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Wed 08 May

Anonymous; 20th century. "Composition." Oil on canvas adhered to cardboard. Presents restorations. Measurements: 28 x 40 cm; 50 x 63 cm (frame). In this work the author uses an abstract language, based on irregular geometry, cubist-inspired both in its layout and in its textures and colors. It is an open style, whose basic characteristic is the conception of the pictorial surface as a whole, as an open field, without limits and without hierarchy. Thus, as we see here, the pictorial forms are the result of a thoughtful composition and experimentation, with an image of gestural character, are not limited to a composition but go beyond, indicating to the viewer that it is about forms, ideas or suggestions that go beyond the boundaries of the purely pictorial. It presents restorations.

Wed 08 May

FRANCO VILLORESI (Città di Castello 1920 - Arezzo 1975) Three figures in space, 1963 Mixed media on canvas, 35 x 50 cm. Title and date on back Framed PROVENANCE Sandro Del Bene Collection (label on back)

Wed 08 May

ENRICO GAUDENZI (Rome 1912 - 1999) Still life, 1982 Mixed media and collage on canvas, 80 x 99 cm. Signature and date at lower right Framed

Wed 08 May

SANDRO TROTTI (Monte Urano 1934) Untitled, 1977 Mixed media on canvas, 70 x 50 cm. Signature, date and dedication on the back Framed

Wed 08 May

ORFEO TAMBURI (Jesi 1906 - Paris 1994) Factory Mixed media on paper applied to canvas, 33 x 40 cm. Signature at lower right Framed PROVENANCE Galleria iI Triangolo, Cosenza (stamps on back)

Wed 08 May

LUAN SCARINGELLA (Rome 1967) Barbie energy drink, 2023 Mixed media and collage on canvas, 100 x 100 cm. Artist's mark at lower right Signature, date and title on the back Artist's Authentication

Wed 08 May

LUAN SCARINGELLA (Rome 1967) Mockery at MAXXI - spray orgasm, 2010 Mixed media and collage on canvas, 50 x 30 cm. Artist's mark at lower left Signature, date and title on the back Authentication by the Artist Roman artist mocks museum and exhibits his 'Spray Orgasm'. Luan Scaringella managed to clandestinely hang his work in one of the galleries. 'An act of artistic terrorism'. Director Art: 'Amusing off-program.' Foundation president: 'Pleasant and witty performance but a second time would lose originality.' This is the title of an article that came out on October 4, 2010 in the pages of 'La Repubblica,' recounting the action performed by Luan Scaringella who mocking MAXXI's surveillance managed to hang his work 'Orgasm Spray' in one of the galleries. The exponent of neo conceptual pop managed to introduce it to the Maxxi thanks to its small size and accompanied it with an illustrative plaque identical in graphics and measurements to those of the other works exhibited in the museum on Via Guido Reni. It reads: 'Luan Scaringella (Rome, 1967) - Spray Orgasm (2010) - As 'sarcasm' on human triviality - understood as money, vice and primary satisfaction. From today, available in spray packaging'. The self-disclosed artist explained his act as an underground artist, which he calls 'bordering on artistic terrorism,' as follows: 'The motive? I dreamed of exhibiting at the Maxxi. One night, I dreamed of exhibiting at the Maxxi. One day, my work was exhibited at the Maxxi,' adds the artist who also photographed the whole operation. The action aroused great curiosity and resonated with various national press outlets, including, in addition to La Repubblica, Il Giornale, Insideart, Artribune, Exibart, Un.Do Net, Il Secolo XIX and Dagospia

Wed 08 May

MARIA ANTONIETTA GAMBARO (Genoa 1929 - Milan 1981) Untitled, 1970 Mixed media on paper applied to canvas, 73 x 75 cm. Signature and date along the right side Framed PROVENANCE Hans Werner Henze Collection, Villa la Leprara, Marino

Wed 08 May

MARIA ANTONIETTA GAMBARO (Genoa 1929 - Milan 1981) Untitled, 1960s Mixed media on paper applied to canvas, 72 x 72 cm. Unsigned Framed PROVENANCE Hans Werner Henze Collection, Villa la Leprara, Marino

Wed 08 May

MARIA ANTONIETTA GAMBARO (Genoa 1929 - Milan 1981) Face among the leaves, 1968 Mixed media on paper applied to canvas, 72 x 72 cm. Signature and date in lower center Framed PROVENANCE Hans Werner Henze Collection, Villa la Leprara, Marino

