Arts Moderne & Contemporain

Lot 1 - Honorio Garcia Condoy (1900-1953) - Two figures Ink and watercolor on paper signed lower right and enriched with an ink drawing on the back 41.5 x 29 cm Condition report: Minor brown spots

Estim. 800 - 1 200 EUR

Lot 2 - Benedict Chukwukadibia Enwonwu (1921-1994) - Untitled 1948 Oil on canvas signed and dated lower right 45.5 x 35.5 cm Condition report: Framed

Estim. 1 000 - 1 500 EUR

Lot 3 - Norman Bluhm (1921-1999) - Guitare à la Chaise Cassée 1951 Oil on canvas signed and dated upper left 91.5 x 60 cm Provenance: > Private collection, Paris "The 1950s and 1960s gave birth to a powerful new generation of abstract expressionists. It included artists such as Norman Bluhm, John Chamberlain, Al Leslie, Joan Mitchell and Mark Di Suvero, who approached the style with a deep commitment to taking it to the next level. A sophisticated and sympathetic understanding of their European cultural roots and a greater emphasis on the basics - composition, drawing, color, surface quality and structure - distinguish their approach. "(James Harithas) Norman Bluhm belongs to the second generation of Abstract Expressionist painters in America, but his style remains unique and distinctive. He first studied architecture at the Armor Institute of Technology. His experience as a pilot during the Second World War also had a significant influence on his art, giving him a particular understanding of space and a sense of speed perceptible in the dynamics of his works. After the war, Bluhm continued his studies at the Florence Academy of Fine Arts, then moved to Paris in 1947, where he attended the Académie de la Grande Chaumière and the École des Beaux-Arts. In 1956, he moved to New York and exhibited in prestigious galleries (Leo Castelli and Martha Jackson in Manhattan; Galerie Stadler in Paris). (MLD)

Estim. 6 000 - 8 000 EUR

Lot 4 - Roger Desserprit (1923-1985) - Bas-Relief 1950 Assemblage of painted wood on panel signed and dated lower right H. 93 cm W. 57.5 cm D. 9 cm

Estim. 2 500 - 3 500 EUR

Lot 5 - Nicolas De Staël (1914-1955) - Maximes circa 1955 Lithograph on paper 41 x 56 cm Condition report: Rousseurs

Estim. 500 - 600 EUR

Lot 6 - [STAEL (Nicolas de)] - LECUIRE (Pierre). - Maximes. Paris, Pierre Lecuire, 1955. Small in-4, leaves, cover illustrated on the first plate with an original lithograph by the artist, publisher's slipcase. Edition of 210 copies, signed by Lecuire, including 10 on japon ancien, 190 on Arches and 10 lettered, our copy no. 52.

Estim. 500 - 600 EUR

Lot 7 - Ladislas Kijno (1921-2012) - Composition from the Antibes 1955 series Gouache on paper, mounted on canvas, signed, dated lower right 54 x 65 cm A certificate from Malou Kijno will be given to the buyer. Condition report :

Estim. 1 500 - 2 000 EUR

Lot 8 - Paul Ackerman (1908-1981) - Le Puzzle Oil on canvas signed lower right 65 x 81 cm Bibliography: > André Parinaud, Paul Ackerman, Editions Mayer, Paris, 1987, reproduced p. 120 Born in Romania, Paul Ackerman was 4 years old when his parents moved to Paris in 1912, choosing to escape the prevailing anti-Semitism. In the 1930s, he frequented Fernand Léger's studio, designing posters, fabrics and jewelry for Elsa Schiaparelli and Marcel Rochas. Taken prisoner and then released during the Second World War, he took refuge in the southeast of France, where he struck up a close friendship with Pierre Bonnard. After the Liberation, he returned to his Paris studio, where he met Jean-Michel Atlan, Jean Dubuffet, Serge Poliakoff and Alexandre Garbell. Classified as a member of the Nouvelle École de Paris, his paintings oscillated between abstraction - in the 50s and 60s - and the figuration he practiced throughout his life. The esoteric dimension is the common thread running through his career, right up to his cycle devoted to the Agatha - that ideal subterranean world inspired by Buddhist myths that appeared in 19th-century French literature and found resonance in the New Age movement - Paul Ackerman declares: "I am above all a painter of the unconscious. I look for anything that can liberate it. Sometimes I even paint my dreams".

