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* Portrait du Nawab Kamkar Khan - India, late 18th - early 19th century Album page featuring a gouache portrait of a dignitary on the front and a European engraving on the back. Miniature size: 14.5 x 9 cm (page size: 33.5 x 25 cm) This intriguing album page bears witness to the circulation of European engravings in Mughal court libraries. They conveyed new themes and subjects that greatly inspired Persian and Indian artists. The engraving, entitled The Old Libertine, was created by Johann Theodor de BRY (1561-1623) after a drawing by Agostino Carracci (1557-1602) in the Metropolitan Museum of Art, New York, inv. 27.78.1(402). Provenance: This lot is sold as a temporary import. An Indian album page, with the portrait of the Nawab Kamkar Khan on the recto, and a European engraving of an Italian drawing on the reverse ( now in the Metropolitan Museum of Art of New York), 18th century.

Estim. 1 500 - 2 000 EUR

Wed 26 Jun

CAUX (Henry de). Catalog général des gentils-hommes de la province du Languedoc dont les titres de noblesse ont été remis devant Mr Bezons... lesquels titres de noblesse ont été confirmz par jugement souverain dudit sr. de Bezons... Pezenas, Jean martel, 1676. In-fol. posterior binding, full shagreened calf, ornate ribbed spine, burgundy morocco title-piece, red tr. 4 fnch. (faux-titre, title, epistle, avis au lect.), 78-92 pp. Ex-libris of Reboul. Handwritten note on flyleaf: "Ce livre devenu presque introuvable fait foi pour ce qui concerne les maintenues de noblesse des familles du Languedoc et leurs armes... (Reboul de la Juillères)". Handwritten ex-dono from Pascal to Maitre Forand. Uncovered spine ends, spine ends cracked, boards almost flyleafed, some minor internal marginal restoration, marginal damp marks, text still quite legible. First edition, divided into two parts, one on the generality of Toulouse, the other on that of Montpellier. This rare book provides a comprehensive picture of the Languedoc nobility at the time. It was reprinted in 1759 in Pièces fugitives pour servir à l'histoire de France by Aubais and Menard. It is also one of the first books printed in Pézenas, Hérault, whose printing works date back to around 1656. Roles drawn up for each diocese, sometimes accompanied by coats of arms. The work stops on page 92 (wrong ch. 82), in accordance with the pagination of the Bibliothèque Nationale's unique copy, numbered Lm2/63 (written bill in-fine from Mr. Reboul stating that he had consulted the copy at the Bibliothèque Nationale and noted the same pagination). (Saffroy, II-26642).

Estim. 200 - 300 EUR

Fri 28 Jun

General catalog 1900. [Barcelona D.F. Zarubaly 1900] In-18: [2]-23 pp. in publisher's envelope (slight creasing, envelope damaged but complete). In mod. slipcase. Very good condition. Discreet format, in French, cover illustrated with a photogravure showing a French Cancan dancer. Commented list of some forty photo series with affritious titles, including a.o.: "Un pucelage", "Ménage à trois", "Scènes de flagellation", "Passions lubriques", "Passions bestiales", "Masturbation", "Gougnettes", "Pédérastes", "Miss Alice et sa chienne", "Au couvent", "Au harem", etc. Also: stereoscopes, "Rubber goods" (dildos, condoms, "Venus ring, etc.). Printed in green and red on daffodil paper. The company delivers worldwide. Joint, 2 color ill. catalogs: 1. (Zanasi, G.; Pontiggia, G.) - Sous le manteau. Bibliothèque galante et curieuse [catalog]. [Bologna, Studio Bibliografico Zanasi, 1994]. In-8°. Publisher's green bradel cloth, boards covered with metal plate, color vignette on upper board, in slipcase. 1/100 numbered copies (no. 62). Describes 32 works in Italian, French and English, with in-text illustrations in black and color. Prov. Alessandro Bertolotti (°1960), Italian writer and photographer. - 2 [Dutel, Jean-Pierre] - Petite bibliothèque érotico-surréaliste de première nécessité. Paris, Librairie J.-P. Dutel, [2010]. In-4°. On ff. in beige leatherette chemise, mint condition. Edition of 25 unnumbered copies, this one printed for H. van der Kamp and initialed by the author. (3 vols.)

Estim. 250 - 350 EUR

Fri 28 Jun

BIBLIOTHÈQUE CHOISIE DE CONTES, DE FACÉTIES, ET DE BONS MOTS. Paris: Royer, 1786-1788. - 7 volumes in-8, 198 x 124: frontispiece, (2 ff.), xj, xix pp., (2 ff.), iv, 208 pp. ; frontispiece, 245 pp. ; frontispiece, 247 pp. ; 296 pp. ; 250 pp. ; (2 ff.), 231 pp. ; (1 f.), 220 pp. Red morocco, triple gilt fillet framing and gilt fleuron at corners, ornate smooth spine, interior gilt roulette, gilt edges (period binding). First edition of this precious and rare collection of tales and short stories. The complete collection should comprise 14 volumes, but it is extremely rare to find it in its entirety. We have here the first five published between 1786 and 1788, containing French as well as Greek and Latin pieces. The first volume is headed by Réflexions sur le conte by Dorat. There are also three unsigned frontispieces, the first of which is printed in red. These first five volumes are joined by two others in the same series, respectively entitled Les Folies sentimentales, ou l'égarement de l'esprit par le cœur, Recueil d'Anecdotes nouvelles, and Nouvelles folies sentimentales, ou folies par amour; précédées De la Folie par haine, avec la Bague d'Hébé, Conte érotique; pour faire suite à la Bibliothèque choisie de Contes, both dated 1786 by Royer. EXEMPLES ON VELIN PAPER IN IN-8 FORMAT, the current edition being in-18 format. Very fine set, uniformly bound in contemporary morocco. Spines very slightly faded. Small light spotting on top of frontispiece of volumes 2 and 3. The last two volumes were volumes XII and XIII; the numbers have been partly erased to leave only I and II.

Estim. 1 500 - 2 000 EUR

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BOURGOIN (Jules) - Arab arts. Architecture - Carpentry - Bronzes - Ceilings - Coverings - Marbles - Pavements - Stained glass - etc. Avec une table descriptive et explicative et le trait général de l'art arabe. Paris, Vve A. Morel, et Cie, 1873. Large in-folio red half-chagrin, spine ribbed and decorated (period binding). Large dark stain on spine, rubbed and worn. (2) ff. 3-[1]-4-[4]-VIII-28 pp. pp. 92 plates, 50 in color. foxing and light dampening. Ex-libris Unique edition of a monumental reference work compiling monument surveys carried out by the author, an architect by training, during his stay in Egypt, Syria and Palestine from 1863 to 1867. The work introduced Europeans to Arab ornamentation, and quickly became very popular, especially as it benefited from the new chromolithography technique, which enabled sumptuous color plates to be produced. Viollet-le-Duc summed up this important study as follows: "one of those collections of engravings that are pleasant to look through, and which adorn the libraries of architects and decorators, but which are hardly ever consulted", but "a practical and complete treatise which uncovers a whole new order of composition". Jules Bourgoin (1838-1908) was an architect and theorist of ornament. Sent to Alexandria to teach, he was captivated by the Orient, and during his stay collected the data he used to publish "Les arts arabes".

Estim. 500 - 800 EUR

Thu 27 Jun

SUZANNE BELPERRON - YEARS 1933-1938 RARE ROCK CRYSTAL AND DIAMOND "PYRAMID" CLIP This clip features a truncated rock crystal pyramid topped with brilliant-cut diamonds (old cut). It is linked to a cylinder punctuated with old-cut diamonds and rock-crystal cabochons. Set in platinum and 18K white gold. Unsigned French work. Master hallmark of Atelier Groëné et Darde, inscribed in 1928 (first period). Gross weight: 9.81 g (one chip). Dimensions: 2.7 x 2 cm. References: Raulet Sylvie, Baroin Olivier, "Suzanne Belperron", Bibliothèque des Arts 2011, pages 63, for drawings of two related clips of the same proportions, and page 34 for the text relating how, in 1933, Atelier Groëné et Darde became the exclusive supplier to Maison Hertz, of which Suzanne Belperron became the exclusive artistic and technical director, in the exact words of Bernard Hertz. Corbett and Landrigan, "Les bijoux de Suzanne Belperron", Thames & Hudson, 2015, page 60, the "pyramide" clip true to the original design and once owned by the beautiful Dorothy Paley, page 59 for a ring with a "pyramide" theme. A rock cristal, diamond, platinum and 18K white gold clip by Suzanne Belperron, circa 1933-1938. French assay mark and Groëné et Darde maker's mark (mark from 1928, first period). Gross weight : 9,81 gr. (chip to the rock cristal) Dimensions : 2,7 x 2 cm. References : Raulet Sylvie, Baroin Olivier, "Suzanne Belperron", Bibliothèque des Arts 2011, pages 63, to discover the drawings of two related clips of the same proportions, and page 34 the text which relates that the Atelier Groëné et Darde became 1933 the exclusive supplier to Maison Hertz, of which Suzanne Belperron became the exclusive artistic and technical director, in the exact words of Bernard Hertz. Corbett and Landrigan, "The jewels of Suzanne Belperron", Thames & Hudson, 2015, page 60, the "pyramid" clip faithful to the original design and having belonged to the beautiful Dorothy Paley, page 59 for a ring reflecting the theme "pyramid".