Wed 08 May

SERGIO JEWELRY (Cosenza 1956) Untitled Oil and mixed media on canvas, 20 x 20 cm. Signature on the back

Wed 08 May

CARLOS FRANCO (Madrid 1951) Figure of a woman, 1970 Acrylic on canvas, 50 x 73 cm. Signature and date on the back Framed PROVENANCE Hans Werner Henze Collection, Villa la Leprara, Marino

Wed 08 May

MARIA ANTONIETTA GAMBARO (Genoa 1929 - Milan 1981) Untitled, 1970 Mixed media on paper applied to canvas, 76 x 73 cm. Signature and date at lower right Framed PROVENANCE Hans Werner Henze Collection, Villa la Leprara, Marino

Wed 08 May

Josep Costa Vila (Granollers, Barcelona, 1953) Brooklyn Bridge. Mixed media and collage on canvas. Signed. 65 x 81 cm.

Wed 08 May

Antonio Vives Fierro (Barcelona, 1940) Views of the Cathedral. Mixed media and collage on canvas. Signed and dated 1990. 65 x 54 cm.

Wed 08 May

Ramón Llovet Miserol (Barcelona, 1917-1987) Singers. Mixed media on canvas. Signed. Titled, signed and dated 1967 on the back. Label of Sala Gaspar, Barcelona, on the stretcher. 73,5 x 50 cm.

Wed 08 May

Xavier Cugat i Mingall (Girona, 1898-Barcelona, 1990) Circus orchestra. Acrylic on canvas. Signed, titled and dated 1971 on the back. 46 x 61 cm.

Wed 08 May

Jordi Pallarés (Barcelona, 1962) Lianas. Mixed media on canvas. Signed and dated 1990. Signed, titled and dated on the back. 150 x 149 cm.

Wed 08 May

Josep Maria Rosselló (Tarragona, 1950) Fortuna. Carmina Burana. Mixed media and collage on canvas. Signed and dated 1992 in Roman numerals. Titled, signed, dated and located in "Tarraco" (Tarragona) on the back. 41 x 33 cm.

Wed 08 May

João Louro (b. 1963) - João Louro (n. 1963)Untitled65,5x82 cmFrom the "Blind Images" series Acrylic on canvas and plexiglass

Wed 08 May

Pedro Calapez (b. 1953) - Pedro Calapez (n. 1953)“Jardim interior #06”, 2010 62x103x9,5 cm (total) 20x96,5x6,5 cm (painel 1/panel 1) 35x45,5x9,5 cm (painel 2/panel 2) 30x50,5x9,5 cm (painel 3/panel 3) Set of 3 panels Acrylic on aluminum

Wed 08 May

Pedro Casqueiro (b. 1959) - Pedro Casqueiro (b. 1959), "QUASE" Acrylic on canvas Signed and dated 1992 on the reverse With label from Módulo - Centro Difusor de Arte on the reverse. 199x177 cm

Wed 08 May

Pedro Calapez (b. 1953) - Pedro Calapez (n. 1953)Untitled122x125 cmOil pastel and acrylic on wood Signed and dated 1989 on the reverseExhibitions: "Pedro Calapez. As ruínas circulares", Galeria Atlântica, Porto, 1990, cat. nº 14.

Wed 08 May

João Penalva (b. 1949) - João Penalva (n. 1949)"Harlequin"183x124 cmPolyptych (6 panels) Acrylic and oil on canvas, steel bars, pumice stone powder and marble powder Signed and dated 1990 on the reverse

Wed 08 May

António Palolo (1946-2000) - António Palolo (1946-2000)Untitled22x66 cm (total)Diptych Acrylic on canvas Signed and dated 1990 Lisbon on the reverse

Thu 09 May

Lorenzo Mattotti - Sprouts, 1996 acrylics or canvas 70 x 70 cm Original painting by Mattotti entitled "Sprouts," artwork published in the volume "Acryliques, Acrylics" by the French publisher Editions Canaletto in 1999. Signed.

Thu 09 May

Zsuzsi Roboz (1929-2012) Hungarian/British. A Fantasy, Oil on canvas and collage, unframed 24" x 30" (61 x 76.2cm)

Thu 09 May

Emidio Pepe, Trebbiano d'Abruzzo, 2018 - Abruzzo, Trebbiano d'Abruzzo DOC - 1 Magnum (Mg), 2018 vintage. Level: within the neck (WN). Condition report: label and capsule in perfect condition.