Estim. 600 - 800 EUR

Lot 9 - Paul Ackerman (1908-1981) - Composition Oil on paper signed upper right and mounted on panel 45 x 50 cm Condition report: Framed

Estim. 500 - 600 EUR

Lot 10 - Le Corbusier (1887-1965) - Petites Confidences 1957 Lithograph on BFK Rives paper signed and dated in the plate top right Printer Mourlot 45 x 57 cm

Estim. 500 - 1 000 EUR

Lot 11 - Maryan (1927-1977) - Illustrations for Franz Kafka's "The Trial". Paris, éditions Caractères, 1953. Portfolio, dust jacket with flaps, 10 full-page lithographs, introduction by Jean Assou. Copy no. 40 of 110 with a handwritten letter from the artist to Dr. Schiller, dated and signed by Maryan.

Estim. 300 - 600 EUR

Lot 12 - Bram Van Velde (1895-1981) - Head 1969 Lithograph on paper signed lower right, numbered 123/300 lower left 66 x 47.5 cm

Estim. 400 - 600 EUR

Lot 13 - Jean Miotte (1926-2016) - Untitled Carborundum etching enhanced with gouache on paper signed lower right, numbered 31/100 lower left 92 x 63 cm

Estim. 300 - 400 EUR

Lot 14 - Gaston Chaissac (1910-1964) - Untitled circa 1962-1963 Assemblage and collage of tapestry paper and papier mâché signed lower left 50.2 x 32.2 cm This work is accompanied by a certificate of authenticity from Annie Chaissac, the artist's daughter, dated February 23, 2012, and is listed in the catalog raisonné under no. AC2012002. Condition report: Framed

Estim. 8 000 - 12 000 EUR

Lot 15 - Jean Lurçat (1892-1966) - Portrait of Gala Dali 1965 Graphite on paper signed, dated and dedicated below - annotated on the back as a portrait of Gala Dali 25.4 x 28 cm Condition report: Framed under glass

Estim. 600 - 800 EUR

Lot 16 - Francis Bacon (1909-1992) - Portrait of Isabel Rawsthorne Lithograph on paper numbered 6/350 lower left, dry stamp Maeght Éditeur 53.5 x 39.5 cm

Estim. 600 - 800 EUR

Lot 17 - Lucien Coutaud (1904-1977) - Surrealist composition 1968 Oil on canvas signed and dated lower left 58 x 70 cm Provenance: > Private collection, Paris Condition report : Framed "Lucien Coutaud is little known. Yet he was one of the most singular and prolific painters of the 20th century. He mastered every technique and excelled in every field, as his work testifies, comprising almost two thousand paintings and gouaches, as many drawings, twenty-nine tapestries (as part of the first generation of artists involved in the revival of Aubusson tapestry, Coutaud occupies a singular place, by his deliberately limited production, his refusal of numbering, his large-scale cartoons, always done in gouache, and his choice of subjects always in keeping with his pictorial world, inspired by music, games and magic), nearly one hundred copper etchings, twenty-nine lithographs, twenty-five set and costume designs for theater and opera (from his first collaboration with Charles Dullin, in 1928, until 1972, Coutaud never stopped working with the greatest directors and choreographers of his time, who called on his sense of the magical and the monumental, his attraction to the baroque and onirism), forty-three illustrated books, from André Fraigneau, in 1925, to Pauline Réage and her Histoire d'O, in 1972, via Voltaire, Alfred Jarry, Arthur Rimbaud, Maurice Blanchard, Paul Eluard, Robert Desnos, Gilbert Lely, Jean-Paul Sartre, Paul Claudel, Hemingway, Proust and Jules Laforgue. Lucien Coutaud invented Eroticomagie, a form of painting that is the direct language of the mind, activating both our consciousness and our emotions. The images present themselves to us charged with desires and anxieties, demanding a dazzling materialization of space; they break through the worn-out frames of reality... (...) It has to be said that Coutaldi's work, like that of the Surrealists, is a continuous exploration of the dream state, in order to discover its true limits, which are far too blurred in literature and painting, and too restricted in psychology. The real does exist for Coutaud, as Alain Bosquet would later point out. The sea is a sea, the beach is sand, the bread is yeast, the bull bleeds, the houses resemble those of Nîmes; but the dream never ceases to develop at the same time, to impregnate, to merge with reality; the dream with its procession of adorable obsessions: superimposed flowers form beings between woman and idol; mirrors and shells change function, some retaining a beloved landscape whatever the object reflected in it, and others hesitating between metamorphosis and perpetuated enigma. From this kind of dream we can deduce a kind of rule, of which Coutaud is the master in his own right. It is possible, for example, to deny gravity, the constitution of matter, universal gravitation, when observing a figure whose torso is detached from the rest of his body. Through dreams, reality is rehabilitated. Let's not forget either that Coutaud drew and painted Dormeurs throughout his work: figures whose eyeless heads, in 1946, came to resemble melocactus (melon-shaped cactus), as if to insist on the omnipotence of dreams understood as absolute reality and protected from the outside world by powerful thorns...". (Christophe Dauphin, excerpts from Lucien Coutaud, le peintre de l'Eroticomagie, ed. Rafael de Surtis, 2009)