Estim. 6 000 - 8 000 EUR

Tue 25 Jun

ISHIMOVA Alexandra (1804-1881) Russian history in children's stories. Sixth edition, corrected. Ed. A.S.Suvorin, St. Petersburg, 1890. In three parts and three volumes. Period bindings (as is). Vol. I: 299 pp, in-8, publisher's binding, stamp "The Fundamental Library of the Petrokovsky Lyceum" on cover and title page, numbers, A.B.E. (corners of binding damaged, binding scuffed, red pencil marks on cover). Vol. II: 284 pp. in-8, publisher's binding, stamp "La Bibliothèque fondamentale du lycée Petrokovsky" on cover and title page, numbers, A.B.E. (scuffed binding, red pencil marks on cover). Vol. III: 331 pp, in-8, publisher's binding, stamp "La Bibliothèque fondamentale du lycée Petrokovsky" on cover and title page, numbers, A.B.E. (traces of rubbing and red pencil marks on binding). Rare. ИШИМОВА Александра (1804-1881) История России в рассказах для детей. Издание 6-е, исправленное. Изд. А.С.Суворина, С.-Петербург, 1890 г. В трех частях и трех томах. Владельческие переплеты эпохи (в сост.). Том I: 299 стр., 21 х 14 см., изд.обл., печать "Фундаментальной библиотеки Петроковской гимназии" на обложке и титульном листе, номера, общ.хор.сост. (повреждение углов переплета, потертости переплета, пометки на обложке красным карандашом). Том II: 284 стр., 21 х 14 см., изд.обл., печать "Фундаментальной библиотеки Петроковской гимназии" на обложке и титульном листе, номера, общ.хор.сост. (потертости переплета, пометки на обложке красным карандашом). Том III: 331 стр., 21 х 14 см., изд.обл., печать "Фундаментальной библиотеки Петроковской гимназии" на обложке и титульном листе, номера, общ.хор.сост. (потертости переплета, пометки на обложке красным карандашом). Как известно, Александра Ишимова стала последним адресатом Пушкина. Утром накануне роковой дуэли он раскрыл, вышедший недавно, томик "Истории России в рассказах для детей" и "поневоле зачитался. Вот как надобно писать!" (Письмо к А.О. Ишимовой, 27 января 1837 г.). Став практически первой сводной книгой по русской истории для юного читателя, работа Ишимовой получила высокую оценку у современников.

Estim. 250 - 400 EUR

Fri 28 Jun

DONATI (Vitaliano). Della storia naturale marina dell' Adriatico. Venice: Francesco Storti, 1750 - In-4, 276 x 197 : (4 ff.), LXXXI pp. 10 plates. Speckled calf, cold fillet framing the boards, ornate ribbed spine, red speckled edges (period binding). First edition of the most important work by Italian physician, archaeologist and botanist Vitaliano Donati (1717-1862). "It contains general considerations on marine biology, original observations on the hydrography and geology of the eastern Adriatic coast, descriptions of some fossils, and above all a detailed presentation of the many species that live in this sea. Donati's work influenced European biological thought by demonstrating the essentially animal nature of coral reproduction and growth. The book's scientific success earned him international renown." (Dizionario Biografico degli Italiani, XLI, p. 62-63.) Donati's study is followed by a letter to Donati from Italian physician and botanist Leonard Sesler, in which he describes a new species of terrestrial plant that he named Vitaliana to honor Vitaliano Donati. The edition is illustrated with 10 plates, the last of which depicts the Vitaliana described by Sesler. EXEMPLAIRE OF THE FAMOUS BOTANIST ANTOINE-LAURENT DE JUSSIEU (1748-1836), director of the Paris Museum of Natural History, author of Genera Plantarum, one of the most important botanical works in history. Binding skilfully restored, some wear and tear. Provenance: Antoine-Laurent de Jussieu (cat. 1857, no. 419, and Livres et documents provenant des bibliothèques d'Antoine, Bernard, Antoine-Laurent et Adrien de Jussieu, 1997, no. 91).

Estim. 1 000 - 1 500 EUR

Wed 26 Jun

Set of 18 books and plates including: - Jacques De la Croix: Chants des jours heureux. - Paul Déroulède: Chants patriotiques. - Teodor de Wyzewa: Excentriques et aventuriers de divers pays. Paris, Librairie académique, Perrin et Cie Librairie Editeurs, 1910. - Evenements arrivés à un laboureur de la Beauce, années 1816. London, Imprimerie Cox & fils, 1819. - Marcel de la Bigne de Villeneuve: Un grand philosophe et sociologue méconnu, Blanc de Saint-Bonnet. Beauchesne, 1949. - Annuaire Administratif et statistique du département de l'Aube, for 1929. - Le Tombeau de Charles Berjole 1884-1924, notes et souvenirs de ses amis. André Bruel, 39 rue Plantagenet, Angers. - La Bible de Jérusalem, Zodiaque. - Vocabulaire français de Wailly. Paris, Lyon, 1844. - Louis Le Dauphin: Les PArisiennes au pied du mur! Paris, Jules Lévy, Editor, 1888. - Paul Desachy: Légende du drapeau, 67ème régiment d'infanterie. Soissons, Imprimerie de R. Fossé d'Arcosse. - Maurice Baud: Propos licites sur l'actualité politique. - Blanc de SAINT-BONNET. La Douleur. Fourth edition. Paris, Maison de la Bonne Presse. 1897 - Musée des Familles, evening readings. Paris, Librairie Delagrave. - Paul DEROULEDE. Chants du Soldat. Paris, Modern Bibliothèque, Arthème Fayard et Cie Editeurs. - Blanc de SAINT-BONNET. L'infaillibilité. Nouvelles editions latines, 1956. - Blanc de SAINT-BONNET. De la Restauration Française, mémoire présenté au clergé et à l'Artistocratie. Paris, 1851.

Estim. 20 - 30 EUR

Tue 09 Jul

PIAGET Ref. 961, n° 580834 Circa 1958 Extra-flat tuxedo watch in 18k (750) pink gold Case: round, textured gold, clipped back, signed Piaget Dial: pink gold, applied baton hour markers, signed Movement (to be overhauled): mechanical cal. 9P, signed Diameter: 37 mm Gross weight: 33.50 g. With: case We would like to thank Piaget for their kind collaboration. Lot from outside the E.U. Import VAT of 20% of the hammer price must be added to the commissions and taxes indicated. Bibliography: F. Cologni, G. Negretti, F. Nencini, "Montres et Merveilles de Piaget 1874-1994", La Bibliothèque des Arts, Paris/Lausanne, 1994, a model in white gold with onyx dial and applied diamond hour markers, reproduced on p. 93. A 18k rose gold manual winding dress watch (overhaul required). With a presentation box Lot from outside the UE. In addition to the commissions and taxes indicated, importation expenses will be charged (20% of the hammer price). Bibliography: F. Cologni, G. Negretti, F. Nencini, "Montres et Merveilles de Piaget 1874-1994", La Bibliothèque des Arts, Paris/Lausanne, 1994, a white gold model with onyx dial and diamond hour markers, reproduced p. 93. With our sincere thanks to Piaget for their collaboration. CONDITION REPORT : Please note that the movement is not working and requires a complete overhaul. Artcurial cannot be held responsible for any repair costs. Well-preserved case Dial in good condition Few signs of use Hallmark slightly faded CONDITION REPORT : Please be advised, the movement is no operational, service required. Artcurial will not be held responsible for any repairs that must be required. Well-preserved case Dial in good condition Very limited signs of use Hallmarks slightly erased Watches and clocks are sold as is. No warranty is given on the working order of the watches and clocks. Most watches have been opened to identify the type and quality of the movement, including water-resistant watches, so the buyer is advised to consult a watchmaker to review the water-resistance of the watch. Strap changes, water-resistance, restorations, revisions and adjustments are the responsibility of the purchaser. Artcurial will not accept any restoration estimates from any watchmaker. Watches and clocks are sold "as is". No guarantee is given as to the working order of the watches and clocks. Most watches have been opened to identify the type and quality of the movement, including water-resistant watches, so the buyer is advised to consult a watchmaker to review the water-resistance of the watch. Strap changes, water-resistance, restorations, revisions and adjustments are the responsibility of the purchaser. Artcurial will not accept any restoration estimate from any watchmaker.