Thu 09 May

ANTONIO GRANER Y VIÑUELAS (Madrid, s.XIX-XX) - CASONA JUNTO AL RÍO, 1912 Oil on canvas Signed and dated in the lower right corner. Framed. Slight tear in the upper part of the canvas. 123 x 83cm Market estimate: 550-600€.

Thu 09 May

ESCUELA EUROPEA SIGLO XX - LANDSCAPE WITH ROAD Oil on canvas Signed K. Verner in the lower right corner. Framed: 78 x 107 cm.

Thu 09 May

ANTONIO BLARDONY (1934) Pintor madrileño - ROOM, 1971 Acrylic on canvas Signed and dated '71 in the lower right corner, and signed and titled on the back. Framed. 103 cm.x94 cm. Market estimate: 350-400€.

Thu 09 May

LOUIS GAROT, S. XX. Pintor belga - WALK WITH TREES BY THE RIVER Oil on canvas 50 x 70cm. Signed "L. Garot" in the lower left corner. Framed. Lack of pigment. 50 x 70 cm.

Thu 09 May

ESCUELA ESPAÑOLA SIGLO XX - LANDSCAPE WITH CASTLE, 1972 Oil on canvas Signed and dated lower right corner Unframed

Thu 09 May

G.MARSHALL (Escuela inglesa S. XX) - Landscape with fallow deer Oil on canvas Signed.

Thu 09 May

PORTRAIT OF A GENTLEMAN, SPANISH SCHOOL FFS. XIX-XX Oil on canvas Illegible signature on the left side. Framed. Lack of pigment on the lower part. Tears on the upper left side. 72 x 58 cm.

Thu 09 May

JESÚS CAMPOAMOR (Guadalajara, 1932) - TIERRAS DE LA ALCARRIA, S. XXI Mixed media on canvas It shows with earth colors in different shades an allusion to the Lands of the Alcarria, giving the title to the work. Framed in metal and passe-partout. Signed by the author in the lower right corner.

Thu 09 May

JOSÉ PUENTE (Medina del Campo, 1928 - Madrid, 2002) - PICADOR, S. XX Oil on canvas Signed in the lower left corner. Framed in worked wood. 47 x 58 cm. Market estimate: 300-350€.

Thu 09 May

ESCUELA CENTROEUROPEA S. XX - PAISAJE MONTAÑES Oil on canvas Illegible signature in the lower right corner. Framed. 76,80 x 107 cm.

Thu 09 May

JOSÉ RODRÍGUEZ FUSTER (Cuba, 1946) - "EL GINETE" Acrylic on an old vinyl record of 30 cm. Signed in the lower right corner. With certificate of authenticity of the studio workshop Fuster. With wooden frame and glass. 53 x 43cm Market estimate: 250-300€.

Thu 09 May

JEAN LUC GODARD S.XX - ABSTRACTIONS Pairs of mixed media on canvas Both signed in the lower left corner. 20 x 16,5 cm the canvas. Framed in black. 32,50 x 23,50 cm.

Fri 10 May

Enrique Breccia - Robinson Crusoe, 1971 pencil, ink and acrylics on thin cardboard 47.5 x 60 cm each Pair of 2 original comic arts created by Breccia for an editorial project on "Robinson Crusoe" presented by the Argentine master to Piero Dami and never completed. Horizontal crease between the panels, small tears and traces of humidity on the lower margin. Signed with the pseudonym Norberto Buscaglia (name of Breccia's brother-in-law) and dated.

Fri 10 May

Brodwolf, Jürgen - Härtling, Peter. Letters from inside and outside. Fifteen poems. With 20 reproductions of frottages, figure drawings and collaged paper figures on tracing paper as well as an inscribed and signed original collage by Jürgen Brodwolf. Stuttgart, Radius, 1989. 40 pp. 28.5 x 22 cm. Original cloth in original cloth slipcase (the latter slightly scratched). Radius library. - One of 75 numbered copies of the special edition signed by Brodwolf and Härtling with the enclosed original collage.

Fri 10 May

SCUOLA SICILIANA INIZI XVIII SECOLO, Natività, Olio su tela - SICILIAN SCHOOL OF THE EARLY XVIII CENTURY Nativity Oil on canvas Coeval frame in lacquered wood gilded with silver and mixed media. 101 x 79.5 cm.

Fri 10 May

SCUOLA SICILIANA DEL XVIII SECOLO, Olio su tela - SICILIAN SCHOOL OF THE XVIII CENTURY Biblical Scene Oil on canvas Silver-gilt wood and mixed media frame. 83 x 44 cm.