Estim. 2 500 - 3 500 EUR

Lot 18 - Gianni Bertini (1922-2010) - Venus à hydrogène Screenprint and oil highlights on canvas signed lower center, countersigned and titled on back 36 x 30.5 cm Provenance: > Beaussant Lefèvre Drouot December 15, 2008 lot 176 Bibliography: - Gianni Bertini, Cruido Ballo. Reproduced on page 121 of the book. Condition report: Framed Gianni Bertini is a precursor of Italian informal art. He began creating abstract works in 1947, as part of the Arte Concreta movement in Milan. In 1951, he presented works in Florence under the name of "nuclear art", which constituted the first manifestation of informal art in Italy. The following year, Bertini moved to Paris and held his first solo exhibition at Galerie Arnaud. In 1957, he joined the "Espaces Imaginaires" group founded by Pierre Restany, an influential art historian and critic. His works are exhibited throughout Europe and in the United States, testifying to his international success. Close to the Nouveau Réalisme movement, Bertini innovated by using photographic transfer techniques on emulsified canvas. In the 1960s, he produced collages combining war images and pin-up photographs, offering a sharp critique of society. He also used mechanical reproduction processes, and in 1965 produced the first Mec'art manifesto, an artistic movement combining electronic media and art. Gianni Bertini died in Caen in 2010. (MLD)

Estim. 1 500 - 2 500 EUR

Lot 19 - Salvador Dalí (1904-1989) - L'Alchimiste 1975 Drypoint and aquatint on watercolor paper signed lower right and numbered 195/250 lower left 70.7 x 56.5 cm Bibliography: Lopsinger 581

Estim. 1 200 - 1 800 EUR

Lot 20 - Constant (1920-2005) - New Babylon 1971 Etching on paper signed lower right, numbered 6/50 lower left Sheet size 56 x 38 cm Size of subject 12 x 13, cm Condition report: Leaf darkened

Estim. 500 - 800 EUR

Lot 21 - Michel Nedjar (né en 1947) - Personnage aux bras croisés Mixed media on paper signed on back 42 x 22.5 cm Condition report: Framed, small tears Born in the Val d'Oise of Algerian (on his father's side) and Polish (on his mother's) Jewish parents, he began by helping his grandmother with her second-hand clothes stall at flea markets. On numerous trips to India, Iran and Mexico, Nedjar discovered the folk arts that inspired him, on his return in 1976, to bring strange "dolls" to life.

Estim. 600 - 800 EUR

Lot 22 - Michel Nedjar (né en 1947) - Visages 1995 Mixed media on cardboard, signed, dated and located Paris on back 30 x 21 cm Born in the Val d'Oise region of France to North African and Polish parents, Nedjar began his career helping his grandmother with her second-hand clothes stall at flea markets. On numerous trips to India, Iran and Mexico, Nedjar discovered the folk arts that inspired him, on his return, to bring strange "dolls" to life.