Estim. 3 000 - 5 000 EUR

Fri 28 Jun

LA MOTTE (Antoine Houdar de). Fables nouvelles, dédiées au roy. Avec un discours sur la fable. Paris : Grégoire Dupuis, 1719. - In-4, 281 x 209 : xlij, 358 pp, (1 f.), 1 plate. Red morocco, double cold fillet framing the boards, ribbed spine decorated with cold fillets, interior gilt lace, double endpapers, gilt edges (Petit succr de Simier). Dacier, Trésors des bibliothèques de France, 1929, tome II, p. 1-14. - Cohen, 594-595. Sought-after edition, considered by Dacier to be the true first French painter's book published in the 18th century. It includes a vignette on the title engraved by Simoneau after Vleughels, a frontispiece engraved by Tardieu after Coypel and 101 superb copper-engraved vignettes, more than half of which are based on drawings by the famous painter Claude GILLOT (1673-1722), Watteau's master, but also by Coypel, Edelinck, B. Picart and Ranc. Copy on large paper, cited by Cohen, bound by Petit and enriched with two portraits of the author at the head, one engraved by Dupin after Ranc, published by Odieuvre, the second, re-engraved to book format, engraved by Edelinck also after Ranc. It comes from two major collections: that of Emmanuel Martin, whose library was dispersed in 1877, and that of bookbinder Léon Gruel (1841-1923). Two slight tears to spine, two corners slightly dulled. Perfect condition except for a light ink stain in the margin of page 275. The frontispiece has been bound after the title. Provenance: Emmanuel Martin, with 2 different bookplates, at the beginning and end of the copy (1877, no. 218). - Léon Gruel, with bookplate.

Estim. 600 - 800 EUR

Fri 28 Jun

BLOY (Léon). Celle qui pleure (Notre Dame de la Salette). Paris: Société du Mercure de France, 1908. - In-8, 217 x 141: frontispiece, (4 ff.), 253 pp, (3 ff.), printed cover. Blue Bradel-style cloth, smooth spine decorated with a gilt fleuron, untrimmed, cover retained (period binding). First edition, dedicated to Pierre Termier, of this deeply Catholic work devoted to the miracle at La Salette in Isère, where two young shepherds named Mélanie Calvat and Maximin Giraud claimed to have witnessed an apparition of the Virgin Mary on September 19, 1846. "It was only in 1906, under the influence of Pierre Termier, that Bloy resumed the project of writing a book on the miracle of La Salette. After another pilgrimage to "la Sainte Montagne", he set to work, completing his work in September 1907. Termier paid the printing costs, but the Catholic publishers declined, so the book was published by the Mercure de France" (catalog of the Léon Bloy exhibition, Bibliothèque nationale, 1968, no. 59). The edition is illustrated on the frontispiece with a heliogravure of the statue of Celle qui pleure. ONE OF THE 3 FIRST COPIES ON IMPERIAL JAPON, this being the author's personal copy, numbered 2. It also includes this autograph note on one of the endpapers: mon exemplaire // Léon Bloy. Modestly bound for the author, he had it enriched with a color photograph of a view of the village of La Salette, and placed between pages 161-162 carnations picked on the mountain of La Salette, of which only one flower remains today. He also made four corrections, on pages 3, 7, 71 and 73. This is the copy that was presented at the Bibliothèque nationale during the exhibition devoted to Léon Bloy in March 1968, to commemorate the fiftieth anniversary of his death. It appears in the catalog under number 59. The copy was subsequently enriched by an autograph card signed by Madeleine Souberbielle-Bloy, the author's youngest daughter, dated Paris, July 16, 1969. She offers this book to a friend: "It is not I who offers you this book, but Léon Bloy himself. Please accept it as a tribute to our great and affectionate gratitude. My father had this copy bound and added the color photograph that is now in it. The carnations on page 161 were picked on the mountain of La Salette." This friend is René Lacroix-à-L'Henri, whose bookplate is affixed to the front flyleaf. He was the author of several articles on Léon Bloy, including a book entitled Léon Bloy un écrivain pour l'an 2000, published in 1977. Spine slightly browned, slight wear to covers and corners. Provenance: Léon Bloy. - Madeleine Souberbielle-Bloy. - M. and Mme Lacroix-à-L'Henri, with bookplate.

Estim. 2 000 - 3 000 EUR

Tue 25 Jun

Paul DELVAUX (1897-1994) - Paul DELVAUX (1897-1994) Place Sainte Croix (Place Flagey, Ixelles), 1921 Oil on panel Signed and dated lower left: "P.D 11-21". 40 x 60 cm Provenance - Former Paul Crokaert Collection (1875-1955), Brussels - Maitre Binoche, Paris Hôtel Drouot, sale December 16, 1974, lot no. 51 - Servarts, Palais des Beaux-Arts de Bruxelles, November 1996 sale, lot no. 427 - Galerie Harold t'Kint de Roodenbeke, Brussels - Private collection, Brussels Bibliography: M. Butor, J. Clair, S. Houbart-Wilkin, Delvaux: Catalogue de l'oeuvre peint, La bibliothèque des arts, Lausanne- Paris, 1975, n°10, reproduced p.150 Our painting most probably depicts the start of the morning market on Place Sainte-Croix, one of Ixelles' most popular markets at the time. Paul Delvaux liked to stroll around Brussels, in 1921, at the age of 24. His interest in, and fascination with, railway stations began to emerge. The 1920s were a key period in his work. Delvaux was not yet a dream painter (he would become one in 1935 after discovering De Chirico), but the essential elements of his aesthetic vocabulary and artistic identity were gradually established. He painted many views of the capital, with trains and streetcars making an indelible impression. He had already mastered a certain technique and was nourished by his artistic encounters. In our painting, the Impressionist influence and that of Alfred Bastien, whom he met at the Rouge-Cloître, are obvious. The composition, an essential aspect of this painting, is carefully crafted, harmonious and dynamic, Delvaux has also inscribed a street perspective here that invites the viewer in. The vanishing-point perspective is one of Delvaux's great trademarks, and is to be found in the majority of his paintings right up to the end of his career.

Estim. 20 000 - 40 000 EUR

Fri 28 Jun

LA DOÜESPE DE SAINT-OUEN (Louis). Poésies diverses. Nouvelle édition Revûë & Corrigée. Caen: Gabriel Briard, 1725. - In-8, 186 x 119 : (2 ff.), 69 pp. Stiff parchment, smooth spine, speckled edges (period binding). Catalog des ouvrages normands de la Bibliothèque municipale de Caen, III, 1912, p. 286. - Frère, I, p. 129. Very rare first collective edition of poems by Louis La Doüespe de Saint-Ouen (1661-1740), poet, painter and lawyer at the Normandy parliament, director of the Académie royale des belles lettres in Caen. The author was a friend of Segrais; he won several poetry prizes, notably in 1686 and 1688. He published a number of pieces separately, as well as this collective edition, whose "Nouvelle édition Revûë & Corrigée" appears to be purely fictitious. There are two states of this edition, one hardback, the other not. This copy is one of the hardback editions, i.e. without the piece entitled Le Triple esclavage, which is found on page 16 in copies with it. In fact, the entire B section has been replaced. A copy in its rare original condition, without the poetry published separately with its own pagination (7 pages), dated 1728 and logically not found in bound copies such as this at the time of the work's publication. From the library of Pierre Duputel. Born in Rouen in 1775 and died in Saint-Ouen de Thouberville in 1851, bibliophile and man of letters, member of the Académie des sciences, belles-lettres et arts de Rouen. Traces of light wetness on first few leaves. Provenance: Pierre Duputel, with bookplate.

Estim. 1 000 - 1 500 EUR

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LE CHATELIER Alfred - Les confréries musulmanes du Hedjaz, Bibliothèque orientale Elzévirienne LII, Ernest Leroux, Editeur, 28, rue Bonaparte, 1887 In-12, bound in half cloth with corners by Frères Barets in Bordeaux, smooth spine adorned with title-piece, 310pp. Documented study of the various Muslim brotherhoods existing in the Hedjaz, mainly in Mecca, in the 19th century. Based on sources collected in Cairo from pilgrims returning from Mecca, the author analyzes the religious orders of Hijaz and provides an overview of the situation of Islam in the 19th century. The study lists 20 schools of thought (Kadriya, Senoussya, Chadelya, Tidjania, Aissaouia...), provides biographies of their founders, and describes their rules, practices and societal role. Alfred Le Chatelier (1855-1929): Saint-Cyrien, officer and explorer stationed in Algeria, professor at the Collège de France, where he was the first holder of the chair of Muslim sociography (1902-1925), instigator of the Mission scientifique du Maroc (1904) and founder of the journal Monde Musulman (1906). During his time in Algeria, he took part in numerous exploratory missions (Flatters mission, etc.) and studies in North Africa and Egypt, where he studied Muslim religious brotherhoods. The Muslim brotherhoods of the Hedjaz by A. LE CHATELIER A documented study of the various Muslim brotherhoods that existed in the Hijaz, mainly in Mecca, in the 19th century. Based on sources collected in Cairo from pilgrims returning from Mecca, the author analyses the religious orders of the Hijaz and provides an overview of the situation of Islam in the 19th century. The study lists 20 schools of thought (Kadriya, Senoussya, Chadelya, Tidjania, Aissaouia, etc.), provides biographies of their founders and describes their rules, practices and social role. Alfred Le Chatelier (1855-1929): Saint-Cyrien, officer and explorer stationed in Algeria, professor at the Collège de France, where he was the first holder of the chair of Muslim sociography (1902-1925), instigator of the Scientific Mission of Morocco (1904) and founder of the journal Le Monde Musulman (1906). During his time in Algeria, he took part in numerous exploratory missions (Flatters mission, etc.) and studies in North Africa and Egypt, where he studied Muslim religious brotherhoods.