Fri 10 May

CARLO DOLCI (Seguace di), Olio su tela - CARLO DOLCI (Follower of) (Florence 1616 - 1686) The Virgin of the Lily Oil on canvas Wooden frame carved and gilded in silver and mixture Provenance: noble Sicilian family. 62.5 x 51 cm.

Fri 10 May

SCUOLA NAPOLETANA DEL XVIII SECOLO, Olio su tela - NEAPOLITAN SCHOOL OF THE XVIII CENTURY Our Lady of the Rosary with the Child Jesus and St. Dominic Oil on canvas Chased reed frame in carved wood gilded with silver and mixed media Provenance: noble Sicilian family. 43 x 32 cm.

Fri 10 May

SALVATORE SACCO, Olio su tela - SALVATORE SACCO (19th century Sicily) Portrait of Mr. D. Francesco Lojacono from Mistretta Oil on canvas Gilded wooden reeded frame gilded with silver and mixture Provenance: noble Sicilian family. 101 x 65.5 cm.

Fri 10 May

SCUOLA SICILIANA DEL XIX SECOLO, Olio su tela - SICILIAN SCHOOL OF THE XIXTH CENTURY Portrait of a gentleman Oil on canvas Chased reed frame in silver-gilt wood and mixed media Provenance: private collection Palermo. 103 x 77 cm.

Fri 10 May

SCUOLA EUROPA DEGLI INIZI DEL XX SECOLO, Olio su tela - EARLY 20TH CENTURY EUROPEAN SCHOOL Still Life - 1911 Oil on canvas Date and undeciphered signature at lower right Carved and gilded wooden tray frame. cm 60.5 x 110, cm 90 x 139 (with frame) .

Fri 10 May

GIUSEPPE VELASCO (Cerchia di), Olio su tela - GIUSEPPE VELASCO (Circle of) (Palermo 1750 - 1827) Scene from ancient Rome Oil on canvas Chased reed frame in silver-gilt wood and mixed media. 44.5 x 57.5 cm.

Fri 10 May

NICOLAS POUSSINI (Cerchia di), Olio su tela - NICOLAS POUSSINI (Circle of) (Les Andelys 1594 - Rome 1665) Landscape with characters at the bath Oil on canvas Wooden frame carved and gilded in silver and mixture. 51.5 x 64.5 cm.

Fri 10 May

CESARE FRACANZANO (Attr.le), San Pietro, Olio su tela - CESARE FRACANZANO (Attr.le) (Bisceglie 1605 - Barletta 1651) Saint Peter Oil on canvas Wooden frame carved and gilded in silver and mixed media. 58 x 44.5 cm.

Sat 11 May

Michel Lablais (1925-2017) - Richard III 1984 Mixed media on paper laid down on canvas Signed and dated lower left, countersigned and dated on the back 81 x 65 cm Condition report: Framed French painter, notably collected by Daniel Cordier, Michel Lablais produces disconcerting works: his watercolors feature anatomically described figures of almost scientific rigor. His experience as a cartographer in Indochina, from 1945 to 1947, also had a strong influence on his painting. This singular artist explores his dreams, showing the hidden face of what we think we know. Far from the morbid and cruel, he depicts the living world in a light-hearted, funny tone. "Birth and death fascinate me. But it's the in-between that we need to appreciate and manage as best we can. In my painting, I see people, insects and plants as objects. They constitute a mechanism whose inner workings I want to understand. I see things primarily as theater. But I'm neither complexed nor unhappy. As for my personality, I'm more of an instinctive person than a reasoner. In fact, I'm the opposite of a fanatic. For me, a successful life is one that allows you to fulfill your childhood dreams." (MLD)

Sat 11 May

Michel Lablais (1925-2017) - Le Commandeur 1984 Mixed media on paper laid down on canvas Signed and dated lower left, countersigned and dated on the back 81 x 65 cm Condition report: Framed French painter, notably collected by Daniel Cordier, Michel Lablais' works are disconcerting: his watercolors feature anatomically described figures of almost scientific rigor. His experience as a cartographer in Indochina, from 1945 to 1947, also had a strong influence on his painting. This singular artist explores his dreams, showing the hidden face of what we think we know. Far from the morbid and cruel, he depicts the living world in a light-hearted, funny tone. "Birth and death fascinate me. But it's the in-between that we need to appreciate and manage as best we can. In my painting, I see people, insects and plants as objects. They constitute a mechanism whose inner workings I want to understand. I see things primarily as theater. But I'm neither complexed nor unhappy. As for my personality, I'm more of an instinctive person than a reasoner. In fact, I'm the opposite of a fanatic. For me, a successful life is one that allows you to fulfill your childhood dreams." (MLD)

