1st Timed Auction: Old Master and 19th century Prints, D…

Lot 1 - Hans Sebald Beham (1500 Nuremberg - 1550 Frankfurt on the Main) - H. BEHAM (1500-1550), St John, plate 4 from The Twelve Apostles, around 1545, Copper engraving Hans Sebald Beham (1500 Nuremberg - 1550 Frankfurt on the Main): St John, plate 4 from The Twelve Apostles With the serpent in the chalice, miniature depiction, c. 1545, Copper engraving Technique: Copper engraving on Paper Inscription: Middle left monogrammed (ligated): "HSB". Upper right inscribed in the printing plate: "S. IOHANNES". Date: c. 1545 Description: The depiction shows the iconographic figure of a saint, recognisable by the aura around the head. The chalice with the snake identifies the saint as St John the Apostle. A scene with architectural elements can be seen at the back of the depiction. The composition conveys a spiritual meaning and is in the context of religious veneration. Source: Hans Sebald Beham () Die zwölf Apostel. Folge von 12 Kupferstichen, 1546 | print suite, Religion Keywords: Saint; Aura; Chalice; Iconography; Spirituality; Religious; Apostle; Serpent with chalice; Miniature depiction, 16th century, Baroque, Religious, Germany, Size: Paper: 4,5 cm x 3,0 cm (1,8 x 1,2 in)

Starting price 220 EUR

Lot 2 - Monogrammist HG (16th century) after Luca Cambiaso (1527 Moneglia/Genua - 1585 San Lorenzo de El Escorial) - Monogram HG (16th) after CAMBIASO (*1527), Ecce Homo, 1560, Pen drawing Monogrammist HG (16th century) after Luca Cambiaso (1527 Moneglia/Genua - 1585 San Lorenzo de El Escorial): Ecce Homo The condemned Christ is mocked by the people, 1560, Pen drawing Technique: Washed Pen drawing on Paper (green), mounted on Paper Inscription: lower left monogrammed (ligated): "HG". lower left dated: "1560". Date: 1560 Keywords: Ecce Homo; Jesus Christ; Arma Christi; Crown of Thorns; Pilate; Judgement; Passion, 16th century, Renaissance, Biblical, Italy, Size: Paper (green): 38,4 cm x 28,7 cm (15,1 x 11,3 in)

Starting price 500 EUR

Lot 3 - Bernardino India (around 1528 Verona - 1590 ibid.) Follower - B. INDIA (1528-1590) Successor, Absolution, Pen drawing Bernardino India (around 1528 Verona - 1590 ibid.) Follower: Absolution Kneeling before a bishop receives absolution, 16th century, Pen drawing Technique: Washed Pen drawing on Paper Inscription: Lower right inscribed: "x". Date: 16th century Keywords: Bishop; clergyman; forgiveness; blessing; sins; figures, 16th century, Renaissance, Religious, Italy, Size: Paper: 18,6 cm x 25,6 cm (7,3 x 10,1 in)

Starting price 700 EUR

Lot 4 - Anton Vincentius von Lyon (16th century) - A. LYON (16th), Shroud of Veronica, Woodcut Anton Vincentius von Lyon (16th century): St Peter and St Paul with Veronica's sweatcloth, 16th century, Woodcut Technique: Woodcut on Paper, mounted on Paper Date: 16th century Description: Woodcut published by A. Vincentius in Lyon; monogrammed "AV" in the image. "Brulliot II. No. 163 draws attention to a woodcut depicting the apostles Peter and Paul with a scarf, labelled with the letters AV in the first of the given panels. It hangs at the bottom centre on a small vine. The aforementioned author assumes that this is the vignette of the bookseller Anton Vincentius von Leyden, who ran his business around 1543. It is correct that this vignette appears in Vincentius' publishing works, but it is not Leyden but Lyon where the bookseller lived. A. Zanetti describes a similar vignette in the Cabinet Cicognare, which is very well drawn and produced with little use of lines. The copy from the Cabinet Cicognara comes from a book with Questiones theologicae, which were printed towards the end of the 15th century. Labelled on the verso in an unknown hand in lead "CB XVIII 306, 312 / Vincentius / Nagler I 1424". Keywords: 16th century, Renaissance, Religious, France, Size: Paper: 21,3 cm x 19,3 cm (8,4 x 7,6 in), additional specification: 21.3 x 19.3 cm, base: 29.5 x 26.5 cm

Starting price 250 EUR

Lot 5 - Sebastian Münster (1488 Nieder-Ingelheim - 1552 Basel) - S. MÜNSTER (1488-1552), View from Meissen, 1558, Woodcut Sebastian Münster (1488 Nieder-Ingelheim - 1552 Basel): View of Meissen Misena Hermundurorum Urbs, 1558, Woodcut Technique: Woodcut on Paper Inscription: At the upper part inscribed in the printing plate: "Der herlichen und beruehmpten Statt Meyssen Abcontrafehung. / Misena Hermundurorum Urbs". At the center dated: "1558". Date: 1558 Description: This graphic presents a detailed bird's-eye view of a city, complemented by two heraldic coats of arms. The illustration, embedded in a text border, is characterised by a high level of detail and precise lines. Buildings and topographical elements are precisely emphasised, revealing a rich urban structure. The style of the depiction reflects an artistic concept from the early modern period. Verso: Typographic print "Das fuenffte Buch / Von Teutschlandt. / The city of Meyssen [...]" Source: Sebastian Münster (1488 -1552 ) Cosmographia | Book, Science Keywords: City view; Bird's-eye view; Graphic; Coat of arms; Detail; Lines; Buildings; Topography; Early modern times; Work of art; Illustration; Town planning; Historical; Heraldic; Artistic conception; Text border; Depth of detail, 16th century, Renaissance, Cities, Germany, Size: Paper: 37,9 cm x 43,9 cm (14,9 x 17,3 in), Depiction: 16,0 cm x 39,0 cm (6,3 x 15,4 in)

Starting price 180 EUR

Lot 6 - Josef Heintz sen. (1564 Basel - 1609 Prag) after Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom) - J. HEINTZ (1564) after RAFFAEL (1483), Putto with trident, punching, Red chalk drawing Josef Heintz sen. (1564 Basel - 1609 Prag) after Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom): Putto with trident, after a fresco in the stanzas of the Apostolic Palace in Rome, 16th century, Red chalk drawing Technique: Red chalk drawing on Paper, mounted on Paper Stamp: Lower right Collector's stamp, Lugt no.: 4606. Nino Grecchi. Inscription: Lower middle inscribed by the artist's hand: "Viene da Rafaelle". Date: 16th century Keywords: Vatican; Apostolic Palace; Pope; Papal Palace; Fresco; Leo X; Neptune; Poseidon; Putto; Trident; Attribute; God of the Sea, 16th century, Renaissance, Mythology, Italy, Rome (Latium), Size: Paper: 21,4 cm x 25,2 cm (8,4 x 9,9 in)

Starting price 900 EUR

Lot 7 - Unknown (16th century) - Unknown (16th), Holy Family and St John, around 1575, Pen drawing Unknown (16th century): Holy Family and St John the Baptist with reclining scribe on the steps of a temple, c. 1575, Pen drawing Technique: Pen drawing on Chalked paper Date: c. 1575 Keywords: Joseph; Mary; Madonna; Jesus Christ; Christ Child; Elisabeth; John the Baptist; Holy Family, 16th century, Renaissance, Religious, Italy, Size: Chalked paper: 26,3 cm x 20,1 cm (10,4 x 7,9 in)

Starting price 400 EUR

Lot 8 - Unknown (16th century) - Unknown (16th), Exultate, manuscript on parchment, Watercolor Unknown (16th century): Exultate [], illuminated manuscript on parchment, 16th century, Watercolor Technique: Watercolor on Parchment Date: 16th century Description: The image shows a page of a medieval manuscript. The manuscript reveals Gothic lettering that is characterised by its ornamental quality and careful proportions. Accentuated by illuminations in red and blue, it bears witness to a high level of craftsmanship. The condition of the parchment, obviously aged and stained in the margins, emphasises its historical significance and preserves the aesthetics of its era. This copy was probably made in the later 16th century. Keywords: Manuscript; Middle Ages; Gothic script; Latin; Illumination; Red; Blue; Parchment; Historical; Craft; Writing; Aesthetics; Ageing; Damage; Text document; Handwritten; Knowledge culture; Tradition; Preservation; Document study, 16th century, Renaissance, Religious, Germany, Size: Parchment: 39,7 cm x 27,8 cm (15,6 x 10,9 in)

Starting price 300 EUR

Lot 9 - Unknown (16th century) - Unknown (16th), Gotruntatis, manuscript on parchment, Watercolor Unknown (16th century): Gotruntatis [?], illuminated manuscript on parchment, 16th century, Watercolor Technique: Watercolor on Parchment Date: 16th century Description: The image shows a page of a medieval manuscript. The manuscript reveals Gothic lettering characterised by its ornamental quality and careful proportioning. Coloured initials and accents in red and blue as well as more subtle pigments highlight certain areas of text that are presumably of particular importance. The parchment page appears aged, with characteristic traces of patina that emphasise the historical authenticity of the document. This copy was probably made in the later 16th century. Keywords: Manuscript; Middle Ages; Gothic script; Initials; Parchment; Patina; Manuscript; Ornamental; Proportioning; Text accents; Historical document; Pigments; Red; Blue; Meaning; Authenticity; Lettering; Colour accents; Document preservation; Text page, 16th century, Renaissance, Religious, Germany, Size: Parchment: 39,5 cm x 27,8 cm (15,6 x 10,9 in)

Starting price 300 EUR

Lot 10 - Unknown (16th century) - Unknown (16th), Deus mysreat, manuscript on parchment, Watercolor Unknown (16th century): Deus mysreat [?], illuminated manuscript on parchment, 16th century, Watercolor Technique: Watercolor on Parchment Date: 16th century Description: This document is a medieval manuscript page, recognisable by its parchment-like texture and the characteristic features of the calligraphy. It shows a finely crafted, Latin text with alternating red and blue initials, possibly used to emphasise sections. Skilful majuscules suggest the inclusion of illuminations. A diplomatic and respectful treatment of the artefact is essential for the preservation of its condition and historical value. This copy was probably made in the later 16th century. Keywords: Middle Ages; manuscript; parchment; calligraphy; Latin text; initials; illumination; majuscules; historical document; craftsmanship; text page; editing; manuscript; written culture; palaeography; codicology; book illumination; liturgical text; colour highlighting; departmental markings, 16th century, Renaissance, Religious, Germany, Size: Parchment: 39,5 cm x 27,9 cm (15,6 x 11 in)

Starting price 300 EUR

Lot 11 - Federico Barocci (around 1526 Urbino - 1612 ibid.) attributed - F. BAROCCI (1526-1612) attributed, Floating figure with shell, Chalk Federico Barocci (around 1526 Urbino - 1612 ibid.) attributed: Floating figure with shell Probably a design for a ceiling painting, 17th century, Chalk Technique: Chalk on Paper Watermark: Flora - Leaf/leaf/tree - CCS over leaf - Date: Stamp: Middle right Collector's stamp, Lugt no.: 2347. Comte Saint-Germain(?). Vienna. 19th century Date: 17th century Keywords: Design; Study; Figure; Ceiling painting; Fresco; Shell; Mythology; Venus; Servant, 17th century, Renaissance, Mythology, Italy, Size: Paper: 26,7 cm x 28,7 cm (10,5 x 11,3 in)

Starting price 1500 EUR

Lot 12 - Paulus Pontius (1603 Antwerp - 1658 ibid.) after Gerard Ter Borch (1617 Zwolle - 1681 Deventer) - P. PONTIUS (1603) after BORCH (1617), Vopiscus Plempius (1601-1671), around 1648, Copper engraving Paulus Pontius (1603 Antwerp - 1658 ibid.) after Gerard Ter Borch (1617 Zwolle - 1681 Deventer): Portrait of the Dutch physician Vopiscus Plempius (1601-1671) at the age of 47, bust portrait, c. 1648, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "CTBorch pinxit. / Paul. Pontius sculpsit.". At the center inscribed in the printing plate: "Vopiscus Fortunatus Plempius Amstelredamensis Medicinae Doctor et Professor In Academia Lovaniensi MDCXLVIII Ætat XLVI.". Lower middle further inscription: "Natura, arte, et fortuna. / Natura, si mestiris indolem, favit; Ars incubando femen inditum fovit. dignum viso fortuna omen adjecit, qaue terna cum medicum expleantibi excellant jures Galenum in PLEMPIO revixisse". Date: c. 1648 Description: Portrait of the Dutch physician Vopiscus Plempius (1601-1671) at the age of 47. The bust is set in a cartouche with an ornamental frame. Keywords: Portrait, Cartouche, Medicine, Doctor, 17th century, Baroque, Portraits, Netherlands, Size: Paper: 27,0 cm x 17,7 cm (10,6 x 7 in), Plate: 26,2 cm x 16,5 cm (10,3 x 6,5 in)

Starting price 300 EUR

Lot 13 - Lambert Hopfer (17th century) after Albrecht Dürer (1471 Nuremberg - 1528 ibid.) - L. HOPFER (17th) after DÜRER (*1471), Christ before Caiaphas, Etching Lambert Hopfer (17th century) after Albrecht Dürer (1471 Nuremberg - 1528 ibid.): Christ before the high priest Caiaphas, 17th century, Etching Technique: Etching on Paper Inscription: Upper middle monogrammed: "LH". At the lower part inscribed in the printing plate: "177". Verso further inscription: "B.6 H 190". Date: 17th century Description: Enlarged copy on the same side without Dürer's monogram and date. Inscribed with the monogram "LH" at the top centre next to a stylised hop stalk. Numbered "177" lower left. The depiction corresponds to sheet 4 from Dürer's engraved Passion, which was created between 1507 and 1512. The sheet is from the series of reprints "Operae Hopferianae [..] / Daniel, Hieronymus, Atq. Lambertus Hopferi [...]" by the Nuremberg publisher David Funck from the late 17th century. The numbering identifies this sheet as part of the second print series (cf. Vogt 2008, pp. 354-359). Keywords: Little Passion, Jesus Christ, Passion, Bible, Figures, Judaism, High Priest, 17th century, Renaissance, Religious, Germany, Size: Paper: 15,7 cm x 10,8 cm (6,2 x 4,3 in), Plate: 13,7 cm x 8,9 cm (5,4 x 3,5 in)

Starting price 320 EUR

Lot 14 - Lambert Hopfer (17th century) after Albrecht Dürer (1471 Nuremberg - 1528 ibid.) - L. HOPFER (17th) after DÜRER (*1471), Christ before Pilate, Etching Lambert Hopfer (17th century) after Albrecht Dürer (1471 Nuremberg - 1528 ibid.): Jesus Christ on trial before Pontius Pilate, 17th century, Etching Technique: Etching on Paper Inscription: Lower right monogrammed: "LH". Lower right inscribed in the printing plate: "196". Verso further inscription: "B 7 H 209". Date: 17th century Description: Enlarged copy on the same side without Dürer's monogram and date. Inscribed lower right with the monogram "LH" next to a stylised hop stalk and numbered "196". The depiction corresponds to sheet 5 from Dürer's engraved Passion, which was created between 1507 and 1512. The sheet is one of the reprints in "Operae Hopferianae [..] / Daniel, Hieronymus, Atq. Lambertus Hopferi [...]" by the Nuremberg publisher David Funck from the late 17th century. The numbering identifies this sheet as part of the second print series (cf. Vogt 2008, pp. 354-359). Keywords: Little Passion, Jesus Christ, Passion, Bible, Figures, Judaism, Governor, Jerusalem, Israel, Pilate, 17th century, Renaissance, Religious, Germany, Size: Paper: 13,9 cm x 8,7 cm (5,5 x 3,4 in)