Estim. 400 - 500 EUR

Fri 28 Jun

VIBIUS SEQUESTER. De fluminibus, fontibus, lacubus, nemoribus, paludibus, montibus, gentibus ; quorum apud poëtas mentio fit. Roterodami [Rotterdam]: Arnold Willis, 1711. - Small in-8, 159 x 96 : (30 ff.), 295 pp. Long-grained dark blue morocco, gilt fillets and roulette framing the boards, small gilt fleuron at the corners, richly decorated spine with false nerves, gilt roulette framing the inside, beige silk lining with gilt roulette framing, beige silk endpapers, followed by two laid paper endpapers and one in parchment, gilt edges (early 19th century binding). Esteemed and rare edition of this work by the 4th or 5th century Latin compiler Vibius Sequester, published and annotated by the philologist Franciscus Hesselius (1680-1746). It is a list of geographical names taken from the works of Latin poets, including Virgil, Ovid, Lucan and Horace. The names are divided into seven categories: Flumina (rivers) - Fontes (springs) - Lacus (lakes) - Nemora (forests) - Paludes (swamps) - Montes (mountains) - Gentes (peoples). A very fine copy in early 19th-century morocco in the taste of Bozérian or Lefebvre. This binding was made for the bookseller and bibliophile Antoine-Augustin Renouard (1765-1853), one of whose hallmarks was its two parchment endpapers. It was later owned by the English bibliophile Charles Butler (1821-1910) of Warren Wood, Hattfield. Slight wear to covers and corners. Old annotations on pages 14 and 15. Provenance: Antoine-Augustin Renouard (Catalogue de la bibliothèque d'un amateur, 1819, IV, p. 10). - Charles Butler, with bookplate.

Estim. 500 - 700 EUR

Fri 28 Jun

[Joystick]. [History]. [Varia]. Lot of books including: RIEMANN (H.). Dictionary of music. Paris, 1931. 25 cm, bound. FOULET (L.). Petite syntaxe de l'ancien français. Paris, 1968. 19 cm, paperback. CHAULEUR (A.) Bibliothèques et archives. Paris, 1980. 24 cm, hardback. J.S.P. Le Comte de Falloux. Lyon, 1888. 25 cm, hardback. TANQUEREY (F. J.). Recueil de lettres anglo-françaises. Paris, 1916. 25 cm, bound. SAILLOT (J.). Chronologie universelle des souverains et chefs d'état? Angers, circa 1960. 23 cm, bound. SOL (E.). Les rapports de la France avec l'Italie... Paris, 1905. 25 cm, bound. SAINT-ARNAUD (A. J. A. Leroy de). Lettres du Maréchal de Saint-Arnaud. Paris, 1855. 2 volumes, 22 cm, bound. BONNEFON (J. de). Les cas de conscience modernes. Paris, circa 1900. 19 cm, bound. BONNEFON (J. de). Les belles oeuvres... et les autres. Paris, circa 1900. 19 cm, bound. BONNEFON (J. de). Dans les débris et sur les ruines. Paris, 1912. 20 cm, bound. LECOMTE (M.). Les Bénédictins et l'histoire des provinces aux XVIIe et XVIIIe siècles. Ligugé, 1928. 24 cm, hardback. BOUDIN (E.) and BOURGEY (E.). Monnaies des papes. Paris, 1914. 27 cm, hardback. CASTELLANE (B. Comte de). Journal du Maréchal de Castellane. Paris, 1895-1897. 5 volumes, 23 cm, bound. RUDT-COLLENBERG (W. H.). The Rupenides Hethumides and Lusignans. Paris, 1963. 26 cm, paperback. GALZAIN (M. De). Manoirs de fortune et d'infortune. Saint Michel en Priziac, 1968. 28 cm, paperback. FAVIER (J.). Les Archives Nationales... Paris, 1978-1980. 3 volumes, 26 cm, bound. CHURCHILL (F.V.S.). Reprint of l'Etat militaire de France pour l'année 1789. Carnac, 1925. 2 volumes, 29 cm, bound. Cardinal Balue's legation in 1484 and the Parlement de Paris. LA RONCIERE (C. De). Henri II, precursor of Colbert. MEYER (P.). L'histoire de Guillaume le Maréchal. Nogent-le-Rotrou, 1884-1905. Bound in 1 volume. Letters from Madame de Grignan. Madame de Sévigné's last thought for her daughter. Notice historique sur le Marquis de Villette... Mémoire sur la marine de France. De l'oustillement Au Villain. Bound in 1 volume. 23 cm, bound. As is.

Estim. 70 - 100 EUR

Wed 03 Jul

Planque,F. - Bibliothèque choisie de médecine, tirée des ouvrages périodiques, tant françois qu'étrangers. 10 volumes. With 220 partly multiple folded. Copper plates and 2 tables. 4°. Leather bindings of the period and half leather bindings of the period vols. 9-10, each with 2 spine labels and rich spine gilding. Paris, D'Houry, 1748-1770, Hirsch-H. IV, 623. Blake, p. 354 - First edition of the "very estimable compilation" (Hirsch), which covers all areas and terms of medicine in alphabetical order, excellently illustrated; complete with all volumes rare! - "A fast storehouse of medicine by one of the most gifted French editors. It is arranged in alphabetical order of subjects. Many plates show instruments, operations, plants etc. Many famous earlier and contemporary writers are quoted and small original articles included." (L'Art Ancien Cat. 21: Bibliotheca Medica, No. 670). - The author has dealt extensively with the subject of deformities, monstrosities, etc. and illustrated it with numerous copperplate engravings. This also includes the illustrations of Siamese twins. - Volume 10 edited by Goulin after Planque's death. - Bindings rubbed and partly scuffed, a few capitals and corners with defects, spine gilt slightly off in three volumes. Some stains inside, but overall in good condition. An ex-libris has been removed from 6 volumes. 3 volumes with the printed note on the inside cover: "A. M. Percy, Docteur en Médecine, de l'Academie Royale de Chirurgie, Chirurgien-Major du Régiment de Cavalerie de Berry, à Béthune". Percy (1754-1825) was one of the most famous French military doctors of the Napoleonic era. "He took part in all the campaigns of the Empire until 1815. In 1800 he campaigned for the inviolability of field hospitals" (Hirsch-H. IV, 552).

Estim. 2 000 - 3 000 EUR

Thu 04 Jul

Laurence LEBLANC (born 1967) Photograph, II 967/23, Jatayus, Cambodia 2000 from the series "Rithy, Chéa, Kim Sour et les autres" 2000 2001 FORMAT of photograph 18 cm X 18 cm Artist's proof TITLE II 967/23, Jatayus, Cambodia 2000 from the "Rithy, Chéa, Kim Sour and others" series 2000 2001 Laurence Leblanc, courtesy Galerie S. TECHNIQUE Silver chlorobromide print on baryta paper (AGFA MCC111FB, now defunct) made by the author French artist Laurence Leblanc was born in Paris on June 6, 1967. Winner of the Villa Médicis Hors Les Murs in 2000, she has received numerous awards, including one from the HSBC Foundation for Photography. Her first book, "Rithy, Chéa, Kim Sour et les autres", was published on this occasion by Actes-Sud. In 2009, also published by Actes-Sud, "Seul l'air" was simultaneously exhibited at the 40th Rencontres Internationales de la Photographie d'Arles. Represented by Galerie Claude Samuel in 1999, then by Galerie VU' from 2001 to 2015, she is a regular exhibitor at art fairs. In 2016 she received the Prix Niépce and a limited edition artist's object was produced with Laurel Parker Book. A retrospective entitled "Où subsiste encore" will be held at the Musée Nicéphore Niépce in 2022. In 2023, she is featured in the book and exhibition "Noir & Blanc: une esthétique de la photographie / Collection de la BNF", as well as at Galerie S. for a solo show. Laurence Leblanc pursues her work in silent solitude, establishing herself firmly in the field of contemporary creation, and making time for observation and maturation a sure ally. Her work is part of the public collections of the Fonds National d'Art Contemporain, the Musée Nicéphore Niépce, the Bibliothèque Nationale de France and numerous private collections.