Sat 11 May

Philippe Pasqua (né en 1965) - Philippine 2010 Mixed media - including pencil and ink - on paper pasted on canvas Signed, titled and dated on the back 200 x 150 cm This work is accompanied by a certificate of authenticity from the artist. Condition report : Framed

Sat 11 May

JonOne (né en 1963) - A Stroll in Johansberg 2021 Acrylic and ink on canvas signed, dated, titled and localized in "Paris" on the back 76.5 x 53.5 cm This work is accompanied by a certificate signed by the artist. Condition report : Framed

Sat 11 May

Brodwolf, Jürgen. IX. Version of 10 variations. Collage of plaster, canvas, fabric and white paint in wooden glazed display case. Signed, dated and titled. 1979, dimensions: 50 x 70 x 7 cm. Wood of the display frame somewhat rubbed in places, otherwise in good condition. - Due to the size, transport must be organized by the buyer.

Sat 11 May

Gais, Christoph M. Untitled. (Everything in the bucket). Acrylic and paper collage on cardboard stapled to wooden panel. Dated on the reverse of the wooden panel: "10.1/86" and numbered "R 642". Sheet dimensions: 94 x 74 cm. Framed under glass (102 x 81 cm). The Stuttgart artist Christoph M. Gais (b. 1951) studied painting at the State Academy of Fine Arts in Stuttgart under K. R. H. Sonderborg and at the Hochschule der Künste in Berlin under R. Girke. - Card torn at one staple, card somewhat wavy. - Provenance: Raab Galerie Berlin; private collection Berlin.

Sat 11 May

Hanselmann, Urs. Untitled. (Minimal object). Acrylic, textile, wood. Signed and dated on verso. 1997. dimensions: 18.5 x 14 x 5.3 cm. The red painted cushion-like object by the Swiss artist Urs Hanselmann (born 1944) is a unique work from a series of 6 minimal objects. - Flawless.

Sat 11 May

Hildebrandt, Volker. Art Newspaper. Issues 1-11, 1997. 11 acrylic paintings on newsprint, mounted on canvas. Each signed, dated, inscribed and numbered in pencil on verso. 1997. copies: 7/7. dimensions (stretcher frame): 47 x 33 cm. The title pages overpainted by Volker Hildebrandt (born 1953) are each inserted together with a copy of the "Kunstzeitung" published by Lindinger + Schmid in the original cardboard box of "ARTIKEL Editionen, München, 1997". - Published by Gabriele Lindinger and Karlheinz Schmid in Berlin since 1996, the "Kunstzeitung", which only ceased publication last June with number 306, reported for 27 years on personalities and exhibitions, trends and debates in the newly awakening capital. In line with his concept of "pictures for the blind", Hildebrandt now makes the illustrations on the painted-over title pages tangible. - The boards somewhat rubbed, dusty and stained, the paintings in perfect condition.

Sat 11 May

Noir, Thierry. We laughed so much, I would never have thought. Acrylic on canvas. Signed, dated and titled on the reverse of the folded canvas. 1996. motif dimensions: 54 x 83 cm. Canvas dimensions: 60 x 90 cm. Large-format acrylic work with the characteristic bug-eyed profile heads by the French street artist Thierry Noir (born 1958), who has lived in West Berlin since 1982 and had already begun painting the west side of the Berlin Wall with his colorful figures in 1984. - Perfectly preserved. - Provenance: Acquired in 1996 at the 21st Christmas auction at the Haus am Checkpoint Charlie, since then in private ownership in Berlin.

Sat 11 May

Paolozzi, Eduardo. Bunk. A Box-file containing 45 images from Eduardo Paolozzi's Files. With 45 signed, mostly mounted and colored lithographs and silkscreens and 1 additional plate. London, Snail Chemicals, 1972, 4 pp., 46 plates. 45 x 32 cm. Loose in original linen box with cover title (somewhat stained and slightly rubbed at edges). One of 50 (GA 150) numbered copies of the special edition, here the only copy known to us in which all 45 works are signed. - Konnertz pp. 195ff. - The plates in various formats: from 15 x 19 cm to 29 x 42 cm. - The four text sheets in separate card cover. - Important portfolio on Paolozzi's early work and groundbreaking work for the history of Pop Art. Eduardo Paolozzi (1924-2005) created a series of "Bunk" collages in Paris and London from 1947-1952, which he first presented in his groundbreaking lecture "Bunk!" at the Institute of Contemporary Arts in London in 1952 and which have since been regarded as prototypes of Pop Art. But it was not until 20 years later that Paolozzi returned to the subject and arranged for the present publication with elaborately printed or facsimile works, thus making the pictures accessible again to a generation that had grown up with Pop. - Individual glued collages detached, occasional slight traces of glue on verso, 2 plates with corner crease, otherwise in very good condition. VAT: #