Starting price 380 EUR

Lot 15 - Wenzel Hollar (1607 Prag - 1677 London) after Anthonis van Dyck (1599 Antwerp - 1641 London) - W. HOLLAR (1607) after DYCK (1599), Richard Weston (1577-1635), 1645, Etching Wenzel Hollar (1607 Prag - 1677 London) after Anthonis van Dyck (1599 Antwerp - 1641 London): Portrait of Richard Weston (1577-1635), the first Earl of Portland, 1645, Etching Technique: Etching on Paper Watermark: - PINAUD - Date: 17th century Inscription: At the lower part signed in the printing plate: "Antonius van Dyck pinxit / W. Hollar fecit aqua forti / Ioannes Meyssens excudit.". Lower middle inscribed in the printing plate: "Per Illustris Dominus Hieronymus Westonius Comes Portlandiae / Heylandiaeq. etc". Date: 1645 Description: Portrait of Richard Weston, first Earl of Portland. Frontal bust portrait. The portrait subject's head is tilted to the left. Weston wears a moustache and beard, a ruff, a ribbon with a medal and a cloak and cape over his right shoulder. Person: Depicted: Earl Richard Weston, Portland (1605 - 1663 ) Published by: Johannes Meyssens (1612 Brussels - 1670 Antwerp) Source: Anthonis van Dyck (1599 Antwerp-1641 London) Icones principum virorum doctorum pictorum chalcographorum statuariorum nec non amatorum pictoriae artis numero centum, 1680 | print suite, Mythology Keywords: Earl, portrait, ruff, collar, medal, 17th century, Baroque, Portraits, Netherlands, Size: Paper: 24,3 cm x 19,3 cm (9,6 x 7,6 in)

Starting price 200 EUR

Lot 16 - Jacob Louys (1595 - around 1673 ) after Jan van Eyck (around 1390 Maaseik - 1441 Bruges) - J. LOUYS (1595) after EYCK (1390), Portrait of Philip the Good, around 1643, Copper engraving Jacob Louys (1595 - around 1673 ) after Jan van Eyck (around 1390 Maaseik - 1441 Bruges): Portrait of Philip the Good, with fur-lined cloak, in a decorated oval with a knight fighting a dragon in the upper part and a cartouche flanked by two bulls at the bottom, c. 1643, Copper engraving Technique: Copper engraving and Etching on Paper Inscription: Lower middle signed in the printing plate: "P. Soutman Effigiauit / et excud. Cum Privil Sa. Cæ. M | I. Louys Sculpxit". Date: c. 1643 Description: Portrait of Philip the Good, Duke of Burgundy, after van der Weyden; bareheaded, with short hair, wearing a fur-lined coat and collar of the Order of the Golden Fleece; in an oval flanked by garlands, with a knight wrestling with a dragon in the upper part and a cartouche flanked by two bulls in the lower part. Person: der Gute; Duke Philipp III., From Burgundy Valois (1396 Dijon - 1467 Bruges) Keywords: Portrait of a lord; Portrait of a gentleman; Nobility; Duke; Bulls; House of Valois, 17th century, Baroque, Portraits, Netherlands, Size: Paper: 41,1 cm x 28,0 cm (16,2 x 11 in), Depiction: 40,5 cm x 27,0 cm (15,9 x 10,6 in)

Starting price 400 EUR

Lot 17 - Josef Heintz sen. (1564 Basel - 1609 Prag) Follower - J. HEINTZ (1564-1609) Successor, Salome with the head of John, Pen drawing Josef Heintz sen. (1564 Basel - 1609 Prag) Follower: Salome with the head of John in front of a palace complex, 17th century, Pen drawing Technique: Washed Pen drawing on Paper, mounted on Paper Date: 17th century Provenance: Bernhard Funck, Munich (1895 Malchin - 1993 Munich) Keywords: John the Baptist; Salome; death; execution; banquet; executioner; executioner's sword; palace; architecture; Herod; Herodias, 17th century, Renaissance, Religious, Italy, Size: Paper: 29,6 cm x 19,8 cm (11,7 x 7,8 in)

Starting price 1000 EUR

Lot 18 - Franz Hogenberg (1535 Mechen - 1590 Cologne) - F. HOGENBERG (*1535), Siege of St Quentin, around 1610, Etching Franz Hogenberg (1535 Mechen - 1590 Cologne): Siege plan of St Quentin on 27 February 1557, c. 1610, Etching Technique: Etching on Paper Inscription: Inscribed in the printing plate: "S. QVINTIN belagert S. Quintin nach gehaltener schlacht, Belagert und mit herzes muth. Die hugenott das schlisse wurth, Den adel hat einbisirt. Die furnemblichsten herugen sich hautt. So zenthlich wuthen auß gefalten. Wann die Burgundische rechter S. Quintin helffen awfegethern, Wirt zetter zaichen bestendigen hartt, Ein sturm gern weren worden. Darunder vil jren getrachten wurde. Henlich darzu durch ihrer rn kümet, Mit gwalt und glück die Stadt gewunnen, Ao. 1557. 27. July". Date: c. 1610 Description: Before us is a skilfully crafted historical engraving depicting a cartographic representation of the besieged town of S. Quentin. The scene is richly detailed, with the topographical features of the surrounding landscape, military camps and defences carefully depicted. In the foreground, tiny figures animate the scenario, and the depiction of the city's architecture demonstrates the artist's craftsmanship and spatial understanding. The artwork serves as documentation of a historical event with a military background. Source: Franz Hogenberg (1535 Mechen-1590 Cologne) Warhaftige deschription und beschreibung der Stadt Neus mitt beiligende Stetten Schlosser Dörffer und Schantzen, um 1586 | Book, Politics Keywords: Engraving; cartography; siege; S; QVINTIN; city view; topography; landscape; military camp; defences; figures; urban architecture; artistry; spatial understanding; historical event; military background; attention to detail; scene depiction; craftsmanship;, 17th century, Baroque, Military, France, Size: Paper: 23,4 cm x 29,9 cm (9,2 x 11,8 in), Plate: 21,0 cm x 27,3 cm (8,3 x 10,7 in)

Starting price 100 EUR

Lot 19 - After Matthäus Merian sen. (1593 Basel - 1650 Schwalbach) - After MERIAN (*1593), Siege of Bautzen, around 1620, Copper engraving After Matthäus Merian sen. (1593 Basel - 1650 Schwalbach): Siege of Bautzen as it was conquered by the Holy Roman Emperor of Saxony, c. 1620, Copper engraving Technique: Copper engraving on Paper Inscription: At the upper part inscribed in the printing plate: "Abbildung der Statt Budissin oder Bautzen, wie dieselbe von Ch. F. Durchl. zu Sachsen erobert worden im Sept. Anno 1620". Date: c. 1620 Description: This artwork shows a detailed bird's eye view of a besieged city. It illustrates the fierce clashes by depicting billows of smoke rising above the city. Battle formations positioned in the foreground, both mounted and on foot, suggest a dynamic scene. The carefully worked inscriptions and precise lines suggest an engraving intended to record historical events. Source: Matthäus Merian (1593 Basel-1650 Langenschwalbach) Theatrum Europaeum, 17. + 18. Jahrhundert | Book, Politics Keywords: Artwork; engraving; city view; siege; bird's-eye view; billows of smoke; battle; military; mounted; infantry; historical; lines; depiction; dynamics; event; documentation; inscription; art history; analysis; interpretation, 17th century, Baroque, Military, Germany, Size: Paper: 33,0 cm x 39,3 cm (13 x 15,5 in), Depiction: 24,7 cm x 34,6 cm (9,7 x 13,6 in)

Starting price 200 EUR

Lot 20 - Guido Reni (1575 Calvenzano - 1642 Bologna) Circle - G. RENI (1575-1642) Circle, Angel with censer, Red chalk drawing Guido Reni (1575 Calvenzano - 1642 Bologna) Circle: Two angels with censer and wafer plate, 17th century, Red chalk drawing Technique: Red chalk drawing on Paper, relined on Paper Inscription: lower left inscribed: "Guido reni". Date: 17th century Description: Partial copy after the painting "Adoration of the Shepherds" by Guido Reni in the Certosa di S. Martino in Naples. Keywords: Angels; Clouds; Consecration; Incense; Hosts; Communion; Heaven; Paradise; Carthusian Church of Naples; Adoration of the Shepherds, 17th century, Renaissance, Religious, Italy, Size: Paper: 20,0 cm x 25,6 cm (7,9 x 10,1 in)

Starting price 2000 EUR

Lot 21 - Herman Saftleven (1609 Rotterdam - 1685 Utrecht) Follower - H. SAFTLEVEN (*1609) Successor, Figurenstudien, Pen drawing Herman Saftleven (1609 Rotterdam - 1685 Utrecht) Follower: Sketch sheet with figure studies Working peasants, 17th century, Pen drawing Technique: Pen drawing and Pencil on Paper Date: 17th century Keywords: Farmers; Country people; Sheep; Traditional costume; Field work, 17th century, Baroque, Professions, Netherlands, Size: Paper: 10,9 cm x 14,3 cm (4,3 x 5,6 in)

Starting price 1000 EUR

Lot 22 - Elisabetta Sirani (1638 - 1665 ) attributed - E. SIRANI (1638-1665) attributed, Figure study. Woman in a robe, Charcoal Elisabetta Sirani (1638 - 1665 ) attributed: Figure study Woman in a robe with outstretched hand, 17th century, Charcoal Technique: White heightened Charcoal on Paper (blue), mounted on Paper Inscription: Verso inscribed by another person: "a di 30 Feb: 1792 Elisabetta Sirani fece". Date: 17th century Keywords: Study; Study; Design; Folds; Woman; Artist; Garment study; Figure study, 17th century, Baroque, People, Italy, Size: Paper (blue): 29,9 cm x 19,4 cm (11,8 x 7,6 in)

Starting price 1500 EUR

Lot 23 - Christian Steinmüller (1587 - 1651 ) - C. STEINMÜLLER (*1587), Coronation of the Virgin Mary, Pen drawing Christian Steinmüller (1587 - 1651 ): Coronation of the Virgin Mary by saints, surrounded by angels and clouds Assumption of the Virgin Mary, 17th century, Pen drawing Technique: Washed Pen drawing on Paper, mounted on Cardboard Watermark: Coat of arms - Common figures - Coat of arms with sickle - Salzburg - Date: 1570 | watermarks online reference: AT3800-PO-122143 Inscription: Lower right inscribed: "H. Ra[?]". Date: 17th century Verso: Sketch in pencil. Executioner hands the head of John to Salome Keywords: Mary; Madonna; Assumption; Apotheosis; Coronation; Saint; Pope; John; Jesus Christ; Dove; God the Father; Holy Spirit, 17th century, Baroque, Religious, Germany, Size: Paper: 16,7 cm x 18,8 cm (6,6 x 7,4 in)

Starting price 400 EUR

Lot 24 - Herman van Swanevelt (around 1600 Woerden - 1655 Paris) - H. SWANEVELT (*1600), Boules players at the city gate, Etching Herman van Swanevelt (around 1600 Woerden - 1655 Paris): Boules players at the city gate, 17th century, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Hewrman van Swanevelt Inventor fecit ... à Paris chez Mondhare rue St. Jacques. cum privilegio Regis". Date: 17th century Description: The art-historical work reveals a detailed etching depicting an idyllic scene. In the foreground, we recognise a designed landscape with figures in period clothing following a path leading to a building with arches and a tiled roof. The middle ground is dominated by a ruin with Gothic window arches and partially preserved walls, embedded in lush vegetation. The background is characterised by an implied horizon and other architectural elements. Keywords: Etching; landscape; idyll; ruin; Gothic; vegetation; architecture; tiled roof; window arches; path; figures; contemporary clothing; arch; horizon; lush; art-historical; richness of detail; middle ground; foreground; scenery;, 17th century, Baroque, Architecture, Netherlands, Size: Paper: 30,5 cm x 42,1 cm (12 x 16,6 in), Plate: 18,6 cm x 28,0 cm (7,3 x 11 in)

Starting price 180 EUR

Lot 25 - David Teniers sen. (1582 Antwerp - 1649 ibid.) Circle - D. TENIERS (1582-1649) Circle, Petitioner, Chalk David Teniers sen. (1582 Antwerp - 1649 ibid.) Circle: Petitioner before a spiritual lord, 17th century, Chalk Technique: Washed Chalk over Pencil on Paper, mounted on Cardboard Stamp: Verso Collector's stamp, Lugt no.: 3835. Bernhard Funck. 20th century Date: 17th century Description: Perhaps the parable of the wise steward (Luke 16:1-9) is depicted here. Provenance: Bernhard Funck, Munich (1895 Malchin - 1993 Munich) Anton Schmid (? Vienna - ?) Keywords: Office; Office room; Clergyman; Sovereign; Prince; Peasants; Country people; Traditional costumes, 17th century, Baroque, Genre, Netherlands, Size: Paper: 19,3 cm x 29,7 cm (7,6 x 11,7 in)

Starting price 400 EUR

Lot 26 - Unknown (17th century) - Unknown (17th), Crucifixion scene, Pen drawing Unknown (17th century): Crucifixion scene with mourners Grisaille, 17th century, Pen drawing Technique: Washed Pen drawing on Paper Watermark: Undeterminable watermark Date: Date: 17th century Description: Detail of a crucifixion scene with the mourning Virgin Mary and Longinus on horseback. Keywords: costumes; warriors; soldiers; women; garments; fashion; mourners; mourning; Rome; Roman Empire; history; commander; horseman, 17th century, Baroque, Military, Germany, Size: Paper: 20,0 cm x 15,0 cm (7,9 x 5,9 in)

Starting price 600 EUR

Lot 27 - Unknown (17th century) - Unknown (17th), Christ before Pilate, Brush drawing Unknown (17th century): Christ before Pilate The imprisoned Jesus is led before Pilate in shackles, 17th century, Brush drawing Technique: Washed Brush drawing on Paper Date: 17th century Description: Possibly an artist from the environment of Prague Mannerism. Verso: Fragmented figure sketches. Courtly couple, Climbing horse with hunting dogs and seated nude Keywords: Jesus Christ; Passion; Jerusalem; Soldiers; Costume; Armour; Pontius Pilate; Israel, 17th century, Baroque, Religious, Italy, Size: Paper: 31,4 cm x 31,7 cm (12,4 x 12,5 in)