Estim. 2 300 - 3 000 EUR

Fri 28 Jun

[Manette] [hunting and travel] Lot of bound and paperback books including: -GEORGE (Louis). histoire de coqs, la chasse au coq de bruyère. A Paris, aux nouvelles éditions de la toison d'or, 1951. One volume, illustrated by Riab. -GOUSSARD (Eugène). Gibiers et nuisibles, souvenirs d'un garde chasse, Paris, éditions de la toison d'or, 1952. One paperback volume, illustrated by Riab. -LURKIN (Jean). Chasse joyeuse, in Vervoz, published by Saint-Hubert, 1947. One volume paperback, Y justified and illustrated by Lafnet. -LURKIN (Jean). le testament du tireur, published by Saint Hubert, n. d. One illustrated paperback volume by Maissen. -LURKIN (Jean). Dernières chasses en zigzag. Editions Saint-Hubert, 1943, one paperback volume illustrated by Lambert. -LURKIN (Jean). Dernières chasses joyeuses. Published by Saint-Hubert, 1942. One paperback volume illustrated by Bouchy-Picon. -JOLY (Eric). La chasse buissonnière, published by Editions de Loré, 1976, one paperback volume, illustrated by Lamotte. -PREJELAN (René). Tableaux de chasse, Paris, éditions Revue Adam, 1952, one volume illustrated by the author. -FLAMENT-HENNEBIQUE. Nez au vent. Paris, Editions de la toison d'or, 1953. One volume illustrated by Beuville. -DELACOUR (Alfred). Gibier de France, la vie intime des animaux. A Paris, chez Durel, 1953. One paperback volume illustrated by Hallow. -LURKIN (Abel). Les bêtes en robe des champs. Published by Saint-Hubert. 1955, one volume paperback. -LA FUYE (Maurice de). Hunting thrushes with a rifle. A Paris, chez Lucien Laveur, 1912. One volume, paperback. -LA FYUE (Maurice de). Grand duke hunting in France. Paris, Lucien Laveur, 1911. One volume in paperback. -10 paperback volumes on hunting in Africa, Anname and America. - 4 paperback volumes from the bibliothèque géographique et scientifique collection, including Les pièges by Edouard Mérite. Also included: - a dozen paperback books such as La chasse à l'alouette, l'art du taupier, les perdrix and miscellaneous. All in unused condition.

Estim. 70 - 100 EUR

Wed 10 Jul

Baltasar LOBO ((1910-1993)) Maternity 49, Lutinerie - 1949 Bronze with black patina Signed, numbered and founder's mark on lower back "Lobo, 7/8, Susse Fondeur Paris". Edition of 8 + 4 E.A. Susse Foundry, Paris Provenance: Acquired directly from the artist in 1982 by the current owner Exhibitions : Paris, Galerie Villand & Galanis, "Lobo, marbres-pierres- bronzes, la femme et l'enfant (oeuvres de 1946 à 1958)", March-April 1970 (a similar example) Bourges, Maison de la Culture, "Lobo, rétrospective 1940-1971, 30 ans de sculpture", October-November 1971 (a similar copy) Berlin, Kunstamt Berlin-Tempelhof, Galerie im Rathaus, "Baltasar Lobo: sculptures et dessins", September-November 1972 (a similar copy) Touring exhibition: Düsseldorf, Städtische Kunsthalle, January-February 1973; Ulm, Ulmer Museum, May-July 1973 Bibliography: J.-E. Muller, "Lobo, Catalogue Raisonné de l'oeuvre sculpté", La Bibliothèque des Arts, Paris, 1985, reproduced under no. 91-92 (a similar copy) K. de Barañano, M.L Cardenas, M.Jaume, "Baltasar Lobo, Catalogo Razonado de esculturas", Editions Turner, Madrid 2021, reproduced in black and white under n°4903, p. 233 (a similar copy) We would like to thank Galeria Freites for the information they kindly provided. Bronze with black patina; signed, numbered and foundry's mark lower; edition of 8 + 4 A.P.; Susse foundry 35 x 50 x 25 cm Baltasar LOBO ((1910-1993)) We would like to thank Galeria Freites for the information they kindly provided. Bronze with black patina; signed, numbered and foundry's mark lower; edition of 8 + 4 A.P.; Susse foundry 35 x 50 x 25 cm

Estim. 35 000 - 55 000 EUR

Wed 03 Jul

Breviarium ad usum Cistercien(sis) ordinis. - Anno dni. Millesimo cccc.xii. Ab eode(m) monachi qui precedentia disposuit / sedula cura castigatum / taliterque in omnibus emendatum: ut qua(n)to ceteris havtenus imp(re)ssis / prepolleat: diligens quisque lector facile iudicabit. Paris, de Marneff, 1512. cl.-8°. Printed in two columns; Gothic type; 36 lines and headline. 23 unnum. Leaf, 191 roman foliated leaves (wrongly foliated 192), 1 white leaf (numbering of quires: a8, ê8, i1-7; A-Z8, AA8). With 2 color illuminated borders on gold ground (fol. Ir and CLXXXv) and 18 painted initials heightened with gold. Printed in red and black throughout, rubricated and ruled. Woodcut printer's mark on the first leaf. With lombards painted in red. Modern pigskin binding (signed Hedberg) with gilt-stamped spine title and brown-stamped cover ornaments, gilt edges. Bohatta, Bibliographie der Breviere 1501-1580, p. 120, 1350 (a single, defective copy in Munich (no longer traceable today). Pettegree & Walsby, French Books, 66540 (no proof of copy). Moreau, Répertoire II, p.116: no.258 (only with reference to the missing Munich copy). Not in Brunet and Adams. Not to be found in WorldCat. or in the electronic catalog of the Bibliothèque nationale. Fragment, comprising about two thirds of the text. According to the list of quires on the last available leaf (AA8), a complete copy should have the following quire count: a-k8, A-Z8, AA8, A-T8, i.e. a total of 372 leaves. Our copy has the first 23 unnumbered leaves (ã8, e8, i1-7) and the 192 Roman foliated leaves (A-Z8, AA8). Contains first a "Tabula" (fol. a2), followed by the "Regule generales ordinarii" (fol. a3-a6r), the "Directorium kalendarii" (fol. a6v) and the calendar (fol. a7-e4v); this is followed by two further tables with Sunday numbers and instructions for their use (fol. e6r-e7r). This is followed by the "Commemorationes proprie", the "Collecte", the "Suffragia quadragesime" and the "Benedictiones" (fol. e7v-i7v). This is followed by the entire Sunday section. The volume is thus missing the entire psaltery and the saints' part. In excellent condition, but somewhat trimmed during binding, with loss to the borders, but not to the text. The first of the two very finely illuminated borders heightened with gold with floral scrolls and a dragon at the foot, the second also with floral scrolls and a mythical creature at the foot, unfortunately with a heavily trimmed bird at the side.

Estim. 2 600 - 4 000 EUR

Wed 03 Jul

[Horae. - Officium Beatae Mariae Virginis secundum usum Romanum]. (On the last leaf:) Naples, Mathias Moravus , 10.XI.1478. Cl.8°. Roman type, 14 lines.145 unnum. Leaves (instead of 164; without the first quire a with the calendar; quire numbering: b-k8, l-m4, n1-3 and 6-7, o2-8, p-q8,r4, s1-2 and 4-7, t2-9, u-y8; the first existing leaf replaced by an old handwritten facsimile). Printed in red and black throughout. Rubricated in red and blue, with numerous small initials in blue and red as well as 7 larger, multicolored initials highlighted in gold. Modern, black-brown marocco binding (signed Hedberg, Stockholm) with gilt-stamped spine title and rich ornamental cover stamping, gilt edges. ISTC ih00357360. GKW 13337. Goff O-35 (only two copies). Not in the British Museum. Bohatta, Horae I, 440. Bohatta, Horae II, 28.38. Prayer book printed on vellum in red and black throughout. Of great rarity. The ISTC records only 11 copies, 5 of which are incomplete; 9 copies are printed on vellum. Like our copy, the copy in the Biblioteca Riccardiana in Florence lacks the first 12 leaves with the calendar. The Officium, printed and illuminated entirely in the style of a manuscript, can be found in the following libraries: in England in Manchester (2 copies, one uncomp.) and in the Bodleian Library in Oxford (uncomp.); in France in the Bibliothèque Nationale; in the USA in the Pierpont Morgan Library in New York and the Rosenwald Collection of the Library of Congress in Washington, D.C.; in Slovenia in Ljublijana; in Italy in Bologna (uncomp.), Florence (uncomp.), Milan and Naples (uncomp.). In his first dated book - the Supplementum to Nicolaus de Ausmo's Summa Pisanellae, printed in Genoa in 1474 - Mathias Moravus describes himself as coming from Olomouc; before 1475 he worked as a printer in Genoa together with Michael de Monaco. Mathias Moravus had been printing in Naples since 1475 and produced more than 30 prints, many of them on vellum. He is said to be the first printer to print in red and black and the first to print with Greek type. All prints by Mathias Moravus are extremely rare. In good condition; a faulty handwritten foliation at the head of most leaves. Handwritten scribbles in ink in the lower margin of two leaves (partly erased). The illuminated initials somewhat rubbed. The last leaf stained and replaced in the white margin. Handwritten ownership entry by Baron Per Hierta, Flämmstad, dated 1899 on the flyleaf - Thanks to Dott. Alfredo Damanti for preparing the collation.

