is completed by the sketched smile, symbol of the balance and serenity of a perfect being. The elongated earlobes allude to the large earrings worn by members of the upper classes in India at the time of Sakyamuni, and represent the concepts of greatness, nobility and wisdom.

Wed 22 May

A CHINESE CARVED ZITAN BRUSHPOT, BITONG QING DYNASTY OR LATER Naturalistically worked as a tree trunk, dated to the jiazi year and signed Chu ke, the exterior with irregular raised nodes and organic contours, the wood of a dark brown hue, 16.2cm. Cf. The Complete Collection of Treasures of the Palace Museum: Bamboo, Wood, Ivory and Rhinoceros Horn Carvings, vol.44, p.56, no.51, for a slightly smaller zitan brushpot in the Palace Museum, Beijing.

Wed 22 May

A CHINESE HARDWOOD CARVING OF A MOUNTAIN QING DYNASTY Naturalistically carved as a peak rising steeply from a triangular base, carved with a scene of three scholarly figures and their attendant meeting around a pine tree at the foot of the mountain, together with a wood base, 25.6cm. (2) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. 注：本拍品不設底價。

Wed 22 May

Viceroyalty School S. XVIII "Archangel San Miguel". Carved wood sculpture, polychrome, gilded and stewed. He stands on a cluster of clouds with cherubs, symbolizing that he is the prince of the angels and the one sent by God. Measurements: 96 x 30 x 32 cm

Wed 22 May

XVIII Century Viceroyalty School "Saint Michael the Archangel". Carved, polychrome and gilded wood sculpture. Some restoration. Height: 163 cm

Wed 22 May

Andalusian School S. XVII "Saint Anthony". Carved wood sculpture, polychrome, gilded and stewed with vitreous paste eyes. Measures: 50 x 18 x 28 cm

Wed 22 May

Spanish School S. XVII "Saint Dominic of Guzman"? Carved wood sculpture, polychrome, gilded and stewed. With one hand holding a book and with the other hand he is holding his tunic. On the back there is a card from a cabinetmaker who must have restored it, with a handwritten date in 1941. Height: 90 cm

Wed 22 May

Spanish School SS XVII-XVIII "Saint Elizabeth of Hungary". Carved wood sculpture, polychrome, gilded and stewed with vitreous paste eyes. As usual in the iconography is dressed as a lady with luxurious clothes and a basket of flowers or as in this case a bouquet. She alludes to the miracle of the roses that happened when she was feeding the poor and in order not to have to lie to her brother-in-law, the noble Conrad of Thuringia, who did not approve of her work, God turned the contents of the basket into roses. Height: 106 cm

Thu 23 May

Large painted wood cartouche in chatournée form, decorated with floral bouquets in two central medallions and dated 1832. H. 92 - L. 96 cm

Thu 23 May

Vietnam Gilded lacquered wood sculpture of a young child. Height: 50 cm

Thu 23 May

19TH CENTURY VIETNAMESE SCHOOL. Offer-bearer. - Carved and polychrome wooden sculpture 68 cm (height). Wear and tear on polychrome and repainting.

Thu 23 May

CHINESE SCHOOL, PROBABLY 18TH CENTURY. Dignitary. - Carved and polychrome wood sculpture 36 cm high. Losses on the polychrome and defects. On a wooden stand.

Thu 23 May

ARAGONESE SCHOOL OF THE EARLY 16TH CENTURY. CIRCLE OR WORKSHOP OF DAMIÁN FORMENT. Angels. - Pair of sculptures in carved, polychrome and gilded wood One mounted on a fragment of an altarpiece in carved and gilded wood as a base 51 cm (height of the sculptures) and 68.5 cm (height of the set with the attached base). Abundant faults and defects.

Thu 23 May

Angels with Passion attributes. - Pair of sculptures in carved and polychrome wood 28x17.5x10 cm and 28x27x10.5 cm (without attributes). Old restoration. Defects, specially on the polychrome.

Thu 23 May

SPANISH SCHOOL, 18TH CENTURY. Angels. - Pair of sculptures in carved and polychrome wood 23x12.5x11.5 cm and 21x14x8 cm. One of the wings is missing. Cracks and defects, specially on the polychrome.

Thu 23 May

SPANISH SCHOOL, 18TH CENTURY. The education of Madonna. - Carved and polychrome wood sculpture Halo in silvery metal. 27.7x14x7.5 cm. Wear and tear, specially on the polychrome.

Thu 23 May

SPANISH SCHOOL, PROBABLY 19TH CENTURY. Crucified Christ. - Carved and polychrome wood sculpture with stained wood cross. 38x35 cm Christ and 48x38 cm cross. Cross from a later period and a replaced nail. Crack in an arm.

Thu 23 May

Gothic School of Mechelen from the 15th century, Large Carving of Bishop in polychrome and gilded wood Measurements: 85 x 25 x 15 cm, in wood partially gilded with gold leaf and polychrome,

Thu 23 May

Polychrome wood carving of San Isidro Labrador from the 17th century In polychrome wood Carving measurements: 27 x 15 x 8 cm

Thu 23 May

Saint Francis of Assisi - Circle of the Mora Brothers (Diego and José) José de Mora (Baza, Granada, 1642 - 1724) Granada Andalusian Baroque of the 17th century Important wooden sculpture in gilded, polychrome and sgraffito carving, Granada school from the 17th century. Measurements: 70 x 40 x 30 cm

Thu 23 May

Sevillian school from the Juan de Mesa circle, 17th century, Gran San Juan, with important Plateresque pedestal (Seville, 1583 - 1627) Sculpture in polychrome and gilded wood, with an important Plateresque base from the same period. Measurements: 108 x 42 x 30 cm. Ex-important private Aragonese collection.