Starting price 400 EUR

Lot 28 - Unknown (17th century) - Unknown (17th), Madonna with two saints, Pen drawing Unknown (17th century): Madonna with two saints Mary enthroned with child between two holy monks, 17th century, Pen drawing Technique: Washed Pen drawing on Paper Watermark: Similar to: Symbols/signs of power - Crown - Five-pointed crown with trefoil cf. Heawood 995 and 1001 - Date: Date: 17th century Provenance: . Sale: Boerner Düsseldorf 1977;. . Sale: Boerner Düsseldorf Oktober 1987;. Keywords: Pilgrim; Monk; Monastery; Ordnesbrpüder; Habit; Mary; Jesus Christ; Christ Child; Madonna; Upper Italian, 17th century, Baroque, Religious, Italy, Size: Paper: 20,2 cm x 31,4 cm (8 x 12,4 in)

Starting price 500 EUR

Lot 29 - Egidius II Sadeler (around 1570 Antwerp - 1629 Prag) after Tizian: Tiziano Vecellio (around 1488 Belluno - 1576 Venice) - E. SADELER (1570) after TIZIAN (1488), Portrait of Marcus Salvius Otho, around 1600, Copper engrav Egidius II Sadeler (around 1570 Antwerp - 1629 Prag) after Tizian: Tiziano Vecellio (around 1488 Belluno - 1576 Venice): Portrait of the Roman Emperor Marcus Salvius Otho (32 AD-69), c. 1600, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "AEgidius sadeler S.C.M. sculp. / Titianus inventor / Marcus sadeler excudit.". Upper middle inscribed in the printing plate: "M. SYLVIS OTHO.". At the lower part further inscription: "VIII. Ad regnum ingressus fuit hic vt apertus Othonie/Per miseram facta proditione necem: Hic idem fuit extremus regni exitus. Auli Vi sibi cum gladijs adueniente Super. / Suspector magni et quoniam fuit iste Neronis, Nomine quem voluit saepe referre Nero, Rettulit atque fuga: ac manibus tum denique mortem Persimilem sibi et hic coscijt suis.". Date: c. 1600 Description: Copperplate engraving by Sadeler, Egidius (1570 Antwerp - Prague 1629) and Sadeler, Marcus Christoph (before 1614 Munich - Prague 1660) after Titian (1477 Pieve di Cadore - Venice 1576). Marcus Salvius Otho (32-69 A.D.) was one of the four Roman emperors of the quadruple imperial year 69. The copperplate engraving is particularly striking in that his right arm is bare, but his left arm is clad in 17th century armour. It is an interesting portrait of an ancient figure, who appears to have been transported to the 17th century by the armour. Person: Depicted: Marcus Salvius Otho (32 Ferentium - 69 Brixellum) Roman Emperor Keywords: Rome, Roman Empire, Antiquity, Empire, Emperor, Emperor portrait, Armour, Imperium Romanum, 17th century, Renaissance, Portraits, Italy, Rome (Latium), Size: Paper: 52,3 cm x 37,3 cm (20,6 x 14,7 in), Plate: 35,0 cm x 24,0 cm (13,8 x 9,4 in), Depiction: 29,8 cm x 23,5 cm (11,7 x 9,3 in)

Starting price 250 EUR

Lot 30 - Esaias van de Velde (around 1587 Amsterdam - 1630 The Hague) - E. VELDE (1587-1630), Landscape with brewery, around 1615, Etching Esaias van de Velde (around 1587 Amsterdam - 1630 The Hague): Landscape with brewery and figures, c. 1615, Etching Technique: Etching on Paper Inscription: Upper left signed in the printing plate: "E. van den Vel de Fe". Upper middle inscribed in the printing plate: "10 / Brouwery". Date: c. 1615 Description: This work is characterised by the detailed depiction of a rural scenario. Various architectural features are emphasised by clear lines. Figurative elements, such as people and a dog, enliven the composition. The scene reflects the hustle and bustle of a brewery, which is emphasised by visual elements such as barrels and the production environment. Keywords: windmill; brewery; architecture; rural; scene; people; dog; barrels; craft; professional life; figurative; composition; richness of detail; lines; trees; building; production; activity; artwork, 17th century, Baroque, Architecture, Netherlands, Size: Paper: 9,2 cm x 17,8 cm (3,6 x 7 in)

Starting price 400 EUR

Lot 31 - After Jan Brueghel sen. (1568 Brussels - 1625 Antwerp) - After BRUEGHEL (*1568), Village square with half-timbered houses, around 1650, Pen drawing After Jan Brueghel sen. (1568 Brussels - 1625 Antwerp): Village square with half-timbered houses, inn and church, c. 1650, Pen drawing Technique: Washed Pen drawing on Paper Inscription: Verso signed: "Peter Steffan fecit". Date: c. 1650 Keywords: village; half-timbered house; inn; village square; village; architecture; inn, 17th century, Renaissance, Cities, Netherlands, Size: Paper: 19,3 cm x 27,5 cm (7,6 x 10,8 in)

Starting price 1000 EUR

Lot 32 - Claude Macé (1631 - 1670 ) after Giovanni Benedetto Castiglione (1609 Genoa - 1664 Mantua) - C. MACÉ (1631) after CASTIGLIONE (1609), Jacob returns from Mesopotamia, Etching Claude Macé (1631 - 1670 ) after Giovanni Benedetto Castiglione (1609 Genoa - 1664 Mantua): Jacob returns from Mesopotamia and meets his brother Esau, 17th century, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "Gio Benedetto Castiglione Genovese in. / G. Chasteau, ex cum privilegio Regis / A Paris Rue St. Iacques a L'Ange Gardien". At the lower part inscribed in the printing plate: "Jacob ex Mesopotamia redux, nuncios et munera ad fratrem suum Esau mittit. Gen. 32". Date: 17th century Description: The picture presents a carefully crafted etching depicting a scene from a historical context. In the foreground, a standing male figure stretches out his arm purposefully, bringing a dynamic movement to the work. A group of sheep, accompanied by loaded donkeys and several smaller figures engrossed in various activities, fills the centre of the picture. A magnificently crafted tree frames the scene on the right, while a dramatically depicted mountain landscape forms the background. The scene depicts Jacob's return from exile and his first encounter with his brother Esau. Source: Bibel (Altes Testament) | Book, Religion Keywords: etching; historical; male figure; dynamics; sheep; donkey; mountain landscape; tree; activity; group; splendour; art; cultural history; scene; illustration; materiality; animal depiction; journey; work; beasts of burden, 17th century, Baroque, Biblical, Germany, Size: Paper: 31,6 cm x 45,2 cm (12,4 x 17,8 in)

Starting price 150 EUR

Lot 33 - Carlo Cignani (1628 Forli - 1719 ibid.) Circle - C. CIGNANI (1628-1719) Circle, Marian apparition, Pen drawing Carlo Cignani (1628 Forli - 1719 ibid.) Circle: Apparition of the Virgin Mary Madonna with child appears to a saint, 17th century, Pen drawing Technique: Washed Pen drawing on Chalked paper Stamp: Verso Collector's stamp, Lugt no.: 4852. Alfred Caspari. Frankfurt on the Main. 20th century Inscription: Lower middle inscribed by the artist's hand: "Cielestino". Date: 17th century Keywords: Mary; Madonna; Saint; Apparition; Jesus Christ; Christ Child;, 17th century, Rococo, Religious, Italy, Size: Chalked paper: 30,4 cm x 24,0 cm (12 x 9,4 in)

Starting price 700 EUR

Lot 34 - Johann Franz Ermels (1641 Reilkirch (Moselle) - 1693 Nuremberg) Circle - J. ERMELS (1641-1693) Circle, Trees on a rocky slope, around 1690, Charcoal Johann Franz Ermels (1641 Reilkirch (Moselle) - 1693 Nuremberg) Circle: Trees on a rocky slope, c. 1690, Charcoal Technique: Charcoal and Indian ink on Paper, mounted on Paper Date: c. 1690 Keywords: 17th century, Baroque, Landscape, Germany, Size: Paper: 38,0 cm x 28,2 cm (15 x 11,1 in)

Starting price 500 EUR

Lot 35 - Ciro Ferri (1633 Rom - 1689 ibid.) Circle - C. FERRI (1633-1689) Circle, Adoration of the shepherds, Pen drawing Ciro Ferri (1633 Rom - 1689 ibid.) Circle: Adoration of the shepherds with the Christ Child in the stable in Bethlehem, 17th century, Pen drawing Technique: Pen drawing on Paper, mounted on Paper (blue) Inscription: lower left signed: "Ciro Ferri". Date: 17th century Source: Bibel (Neues Testament) | Book, Religion Keywords: Jesus Christ; Christ Child; Baby Jesus; Christmas; Bethlehem; Stable; Mary; Madonna; Joseph; Shepherds; Angels, 17th century, Baroque, Biblical, Italy, Size: Paper: 22,5 cm x 30,6 cm (8,9 x 12 in)

Starting price 600 EUR

Lot 36 - Anton Domenico Gabbiani (1652 Florence - 1726 ibid.) attributed - A. GABBIANI (1652-1726) attributed, Centaur with child, Pen drawing Anton Domenico Gabbiani (1652 Florence - 1726 ibid.) attributed: Centaur with child Cheiron and Achilles, 17th century, Pen drawing Technique: Pen drawing over Pencil on Paper Date: 17th century Keywords: Centaur; Faun; Achilles; Teacher; Greek mythology, 17th century, Rococo, Mythology, Italy, Size: Paper: 23,3 cm x 23,0 cm (9,2 x 9,1 in)

Starting price 400 EUR

Lot 37 - Wolfgang Philipp Kilian (1654 Augsburg - 1732 Königsberg) - W. KILIAN (1654-1732), Evangelical Church of the Holy Cross Augsburg, around 1680, Copper engraving Wolfgang Philipp Kilian (1654 Augsburg - 1732 Königsberg): Facade of the Evangelical Church of the Holy Cross in Augsburg with figures, c. 1680, Copper engraving Technique: Copper engraving on Paper Inscription: Lower right signed in the printing plate: "Wolfg. Kilian sculpsit.". At the lower part inscribed in the printing plate: "Abbildung der Ao. MDCLIII wider Erbauten Evangelischen Kürchen Augsburge [...]". Date: c. 1680 Description: The graphic illustrates a baroque architectural motif. At the centre is a sacred building with an onion dome and a curved gabled façade. Small figures are grouped in the foreground, suggesting the social interaction of the era. Detailed depictions of clouds entwine heraldic symbols flanked by angelic figures. The bilaterally symmetrical composition emphasises the central perspective. The drawing demonstrates a high level of skill in the depiction of architectural elements as well as human and emblematic motifs. Keywords: Baroque; Architecture; Sacred building; Onion dome; Gabled facade; Social interaction; Figures; Cloud depiction; Heraldic symbols; Angels; Bilateral symmetry; Central perspective; Drawing; Artistry; Architectural elements; Human motifs; Emblematic motifs, 17th century, Baroque, Architecture, Germany, Size: Paper: 51,9 cm x 37,8 cm (20,4 x 14,9 in)

Starting price 200 EUR

Lot 38 - Nicolas Pitau sen. (1632 Antwerp - 1671 Paris) after Claude Lefebvre (1632 Fontainebleau - 1675 Paris) - N. PITAU (1632) after LEFEBVRE (1632), Benjamin Priolo (1602-1667), around 1650, Copper engraving Nicolas Pitau sen. (1632 Antwerp - 1671 Paris) after Claude Lefebvre (1632 Fontainebleau - 1675 Paris): Portrait of the French historian Benjamin Priolo (1602-1667),, c. 1650, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "C. le Feure Pin. / N. Pitau sculp. 1663.". Lower middle inscribed in the printing plate: "Benjaminus Priolus / Santo. Juliani. F. / Eques Venetus / Rerum Gallicarum Scriptor / florentissimus.". Date: c. 1650 Description: The portrait of Benjamin Priolo shows the historian sitting at a desk. His head is turned towards the left edge of the picture. He is wearing a hat and a buttoned robe. In his right hand he is holding a quill pen with which he is writing on a sheet of paper. His left hand is resting on an upright book. An hourglass stands in front of the book as a reference to his profession. In the background, a curtain draped to one side provides a view of Priolo's library. Person: Depicted: Benjamin Priolo (1602 - 1667 ) French historian Keywords: hourglass, portrait, portrait, book, library, history, historian, pen wedge, 17th century, Baroque, Portraits, France, Size: Paper: 31,3 cm x 20,7 cm (12,3 x 8,1 in), Plate: 22,6 cm x 16,0 cm (8,9 x 6,3 in)

Starting price 200 EUR

Lot 39 - After Carlo Maratta (1625 Camerano - 1713 Rom) - After MARATTA (*1625), Death of Joseph, after 1676, Chalk After Carlo Maratta (1625 Camerano - 1713 Rom): The Death of St Joseph, copy after Maratta's painting, after 1676, Chalk Technique: Washed Chalk on Paper, mounted on Cardboard Date: after 1676 Description: After the painting "Death of St Joseph" from 1676 in the Kunsthistorisches Museum in Vienna (Inv. No. Gemäldegalerie, 121) Keywords: Jesus Christ; Joseph; Mary; Deathbed; Father; Angel; Kunsthistorisches Museum Vienna, 17th century, Baroque, Religious, Italy, Size: Paper: 45,5 cm x 28,4 cm (17,9 x 11,2 in)

Starting price 700 EUR

Lot 40 - Georg Philipp Rugendas (1666 Augsburg - 1742 ibid.) Circle - G. RUGENDAS (1666-1742) Circle, Cavalcade by the river, Pen drawing Georg Philipp Rugendas (1666 Augsburg - 1742 ibid.) Circle: Cavalcade by the river Noblemen on horseback near a town on the riverbank, 17th century, Pen drawing Technique: Washed Pen drawing over Pencil on Paper Inscription: Verso inscribed by another person: "Rugendas". Date: 17th century Keywords: Rider; Horses; Noblemen; Soldiers; River landscape; Veduta; City, 17th century, Classicism, Military, Germany, Size: Paper: 16,9 cm x 31,4 cm (6,7 x 12,4 in)

Starting price 500 EUR

Lot 41 - After Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom) - After RAFFAEL (*1483), Judgement of Solomon, Biblical scene, 1690, Etching After Raffael: Raffaello Sanzio da Urbino (1483 Urbino - 1520 Rom): The Judgement of Solomon, Biblical scene, King Solomon, 1690, Etching Technique: Etching on Paper Watermark: Undeterminable watermark Date: Date: 1690 Description: Illustration of the biblical story of the wise judgement of King Solomon. To be found in Le Blanc 1854-1890, I.395.2. Verso inscribed in old pen: "Cattin No 143". | Watermark: "A[...]R" under lily Keywords: 17th century, Baroque, Religious, France, Size: Paper: 28,8 cm x 25,9 cm (11,3 x 10,2 in)