Estim. 6 500 - 10 000 EUR

Fri 28 Jun

[Joystick]. [Hunting]. [Riding]. [and miscellaneous]. lot of books including: -BOULANGIER (Edgard). un hiver au Cambodge - chasse au tigre, à l'éléphant et au buffle sauvage, souvenirs d'une mission officielle remplie en 1880-1881. A Tours, chez Alfred Mame et fils, M DCCC LXXXVIII. -TILANDER (Gunnar). Le livre de chasse du Roy Modus, illustré de 51 figures d'après les miniatures du manuscrit français 12399 de la BN, Paris, chez Nourry, M DCCCC XXXI. BOMMIER (Docteur R.). Notre sauvagine et sa chasse, Paris: Moderne Imprimerie, 1920. -PHOEBUS (Gaston). Le livre de la chasse, illustré de 87 figures d'après les miniatures du manuscrit français 616 de la BN, Paris, chez Nourry, en M DCCCC XXXI. -REDIER (Antoine). Les cadets de Saumur, Lyon-Paris, Vitte. -REPELLIN (Lieutenant Colonel Remy). L'instrcution du cavalier, by Crepin-Leblond. -Manufacture d'Armes de Luxe, Seytre-Montagny, Vente exclusive en Gros, à St-Etienne. -POETE (Marcel), Une vie de cité - Paris - de sa naissance à nos jours, album, six hundred illustrations d'après les documents accompagnées de légendes et d'un exposé historique, Paris, chez Auguste Picard, 1925. -HYATT VERRIL (A.), Coutumes et croyances étranges, with one hundred and twenty-seven drawings by the author, Paris, Payot, 1953. -GOBERT (H.-J.). Le cheval, with 80 figures in the text, Paris, J.-B. Baillère et fils. -M.M.V.L. L'école du chasseur suivie d'un traité sur l'oisellerie, la pêche et les nouveaux fusils de chasse à piston, sans pierre, à foudre, à système, à foudre fulminante; avec la manière de s'en servir, etc., Paris, Lécrivain, 1822. -ACHARD (Amédée). La chasse royale, Paris, Michel Lévy frères, 1868. Two volumes. -MALET (Rawdon). Les périls de la grande chasse, Paris, Payot, 1946. -BRIAULT (M.). Sur les pistes de l'A.E.F., Paris, published by Alsatia. -MOUTON (Eugène). Les Vertus et les Grâces des bêtes - zoologie morale, illustration by Auguste Vimar, Tours, ALfred Mame et fils, in M. DCCC. XCV. -CASSAGNES-BROUQUET (Sophie). La passion du livre au Moyen-Age, published by Ouest-France, Rennes, 2003. -SOTHEBY'S. Bibliothèque Marcel Jeanson, second part, Ornithology - Monaco, Thursday June 16, 1988. - Claude Aguttes (Neuilly auction house) :Hunting - Natural history - Equitation (Marcel JEANSON library) Sale January 16, 2003. -Le mémorial du chasseur français, 4th volume, 1892. As is.

Estim. 70 - 100 EUR

Album de la Chartreuse de Notre-Dame de Mougères - 1881 This folio album, published by "Jean Martel Ainé, Imprimeur de Monseigneur l'Evêque" and limited to 100 copies, includes a "Notice Historique" on the cult of Notre-Dame de Mougères and an explanatory text illustrated with 40 off-text photographs. Sites, views, portraits, animated scenes: "Plan de la Chartreuse", "Vue générale prise du Sud-Ouest entre Alignan et Roujan", "Vue générale prise du côté de l'Est", "Vue générale prise du côté Nord-Ouest", "Porte d'Entrée", "Logement et Plan du Pélérinage", "Façade de l'Église du Pélérinage dite l'Église du Peuple", "Vue générale de l'Eglise du peuple du côté du Nord", "Maître-Autel de l'Église du Peuple", "Statue de N-D de Pitié, reposant sur le maître-autel", "Vierge miraculeuse et très vénérée de N-D de Pitié", "Notre-Dame de Pitié en 1648 (d'après une gravure sur cuivre)", "Distribution de secours aux pauvres", "Façade de la première cour", "Statue de Saint-Bruno, fondateurs des chartreux", "Petit Cloître", "Eglise des Pères chartreux, prise du sanctuaire", "Church of the Carthusian Fathers, from the tribune", "Chapelle des Frères, dite chapelle de famille", "Frère Convers", "Cloître des Frères", "Quartier des Étrangers ou retraitants", "Bibliothèque", "Façade of the Quartier des Etrangers, taken from the south side", "Cellule du Vénérable Père Prieur", "Jardin du Priorat", "Grand Cloître", "Jardin du Grand Cloître", "Garden of a Religious", "Grove where the Fathers take their recreation", "Cemetery", "Fathers' refectory", "Kitchen", "Laundry", "Facade of the Brothers' cells, taken from the West side", "View of some Obediences taken from the vegetable garden", "Farmyard, shed and obediences", "Calvaire de Caux", "View of Caux, commune of the Chartreuse" ... 1881 Incomplete album of 39 albumen prints from glass negatives, mounted on album pages, lithographed frames and typed captions on mount. Envoi "Hommage respectueux offert à Monsieur Jules Maistre, Chartreuse de Notre Dame de Mougères, le 8 juillet 1883" written in 1883 by Prieur Victor Marie Robert on the title page. 10 x 13 cm (31.5 x 26 cm)

Starting price  600 EUR

Tue 09 Jul

PIAGET N° 674183 Circa 1960 Tuxedo watch in 18k (750) white gold, diamonds and sapphires Case: round, bezel set with brilliants and baguette sapphires, winding crown at 6 o'clock set with a cabochon sapphire, clipped back, signed Dial: cream, Roman numerals, minute track, signed Movement: mechanical cal. 9P, signed Diameter: 42 mm Gross weight: 40.00 g. Accompanied by a detachable gold chatelaine ( 13.00 g.) With: protective crocodile leather case* signed We thank the House of Piaget for its kind collaboration. A 18k white gold, sapphire and diamond-set manual winding dress watch. Accompanied by a fitted chain and a crocodile leather pouch With our sincere thanks to Piaget for their kind collaboration. Bibliography: Franco Cologni, Giampero Negretti, Franco Nencini, "Montres et Merveilles de Piaget 1874-1994", La bibliothèque des arts, Lausanne, 1994: two evening watches in the same spirit - one in diamonds and rubies, the other with an onyx dial - reproduced on p. 127 and p.109. CONDITION REPORT : At the time of writing the movement is working. Please note that chronometric accuracy is not guaranteed and Artcurial cannot be held responsible for any repair costs. Beautiful state of preservation Few signs of use CONDITION REPORT : At the time of cataloguing the movement is running. Please note that the movement has not been checked for timekeeping accuracy and Artcurial will not be held responsible for any repairs that must be required. Well-preserved Very limited signs of use Watches and clocks are sold as is. No warranty is given on the working order of the watches and clocks. Most watches have been opened to identify the type and quality of the movement, including water-resistant watches, so the buyer is advised to consult a watchmaker to review the water-resistance of the watch. Strap changes, water-resistance, restorations, revisions and adjustments are the responsibility of the purchaser. Artcurial will not accept any restoration estimates from any watchmaker. Watches and clocks are sold "as is". No guarantee is given as to the working order of the watches and clocks. Most watches have been opened to identify the type and quality of the movement, including water-resistant watches, so the buyer is advised to consult a watchmaker to review the water-resistance of the watch. Strap changes, water-resistance, restorations, revisions and adjustments are the responsibility of the purchaser. Artcurial will not accept any restoration estimate from any watchmaker.

Estim. 6 000 - 8 000 EUR

Fri 28 Jun

BLOY (Léon). The Resurrection of Villiers de L'Isle-Adam. Paris: Librairie E. Lecampion, A. Blaizot, 1906. - Booklet in-8, 243 x 159: frontispiece, (4 ff.), 32 pp. printed cover. Percaline brique à la Bradel, smooth spine, untrimmed, cover preserved (period binding). First edition of this pamphlet, intended to solicit contributions for the erection of a monument by sculptor Frédéric Brou to the memory of Auguste Villiers de L'Isle-Adam. "La Résurrection is a glowing, eulogistic article about Villiers, but at the same time, Bloy persists in recording everything he hated about Villiers' ideas (fifteen years after his death!). In our opinion, the most heartfelt words in the text are those he dedicates to Villiers' feminine ideal. Both men had had an affair with a common woman and a very similar way of life: they were able to recreate the illusion of a being gifted with extraordinary intelligence and unheard-of beauty (a woman who would be God, or the Holy Spirit for Bloy). The passages Bloy quotes from Villiers' works clearly show that the creator of La Femme pauvre understood Villiers' dreams and obsessions" (Marta Giné Janer, Bloy et Villiers de L'Isle-Adam, in: Léon Bloy au tournant du siècle, 1992, p. 40). The edition is illustrated on the frontispiece with a heliogravure of the model of the monument sculpted by Frédéric Brou (1862-1926) (a nude beauty tearing off the planks of Villiers' coffin). A precious copy, one of the very few printed on laid paper, whose edition is not mentioned in the justification. This is the copy offered to critic and writer René Martineau (1866-1948), bearing this autograph dispatch from Bloy, signed by the author and Frédéric Brou: to René Martineau // l'Initiateur // Léon Bloy // Frédéric Brou Martineau was a close friend of Léon Bloy. In 1901, he published a book entitled Un vivant et deux morts devoted to Villiers de l'Isle-Adam, Ernest Hello and Léon Bloy. According to Natacha Galpénine: "It was thanks to this publication, which included a portrait of Villiers on his deathbed, that Léon Bloy was able to see the face of his friend from which Huysmans had dismissed him in August 1889, shortly before his meeting with Jeanne" (Natacha Galpénine, Jeanne et Léon Bloy. Une écriture à quatre mains, 2017). Enriched with two corrections (pp. 20 and 24) and an addition (title) by the author, as well as two original vintage silver photographs, one 212 x 132 mm, of the monument at an angle different from that shown in the frontispiece photo, and the other a very fine portrait of the sculptor (158 x 113 mm). Spine faded and covers discolored in places. Provenance: René Martineau, with bookplate. - Bibliothèque J.C.D., Norman amateur, with bookplate (Artcurial sale, May 23, 2005, no. 179).