Sat 11 May

Pümpel, Albert Maria. Angels 1 to 5, each mixed media on canvas. Each signed, dated and titled verso. 1986. dimensions: 200 x 64.5 cm and 200 x 84.5 cm. Framed: 205 x 69 cm and 205 x 89 cm. Albert Maria Pümpel (1956) studied under Gotthard Graubner and Joseph Beuys at the Düsseldorf Academy, among others. Pümpel's painting testifies to his aim of bringing abstract painting closer to figurative painting. To this end, Pümpel repeatedly explored the painting techniques of the Old Masters and intensively studied Christian iconography. These aspirations and interests are also clearly evident in the five angels, whose subject matter already suggests a religiously charged work. However, they also reflect Hajo Eickhoff's description of the "meditation pictures" and the "pictures of stillness and silence". - Partially with some craquelure, the corners and edges slightly rubbed in places. - Due to the size, transport must be organized by the buyer.

Sat 11 May

Reusse, Stephan. Jeff Koons. C-print under acrylic sheet on MDF panel. Signed and titled verso on the panel, inscribed and dated "München 1991". Diameter: 24.5 cm. Stephan Reusse has been developing the "Collaborations" series since the mid-1980s: portraits of prominent personalities from the art scene such as John Baldessari, Joseph Beuys, Jimmie Durham, Rosemarie Trockel, Lawrence Weiner, Nancy Spero and Jeff Koons. Together with the artists portrayed, Reusse conceived the portraits in such a way that they reflect the artistic signature of the respective artist. It is probably not without irony that this plate shows Jeff Koons as Santa Claus in a bathrobe, while in the same year he staged himself as a marble antique or, together with Cicciolina, as a porn icon. - Very good condition.

Sat 11 May

Roth, Dieter. Motorcyclist. Motorcyclist. Wind-up toy mounted on chipboard and covered with green acrylic paint. Signed and dated on the underside of the plate. 1969. dimensions: approx. 17 x 11 x 11.5 cm. Unique sculpture. - Dobke, Bücher + Multiples, 23 - Dobke, 1960-1975. 1969.41 ("unlimitierte Unikate") - Unnumbered, probably published outside the edition of 100. - "For him (Roth), the appeal of what is probably the most common figurative motif (motorcyclists) does not lie in the concepts connoted with motorcycling, such as youth, freedom and independence. He has also never ridden a motorcycle himself. He uses the symbol because of his indifference (correction Roth: 'ambivalence?'): Roth sees in it both a motorcyclist, a heart shape and a stylized male gender (fax to the Verfaser 1.11.1996)." (Dobke, Melancholischer Nippes, p. 61). - Acrylic broken between base and toy, probably remounted later. - Provenance: Estate of Rudolf Rieser.

Sat 11 May

Schilling, Alfons. 2 autobinary stereoviews. Each C-print on smooth paper. Each signed and dated lower right in pencil. 2002. motif dimensions: 25 x 18 cm. Sheet dimensions: 30 x 21 cm. Alfons Schilling (1934-2013), who is considered a pioneer of Viennese Actionism among other things, worked with stereo images in the 1990s. These autobinary works transform a panel painting into a double image. However, only with one aid, a prism, which viewers have to hold in front of one of their eyes. Schilling created these autobinary stereo images mostly in acrylic on hardboard. The present prints are based on these pictures. - Both sheets mounted on the verso in the upper margin in the corners under passepartout, one sheet slightly light-stained, the corners and edges partly minimally rubbed, the other sheet minimally browned.

Sat 11 May

Schulze, Harald K. Dan & Dan. Acrylic on canvas. Signed and dated lower right. 1987. dimensions: 120 x 100 cm. Framed in original artist's frame: 129 x 109.5 cm. Dan & Dan bears witness to the love between people that breaks down all walls. The Palestinian Dan and the Israeli Dan met by chance in East Berlin after one came to East Berlin in the 1980s and the other to West Berlin at the same time. In this painting, Harald K. Schulze (1952) was concerned with maintaining peace between Palestine and Israel in the 1980s. The painter Schulze was a founding member of the punk community NEONreal around Clemens Gröszer and Rolf Biebl. The artist community always represented an opinion that did not always conform to current events. - In very good condition, the artist's frame partially minimally rubbed at the edges. - Due to its size, transportation must be borne by the buyer.