Starting price 480 EUR

Lot 42 - Johann Ulrich Kraus (1655 Augsburg - 1719 ) after Johann Friedrich Armand von Uffenbach (1687 Frankfurt on the Main - 1769 ibid.) - J. KRAUS (1655) after UFFENBACH (1687), Emblematic collage, Etching Johann Ulrich Kraus (1655 Augsburg - 1719 ) after Johann Friedrich Armand von Uffenbach (1687 Frankfurt on the Main - 1769 ibid.): Emblematic collage for joy and satisfaction, 17th century, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "J. F. ab Uffenbach Frater Germanus delineavit. / J. U. Krauss sculpsit.". Inscribed in the printing plate: "SOCIETATE GAUDENT / NON SIBI SOLUM / ABSINT PROCUL FUCI / DULCIS AMICORUM RECORDATIO / Z. C. ab Uffenbach hanc Amicis Bibliothecam suam invisentibus Tesseram esse voluit, ipseg invenit.". Date: 17th century Description: The artwork presents four finely crafted vignettes within lavish, ornamental frames that form a closed, circular structure and appear to depict thematically allegorical illustrations. At the centre is a Baroque-inspired emblem with decorative scrollwork and Latin inscriptions, possibly suggesting intellectual and moral motifs. The engraved style and detailed elaboration emphasise the mastery and meaning inherent in the scenes depicted. The centre emblem is printed on its own paper and mounted on the base sheet. Keywords: Emblem; Vignettes; Ornamentation; Allegory; Engraving; Latin; Inscriptions; Morality; Intellectuality; Artistry; Frame; Baroque; Illustration; Mastery; Decoration; Theme; Circular structure; Scenery; Academic; Historical, 17th century, Rococo, Allegorical, Germany, Size: Paper: 21,5 cm x 25,8 cm (8,5 x 10,2 in)

Starting price 150 EUR

Lot 43 - Unknown (17th century) - Unknown (17th), Garment study, Chalk Unknown (17th century): Garment study Draped fabric, 17th century, Chalk Technique: White heightened Chalk on Paper (grey) Date: 17th century Verso: Hand study Keywords: Fabric; study; drapery; drapery, 17th century, Rococo, Fashion, Italy, Size: Paper (grey): 31,7 cm x 20,9 cm (12,5 x 8,2 in)

Starting price 150 EUR

Lot 44 - Anthonie Waterloo (1609 Lille - after 1676 Utrecht) - A. WATERLOO (1609-1676), Forest edge with wooden bridge, around 1650, Etching Anthonie Waterloo (1609 Lille - after 1676 Utrecht): Forest edge with small wooden bridge and view of the village, c. 1650, Etching Technique: Etching on Paper Inscription: Lower right signed in the printing plate: "Antoni Waterloo fe.". lower left numbered in the printing plate: "I". Date: c. 1650 Description: Typical forest landscape by the artist. Forest edge becoming lighter with forest river and small wooden bridge. Source: Anthonie Waterloo (1609 Lille-1676 Utrecht) Grosse Landschaften, 1640-1690, No. 1 | print suite, Landscape Keywords: Forest, forest edge, trees, nature, bridge, forest river, ducks, 17th century, Baroque, Landscape, Netherlands, Size: Paper: 26,2 cm x 40,0 cm (10,3 x 15,7 in), Plate: 22,5 cm x 29,1 cm (8,9 x 11,5 in)

Starting price 350 EUR

Lot 45 - Anthonie Waterloo (1609 Lille - after 1676 Utrecht) - A. WATERLOO (1609-1676), Wooded area with trimmed trees, around 1650, Etching Anthonie Waterloo (1609 Lille - after 1676 Utrecht): Pruned trees in a forest landscape, c. 1650, Etching Technique: Etching on Paper Inscription: Lower right signed in the printing plate: "Antoni Waterlo fe.". lower left numbered in the printing plate: "2". Date: c. 1650 Description: Forest landscape typical for the artist. Forest path in the forest, flanked by trees and bordered by fences. Source: Anthonie Waterloo (1609 Lille-1676 Utrecht) Grosse Landschaften, 1640-1690, No. 2 | print suite, Landscape Keywords: Forest, forest edge, trees, nature, forestry, 17th century, Baroque, Landscape, Netherlands, Size: Paper: 26,4 cm x 40,0 cm (10,4 x 15,7 in), Plate: 22,2 cm x 29,0 cm (8,7 x 11,4 in)

Starting price 350 EUR

Lot 46 - Anthonie Waterloo (1609 Lille - after 1676 Utrecht) - A. WATERLOO (1609-1676), Double waterfall, around 1650, Etching Anthonie Waterloo (1609 Lille - after 1676 Utrecht): Double waterfall in forest landscape, c. 1650, Etching Technique: Etching on Paper Stamp: Verso Collector's stamp, Lugt no.: 642c. Carl Theodor Thiemann. Dachau. 20th century Inscription: Upper right monogrammed: "AW f". Date: c. 1650 Description: Typical landscape by the artist. Source: Anthonie Waterloo (1609 Lille-1676 Utrecht) Sechs Landschaften, 1640-1690, No. 1 | print suite, Landscape Keywords: Nature, Forest, River landscape, Rocks, River valley, Mountains, 17th century, Baroque, Landscape, Netherlands, Size: Paper: 17,6 cm x 22,5 cm (6,9 x 8,9 in), Plate: 11,3 cm x 16,7 cm (4,4 x 6,6 in)

Starting price 300 EUR

Lot 47 - Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Johann Georg Bergmüller (1688 Türkheim - 1762 Augsburg) - J. HAID (1704) after BERGMÜLLER (1688), Johann Georg Bergmüller, around 1744, Mezzotint Johann Jakob Haid (1704 Kleineislingen - 1767 Augsburg) after Johann Georg Bergmüller (1688 Türkheim - 1762 Augsburg): Self-portrait of the Baroque painter Johann Georg Bergmüller, c. 1744, Mezzotint Technique: Mezzotint on Paper, mounted on Paper Inscription: At the lower part signed in the printing plate: "I. G. Bergmüller inv. et del. / I. I. Haid sculp. et excud. A.V.". Lower right inscribed in the printing plate: "Ioannes Gergivs Bergmüller / Serenmi. et Remi. Principis et / Episc. Avg. Pictor Avl., nec non / Academiæ Diagraphices Director ibid. / Nat9. Anno MDCLXXXVIII. Die XVta. Aprilis". Date: c. 1744 Description: This portrait shows Johann Georg Bergmüller, one of the most influential Baroque painters in southern Germany, who portrayed himself here and provided the model for this mezzotint. Born into a Swabian family of carpenters, Bergmüller learnt his father's trade and was already involved in the construction of the electoral residence in Türkheim as a boy. Impressed by his artistic talent, Duke Maximilian Philipp took the young Bergmüller in and recommended him for training with the Munich court painter Johann Andreas Wolff. After his first major commissions and a study trip to the Netherlands, he settled in Augsburg in 1712, from where he produced numerous Baroque altarpiece designs and coordinated the fresco painting of many southern German churches as well as secular house façades. In addition, the versatile artist was involved in art theoretical studies and published his own work on the theory of human proportions. In order to advertise widely and earn additional income, he worked as a draughtsman for graphic prints, including the self-portrait engraved by the renowned mezzotint artist Johann Jakob Haid. The composition of the portrait combines the depiction of the artist with important attributes of his character, such as the references to faith and church service, his proportion-theoretical work and individual painting tools, with Bergmüller's own way of constellating figures, emphasising important people and aspects through eye relationships and gestures. Person: Depicted: Johann Georg Bergmüller (1688 Türkheim - 1762 Augsburg) Was an important Baroque painter. He painted mainly in fresco technique, but also on canvas. Keywords: Johann Georg Bergmüller; Baroque painter; southern Germany; self-portrait; mezzotint; Swabian carpenter family; electoral residence; Türkheim; Duke Maximilian Philipp; training; Munich court painter; Johann Andreas Wolff; Netherlands; Augsburg; Baroque altars; church frescoes; house facades; studies in art theory; theory of proportions; publisher; draughtsman; prints; Johann Jakob Haid; composition; attributes; faith; church servants; painter's tools; constellation of figures; visual relationships; gestures, 18th century, Classicism, Depiction of Artists, Germany, Size: Paper: 40,9 cm x 27,5 cm (16,1 x 10,8 in)

Starting price 440 EUR

Lot 48 - Anne Claude Philippe de Caylus (1692 Paris - 1765 ibid.) - A. CAYLUS (1692-1765), Reclining cat, Etching Anne Claude Philippe de Caylus (1692 Paris - 1765 ibid.): Reclining cat, 18th century, Etching Technique: Etching on Paper (brown) Inscription: Lower right signed in the printing plate: "C. sculp". At the lower part inscribed in the printing plate: "Augu. Carache in. Cab. du Roy". Upper left numbered in the printing plate: "105". Date: 18th century Description: Reclining cat, to the right. Etching, after Agostino Carracci (1557 Bologna-Parma 1602). The depiction shows an old cat that has been tested in fights, the mutilated ear bears witness to this. Comte de Caylus was an art collector and theorist, patron and etcher (dilettante).... Above all, he deserves credit for spreading the appreciation of old master drawings in countless etchings, which he became familiar with through his friendship with connoisseurs and artists such as Mariette, Crozat, Coypel and his drawing teacher Watteau. He published large series after drawings by Raphael, Michelangelo, Titian, Carracci, after the 10 Louvre drawings on the History of Joseph previously attributed to Rembrandt, etc." (Thieme-Becker, vol. VI, p. 241). Keywords: 18th century, Baroque, Animals, France, Size: Paper (brown): 15,6 cm x 23,1 cm (6,1 x 9,1 in)

Starting price 280 EUR

Lot 49 - Bartolomeo Altomonte (1694 - 1783 ibid.) after Pietro da Cortona (before 1597 Cortona - 1669 Rom) - B. ALTOMONTE (1694) after CORTONA (1597), Daniel in the lion's den, Pen drawing Bartolomeo Altomonte (1694 - 1783 ibid.) after Pietro da Cortona (before 1597 Cortona - 1669 Rom): Daniel in the lions' den with the appearance of God the Father with angels, 18th century, Pen drawing Technique: Washed Pen drawing on Paper, relined on Paper Inscription: Verso inscribed on the support: "Solimena". lower left numbered: "617". Date: 18th century Source: Bibel (Altes Testament) | Book, Religion Keywords: Darius; King; Dream interpreter; Daniel; Lions; Punishment; Law; Commandments; Martyrs; Altarpiece S; Daniele in Venice; Accademia, 18th century, Classicism, Biblical, Austria, Size: Paper: 44,2 cm x 26,7 cm (17,4 x 10,5 in)

Starting price 600 EUR

Lot 50 - Donato Creti (1671 - 1749 ) attributed - D. CRETI (1671-1749) attributed, Sleeping putto, Pen drawing Donato Creti (1671 - 1749 ) attributed: Sleeping putto, resting on a cushion, 18th century, Pen drawing Technique: Pen drawing on Paper, mounted on Cardboard Date: 18th century Provenance: Dr. Franz Winzinger (1910 - ?) Keywords: putto; angel; pillow; rest; sleep, 18th century, Rococo, Figurative, Italy, Size: Paper: 9,1 cm x 8,7 cm (3,6 x 3,4 in)

Starting price 800 EUR

Lot 51 - After Albrecht Dürer (1471 Nuremberg - 1528 ibid.) - After DÜRER (*1471), Christ on the cross, Copper engraving After Albrecht Dürer (1471 Nuremberg - 1528 ibid.): Jesus Christ on the cross, 18th century, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part inscribed in the printing plate: "AD 1511". Verso further inscription: "Copie fehlt bei Heller". Date: 18th century Description: Reverse copy with Dürer's monogram and date. Inscribed "AD" lower left, inscribed "1511" on the right. The image corresponds to sheet 11 from Dürer's engraved Passion, which was created between 1507 and 1512. This copy is very accurate, but does not match Dürer's precision in detail. In addition, the panel "INRI" differs in that there is a clear space in the centre. Literature: Strauss, Walter L.: The illustrated Bartsch. Albrecht Dürer; New York 1981. Cat. Rais. No.: 13?. Heller, Joseph: Das Leben und die Werke Albrecht Dürer's; Bamberg 1827. Cat. Rais. No.: 338?. Keywords: Little Passion, Jesus Christ, Passion, Bible, Figures, Judaism, Crucifixion, Mary, Madonna, 18th century, Renaissance, Religious, Germany, Size: Paper: 12,0 cm x 7,4 cm (4,7 x 2,9 in)

Starting price 290 EUR

Lot 52 - Jacobus Houbraken (1698 Dordrecht - 1780 Amsterdam) after Jan Maurits Quinkhard (1688 Rees - 1772 Amsterdam) - J. HOUBRAKEN (1698) after QUINKHARD (1688), Portrait of Frans Burman (1708-1793), 1736, Copper en Jacobus Houbraken (1698 Dordrecht - 1780 Amsterdam) after Jan Maurits Quinkhard (1688 Rees - 1772 Amsterdam): Portrait of the theologian Frans Burman (1708-1793), bust, 1736, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "J. M. Quinkhart pinxit. / J. Houbraken scupsit". Lower middle inscribed in the printing plate: "Franciscus Burmannus, Ultraj. / Franc. Fil. & Abr. Heidani Nepos, S. S. Theolog. Doct. & Profess.". Lower right dated: "1736". At the lower part further inscription: "Ecclefiarum Coudumensis, Brilanae, Enchusanae, & Amstelaedamensis Pastor, Academiae Trajectinae Professor, Dum viveret per 24 annos ministerio functus, Obiit anno aetatis octavo & quadragefimo Die 22 Septembris 1719. /Doctrinis aequandus Avo, pietate Parenti, Nec mertis, aeri sed brevitate minor. / P. Burmannus, Frater.". Date: 1736 Description: Portrait of the theologian Frans Burmann. The bust is set in an oval cartouche. Burmann points out of the cartouche as a trompe-l'œil onto a sign attached to the lower edge, in which a short description of his brother is written about the portrait subject. Person: Depicted: Frans Burman (1708 Amsterdam - 1793 Utrecht) Keywords: Portrait, Cartouche, Theologian, Theology, Trompe l'oeil, Hand, 18th century, Baroque, Portraits, Netherlands, Size: Paper: 43,9 cm x 31,5 cm (17,3 x 12,4 in), Plate: 35,5 cm x 25,8 cm (14 x 10,2 in)

Starting price 300 EUR

Lot 53 - Johann Georg Wille (1715 Königsberg, Giessen - 1808 Paris) after Hyacinth Rigaud (1659 - 1743 ) - J. WILLE (1715) after RIGAUD (1659), Moritz of Saxony, 1745, Copper engraving Johann Georg Wille (1715 Königsberg, Giessen - 1808 Paris) after Hyacinth Rigaud (1659 - 1743 ): Impressive portrait of the ruler Moritz of Saxony (1696-1750), general and war theorist in French service, Duke of Courland in armour with leopard skin, 1745, Copper engraving Technique: Copper engraving on Paper Date: 1745 Description: Inscribed "Maurice de Saxe Duc de Curlande et de Semigalle Maréchal de France" on the base, signed and dated below on the left and right. Keywords: 18th century, Baroque, Portraits, France, Size: Paper: 46,8 cm x 34,0 cm (18,4 x 13,4 in), Depiction: 44,5 cm x 32,5 cm (17,5 x 12,8 in)