Estim. 500 - 700 EUR

Fri 28 Jun

[Joystick] Joystick including: -REBOUSSIN (Roger). Conte de ma vie sauvage, chasses et rencontres. A Moulins chez Crépin-Leblond, 1953. A paperback volume on vellum numbered 860/1510 illustrated by the author. -WATTEVILLE (Vivienne de). L'appel de l'Afrique. A Paris, chez Payot, 1936. One volume, paperback. -WARREN (C. V.). In the jungles of Burma. A Paris, chez PAyot, 1938. One volume, paperback. -LOT-FALCK (Eveline). Les rites de chasse chez les peuples sibériens. Paris, Gallimard, 1953. One volume, paperback. -RIANT (Ferdinand). Parlons vénerie. A Paris, chez l'auteur, 1950. One paperback volume justified 489/500. -RIANT (Ferdinand). Entre chiens: 13 contes de vénerie inédits. Paris, published by the author, 1954. One paperback volume numbered 606/1000. -NOAILLES (Marquise de). La chasse à courre. Paris, la nouvelle société d'édition, 1930. One volume, paperback. -VIARDOT (Louis). Souvenirs de chasse, a Paris chez Hachette, 1859. One volume in paperback. -TOURGUENIEV (Ivan). Mémoires d'un chasseur. Paris: Gallimard, 1953. One volume, paperback. -VELTER (Josephe). Grandes chasses dans la Toundra. Paris, Amiot-Dumont, 1951. One volume, paperback. -VILLE (Léon Collection). Les chasseurs de l'Atlas. A Paris, chez Tolra, s. d. One volume illustrated by Monnin. -WALLACE (Harold Franck). Mes chasses en Chine. Paris: Payot, 1939. -WILLE (Hermann). Mes aventures de chasse dans les forêts vierges de l'Inde. A Genève, chez Jeheber, s. d. One paperback volume. -BENOIST (Georges). Lièvres et levrauts. A Paris, les éditions de la nouvelles France, 1846. One paperback volume illustrated by Mantel. -LA FUYE (Maurice de). Snipe hunting. A Paris, aux nouvelles éditions de la toison d'or, s. d. one volume paperback. -CORBETT (Jim). Match with a man-eating leopard. Paris, les éditions du Seuil, 1950. One volume, paperback. -SABRAN-PONTEVES (Comte Jean de). Les veillées du Gerfault. A Paris, bibliothèque de la chasse illustrée. s. d. One volume, paperback. -WALSE (Hans de). La chasse à Java, souvenirs d'un chasseur des savanes. Paris: Payot, 1938. One volume, paperback. -PREJELAN (René). Souvenirs d'un fusil de chasse. A Paris, chez éditions revues Adam. s. d. One paperback volume, illustrated by the author. -HALLEUX (George). Hunting in the Ardennes. A Nancy, chez E. Thomas, 1912 (reissued 1986). one volume paperback. -VIDRON (Françoise). La vénerie royale au XVIIIe siècle. A Paris, chez Crépin-Leblond, s. d. One volume, paperback. -VIALLAR (Paul). La grande meute, Paris: Arianne, 1887. One paperback volume illustrated by Pinchon. -PIVERT (Capitaine). Mes chasses en Afrique et en extrême orient. Paris, Agence mondiale de librairie, 1925. One paperback volume illustrated by Rousseau. -LURKIN (Jean). Physiology of hunting. A Vervoz aux éditions de Saint Hubert, 1947, one paperback volume illustrated by Lafnet. -MARVAUD (Jean). La chasse au cran d'arrêt. A Paris, chez Henri Lefebvre. s. d. One paperback volume numbered 799, illustrated by Aubert. and miscellaneous. As is.

Estim. 70 - 100 EUR

Fri 28 Jun

BOUCHER DE PERTHES (Jacques). Celtic and antediluvian antiquities. Mémoire sur l'industrie primitive et les arts à leur origine. Paris: Treuttel et Wurtz, Derache, Dumoulin, Victor Didron, 1847-1864. - 3 volumes in-8, 233 x 149: (2 ff.), XII, 628 pp. 80 plates; (2 ff.), XVI, 511 pp. 24 plates; (2 ff.), XXIV, 178 pp. (1 f.), pp. (179)-681, 10 plates. Demi-basane, spine ribbed and decorated, speckled edges (modern binding). In French in the text, no. 266. First edition of this key text "for the history of archaeology as a discipline, but also for the history of ideas and science". In fact, as Grégoire Meylan, head of the library at the Musée d'Archéologie Nationale, points out: "Jacques Boucher de Perthes is considered today as one of the 'fathers of prehistory', his Antiquités celtiques et antédiluviennes being one of its founding works. A customs director in Abbeville, he was nevertheless a man of letters, and the author of numerous literary works, as well as President of the Société d'émulation d'Abbeville. He was neither an archaeologist nor a geologist, but was particularly interested in man's origins and evolution. To this end, he wrote and published a metaphysical essay, De la création, essai sur l'origine et la progression des êtres in 1838, in which he hypothesized that traces of "antediluvian man" would one day be found. In 1838, he presented to the Académie des Sciences the first lithic elements extracted from the sandpits of the Somme, whose stratigraphic position enabled him to assert that "antediluvian man" had indeed existed at the time of the large mammals. But for many years, he came up against the skepticism and fierce opposition of a certain intellectual elite, convinced that man's antiquity could not predate the Celtic and Gallic periods. In 1842, the discovery of a mammoth jaw associated with a flint tool in the same stratigraphic layer enabled him to demonstrate the contemporaneity of man and extinct species. This hypothesis was definitively validated in 1859 when English scholars J. Prestwich, J. Evans, J.W. Flower, R. Godwin-Austen, R.W. Hylne and C. Lyell, who attested to the authenticity of his discoveries. In these works, Boucher de Perthes presents his research and demonstrates his theory to convince even the most skeptical. Les Antiquités celtiques et antédiluviennes was published in three volumes, each one providing new answers and enabling the author to assert his position by presenting his latest discoveries and, above all, by listing the new scholars and scientists around the world who had rallied to his cause" (Source: Grégoire Meylan, in: site du Musée d'Archéologie Nationale, domaine de Saint-Germain-en-Laye, Les collections, Bibliothèque, Antiquités celtiques et antédiluviennes). The edition comprises 114 plates, 80 in the first volume, 24 in the second (numbered I to XXVI), and 10 in the last (numbered III to XII, with the figures numbered I and II being full-page, and therefore included in the pagination). Together, these plates comprise more than 2,200 figures. A good copy in 20th-century binding. Spine slightly faded, a few scratches. Scattered foxing in the first volume. Provenance: Henri Millerioux, with bookplate bearing the motto "Semper transformare".