Thu 23 May

Aragonese School of the 17th century, Gran Purísima in carved wood. Sculpture in polychrome and gilded wood, with an important base from the same period. Measurements: 77 x 50 x31 cm. Ex-important private Aragonese collection.

Thu 23 May

Mexican school of the 17th century, Great San Nicolás de Tolentino in wood carving. Sculpture in polychrome and gilded wood, with a base from the same period. Measurements: 105 x 55 x 21 cm. Ex-important private collection of Aragonese sacred art.

Thu 23 May

Fine Portrait on panel of Juan Bautista de Muguiro, attributed to Francisco de Goya (1746-1828) - Aragonese School of the 19th century - Fine Portrait on panel of Juan Bautista de Muguiro, attributed to Francisco de Goya (1746-1828) - Aragonese School of the 19th century Oil on panel: 23 x 18 cm, measures with frame 32 x 26 cm. Muguiro, banker and merchant, perhaps exiled in Bordeaux due to the services rendered to King Joseph Bonaparte by his family firm, "J. Irivaren y sobrinos", later held important political positions in the Spain of Isabella II, being, for example, president of the Cortes and senator between 1836 and 1845. Goya, in the dedicatory inscription of the painting, defines himself as a "friend" of the portrayed, perhaps to thank him with that term, so generic in Castilian, for the efforts or aid received from him, who was also the banker of his son Javier. A few years earlier, Goya had thus dedicated "to his friend Arrieta", the portrait he gave to the doctor who saved his life during the illness that affected him in 1819. The artist presented Muguiro for posterity in his most prosaic and mercantile aspect, reading a recently opened letter and seated next to a desk covered with papers, on which shines a large green and gold porcelain inkwell. Goya in his old age condenses his technique in a few brushstrokes, given with sudden impulses of energy, which reveal the effort of his hand and his eyes, almost blind, although it has remained intact. Pérez Sánchez, Alfonso E., "Goya in the Prado. History of a singular collection", Goya. New Visions. Tribute to Enrique Lafuente Ferrari, Isabel García de la Rasilla and Francisco Calvo Serraller (eds.), Madrid, Fundación Amigos del Museo del Prado, 1987, pp. 307-322.

Thu 23 May

Portrait of Charles Henry of Lorraine, Prince of Vaudemont (1649-1723) - Jean Ranc (1674-1735) French Baroque School 18th Century - Portrait of Charles Henry of Lorraine, Prince of Vaudemont (1649-1723) - Jean Ranc (1674-1735) French Baroque School 18th Century Oil on canvas, measurements: 75 x 60 cm without frame, framed measurements: 100 x 75 cm.

Thu 23 May

Nativity scuulptural group - Nativity scuulptural group Portugal, 18th century, carved wooden sculptures, rich polychrome decoration representing Mary, Joseph and Baby Jesus. Wooden staff with metal flowers, Signs of use, small defects, repainting. Dim: largest 126cm.

Thu 23 May

Our Lady of Conception - Our Lady of Conception Portugal, XVIII/XIX, sculpture in polychrome wood and gold, with beautiful details, Lady represented standing with hands in prayer, standing on a spherical cap with winged angel heads. shining in silver, dome. Signs of use, worn. Dim.:59cm.

Thu 23 May

Saint Joseph with Child Jesus - Saint Joseph with Child Jesus Portugal, 18th/19th century, wood sculpture, polychrome and gold decoration, lily pad and silver splendor. Gilded carved pedestal. Signs of use, small flaws. Dim.:34.5cm. Under DL120/17.

Thu 23 May

Infant Christ Salvatori Mundi - Infant Christ Salvatori Mundi Portugal, 18th/19th century, polychrome wood sculpture, cotton robes. Signs of use, small flaws. Dim.: 29cm.

Thu 23 May

Cherub - Cherub France. 18th century, beautifully crafted wooden sculpture depicting a cherubic angel with hands folded in prayer. Polychrome and gold decoration. Signs of use. Dim.:36cm.

Thu 23 May

Infant Jesus - Infant Jesus Portugal, 19th century, wooden sculpture with polychrome decoration, fabric garments with sequins, gilded wooden pedestal. Signs of use, small faults, repainting. Dim.: 44cm

Thu 23 May

St. Anne teaching Our Lady to read - St. Anne teaching Our Lady to read Portugal, 18th century, wood sculpture, polychrome and gold decoration. Signs of use, small defects. Dim.:34cm.

Thu 23 May

Saint Anthony with Baby Jesus - Saint Anthony with Baby Jesus Portugal, 18th/19th century, painted wood sculpture, polychrome and gold decoration. Signs of use, defects. Dim.:17.5cm.

Thu 23 May

Saint Anthony with Baby Jesus - Saint Anthony with Baby Jesus Portugal, 19th century, painted and relief wood sculpture, polychrome and gold decoration. Signs of use, failures. Dim.:38.5cm.

Thu 23 May

Saint Anthony with Baby Jesus - Saint Anthony with Baby Jesus Portugal, 19th century, wood sculpture, polychrome and gold decoration. On a giltwood pedestal. Signs of use, failures. Dim.:38.5cm.

Thu 23 May

Our Lady of Conception - Our Lady of Conception Portugal, 19th century, wood sculpture, polychrome and gold decoration. N. Lady represented standing flanked by angels. Signs of use, faults. Dim.:35cm.