Starting price 300 EUR

Lot 54 - Georg Friedrich Schmidt (1712 Schönerlinde - 1775 Berlin) after Rembrandt: Rembrandt Harmenszoon van Rijn (1606 Leiden - 1669 Amsterdam) - G. SCHMIDT (1712) after REMBRANDT (1606), Bearded man with fur hat, Etching Georg Friedrich Schmidt (1712 Schönerlinde - 1775 Berlin) after Rembrandt: Rembrandt Harmenszoon van Rijn (1606 Leiden - 1669 Amsterdam): Portrait of a bearded man with fur hat and feather, 18th century, Etching Technique: Etching on Paper Stamp: Verso Collector's stamp, Unknown/not identified. Mark: "X im doppelten Kreis". Inscription: Upper right signed in the printing plate: "G F Schmidt inv. et fec:". Date: 18th century Description: Before us is a finely executed print depicting the bust of a stocky older man in the frontal view up to his shoulders. The male protagonist is characterised by striking facial features, well-defined eyes and mouth as well as rich facial and scalp hair. His clothing includes a scarf tied around his neck. The artist uses complex lines to depict the character and texture, creating a three-dimensional effect. Keywords: Half-length portrait; bearded man; facial features; eyes; mouth; hair; beard; character portrait, 18th century, Baroque, Portraits, Germany, Size: Paper: 10,9 cm x 8,3 cm (4,3 x 3,3 in), Plate: 10,0 cm x 7,3 cm (3,9 x 2,9 in)

Starting price 140 EUR

Lot 55 - Georg Philipp Rugendas (1666 Augsburg - 1742 ibid.) - G. RUGENDAS (1666-1742), Nine soldier studies, around 1700, Pencil Georg Philipp Rugendas (1666 Augsburg - 1742 ibid.): Nine soldier studies, c. 1700, Pencil Technique: Pencil on Paper Watermark: Partially visible. Undeterminable watermark Date: Inscription: Upper left inscribed by another person: "ax". Date: c. 1700 Description: Georg Philipp Rugendas from Augsburg presents nine soldiers in various poses and performing a variety of tasks, carefully arranged next to each other in two rows of five and four soldiers. They stand with their legs apart, lean against a wall or have their rifles shouldered. These are delicate graphite studies of remarkable presence, which derive their significance from the fact that they are studies from nature. Rugendas, who in Augsburg - the city was occupied in 1703/04 - directly experienced the military conflicts during the War of the Spanish Succession, observed soldiers at work in the various camps. Rugendas' later biographer Johann Caspar Füssli reports that he "had the advantage" of "now seeing with his own eyes what had previously been merely idealised."The sheet impressively illustrates that it is a prerequisite for what Füssli described as "the ideal", which "gradually became an idea from the true visible of nature".The "true visibility of nature" is revealed in the studies that Rugendas used to prepare his paintings: "He made a large number of regular drawings based on real examples, which he often incorporated into his paintings," writes Füssli.The sheet belongs to a whole series of such "regular drawings" with depictions of soldiers, which are mainly in the art collections of the city of Augsburg, but also in Nuremberg, Washington and Sacramento. The Augsburg drawings are labelled "ax" at the top left, suggesting that they were once part of the same collection - probably the artist's estate. Our sheet also belongs to this group and is also labelled "ax" at the top left. The sheets served Rugendas as a kind of stock of ideas for his battle scenes and depictions of soldiers' lives; he used them for elaborate drawings, prints and paintings. For many of these studies, a link to paintings and prints has been established - although this has yet to be proven for the sheet on offer. The regularity in which the soldiers are arranged on the sheet also suggests a graphic realisation, which Rugendas had obviously already planned, but which was only tackled by his great-grandson Johann Lorenz Rugendas the Younger at the beginning of the 19th century: In two series - Etude des Attidudes et Postures de l'Homme and Zerschiedene Vorstellungen oder Actionen, Rugendas presented a total of eleven of his great-grandfather's sketch sheets in etchings. (Text: Peter Prange) Keywords: Soldiers, rifles, figure study, positions, emplacements, study sheet., 18th century, Baroque, Military, Germany, Size: Paper: 14,5 cm x 21,6 cm (5,7 x 8,5 in)

Starting price 1500 EUR

Lot 56 - Johann Rudolf Schellenberg (1740 Basel - 1806 Töß near Winterthur) - J. SCHELLENBERG (*1740), Caterpillar, Watercolor Johann Rudolf Schellenberg (1740 Basel - 1806 Töß near Winterthur): Caterpillar, 18th century, Watercolor Technique: Watercolor over Pencil on Paper Inscription: lower left inscribed by another person: "J. R. Schellenberg.". Date: 18th century Description: You don't have to be a biologist to marvel at the beauty of such a precisely drawn study. Certainly, the trained eye can easily determine the exact name of this hawkmoth caterpillar from the scientifically precise illustration. But even the layman will enjoy the depiction of this native animal. The delicate creatures are only rarely discovered in the grass and each time we are amazed anew at the strange appearance of these creatures, which are supposed to develop into colourful winged butterflies in a wonderful metamorphosis. | Watermark: Fleur-de-Lys (fragment) Keywords: Insect, caterpillar, butterfly, 18th century, Classicism, Animals, Switzerland, Size: Paper: 22,3 cm x 17,8 cm (8,8 x 7 in)

Starting price 1000 EUR

Lot 57 - Matthäus Seutter (1678 Augsburg - 1756 ibid.) - M. SEUTTER (1678-1756), Dresden city map and panoramic view, 1730, Copper engraving Matthäus Seutter (1678 Augsburg - 1756 ibid.): Dresden on the Elbe, a capital of Upper Saxony, 1730, Copper engraving Technique: Hand colored Copper engraving on Paper Date: 1730 Description: Beautiful and rare map of Dresden with panoramic view in the lower margin. With fine and differentiated old colouring. Source: Matthäus Seutter (1678 Augsburg-1756 Augsburg) Grosser Atlas, Worinnen enthalten alle die-jenige Geographische Universal-, Special- und Particular-Mappen. Mit über die mehresten gedrukten Alphabetischen Registern, Auch unterschiedlicher vornehmsten Städten Prospect, und Grund-Risse, Wie nicht weniger Einige Genealogische Bäume, Und Chronologische Tabellen, 1730 | print suite, Landscape, Architecture Keywords: 18th century, Baroque, Maps, Germany, Size: Paper: 54,0 cm x 59,5 cm (21,3 x 23,4 in), Plate: 49,8 cm x 57,2 cm (19,6 x 22,5 in), Depiction: 48,7 cm x 56,2 cm (19,2 x 22,1 in)

Starting price 600 EUR

Lot 58 - Unknown (18th century) - Unknown (18th), Memento Mori, Old Man and Death, around 1712, Copper engraving Unknown (18th century): Memento Mori, Old Man and Death, cover picture for William Sherlock and David Mazel: "De La Mort", c. 1712, Copper engraving Technique: Copper engraving on Paper, mounted on Paper Inscription: Inscribed in the printing plate: "Il faut sains diférer me Suivre [...] / Memento Mori / A Amsterdam chez Henri Desbordes". Verso further inscription: "Consolations de l'âme fidele, chs [...] 1699 [...]". Date: c. 1712 Description: Probably a later impression with the name replaced at the bottom. Other impressions show "Pierre Humbert" instead of "Henri Desbordes". Person: Henry Desbordes (? - ? ) 18th century Source: William Sherlock () De la mort, 1712 | Book, Genre Keywords: Memento Mori, Vanitas, skeleton, reaper, skeleton, time, death, old age, grave, 18th century, Baroque, Religious, Netherlands, Size: Paper: 16,6 cm x 9,3 cm (6,5 x 3,7 in), Depiction: 12,6 cm x 7,6 cm (5 x 3 in)

Starting price 500 EUR

Lot 59 - Unknown (17th century) - Unknown (17th), Study sheet. Ascension, Pencil Unknown (17th century): Study sheet Assumption of Mary and figures as altarpiece design, 18th century, Pencil Technique: Pencil and Pen drawing on Paper Watermark: Undeterminable watermark Date: Date: 18th century Description: Possibly a Sienese artist. Verso: Study of a male torso in red chalk and line samples Keywords: Mary; Madonna; Assumption; Apotheosis; Saint; Study sheet; Study, 18th century, Rococo, Religious, Italy, Size: Paper: 13,6 cm x 20,5 cm (5,4 x 8,1 in)

Starting price 400 EUR

Lot 60 - Unknown (18th century) - Unknown (18th), Endymion and Selene, Pen drawing Unknown (18th century): Endymion and Selene The moon goddess Selene seeks out the sleeping shepherd Endymion, 18th century, Pen drawing Technique: Pen drawing on Paper Inscription: lower left inscribed by the artist's hand: "[?]". Date: 18th century Verso: Full-page engraved as well as sketch of a kneeling man and writing samples and invoice Keywords: Selene; Diana; Artemis; mythology; Greek mythology; sleep; dream; Hesiod, 18th century, Rococo, Mythology, Germany, Size: Paper: 15,4 cm x 21,3 cm (6,1 x 8,4 in)

Starting price 250 EUR

Lot 61 - Unknown (18th century) - Unknown (18th), Emmaus Mill, Pen drawing Unknown (18th century): Emmaus meal Disciples with the risen Christ at the Last Supper in Emmaus, 18th century, Pen drawing Technique: White heightened Pen drawing on Paper (brown) Inscription: lower left signed: "Parisin [?]". Date: 18th century Keywords: Last Supper; Emmaus; Emmaus Disciples; Disciples; Jesus Christ; Resurrection; Risen Christ; Miracle, 18th century, Rococo, Religious, Germany, Size: Paper (brown): 17,0 cm x 11,9 cm (6,7 x 4,7 in)

Starting price 400 EUR

Lot 62 - Unknown (18th century) - Unknown (18th), Oriental, soldier, cavalryman. 3 figures, Etching Unknown (18th century): Depiction of three different figures Grotesquely exaggerated Oriental, young soldier, miniature of a cavalryman, 18th century, Etching Technique: Etching on Paper Date: 18th century Description: The artwork presents an engraving of three figures with different postures and dimensions. In the foreground on the left is a grotesquely exaggerated figure of an oriental with a stocky physique, wearing historical armour, with a sword and plume; next to it is a soldier in full figure, carrying a rifle, and a cavalryman in reduced size. The etching is detailed and executed in fine lines, which emphasises the impression of movement and character. Keywords: Engraving; Figures; Grotesque; Historical armour; Sword; Plume; Rifle; Soldier; Mercenary; Horse; Rider; Caricature; Miniature depiction, 18th century, Baroque, Portraits, France, Size: Paper: 27,4 cm x 38,1 cm (10,8 x 15 in), Plate: 26,4 cm x 36,8 cm (10,4 x 14,5 in)

Starting price 80 EUR

Lot 63 - Peter Schenk jun. (1693 Amsterdam - 1775 ibid.) after Adam Friedrich Zürner (1679 Marieney - 1742 Dresden) - P. SCHENK (1693) after ZÜRNER (1679), Map of Dresden and surroundings, before 1725, Copper engravi Peter Schenk jun. (1693 Amsterdam - 1775 ibid.) after Adam Friedrich Zürner (1679 Marieney - 1742 Dresden): Map of the district of Dresden and its surroundings from Meißen in the west to Stolpen in the east and from Großenhain in the north to Dippoldiswalde in the south, before 1725, Copper engraving Technique: Hand colored Copper engraving on Paper Inscription: Upper right signed in the printing plate: "edirt von M. Adam Friederich Zürner Past: Sckaß: gestrochen von Peter Schencken jun: in Amsterdam". Date: before 1725 Description: Very nice and coloured map of the district of Dresden including the surrounding area from Meißen in the west to Stolpen in the east and from Großenhain in the north to Dippoldiswalde in the south Keywords: 18th century, Baroque, Maps, Germany, Size: Paper: 53,2 cm x 61,8 cm (20,9 x 24,3 in), Plate: 49,0 cm x 58,0 cm (19,3 x 22,8 in)

Starting price 250 EUR

Lot 64 - Johann Ludwig Aberli (1723 Winterthur - 1786 Bern) - J. ABERLI (1723-1786), Studies of a woman with a bonnet, 2 perspectives, around 1750, Watercolor Johann Ludwig Aberli (1723 Winterthur - 1786 Bern): Studies of a woman with a bonnet, study of traditional costume, from two perspectives, c. 1750, Watercolor Technique: Watercolor over Pencil on Paper Inscription: Lower right inscribed by another person: "Aberli". Date: c. 1750 Description: Very beautiful and sensitive study of a girl with a bonnet, seen from two perspectives. Keywords: portrait, bonnet, costume, hair, study, girl, portrait sketch, face, back of the head, 18th century, Classicism, People, Switzerland, Size: Paper: 13,1 cm x 19,3 cm (5,2 x 7,6 in)

Starting price 450 EUR

Lot 65 - Pietro Ghigi (18./19. century) after Luigi Agricola (1759 Rom - 1821 ibid.) - P. GHIGI (18,19th) after AGRICOLA (*1759), Bust of Antinous, Copper engraving Pietro Ghigi (18./19. century) after Luigi Agricola (1759 Rom - 1821 ibid.): Bust of Antinous from the Villa Adriana near Tivoli, 18th century, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "L. Agricola dis. / Ghigi inc.". At the lower part inscribed in the printing plate: "Antinoo / Busto colossale trovato negli scavi della Villa Adriana a Tivoli". Date: 18th century Description: The artwork is a detailed print depicting the bust of Antinous on a classical pedestal, framed by a striking linear frame. Keywords: antiquity; bust; antinous; print; artwork; line frame; pedestal; classicism; illustration; study; engraving; sculpture; cultural heritage;, 18th century, Classicism, Mythology, Italy, Rome (Latium), Size: Paper: 60,2 cm x 42,6 cm (23,7 x 16,8 in), Plate: 49,7 cm x 32,2 cm (19,6 x 12,7 in), Depiction: 42,5 cm x 29,0 cm (16,7 x 11,4 in)

Starting price 200 EUR

Lot 66 - Mauro Antonio Tesi (1730 - 1766 ) after Stefano della Bella (1610 Florence - 1664 ibid.) - M. TESI (1730) after BELLA (1610), Baroque vases with ornamentation, Etching Mauro Antonio Tesi (1730 - 1766 ) after Stefano della Bella (1610 Florence - 1664 ibid.): Depiction of three baroque vases with ornamentation and lavish floral arrangements, 18th century, Etching Technique: Etching on Paper Inscription: lower left monogrammed (ligated): "MT". Date: 18th century Description: The picture shows three richly decorated vases with lavish floral arrangements. The centre vase is decorated with human heads in relief around the belly of the vase. On the left and right, mythical creatures with long, curved necks form the handles of the vase. Each vase is a testament to ingenuity and craftsmanship and conveys a vivid impression of the splendour and complexity of Baroque ornamentation. Keywords: vases; flower arrangements; ornamentation; mythical creature; face; art history; paper; weathering; richness of detail; handle; design; work of art; splendour; complexity; floral pattern; stylised representation; decorative art, 18th century, Baroque, ornament, Italy, Size: Paper: 13,2 cm x 17,1 cm (5,2 x 6,7 in), Plate: 11,1 cm x 15,7 cm (4,4 x 6,2 in), Depiction: 9,8 cm x 14,7 cm (3,9 x 5,8 in)