Estim. 1 000 - 1 500 EUR

Fri 28 Jun

[Hours on vellum (Châlons-en-Champagne). French and Latin. c. 1512]. CES PRESENTES HEURES a lusage de Chalons toutes au long sa[n]s req[ue]rir : avec les figures et signes de lapocalipse : les miracles nostre dame, les accide[n]s de lho[m]me : & plusieurs aultres hystoires de nouueau adioustees... A Paris, pour Symon Vostre, [circa 1512]. In-4, [98] leaves, [sign. a-b 8, c 4, d-i 8, ā 8, ē 8, ī 8, ō 6], goth. car., 30 l. per page, fig.., contemporary brown calf, boards decorated with a lozenge composed of 2 gilt and 3 cold fillets, inscribed in a rectangular frame consisting of a gilt roulette bordered by multiple cold fillets, central medallion and 4 angular gilt full irons, gilt edges, spine with six ribs and fleuronné skilfully renewed in the style of the period, renewed endpapers, corners restored, qq. margins seem washed (superficial rubbing to boards, 2 small holes in margins of first 2 f., small angular spot in margin of f. f3, qq; margins a little browned, qq. few light spots). A very fine copy of this extremely rare edition, of which only three copies are known to exist in public collections: BnF (Paris), Bibl. Ste-Geneviève (Paris), Huntington Library (San Marino, USA). It retains the boards of its unusual period binding. Produced around 1530, and most probably by a Parisian workshop, it features a characteristic 15th-century decoration of a rhombus inscribed within a rectangle, prefiguring the geometric interlacing in vogue in the 1540's. At least one composition of this type is known, produced for the bibliophile Jean Grolier (BnF Rés M 376). The verso of the title page features an almanac running from 1512 to 1530, allowing the edition to be dated; followed by a calendar. The text is mainly in Latin, with some parts in French. The woodcut illustrations include 14 large full-page figures, 8 medium-sized figures and 32 small vignettes throughout the text, as well as the printer's mark on the title. In addition, all the pages of the volume - except those with the 14 figures - are bordered by a frame composed of several woodcuts, sometimes featuring foliage or architectural motifs, but more often figures and scenes. The most remarkable set, covering 34 pages (g6 v° - i 8 r°), is inspired by the iconography of the danse macabre. Collation in accordance with bibliographies. Nevertheless, it is interesting to note some compositional differences with the Bibliothèque Sainte-Geneviève copy described by Lacombe, which should be studied in detail. For example, on our title page, the name "Chalons" appears in print rather than in manuscript, and at the bottom of the same title page is the mark "ch. (in reference to the cahiers destined for this diocese), which Lacombe only mentions on cahiers d to i. Furthermore, on f. ā1, it is clearly written "Sancta trinitas" and not "Sancta irinitas"; also, the table is here on the last leaf (like the Huntington copy, and ends with the same words), and not on f. ē 8 as at Ste-Geneviève. This copy has large margins (approx. 232 x 158 mm.) and has been very carefully restored. All unprinted initials were painted red or blue at the time. (USTC 38074; Renouard/Moreau ICP II, 336; BP16, 101989; Bohatta 78; Lacombe 233).

Estim. 6 000 - 8 000 EUR

Tue 09 Jul

PIAGET Collection du XXIème siècle, Ref. 9212 D76, n° 208559 Circa 1972 Cuff watch in 18k (750) yellow gold and tiger's eye Case: rectangular, screw closure, signed Dial: tiger's eye, signed Movement: mechanical extra-flat cal. 9P, signed Strap: textured gold bark and tiger's eye, signature on clasp Wrist circumference: approx. 17.5 cm Cuff width: approx. 41 mm Dim.: 18 x 41 mm Gross weight: 182.00 g. We would like to thank Piaget for their kind collaboration. Lot from outside the E.U. Import VAT of 20% of the hammer price must be added to the commissions and taxes indicated. A 18k yellow gold manual winding cuff watch, tiger's eye dial, bark finish bracelet with clasp signed With our sincere thanks to Piaget for their collaboration. Lot from outside the UE. In addition to the commissions and taxes indicated, importation expenses will be charged (20% of the hammer price). In 1969, Piaget launched a new collection of cuff and sautoir watches with an expansive design. Dubbed the "Collection du XXIème siècle", this line fused the art of watchmaking with that of jewelry. These technically sophisticated jewels bear witness to Piaget's distinctive expertise: textured or hammered gold, enhanced with hard stones. This model, produced for only 4 years until 1973, is certainly the most sculptural cuff Piaget imagined in the 1970s. In 1969, Piaget launched a new collection of cuff watches and sautoir watches with an expansive design. Dubbed the "Collection du XXIème siècle", this line fused the art of watchmaking with that of jewellery. These technical jewels bear witness to Piaget's distinctive expertise: the gold, textured or hammered, is enhanced by hard stones. This model, produced for only 4 years until 1973, is certainly the most sculptural cuff Piaget imagined in the 1970s. Bibliography: F. Cologni, G. Negretti, F. Nencini, "Montres et Merveilles de Piaget 1874-1994", La Bibliothèque des Arts, Paris/Lausanne, 1994, a similar model in lapis lazuli and turquoise, reproduced in color on p. 137. CONDITION REPORT : At the time of writing the movement is working. Please note that chronometric accuracy is not guaranteed and Artcurial cannot be held responsible for any repair costs. Beautiful state of preservation Dial in good condition Few signs of use Some visible scratches on case back Overhaul recommended CONDITION REPORT : At the time of cataloguing the movement is running. Please note that the movement has not been checked for timekeeping accuracy and Artcurial will not be held responsible for any repairs that must be required. Well-preserved Dial in good condition Limited signs of use Caseback with light scuffs Overhaul recommended Watches and clocks are sold as is. No warranty is given on the working order of the watches and clocks. Most watches have been opened to identify the type and quality of the movement, including water-resistant watches, so the buyer is advised to consult a watchmaker to review the water-resistance of the watch. Strap changes, water-resistance, restorations, revisions and adjustments are the responsibility of the purchaser. Artcurial will not accept any restoration estimates from any watchmaker. Watches and clocks are sold "as is". No guarantee is given as to the working order of the watches and clocks. Most watches have been opened to identify the type and quality of the movement, including water-resistant watches, so the buyer is advised to consult a watchmaker to review the water-resistance of the watch. Strap changes, water-resistance, restorations, revisions and adjustments are the responsibility of the purchaser. Artcurial will not accept any restoration estimate from any watchmaker.

Estim. 30 000 - 35 000 EUR

Tue 16 Jul

Milestone of Roman Carthography. NOLLI. Nuova pianta di Roma data in luce da Giambattista Nolli l'anno M DCC XLVIII. - Imperial Folio. 478x365 mm. 19th century quarter calf binding, gilt title and rules on spine, marbled insidecovers. The work is entirely engraved on copper so composed: a sheet with the title, "La topografia di Roma" on double page, "Urbis Ichonographia a Leonardo Bufalino" on double page; a sheet with "Avviso al Lettore," 4 sheets with "Indice de Numeri della Pianta," 12 plates on double page with cartographic sections "La nuova topografia di Roma," 4 sheets with "Indice alfabetico della Pianta." After the sheet of "Notice to the Reader," the sheets are numbered 1-32: Index (pp. 1-4), 12 cartographic sections on double pages (pp. 5-28), index on single page (pp. 29-32).After the sheet with the title is added a plate in two sheets of 350x335 and 350x255 mm: "Panorama de Rome, pris du clocher du Capitole." In the first the circular view of Rome seen from the bell tower of the Senatorial Palace on the Capitoline Hill, with 191 buildings, in the second the legend with 187 toponyms; copper engraving, laid paper, trace of watermark. On the free end-paper the ex-libris "Comte Fernand de Rességuier". Defects on the binding, marginal foxing internally and some traces of humidity, overall a good copy. Rare first edition. Giovanni Battista Nolli's "Nuova pianta di Roma," created between 1736 and 1748, is considered a milestone in the art and science of cartography for the accuracy with which it records the dense urban fabric of Rome at the height of its eighteenth-century beauty: streets, squares, public spaces, villas, vineyards, monasteries and ancient ruins. In short, almost eight square miles of land exquisitely engraved on twelve copper plates and with the indexing of 1320 sites.The work was commissioned by Pope Benedict XIV to survey Rome and help to create the demarcations of the fourteen (14) traditional districts of Rome. It is by far the most accurate description of Rome produced up to that time, at a time when the architectural achievements of the papacy were in full development. Nolli's map reflects Bufalini's 1551 map, however Nolli made a number of important innovations. First, Nolli reorients the city from east (as was conventional at the time) to magnetic north, reflecting the fact that Nolli relies on the compass to orient himself in the city's topography. Second, Nolli represents closed public spaces such as the colonnades of St. Peter's Square and the Pantheon as open civic spaces. Finally, the map represented a significant improvement in terms of accuracy, even detecting the asymmetry of the Spanish Square. The map was used in government planning of the city of Rome until the 1970s; it was used as a base map for all Roman cartography and planning up to that date.This copy contains in addition to Nolli's work: "The topography of Rome" on a double page engraved by Nolli in 1748; "Urbis Ichnographiam a Leonardo Bufalino," the map of ancient Rome by Leonardo Bufalini, originally engraved in 1551, reworked and reduced by G.B. Nolli in 1748; "Panorama de Rome, pris du Clocher du Capitole," copper engraving by an anonymous artist from around 1750. An unusual circular panoramic view of Rome seen from the bell tower of the Palazzo Senatorio on the Capitoline Hill. 191 buildings from across Rome are depicted as they would be seen from the bell tower, including parts of the Palazzo Senatorio and the Piazza del Campidoglio, which are the largest illustrations on the right side of the circle. Basilicas, cathedrals and churches appear alongside ancient ruins, including the Colosseum (143), Trajan's Column (99), St. Peter's Basilica and the Vatican. The legend of the toponyms was cut out and glued onto another sheet and contains 187 toponyms.Luigi Ficacci 22, John Wilton-Ely 1007 (1095-5), Millard Architectural Collection, Italian and Spanish Books, p. 234-239.For the 'Panorama': this very rare view was created by an unknown artist and published around 1750, probably for travelers on the "Grand Tour". Three copies in OCLC: Bibliothèque nationale de France, Utrecht University and Bayerische Staatsbibliothek. A specimen also in the Library of Congress.

Estim. 15 000 - 18 000 EUR