Sat 11 May

Ulrichs, Timm. IN THE BEGINNING WAS THE WORD AM. Screenprint in gold on strong black and highly polished acrylic glass. Signed and numbered on label verso. Copy: 24/25. 1962/2022. dimensions: 60 x 60 x 1 cm. Probably the most original example of Ulrich's "Concrete Poetry" was first published in 1962 and realized here as a large reflective mural. - The heavy acrylic glass panel has a spacer strip on the reverse and a groove for hanging. - Flawless.

Sat 11 May

Wassnig, Gerhard. Departure of the earth. Acrylic and sand on wooden panel. Signed and dated in the center, verso signed, dated, titled, with location and technique, as well as with dedication by Klaus-Peter Jacob to Mr. Dräger on his 50th birthday. 2000. dimensions: 85 x 85 x 2 cm. Gerhard Wassnig (1942-2012), Austrian artist, received the Theodor Körner Prize for his artistic achievements in 1995 and was director of the municipal gallery in Lienz, East Tyrol, from 1964. Despite its square format, "Aufbruch der Erde" is based on the wooden discs so typical of Wassnig. The medium of sand used by the artist is also repeatedly found in his oeuvre, with the sand coming from all parts of the world. - Somewhat rubbed, the corners and edges stronger, small loss to the lower left edge.

Sat 11 May

André MARCHAND (1907-1997) "The dish of apples, 1941" Oil on isorel signed lower right Titled on the back and dated on the frame 46 x 55 cm Pine frame, slight superficial scratches.

Sat 11 May

Alain GODON (1964) "Les Altesses, 2010" Oil on canvas signed lower right, titled and countersigned on the back 130 x 89 cm Original American crate frame Provenance: Alain Godon exhibition Galerie Fardel, Le Touquet, August 2010 (Invoice)

Sat 11 May

Assumpcio MATEU (1952) "Imaginary calligraphy Oil and mixed media on canvas 107 x 157.5 cm Framed.

Sat 11 May

Sergio FERRO (1938) "Etude n°20, 1989 Acrylic, alkyd and oil on canvas signed lower left, titled and localized on back. 137 x 104.5 cm Framed.

Sat 11 May

Carmelo ARDEN-QUIN (1913-2010) "Elan, 1986" Acrylic on panel, relief and Plexiglas. Signed and dated on the back 154 x 176 cm Traces of rubbing and minor wear.

Sat 11 May

Cyril DESMET (1950) "Le jardin d'Hélène, 1998" (Hélène's garden, 1998) Acrylic on canvas signed lower left and dated 63 x 54 cm

Sat 11 May

Jean-Marie HODIN ( Born 1958) "Cape Cod, July 2014" Printed canvas and acrylic Signed upper right, titled, dated and localized on the back 86 x 54 cm

Sat 11 May

Claude BELLEUDY (1938) "Homage to Arden Quin". Acrylic on wood panel. Signed and titled on the back. 53 x 65 cm Small lacks at bottom right

Sat 11 May

SCUOLA BOLOGNESE FINE XVII SEC., Olio tela applicata tavola - BOLOGNESE SCHOOL OF THE LATE XVII CENTURY Saint Rosalie Oil on canvas applied to panel Chased reed frame in carved wood gilded with silver and mixed media. 25 x 18.5 cm.

Sat 11 May

ROSALIA NOVELLI, L'Immacolata Concezione, Olio su tela - ROSALIA NOVELLI (Palermo 1628 - 1688) The Immaculate Conception Oil on canvas Silver-gilt wood and mixed media frame. 120.5 x 132.5 cm.

Sat 11 May

FRANCESCO SOLIMENA (Attr.le), Olio su tela - FRANCESCO SOLIMENA (Attr.le) (Canale di Serino 1657 - Naples 1747) Saint Vincent Ferreri Oil on canvas Coeval frame in silver-gilt wood and mixture. 75.5 x 62.5 cm.

Sat 11 May

GUGLIELMO BORREMANS, Olio su tela - GUGLIELMO BORREMANS (Antwerp 1672 - Palermo 1744) Our Lady of the Rosary with Saints Dominic, Catherine of Siena, and Rosalie Oil on canvas Gilded wooden reeded frame gilded with silver and mixed media Work of undoubted pictorial and artistic quality clearly inspired by the celebrated Madonna of the Rosary in St. Dominic by Master Van Dyck Provenance: private collection Palermo. 129 x 85.5 cm.