Starting price 100 EUR

Lot 67 - Francesco Bartolozzi (1728 Florence - 1815 Lissabon) after Henry William Bunbury (1750 - 1811 ) - F. BARTOLOZZI (1728) after BUNBURY (1750), Lord Thomas and Fair Annett, 1784, Crayon manner Francesco Bartolozzi (1728 Florence - 1815 Lissabon) after Henry William Bunbury (1750 - 1811 ): Lord Thomas and Fair Annett, scene from the English folk ballad, 1784, Crayon manner Technique: Crayon manner on Paper Inscription: At the lower part inscribed: "H. Bunbury inv. / Bartolozzi [?]". Date: 1784 Description: The artwork presents an interaction between three figures in historical costumes, embedded in an interior with classical elements. A man hands a small bottle to a seated woman in a hat, while a second woman watches them, accompanied by a small dog. The scene is framed by an oval border that emphasises the central motif. The scene shows the enamoured Lord Thomas (also Sweet Willie) kneeling before the beautiful Annet (also Annie or Elinor) and presenting her with a rose. Next to him is the jealous "nut-brown maiden" with a dagger. Illustration of an English folk ballad called "Lord Thomas and Fair Annet" Keywords: ballad; folk ballad; Lord Thomas; Fair Annet; artwork; historical wardrobe; interaction; flask; interior; classical elements; man; two women; hat; dog; scene; oval; border; motif; elegance; costumes; facial expression; gesture; gathering;, 18th century, Romanticism, Costumes, United Kingdom, Size: Paper: 40,6 cm x 35,8 cm (16 x 14,1 in)

Starting price 150 EUR

Lot 68 - James Bretherton (18th century) after Henry William Bunbury (1750 - 1811 ) - J. BRETHERTON (18th) after BUNBURY (*1750), Caricature, French Courier, Etching James Bretherton (18th century) after Henry William Bunbury (1750 - 1811 ): Caricature, French courier on horseback, messenger on horseback, 18th century, Etching Technique: Hand colored Etching on Paper Inscription: At the lower part signed in the printing plate: "HWBunbury Delin. / Js. Bretherton f.". At the lower part inscribed in the printing plate: "Courier Francois". Date: 18th century Description: The colour print shows a dynamic scene with a messenger on horseback, drawn by William Bentley, the work is entitled "COURIER FRANCOIS". The rider, dressed in traditional costume, whips his horse into a full gallop. A rural landscape with a thatched hut and a striking, densely sheeted tree forms the background. The scene is probably an expression of the sense of haste and urgency in the transmission of news at the time. Keywords: Print; Messenger; Horse; Whip; Gallop; Rider; Outfit; Rural landscape; Straw hut; Tree; Messaging; Dynamics; Tradition; Haste; Urgency; William Bentley; Art; Scene; History, 18th century, Classicism, Professions, France, Size: Paper: 30,8 cm x 44,0 cm (12,1 x 17,3 in), Depiction: 28,0 cm x 42,4 cm (11 x 16,7 in)

Starting price 150 EUR

Lot 69 - Louis François Cassas (1756 Azay-le-Ferron - 1827 Versailles) - L. CASSAS (1756-1827), Ruins at the Macellum of Pozzuoli, 1784, Etching Louis François Cassas (1756 Azay-le-Ferron - 1827 Versailles): Architectural fragments at the Macellum of Pozzuoli, 1784, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "L. F. Cassas 1784". Lower middle inscribed in the printing plate: "Vue pres de Pouzzoles.". Date: 1784 Description: Following the example of many famous contemporaries, the French draughtsman Louis François Cassas also embarked on an educational journey to Italy from 1779. For around four years, he travelled to the classic destinations of an artistic and scholarly Grand Tour, which he was one of the first to extend beyond Italy. During this time, he captured the picturesque landscapes, the remarkable architecture and the lives of the people in these places in numerous drawings and sketches. In Naples, he met a group of like-minded artists who were commissioned by Jean-Claude Richard, Abbé de Saint-Non, to produce drawings to illustrate the multi-volume work Voyage pittoresque ou description des Royaumes de Naples et de Sicile. Cassas was then also asked to travel to Sicily and produce sketches that were to be engraved for the Abbé's work. In the Voyage pittoresque, however, only eight of Cassas' drawings are ultimately printed, although he must have submitted a significantly higher number. The present sheet, which shows signs of a provisional, as yet unfinished work without correct labelling, particularly in the lower section, could have been created in this context, but was ultimately rejected. It is also known that Cassas gave some of his drawings to the Piranesi Chalcography in Paris around 1801, where similar depictions with romantic views of ruins were offered for sale engraved and coloured. In both cases, the present sheet can probably be regarded as a trial proof in the process of publishing Cassas' impressions of his first journey to Italy. Keywords: Italy, Grand Tour, Antiquity, Reception of Antiquity, Sarcophagus, Relief, Naples, Pozzuoli, Memento Mori, French, 18th century, Classicism, Landscape, Italy, Size: Paper: 24,2 cm x 19,8 cm (9,5 x 7,8 in), additional specification: Paper: 29.6 x 23.4 cm

Starting price 800 EUR

Lot 70 - Johann Georg Wille (1715 Königsberg, Giessen - 1808 Paris) after Elisabeth Chéron (1648 Paris - 1711 ibid.) - J. WILLE (1715) after CHÉRON (1648), Madeleine de Scudéry, I. Impression, around 1765, Copper engr Johann Georg Wille (1715 Königsberg, Giessen - 1808 Paris) after Elisabeth Chéron (1648 Paris - 1711 ibid.): Portrait of the French writer Madeleine de Scudéry (1607 Le Havre - 1701 Paris), bust in an oval on a plinth with a three-quarter portrait looking towards the viewer, I impression, c. 1765, Copper engraving Technique: Copper engraving on Paper, mounted on Paper Inscription: Signed in the printing plate below the sitter, inscribed below with the sitter's name "Magd. Ne De Scuderi. Morte à Paris le 2 Juin 1701. Agée de 95 ans.", below the publisher's inscription: "A Paris chez Odieuvre M.a d Estampes rue d'Anjoula dern. P. Cochere a gauche entrant par la rue Dauphine CPR". Date: c. 1765 Keywords: 18th century, Baroque, Portraits, France, Size: Paper: 15,9 cm x 11,1 cm (6,3 x 4,4 in), Plate: 15,0 cm x 10,9 cm (5,9 x 4,3 in), Depiction: 14,5 cm x 10,0 cm (5,7 x 3,9 in)

Starting price 200 EUR

Lot 71 - David Deuchar (around 1743 Montrose (Angus) - 1808 Edinburgh) - D. DEUCHAR (1743-1808), Rural ice skater, Etching David Deuchar (around 1743 Montrose (Angus) - 1808 Edinburgh): Rural ice skater on ice skates, 18th century, Etching Technique: Etching on China paper, mounted on Paper Inscription: lower left signed in the printing plate: "D. Deuchar f". Date: 18th century Description: The portrait presents an etching showing a large-format, soberly dressed man from behind, leaning on a stick. He is carrying a feather on his shoulder. In the background, within a smaller, outlined area, various figures in contemporary dress appear, presumably spectators or passers-by. Keywords: etching; man; back view; stick; pen; clothing; passer-by; spectator; observation; graphic; contrast; perspective; artwork; richness of detail; foreground; background; composition; contour; observation; illustration, 18th century, Historicism, Sports, Scotland, Size: China paper: 12,3 cm x 8,8 cm (4,8 x 3,5 in)

Starting price 180 EUR

Lot 72 - Albert Christoph Dies (1755 Hannover - 1822 Vienna) - A. DIES (1755-1822), Rome, view from the park of Villa Borghese, 1799, Etching Albert Christoph Dies (1755 Hannover - 1822 Vienna): View of Rome with St Peter's Basilica, view from the park of Villa Borghese on the Pincio, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "A. C. Dies f.". At the lower part inscribed in the printing plate: "Muro torto, preso in Villa Borghese". Date: 1799 Description: The engraved illustration shows a picturesque landscape of Villa Borghese with a view of the winding Muro torto and St Peter's Basilica in the Vatican. Two figures walk along a path surrounded by lush trees, water features and architectural monuments under a dramatic cloud formation. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Pincio; Vatican; St Peter's Basilica; city wall; engraving; landscape; Villa Borghese; Muro torto; architecture; trees; water; people; walk; clouds; art; graphics; engraving; nature; garden; illustration; perspective; scenery; sky, 18th century, Romanticism, Cities, Italy, Rome (Latium), Size: Paper: 31,1 cm x 42,0 cm (12,2 x 16,5 in), Plate: 28,2 cm x 37,5 cm (11,1 x 14,8 in), Depiction: 25,2 cm x 35,5 cm (9,9 x 14 in)

Starting price 300 EUR

Lot 73 - Albert Christoph Dies (1755 Hannover - 1822 Vienna) - A. DIES (1755-1822), View of Lake Nemi, 1799, Etching Albert Christoph Dies (1755 Hannover - 1822 Vienna): View of Lake Nemi in the Campagna Romana, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "A. C. Dies f.". At the lower part inscribed in the printing plate: "Lago di Nemi". lower left dated: "Romae 1792". Date: 1799 Description: The engraving presents an idyllic landscape depiction of Lake Nemi, framed by lush vegetation and hills. Architectural elements on the hills blend harmoniously into the scenery. Cloud formations complement the atmospheric composition. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Campagna Romana; Lago di Nemi; engraving; landscape; lake; vegetation; hill; architecture; clouds; idyll; scenery; tree; horizon; perspective; depth effect; art; nature; mood; play of light; printmaking; composition; harmony, 18th century, Romanticism, Landscape, Italy, Nemi, Size: Paper: 31,1 cm x 42,1 cm (12,2 x 16,6 in), Plate: 27,8 cm x 37,5 cm (10,9 x 14,8 in)

Starting price 300 EUR

Lot 74 - Albert Christoph Dies (1755 Hannover - 1822 Vienna) - A. DIES (1755-1822), Cascades at Tivoli, 1799, Etching Albert Christoph Dies (1755 Hannover - 1822 Vienna): Cascades near Tivoli Aniene waterfall near Tivoli in the Campagna Romana, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "A. C. Dies f.". At the lower part inscribed in the printing plate: "Cascatella di Tivoli". lower left dated: "Romae 1792". Date: 1799 Description: The artwork depicts an idyllic natural scene with a cascading waterfall in the centre, surrounded by lush vegetation and steep cliffs, masterfully captured in detailed etchings. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Tivoli; Campagna Romana; artwork; natural scenery; waterfall; vegetation; rocks; etching; detail; idyll; cascade; trees; bushes; landscape; steepness; sky; clouds; engravings; Tivoli, 18th century, Romanticism, Landscape, Italy, Size: Paper: 42,0 cm x 31,0 cm (16,5 x 12,2 in), Plate: 37,2 cm x 27,9 cm (14,6 x 11 in), Depiction: 33,6 cm x 24,8 cm (13,2 x 9,8 in)

Starting price 300 EUR

Lot 75 - Albert Christoph Dies (1755 Hannover - 1822 Vienna) - A. DIES (1755-1822), Waterfalls near Tivoli, 1799, Etching Albert Christoph Dies (1755 Hannover - 1822 Vienna): Waterfalls near Tivoli Cascade of the Aniene near Tivoli in the Campagna Romana, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "A. C. Dies pinx et incid.". At the lower part inscribed in the printing plate: "Cascatella di Tivoli". lower left dated: "Romae 1792". Date: 1799 Description: This detailed etching depicts an idyllic landscape scene below Tivoli, characterised by lush vegetation and a lively rural scene. In the foreground, a scene flanked by trees with people and a mule can be recognised, while in the middle ground a waterfall emerges between wooded hills and a diffuse sky with cloud formations forms the background in the distance. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Etching; landscape; idyll; vegetation; rural; figures; horse; waterfall; trees; hills; sky; clouds; nature; art; scenery; richness of detail; light and shadow; perspective; composition; Tivoli;, 18th century, Romanticism, Landscape, Italy, Size: Paper: 31,1 cm x 42,0 cm (12,2 x 16,5 in), Plate: 27,7 cm x 37,2 cm (10,9 x 14,6 in), Depiction: 24,9 cm x 35,7 cm (9,8 x 14,1 in)

Starting price 300 EUR

Lot 76 - Francesco Rastaini (18th century) after V. Dolcibene (18th century) - F. RASTAINI (18th) after DOLCIBENE (18th), Bas-relief with five deeds of Hercules, Etching Francesco Rastaini (18th century) after V. Dolcibene (18th century): Bas-relief on a sarcophagus with five deeds of Hercules, 18th century, Etching Technique: Etching on Paper Inscription: At the lower part signed in the printing plate: "Dolcibene dis. / Rastaini inc.". At the lower part inscribed in the printing plate: "Facciata di Sarcofago con basrilievo rappresentante cinque delle famose forse d' Ercole". Date: 18th century Description: The graphic presents a figurative relief depicting mythological scenes with the famous tasks of Hercules with sensuous dynamism. The figures are stylised and embedded in the architectural frame of the sarcophagus - an example of classical artistic interpretation. Source: Giambattista Antonio Visconti (1722 -1784 ) Il Museo Pio-Clementino, 1782-1807 | print suite, Mythology, Architecture Keywords: Heracles; Hercules; Heros; demigod; Erymanthian boar; Kerynite hind; Stymphalian birds; Nemean lion; Hydra; mythological reliefs; nude depiction; stylised figures; architectural frame; classical interpretation; sensuous dynamics; art history; engraving; relief art; aesthetics; figurative; composition; work of art; allegory; sculpture; antiquity; humanism; Renaissance;, 18th century, Classicism, Mythology, Italy, Rome (Latium), Size: Paper: 43,3 cm x 60,2 cm (17 x 23,7 in), Plate: 30,9 cm x 47,4 cm (12,2 x 18,7 in), Depiction: 20,2 cm x 42,0 cm (8 x 16,5 in)

Starting price 200 EUR

Lot 77 - Fr. Cechini (18th century) after V. Dolcibene (18th century) - F. CECHINI (18th) after DOLCIBENE (18th), Statue of Mercury at Villa Montalto, Copper engraving Fr. Cechini (18th century) after V. Dolcibene (18th century): Statue of Mercury at Villa Montalto in Rome, 18th century, Copper engraving Technique: Copper engraving on Paper Inscription: At the lower part signed in the printing plate: "V. Dolcibene dis. / Fr. Cechini inc.". At the lower part inscribed in the printing plate: "Mercvrio Colla Testvggine / Gia nella Villa Montalto". Date: 18th century Description: The exhibit shows a classical depiction of the male figure in ancient sculpture, carefully positioned on a plinth. The engraving excerpts a moment of quiet dignity and shows details that point to the craftsmanship and aesthetics of the era. Source: Giambattista Antonio Visconti (1722 -1784 ) Il Museo Pio-Clementino, 1782-1807 | print suite, Mythology, Architecture Keywords: Mercury; Hermes; Messenger of the Gods; Antiquity; Sculpture; Engraving; Male Figure; Classicism; Aesthetics; Dignity; Cultural History; Arts and Crafts; Details; Pedestal; Study; Art History; Printmaking; Style Analysis; Iconography; Academic Discourse; Formal Presentation; Visual Culture; Image Exegesis;, 18th century, Classicism, Mythology, Italy, Rome (Latium), Size: Paper: 60,2 cm x 43,7 cm (23,7 x 17,2 in), Plate: 47,5 cm x 30,8 cm (18,7 x 12,1 in), Depiction: 41,8 cm x 28,0 cm (16,5 x 11 in)