Estim. 400 - 600 EUR

Lot 23 - Le Facteur Lonné, Raphaël Lonné dit (1910-1989) - Abstract composition Watercolor and ink on paper signed lower right 22 x 32 cm Condition report: Framed Raphaël Lonné, French artist, began his working life at the age of twelve as a laborer, then letter carrier in Montfort-en-Chalosse. During the Second World War, threatened with deportation, he went underground. After the war, Lonné became a letter carrier in Dax, a position he held until his retirement. Around 1950, he discovered drawing following a spiritual experience which, according to him, endowed him with the faculties of a "medium-drawer": his hand was directed by spirits. From then on, he drew every evening, producing works of lace-like finesse. His drawings plunge us into his imagination. Fanciful architectures rub shoulders with fantastic animals and human silhouettes. He mainly uses graphite, sometimes blurred with his fingers, as well as ballpoint pen, India ink or black felt-tip pen. In his later works, he introduces color with oil paint or gouache. (MLD)

Estim. 400 - 600 EUR

Lot 24 - “Prophet” Royal Robertson (1936-1997) - Dream sleep I turn from pass life Felt pen and pen on paper recto/verso, signed bottom center recto, top center verso 71 x 56 cm "Prophet" Royal Robertson, a Louisiana artist, began his career as a sign painter and working in the fields. He married Adell, with whom he had eleven children. However, his family life disintegrated as a result of his paranoid schizophrenia. In his solitude, Royal Robertson perceives the world as hostile, fueling an intense creative fever. A kind of prophet without a disciple, he draws his inspiration from imaginary journeys. His creations include portraits of deities and futuristic architecture from another planet. His work is a hysterical pop gospel. He died in 1997, five years after Hurricane Andrew destroyed his home, which was strewn with his art and warnings. Today, his works are held in prestigious collections such as the Smithsonian Museum of American Art in the United States and the Centre Pompidou in France. (MLD)

Estim. 800 - 1 200 EUR

Lot 25 - Heinrich Nüsslein (1879-1947) - Temple landscape circa 1940 Oil on paper 50 x 64.5 cm

Estim. 1 000 - 1 500 EUR

Lot 26 - Alexis Gritchenko (1883-1977) - Environs de Pise 1962 Oil on panel signed and dated lower right 47 x 61 cm

Estim. 8 000 - 12 000 EUR

Lot 26.Bis - Alexis Gritchenko (1883-1977) - Around Pisa, 1962 Oil on panel signed and dated lower right - 47 x 61 cm

Estim. 8 000 - 12 000 EUR

Lot 27 - Togroul Narimanbekov (1928-2013) (ТОГРУЛ НАРИМАНБЕКО) - St. Basil's Cathedral (diptych) 1973 Oil on canvas signed and dated upper left in Cyrillic, mounted on board, countersigned and titled in Cyrillic on the back. 170 x 184 cm Provenance: > Union of Artists of the USSR, label on back. > Художественный салон по экспорту ХФ СССР (art salon for the export of the artistic philosophy of the USSR) label on back > Galerie de France, label on back Condition report: framed Togrul Narimanbekov, Azerbaijani painter and singer, was born in Baku. He is the first artist from his country to appear in France's encyclopedia of contemporary art. His artistic career is steeped in exceptional cultural diversity. Trained at the Azimzade School of Art in Baku, Narimanbekov continued his studies at the Fine Arts Academy in Vilnius. In the 1960s, he introduced innovative art forms to Azerbaijan, breaking with the canons of fine art imposed by Soviet ideology. His approach and style, totally at odds with the aesthetic criteria of socialist realism, laid the foundations for the Absheron school of painting. Alongside Ashraf Murad, Javad Mirjavadov, Tofig Javadov, Rasim Babayev, Kamal Akhmedov and Gennady Brijatyuk, he contributed to the emergence of a new art that flourished after the fall of the Soviet Union. Togrul Narimanbekov's work is characterized by a singular fusion of Azeri and European artistic traditions, combining abstract and figurative elements. Traditional ornamental motifs merge into swirling, brightly-colored compositions that evoke the traditions of Azerbaijani art. His impasto paintings are often imbued with a surreal dimension, oscillating between joyful and melancholy emotions, dancing and singing. Narimanbekov was named People's Artist of Azerbaijan in 1967 and received the USSR State Prize in 1980. He ended his life between Paris and Baku, passing away in the City of Light in 2013. The work presented here honors the Cathedral of St. Basil the Blessed, a 16th-century masterpiece emblematic of traditional Russian architecture. Located on Moscow's Red Square, this monument is famous for its colorful curves, whose shape and palette recall Togrul's swirling compositions and vivid colors. (MLD)