Sat 11 May

SCUOLA ROMANA DEL XVIII SECOLO, Olio su tela - XVIII CENTURY ROMAN SCHOOL Neoclassical scene Oil on canvas Wooden tray frame carved and gilded in silver and mixed media Provenance: private collection Palermo. 52 x 64.5 cm.

Sat 11 May

LUIGI LOJACONO, Ritratto di gentiluomo, Olio su tela - LUIGI LOJACONO (Palermo 1810 - 1880) Portrait of a gentleman Oil on canvas Signature and date 1839 at right Chased reeded frame in silver-gilt wood and mixed media Provenance: private collection Palermo. 67 x 57.5 cm.

Sat 11 May

LUIGI LOJACONO (Attr.le), Olio su tela - LUIGI LOJACONO (Attr.le) (Palermo 1810 - 1880) Portrait of a commoner with basket of flowers Oil on canvas Chased reeded frame in silver-gilt wood and mixture Provenance: private collection Palermo. 103.5 x 78.5 cm.

Sat 11 May

ESPONENTE DEL CUBO-FUTURISMO RUSSO INIZI XX SEC., Olio su tela - EXPONENT OF EARLY 20TH CENTURY RUSSIAN CUBO-FUTURISM Running Train Oil on canvas Wooden frame and gilded pastille Provenance: private collection Palermo. 60.5 x 100 cm.

School of the Xxth century. Sheaf of flowers. Oil on copper, signed lower center (illegible). 18 x 13 cm.

French school of the Xxth century. Vase in bloom. Oil on canvas, signed lower right. 46.5 x 38.5 cm.

French school of the 20th century. "Adagio", 1994. Mixed media on paper (dried leaves and watercolor), signed lower right (illegible) & countersigned on back with date. 49 x 31 cm (view).

Jean MANUEL (born 1937). Montmartre, Le Sacré-Coeur. Oil on canvas, signed lower left. 22.5 x 27.5 cm.

School of the XIXth century. Rural scene. Oil on paper. 33.5 x 42.5 cm (tears/restorations; as is).

School of the Xxth century. Mountain views. Set of two oil paintings. 61 x 44.5 cm (as is).

M.KNOWLES (20th). Landscape, 1980. Oil on canvas, signed and dated lower right, stamped "WINTON, Prepared by Winsor & Newton LTD, England" on the back. 40 x 51 cm.

E.VOISIN (20th). Composition aux bouteilles, 1960. Oil on canvas, signed and dated lower right. 61 x 50.5 cm (accidents; as is).

AURéLIEN ? (20th century). Montmartre, The Moulin Rouge. Oil on canvas, signed lower right. 50.5 x 60.5 cm.

Piece of slate engraved with a boat. Rosewood base. 35.5 x 45.5 cm

GARNHAÏL (?) 20th century school Mixed media on canvas Dated 62 38 x 55 cm

Modern school of the XXth century Abstract composition with figures Oil on canvas Signed lower right and on the back on the stretcher H. 115 cm. L. : 88 cm .

Adlan SAMET El gueta, 14 Acrylic on canvas signed and dated lower right 100 x 81 cm

Sun 12 May

Christine McGinnis (American, 1937-2019) Seal Point Siamese, Acrylic on Board Painting A painting depicting a trio of Seal Point Siamese cats with blue eyes. Type: Painting Materials: Acrylic on board Markings & Inscriptions: Signed on the verso Date: Mid to late 20th century Maker: Christine McGinnis (American, 1937-2019) Dimensions:.15.5" x 19.5" the art, 21.5" x 25.5" framed. Provenance: From the Rodger LaPelle Galleries collection, Philadelphia, Pennsylvania. Very good condition.

Sun 12 May

Christine McGinnis (American, 1937-2019) Paramours in a Surreal Forest, Large Acrylic on Canvas Painting A large painting depicting lovers or paramours greeting under a fruit tree, surrounded by birds and wildlife. Type: Painting Materials: Acrylic on canvas Markings & Inscriptions: Signed lower right Date: Mid to late 20th century Maker: Christine McGinnis (American, 1937-2019) Dimensions:. 40.5" x 48.5" framed Provenance: From the Rodger LaPelle Galleries collection, Philadelphia, Pennsylvania. Very good condition.