Starting price 200 EUR

Lot 78 - Heinrich Freudweiler (1755 - 1795 ) - H. FREUDWEILER (*1755), Man resting on a rock, around 1780, Pencil Heinrich Freudweiler (1755 - 1795 ): Genre scene with a man resting on a rock, c. 1780, Pencil Technique: Pencil on Paper Inscription: lower left inscribed by another person: "H.ch Freudweiler.". Date: c. 1780 Description: Charming genre scene depicting a man resting with a water bottle and a cup in his hand. The execution and motif of the drawing are reminiscent of works by Freudweiler's friend Daniel Nikolaus Chodowiecki. Keywords: Rest, Genre, Forest, Rest, Drinking, Friendship picture, 18th century, Romanticism, People, Switzerland, Size: Paper: 12,8 cm x 13,8 cm (5 x 5,4 in)

Starting price 350 EUR

Lot 79 - Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.) - J. GAMELIN (1738-1803), Anatomical muscle study, 1779, Copper engraving Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Anatomical muscle study of a man, leaning on a wall in supine view, full body, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Copper engraving Technique: Copper engraving on Paper Date: 1779 Description: Watermark with the inscription "PC" at the bottom and a vine at the top. Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. The sheet was created in connection with the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' | Watermark: "PC" and grapevine Keywords: 18th century, Realism, Technology, France, Size: Paper: 52,8 cm x 34,0 cm (20,8 x 13,4 in), Plate: 47,8 cm x 26,6 cm (18,8 x 10,5 in), Depiction: 43,0 cm x 23,0 cm (16,9 x 9,1 in)

Starting price 400 EUR

Lot 80 - Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.) - J. GAMELIN (1738-1803), Anatomy, foot, hand, chest, 1779, Copper engraving Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): Anatomical studies: human foot, hand and ribcage, from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles), 1779, Copper engraving Technique: Copper engraving on Laid paper Watermark: Undeterminable watermark Date: Date: 1779 Description: From: "Nouveau recueil d'ostéologie et de myologie dessiné d'après nature par Jacques Gamelin de Carcassonne, ..pour l'utilité des sciences et des arts divisé en deux parties dédié à M. le baron de Puymaurin". Signed "Gamelin f. / Martin inc." below the image within the printing plate. Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. From the estate of the antiquarian Rosenthal Munich / Amsterdam. | Watermark: "Fin de.." and crown Keywords: 18th century, Realism, Technology, France, Size: Laid paper: 45,0 cm x 32,0 cm (17,7 x 12,6 in), Plate: 37,7 cm x 24,8 cm (14,8 x 9,8 in)

Starting price 250 EUR

Lot 81 - Jacques Lavallée (19th century) after Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.) - J. LAVALLÉE (19th) after GAMELIN (*1738), Anatomy, femur, 1778, Etching Jacques Lavallée (19th century) after Jacques Gamelin (1738 Carcassonne, Aude - 1803 ibid.): "Diseased and broken thigh bones", from the anatomical plate work 'Nouveau recueil d'ostéologie et de myologie' (A New Collection of Bones and Muscles) from 1779, 1778, Etching Technique: Etching on Laid paper Watermark: Undeterminable watermark Date: Date: 1778 Description: From: "Nouveau recueil d'ostéologie et de myologie dessiné d'après nature par Jacques Gamelin de Carcassonne, ..pour l'utilité des sciences et des arts divisé en deux parties dédié à M. le baron de Puymaurin". Signed "Gravé a l'eau forte par Lavalée d'apres le dessein de M. Gamelin a Toulouse" in the lower plate margin, dated "1778" to the right. Jacques GAMELIN was a French painter, draughtsman, engraver and etcher of early classicism. Gamelin first studied at the Royal Academy of Arts in Toulouse under Jean-Pierre Rivalz. His artistic training continued in Paris and Rome, where he worked as a professor at the Accademia di San Luca from 1771. One year later, Pope Clement XIV appointed him court painter. Gamelin also met the painter Anton Raphael Mengs in Rome. From the estate of the antiquarian Rosenthal Munich / Amsterdam. | Watermark: lettering and crown Keywords: 18th century, Realism, Technology, France, Size: Laid paper: 50,0 cm x 36,1 cm (19,7 x 14,2 in), Plate: 43,0 cm x 29,5 cm (16,9 x 11,6 in)

Starting price 150 EUR

Lot 82 - Antoine Louis Romanet (around 1742 Paris - after 1810 ) after Emanuel Handmann (1718 Basel - 1781 Bern) - A. ROMANET (1742) after HANDMANN (1718), Portrait of Alexis (Jean) Grimoux (1688-ca. 1740), 1765, Antoine Louis Romanet (around 1742 Paris - after 1810 ) after Emanuel Handmann (1718 Basel - 1781 Bern): Portrait of the Malers Alexis (Jean) Grimoux (1688-ca 1740), 1765, Copper engraving Technique: Copper engraving on Paper Inscription: lower left signed in the printing plate: "Gravé à Bâle par AL. Romanet ". Lower middle inscribed in the printing plate: "Portrait de Jean Grimoux peint par lui même.". Lower middle numbered in the printing plate: "547 (in Bleistift)". lower left dated: "en 1765.". At the lower part further inscription: "Dediée à Monsieur Emmanuel Handmann Peintre à Bâle.". Date: 1765 Description: The portrait of Alexis Grimoux shows the painter as a bust. The portrait subject has long curly hair and is turned slightly to the right, but is looking at the viewer. Person: Depicted: Alexis Grimoux (1678 Argenteuil - 1733 Paris) Portrait painter Keywords: Portrait, Portrait, Curls, Buttons, Painter portrait, 18th century, Rococo, Portraits, Switzerland, Size: Paper: 32,0 cm x 25,5 cm (12,6 x 10 in), Plate: 24,6 cm x 19,5 cm (9,7 x 7,7 in), Depiction: 20,5 cm x 17,5 cm (8,1 x 6,9 in)

Starting price 500 EUR

Lot 83 - Clément-Pierre Marillier (1740 Dijon - 1808 ) after Jean-Baptiste Hilair (1753 Audun-Le-Tiche - after 1822 ) - C. MARILLIER (1740) after HILAIR (1753), Temple of Mars, around 1782, Etching Clément-Pierre Marillier (1740 Dijon - 1808 ) after Jean-Baptiste Hilair (1753 Audun-Le-Tiche - after 1822 ): Temple of Mars near Halicarnassus, c. 1782, Etching Technique: Etching on Paper Watermark: Letters/Digits - more than three letters (words/names) - FIND[...] - Date: 18th century Date: c. 1782 Description: The artwork presents an idyllic landscape of ruins in which various figures in rural dress interact. Ancient columns and architraves, partly surrounded by vegetation, dominate the scene. In the background, the idyll is completed by a pastoral landscape with trees and architecture. The masterful lines and richness of detail testify to a high level of craftsmanship and a precise understanding of light and shadow. Source: Marie-Gabriel-Florent-Auguste de Choiseul-Gouffier (1752 Paris-1817 Aachen) Voyage pittoresque de la Grèce. Band 1, 1782, No. S. 562 | Book, Landscape, Architecture Keywords: ruined landscape; figures; rural clothing; antique columns; architrave; vegetation; pastoral landscape; trees; architecture; lines; richness of detail; craftsmanship; light; shadow; idyllic; interaction; artwork, 18th century, Classicism, Architecture, Greece, Size: Paper: 29,4 cm x 44,0 cm (11,6 x 17,3 in), Plate: 25,1 cm x 37,2 cm (9,9 x 14,6 in), Depiction: 22,0 cm x 35,2 cm (8,7 x 13,9 in)

Starting price 150 EUR

Lot 84 - Ernst Ludwig Riepenhausen (1765 Göttingen - 1840 ibid.) after William Hogarth (1697 London - 1764 ibid.) - E. RIEPENHAUSEN (1765) after HOGARTH (1697), Shrimps! Caricatures, Crayon manner Ernst Ludwig Riepenhausen (1765 Göttingen - 1840 ibid.) after William Hogarth (1697 London - 1764 ibid.): Shrimps! Young fishmonger Caricature, 18th century, Crayon manner Technique: Crayon manner on Paper Inscription: At the lower part signed in the printing plate: "W. Hogarth pinx. / Riepenhausen sc.". At the lower part inscribed in the printing plate: "Shrimps!". Date: 18th century Description: This is a portrait engraving showing a person with a striking hat, probably a basket. The expressive facial expression, which enlivens the print, is particularly remarkable. The face is characterised by lively eyes and a resolute mouth. The detailed draping of the garment and the finely drawn hat jewellery point to a mastery of hatching technique. The overall impression is characterised by nuanced shading and structural delicacy. Keywords: portrait engraving; hat; bird figure; facial expression; eyes; mouth posture; draping; clothing; hatching technique; shading; structure; delicacy; graphics; art; style; expression; clothing style; accessory; mastery; richness of detail, 18th century, Classicism, Professions, United Kingdom, Size: Paper: 38,7 cm x 28,4 cm (15,2 x 11,2 in), Plate: 25,0 cm x 20,5 cm (9,8 x 8,1 in), Depiction: 21,0 cm x 17,0 cm (8,3 x 6,7 in)

Starting price 100 EUR

Lot 85 - William Baillie (1723 Killbride (Carlow) - 1810 London) after Nathaniel Hone (1718 - 1730 ) - W. BAILLIE (1723) after HONE (1718), Self-portrait, 1783, Copper engraving William Baillie (1723 Killbride (Carlow) - 1810 London) after Nathaniel Hone (1718 - 1730 ): Self-portrait, after the painting by Nathaniel Hone, 1783, Copper engraving Technique: Copper engraving on China paper, rolled-on on Paper Inscription: Signed in the printing plate: "William Baillie". Date: 1783 Description: During his lifetime, after his career in the army, William Baillie was particularly known for his expertise in the field of fine art. As an advisor and dealer, he looked after the collections of the Earl of Bute and Lord Liverpool. His enthusiasm for printmaking techniques, which he taught himself for the most part, probably helped him on his way to becoming a respected connoisseur. He was particularly fond of Rembrandt and copied many of the Dutchman's works, thus, together with his friend Nathaniel Hone, greatly increasing Rembrandt's fame, especially in England. Our self-portrait, engraved by Baillie after his friend Hone's painting, is not only an expression of friendship, but also of Rembrandt's enthusiasm. It reveals not only the highly skilful mastery of printmaking technique, but also Rembrandt's strong influence on both artists. For example, Hone quoted the hat and the fur-trimmed coat for the portrait almost verbatim from Rembrandt's etching Portrait of Cornelis Anslo. In his print, Baillie finally fitted the painting into an oval frame, whereby the hand still visible in the painting has disappeared and the effect becomes more gravitational. The integration of the curtain, which the two putti open in front of Baillie's quasi-immortalised portrait, is certainly to be understood as an homage to Rembrandt's Holy Family with the Curtain or Vermeer's Girl Reading a Letter. Keywords: Artist, Self-portrait, Putti, Irish, English, 18th century, Classicism, Portraits, United Kingdom, Size: Paper: 41,8 cm x 48,3 cm (16,5 x 19 in), Depiction: 23,8 cm x 27,2 cm (9,4 x 10,7 in)

Starting price 400 EUR

Lot 86 - Johann Wilhelm Winter (1696 - 1765 ) after Johann Eberhard Ihle (1727 Esslingen on the Neckar - 1814 Nuremberg) - J. WINTER (1696) after IHLE (1727), Lawyer Hieronymus Eckebrecht, 1755, Copper engraving Johann Wilhelm Winter (1696 - 1765 ) after Johann Eberhard Ihle (1727 Esslingen on the Neckar - 1814 Nuremberg): Portrait of the Nuremberg lawyer and first councillor Hieronymus Eckebrecht (1692 - 1754), standing half-length in front of a ballustrade in the vestibule of a library, in representative state dress with allonge wig, ruff over fur-trimmed coat, 1755, Copper engraving Technique: Copper engraving on Paper Date: 1755 Description: Below the portrait with coat of arms and inscription: "Hieronymus Eckebrecht Juris Consultus, et S. R. I. Liberae Reipubl. Norimbergensis Consiliarius Primarius.", signed and dated below left, centre and right. Keywords: Hieronymus Eckebrecht, lawyer, councillor, Nuremberg, portrait, library, representative, 18th century, Rococo, Portraits, Germany, Size: Paper: 50,0 cm x 36,2 cm (19,7 x 14,3 in), Plate: 43,8 cm x 30,0 cm (17,2 x 11,8 in), Depiction: 42,5 cm x 28,4 cm (16,7 x 11,2 in)

Starting price 360 EUR

Lot 87 - Ferdinand von Kobell (1740 Mannheim - 1799 Munich) - F. KOBELL (1740-1799), Landscape with resting people, around 1770, Etching Ferdinand von Kobell (1740 Mannheim - 1799 Munich): Landscape with resting figures at a ravine, c. 1770, Etching Technique: Etching on Paper, mounted on Paper Stamp: Verso Collector's stamp, Lugt no.: 2239b. Unknown/not identified. Mark: "R.S". unknown. 20th century Inscription: lower left signed in the printing plate: "F. Kobell f". Date: c. 1770 Description: The engraving reveals an idyllic landscape scene with accentuated vegetation. At the centre are figures in a rural, tree-filled setting, surrounded by rugged rock formations that evoke a calming atmosphere. Keywords: engraving; landscape; tree; figures; rock formations; idyll; vegetation; depiction of nature; lines; rural; atmosphere; art; scenery; calming; rural; graphics; black and white; detail; scenery, 18th century, Classicism, Landscape, Germany, Size: Paper: 11,7 cm x 9,2 cm (4,6 x 3,6 in), Plate: 10,7 cm x 8,3 cm (4,2 x 3,3 in)

Starting price 100 EUR

Lot 88 - Ferdinand von Kobell (1740 Mannheim - 1799 Munich) - F. KOBELL (1740-1799), Landscape with waterfall, around 1772, Etching Ferdinand von Kobell (1740 Mannheim - 1799 Munich): Landscape with figures at a gorge with waterfall, c. 1772, Etching Technique: Etching on Paper, mounted on Paper Stamp: Verso Collector's stamp, Lugt no.: 2239b. Unknown/not identified. Mark: "R.S". unknown. 20th century Inscription: lower left signed in the printing plate: "F. Kobell". Date: c. 1772 Description: The engraving reveals an idyllic natural landscape with accurate lines that convey a wealth of detail on the one hand and compositional depth on the other. Trees, bushes and rocks are differentiated by fine lines, while distant cloud formations form the background. Keywords: engraving; natural landscape; trees; bushes; rocks; clouds; composition; idyll; depth; linework; art; printmaking; fineness; line width; detailing, 18th century, Classicism, Landscape, Germany, Size: Paper: 11,9 cm x 9,3 cm (4,7 x 3,7 in), Plate: 11,2 cm x 8,6 cm (4,4 x 3,4 in)