Estim. 3 000 - 5 000 EUR

Lot 28 - Gérard Gasiorowski (1930-1986) - Soldat 1973 Oil on paper signed and dated lower right 26 x 31 cm Provenance: > Acquired directly from the artist. > Sale "Modern and Contemporary Art - Editions", Piasa Paris, 06/12/2018, lot 75 > Private collection Paris Exhibitions: > Paris, Musée d'Art Moderne de la Ville de Paris, "Pour mémoires", September-October 1973, reproduced in catalog no. 4, p. 47 > Bordeaux, C.A.P.C, "Pour mémoires", April 1974 Condition report: Inset

Estim. 1 000 - 1 500 EUR

Lot 29 - Wolfgang Gäfgen (1936-2024) - Stein mit Glassplittern II 1972 Graphite and pastel on paper signed and dated center 105 x 75 cm Provenance: > Former Daniel Cordier collection > Christophe Gaillard Gallery > Private collection, Paris Exhibitions : > Wolfgang Gäfgen, Dessins 1970-1976, Staatliche Graphische Sammlung München, June 22 - August 15, 1976, label on back, reproduced in color in catalog no. 49 (catalog will be given to buyer) Condition report: Framed

Estim. 500 - 1 000 EUR

Lot 30 - André Robillard (né en 1931) - Fusée Mixed media (broom brush, coffee pot parts, keys, scotch tape, metal rods ...) signed and annotated H. 120 cm Provenance: > Private collection, Paris André Robillard grew up near Orléans. At the age of 19, he was committed to Fleury-les-Aubrais hospital for mental disorders. He was employed at the institution for a variety of tasks, which gave him ample space to create and store his works: rifles, spacecraft and planets that he had been making since 1964 from objects salvaged from the public rubbish dump.

Estim. 500 - 800 EUR

Lot 31 - Arnulf Rainer (né en 1929) - From the series Pseudologica Mixed media, on a Peter Fendi etching background, on paper signed in pencil lower right 40.5 x 21 cm Condition report: Framed

Estim. 2 000 - 3 000 EUR

Lot 32 - Hans Namuth (1915-1990) - Jackson Pollock, 1951 1989 Silver print on baryta paper signed, dated in ink lower right and numbered 3/50 lower center 50 x 40 cm Condition report: matted

Estim. 1 500 - 2 000 EUR

Lot 33 - Jean-Baptiste Sécheret (né en 1957) - Botijo, burette et Alcurza 1986 Oil on canvas signed lower right in black ink 35 x 35 cm Provenance: > Galerie Paul Prouté > Private collection, Paris A certificate of authenticity from Galerie Paul Prouté will be given to the buyer. Condition report: Framed Jean-Baptiste Sécheret lives and works in Paris, where he devotes most of his time to painting and printmaking. Trained at the École des Beaux-Arts in Paris, he was also a boarder at the prestigious Casa Velázquez in Madrid. His work is deeply influenced by Spanish artistic heritage, in particular the influence of Antonio López García. Light plays a central role. Sécheret likes to repeat the motif, often objects taken from everyday life, taking a contemplative approach to his subjects. His work is characterized by a certain slowness and an invitation to wander, without narrative intent. His architectural compositions, inspired by the Old Masters, adopt a figuration that empties space and stops time. (MLD)

Estim. 1 000 - 1 500 EUR

Lot 34 - Sol Lewitt (1928-2007) - Blue cube Silkscreen on cut plates superimposed on Arches paper signed lower right and annotated HC lower left 90 x 63 cm

Estim. 300 - 500 EUR

Lot 35 - Geneviève Asse (1923-2021) - Untitled II 1970 Lithograph on paper signed lower right, numbered 260/500 lower left, stamped on the back "C.N.A.C tirage limité à 500 exemplaires à l'occasion de l'exposition Asse - 1970" 75 x 51.5 cm