Starting price 100 EUR

Lot 89 - Ferdinand von Kobell (1740 Mannheim - 1799 Munich) - F. KOBELL (1740-1799), Landscape with waterfall, 1772, Etching Ferdinand von Kobell (1740 Mannheim - 1799 Munich): Landscape with figures at a gorge with waterfall, 1772, Etching Technique: Etching on Paper, mounted on Paper Stamp: Verso Collector's stamp, Lugt no.: 2239b. Unknown/not identified. Mark: "R.S". unknown. 20th century Inscription: lower left signed in the printing plate: "F. Kobell". lower left dated: "1772". Date: 1772 Description: The graphic shows a dense forest with diverse flora and a pronounced depth effect. An idyllic valley becomes visible, indicated by filigree lines and detailed depictions of trees. Keywords: Graphics; Forest; Plants; Trees; Depth effect; Idyll; Valley; Lines; Richness of detail; Depiction of trees; Nature; Engraving; Art; Landscape; Graphic depiction; Vegetation; Leaves; Shrubs; Branches; Sky;, 18th century, Classicism, Landscape, Germany, Size: Paper: 11,5 cm x 9,0 cm (4,5 x 3,5 in), Plate: 11,0 cm x 8,6 cm (4,3 x 3,4 in)

Starting price 100 EUR

Lot 90 - Ferdinand von Kobell (1740 Mannheim - 1799 Munich) - F. KOBELL (1740-1799), Wading in a torrent, 1774, Etching Ferdinand von Kobell (1740 Mannheim - 1799 Munich): Landscape with a figure wading in a torrent, 1774, Etching Technique: Etching on Paper, mounted on Paper Stamp: Verso Collector's stamp, Lugt no.: 2239b. Unknown/not identified. Mark: "R.S". unknown. 20th century Inscription: lower left signed in the printing plate: "F. Kobell". lower left dated: "1774". Date: 1774 Description: This etching illustrates an idyllic, wooded landscape with staffage figures. Dense groups of trees, interrupted by clearings, lead the eye to the centre of the sheet, where a watermill is positioned next to a stream. The interplay of light and shadow, skilfully rendered through fine strokes and contrasts of light and dark, conveys depth and naturalness. Keywords: Etching; landscape; trees; staffage figures; watermill; stream; light and shadow; linework; work of art; forest; idyll; depiction of nature; fine work; depth effect; medium; chiaroscuro; scene depiction; etching, 18th century, Classicism, Landscape, Germany, Size: Paper: 11,3 cm x 8,9 cm (4,4 x 3,5 in), Plate: 10,7 cm x 8,3 cm (4,2 x 3,3 in)

Starting price 100 EUR

Lot 91 - Ferdinand von Kobell (1740 Mannheim - 1799 Munich) - F. KOBELL (1740-1799), Figures at rapids, 1774, Etching Ferdinand von Kobell (1740 Mannheim - 1799 Munich): Landscape with torrent and figures at rapids, 1774, Etching Technique: Etching on Paper, mounted on Paper Stamp: Verso Collector's stamp, Lugt no.: 2239b. Unknown/not identified. Mark: "R.S". unknown. 20th century Verso Collector's stamp, Unknown/not identified. Mark: "L". Inscription: Lower middle signed in the printing plate: "F. Kobell". Lower middle dated: "1774". Date: 1774 Description: A detailed, monochrome work of art conveys a scenic landscape. An idyllic depiction shows a river winding its way through a rocky valley. Lush trees flank the scene, while a figure in the foreground climbs over stones. Keywords: artwork; monochrome; landscape; idyll; river; rocks; valley; trees; nature; scenery; figure; stones; lushness; richness of detail; depiction; graphics, 18th century, Classicism, Landscape, Germany, Size: Paper: 11,7 cm x 9,2 cm (4,6 x 3,6 in), Plate: 10,8 cm x 8,5 cm (4,3 x 3,3 in)

Starting price 100 EUR

Lot 92 - Ferdinand von Kobell (1740 Mannheim - 1799 Munich) - F. KOBELL (1740-1799), Torrent with distant city, 1774, Etching Ferdinand von Kobell (1740 Mannheim - 1799 Munich): Torrent with distant town in natural landscape with figures, 1774, Etching Technique: Etching on Paper, mounted on Paper Stamp: Verso Collector's stamp, Lugt no.: 2239b. Unknown/not identified. Mark: "R.S". unknown. 20th century Inscription: lower left signed in the printing plate: "F. Kobell f". Inscribed by another person: "Ganz früher Abdruck". lower left dated: "1774". Date: 1774 Description: The graphic shows an idyllic landscape with carefully crafted trees and rocks. A crowded cityscape stretches out in the background. The style is characterised by detailed depictions and fine strokes. Keywords: Landscape; Graphic; Trees; Rocks; Town view; Richness of detail; Fine line; Idyll; Etching; Nature; Art; Estampes; Plants; Leaves; Branches; Drawing; Composition; Perspective; Horizon; Sky, 18th century, Classicism, Landscape, Germany, Size: Paper: 11,0 cm x 8,8 cm (4,3 x 3,5 in), Plate: 10,7 cm x 8,4 cm (4,2 x 3,3 in)

Starting price 100 EUR

Lot 93 - Ferdinand von Kobell (1740 Mannheim - 1799 Munich) - F. KOBELL (1740-1799), Wanderne an Waldbach, 1771, Etching Ferdinand von Kobell (1740 Mannheim - 1799 Munich): Landscape with hiking along a forest stream with rapids, 1771, Etching Technique: Etching on Paper, mounted on Paper Stamp: Verso Collector's stamp, Lugt no.: 2239b. Unknown/not identified. Mark: "R.S". unknown. 20th century Inscription: Upper middle signed in the printing plate: "F. Kobell". Upper middle dated: "1771". Date: 1771 Description: The graphic presents a forest scene with dense trees and a rugged rocky landscape. Figures are embedded in nature, emphasising the human presence in the wild surroundings. The lines are fine and detailed, the composition dynamic and lively. Keywords: graphic; forest scene; trees; rocks; nature; people; richness of detail; line; composition; dynamics; liveliness; artwork; scenery; wilderness; interaction; depiction; hermitage; retreat; environment, 18th century, Classicism, Landscape, Germany, Size: Paper: 11,7 cm x 9,4 cm (4,6 x 3,7 in), Plate: 10,9 cm x 8,5 cm (4,3 x 3,3 in)

Starting price 100 EUR

Lot 94 - Jakob Wilhelm Mechau (1745 Leipzig - 1808 Dresden) - J. MECHAU (1745-1808), Ruins of the Aqua Marcia, 1799, Etching Jakob Wilhelm Mechau (1745 Leipzig - 1808 Dresden): Ruins of the Aqua Marcia Ancient aqueduct to supply Rome, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "J. Mechau fece". At the lower part inscribed in the printing plate: "Avanzi dell'aqua Marzia Claudiae dell'Aniene vecchio fuori di Porta St. Giovanni". lower left dated: "Roma 1793". Date: 1799 Description: The precise etching shows the ruins of the ancient Aqua Marcia, visible in a pastoral scenario. Aqueduct elements and fragmented architecture are depicted in detail against a horizon under a cloudy sky. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Etching; ruins; Aqua Marcia; archaeology; architecture; aqueduct; pastoral scene; clouds; sky; horizon; cultural history; antiquity; decay; tree; vegetation; landscape; art; history;, 18th century, Romanticism, Architecture, Italy, Rome (Latium), Size: Paper: 31,1 cm x 42,0 cm (12,2 x 16,5 in), Plate: 28,2 cm x 37,3 cm (11,1 x 14,7 in), Depiction: 25,0 cm x 35,5 cm (9,8 x 14 in)

Starting price 300 EUR

Lot 95 - Jakob Wilhelm Mechau (1745 Leipzig - 1808 Dresden) - J. MECHAU (1745-1808), Salaro Bridge bei Rom, 1799, Etching Jakob Wilhelm Mechau (1745 Leipzig - 1808 Dresden): Ponte Salaro near Rome View of the Campagna, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "J. Mechau fece". At the lower part inscribed in the printing plate: "Ponte Salaro". lower left dated: "Roma 1793". Date: 1799 Description: A historical engraving shows a rural scene with a line of umbrellas in the foreground and a stone bridge, the Ponte Salaro, over a river in the centre. Figures in period dress enliven the scene, while a mountain is cut into the background. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Campagna Romana; engraving; historical; landscape; tree; stone bridge; river; figures; contemporary clothing; mountain; rural; culture; art; idyll; agriculture; nature; architecture; bridge; scenery; engraving, 18th century, Romanticism, Landscape, Italy, Rome (Latium), Size: Paper: 31,1 cm x 42,0 cm (12,2 x 16,5 in), Plate: 28,0 cm x 37,6 cm (11 x 14,8 in), Depiction: 24,7 cm x 35,7 cm (9,7 x 14,1 in)

Starting price 300 EUR

Lot 96 - Jakob Wilhelm Mechau (1745 Leipzig - 1808 Dresden) - J. MECHAU (1745-1808), Ponte Molle near Rome, 1799, Etching Jakob Wilhelm Mechau (1745 Leipzig - 1808 Dresden): Ponte Molle near Rome Milvian Bridge over the Tiber, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "J. Mechau fece". At the lower part inscribed in the printing plate: "Ponte Molle". lower left dated: "Roma 1792". Date: 1799 Description: The picture shows an idyllic landscape with the Milvian bridge spanning a calm river. A few fishermen linger on the bank. A lush tree dominates the composition on the right-hand side of the picture. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Milvian Bridge; Ponte Molle; Constantine; Christianity; landscape; bridge; river; people; fishing; tree; idyll; nature; viaduct; engraving; architecture; water; bank; leisure; boat; sky; clouds; vegetation; country life; engraving, 18th century, Romanticism, Landscape, Italy, Rome (Latium), Size: Paper: 31,1 cm x 41,9 cm (12,2 x 16,5 in), Plate: 27,7 cm x 37,3 cm (10,9 x 14,7 in), Depiction: 25,0 cm x 35,7 cm (9,8 x 14,1 in)

Starting price 300 EUR

Lot 97 - Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom) - J. REINHART (1761-1847), In the Colosseum, Rome, 1799, Etching Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): In the Colosseum, Rome Shepherds in the ruins of the ancient amphitheatre, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "C. Reinhart f.". At the lower part inscribed in the printing plate: "Nel Colosseo". lower left dated: "Roma 1792". Date: 1799 Description: The etching shows the ruins of an ancient amphitheatre, the Colosseum in Rome, surrounded by lush vegetation. Three cows and a dog enliven the scene, while human figures make music and rest under the arch. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Colosseum; antiquity; etching; ruin; arch; vegetation; cows; figure; scene; architecture; historicism; art; nature; stones; flora; fauna; still life; light and shadow; richness of detail; texture; composition;, 18th century, Romanticism, Architecture, Italy, Rome (Latium), Size: Paper: 31,2 cm x 42,0 cm (12,3 x 16,5 in), Plate: 27,8 cm x 37,4 cm (10,9 x 14,7 in), Depiction: 25,4 cm x 35,9 cm (10 x 14,1 in)

Starting price 300 EUR

Lot 98 - Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom) - J. REINHART (1761-1847), Castel Gandolfo bei Rom, 1799, Etching Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Castel Gandolfo near Rome View of the Campagna Romana from the papal residence, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "C. Reinhart fece". At the lower part inscribed in the printing plate: "Castella Gandolfo". lower left dated: "Roma 1792". Date: 1799 Description: A carefully executed etching depicting an idyllic landscape, accentuated by lush groups of trees and the distanced architecture of the papal summer residence Castel Gandolfo, accompanied by figures lingering in a harmonious experience of nature. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Castel Gandolfo; Campagna Romana; Pope; landscape; idyllic; trees; architecture; nature; figures; graphics; art; leaves; hills; clouds; tranquillity; panorama; estate; vegetation; leisure; historical; richness of detail; depiction, 18th century, Romanticism, Landscape, Italy, Castel Gandolfo (Latium), Size: Paper: 31,1 cm x 42,1 cm (12,2 x 16,6 in), Plate: 27,9 cm x 37,3 cm (11 x 14,7 in), Depiction: 25,1 cm x 35,8 cm (9,9 x 14,1 in)

Starting price 300 EUR

Lot 99 - Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom) - J. REINHART (1761-1847), Pallazzola und Roman Countryside, 1799, Etching Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Pallazzola and Campagna Romana View of the hills near Rome, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "C. Reinhart fec.". At the lower part inscribed in the printing plate: "Pallazzola". lower left dated: "Romae 1792". At the lower part further inscription: "Ein Franciskaner Kloster zwischen dem Albaner See und am Monte Corso". Date: 1799 Description: The artwork depicts an idyllic landscape with detailed vegetation and mountain ranges in the background. A rocky outcrop with lush trees and a seated person can be recognised in the foreground. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Lake Albano; Monte Corso; Campagna Romana; landscape; mountains; vegetation; trees; rocky outcrop; idyll; sky; clouds; engraving; engraving; artwork; nature; outdoor; day; panorama; scenery; classical; printmaking, 18th century, Romanticism, Landscape, Italy, Rome (Latium), Size: Paper: 31,1 cm x 42,0 cm (12,2 x 16,5 in), Plate: 27,7 cm x 37,3 cm (10,9 x 14,7 in), Depiction: 25,3 cm x 35,7 cm (10 x 14,1 in)

Starting price 300 EUR

Lot 100 - Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom) - J. REINHART (1761-1847), Valley of the Aniene near Subiaco, 1799, Etching Johann Christian Reinhart (1761 Hof/Bavaria - 1847 Rom): Valley of the Aniene near Subiaco Gorge with seated painter and fisherman, 1799, Etching Technique: Etching on Paper Inscription: lower left signed in the printing plate: "C. Reinhart f.". At the lower part inscribed in the printing plate: "A Subiaco". lower left dated: "Roma 1793". Date: 1799 Description: The graphic shows an idyllic landscape scene with dense trees and rocky formations. Two figures are in the valley, which is crossed by the Aniene river. The engraving is rich in detail and contrast. Probably a later print for the French-language edition of the "Malerisch radirte Prospekte von Italien". Source: Collection de vues pittoresques de l'Italie : dessinées d'après nature, et gravées a l'eau forte a Rome, par trois peintres allemands / A.-C. Dies, Charles Reinhart, Jaques Méchau, 1799 | print suite, Landscape, Architecture Keywords: Landscape; Graphics; Trees; Rocks; Hiking; Stream; Mountains; Valley; Engraving; Figures; Idyll; Richness of detail; Contrast; Nature; Scenery; Art; Graphic illustration; Romanticism; Classicism; Printing technique, 18th century, Romanticism, Landscape, Italy, Size: Paper: 42,0 cm x 31,0 cm (16,5 x 12,2 in), Plate: 37,2 cm x 28,0 cm (14,6 x 11 in), Depiction: 34,5 cm x 26,4 cm (13,6 x 10,4 in)

Starting price 300 EUR

1st Timed Auction: Old Master and 19th century Prints, Drawings and Oilpaintings

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