Estim. 400 - 600 EUR

Lot 36 - Geneviève Asse (1923-2021) - Palette pour le vitrail - Cathédrale St-Dié 1991 Oil on paper signed, titled and dated on the back 50 x 64 cm The authenticity of this work has been confirmed by Monsieur Antoine Laurentin. Condition report: Framed, marks on the sheet "I would like the viewer who stops in front of my painting to take a long look at it. I would like him to penetrate it" - Geneviève Asse

Estim. 5 000 - 8 000 EUR

Lot 37 - Geneviève Asse (1923-2021) - Composition Oil on paper signed on back 14 x 11 cm Condition report : Framed

Estim. 2 000 - 3 000 EUR

Lot 38 - Giulia Napoleone (née en 1936) - Abstract composition 1983 Watercolor on paper signed and dated lower center 76 x 56 cm Condition report: Framed Giulia Napoleone's work lies midway between the work of Agnès Martin and Geneviève Asse. Born in Pescara, she studied at the Academy of Fine Arts in Rome from 1957, where she forged ties with Giorgio Morandi, who advised her to concentrate on creating works on paper, a recommendation she followed! She explored monochrome from the late 50s onwards, and blue took on particular importance in her work from the 1970s onwards. It takes a moment to look at her watercolors for their abstract appearance to reveal the artist's inner landscapes, which she called "landscapes of dots". In 2018, Rome's National Gallery of Modern and Contemporary Art is devoting a major retrospective to her: Giulia Napoleone. Realtà in equilibrio.

Estim. 600 - 800 EUR

Lot 39 - Giulia Napoleone (née en 1936) - Abstract composition 1982 Watercolor on paper signed and dated lower center 56 x 76 cm Condition report: Framed Giulia Napoleone's work lies midway between the work of Agnès Martin and Geneviève Asse. Born in Pescara, she studied at the Academy of Fine Arts in Rome from 1957, where she forged ties with Giorgio Morandi, who advised her to concentrate on creating works on paper, a recommendation she followed! She explored monochrome from the late 50s onwards, and blue took on particular importance in her work from the 1970s onwards. It takes a moment to look at her watercolors for their abstract appearance to reveal the artist's inner landscapes, which she called "landscapes of dots". In 2018, Rome's National Gallery of Modern and Contemporary Art is devoting a major retrospective to her: Giulia Napoleone. Realtà in equilibrio.

Estim. 600 - 800 EUR

Lot 40 - Arman (1928-2005) - Tubes 1990 Tubes of gouache and gouache on circular cardboard laminated to cardboard, signed, dated and annotated "projet pour montre LITO" lower center 53 x 53 cm Condition report: Framed under Plexiglas traces of humidity

Estim. 2 800 - 3 500 EUR

Lot 41 - Alain Raya-Sorkine (1936-2022) - Oil on canvas signed lower right 35 x 27 cm

Estim. 800 - 1 200 EUR

Lot 42 - Gérard Garouste (né en 1946) - Le Sourcier Lithograph on paper signed, dedicated and numbered 14/120 lower right 75 x 106.5 cm

Estim. 300 - 500 EUR

Lot 43 - Jean-Charles Blais (né en 1956) - Untitled Ink and watercolor on cut paper monogrammed on the back, laminated on kraft paper 20 x 18 cm Condition report: Framed "It is neither theoretical reflection nor the definition of a discourse stated in the order of critical thought that prompts the evolution of my painting. I work with great confidence in the painting process..." Jean-Charles Blais

Estim. 1 200 - 1 800 EUR

Lot 44 - Huguette Caland (1931-2019) - Composition circa 2002-2003 Mixed media on cut-out canvas, signed, titled and annotated on back 11 x 17 cm Provenance: > Gift of the artist to Samy Kinge, Galerie Iolas Paris Condition report : Framed Huguette Caland is a Lebanese painter, sculptor and fashion designer. In 1943, at the age of 12, she saw her father, Béchara el-Khoury, become President of Lebanon. As an only child, she was destined to become a devoted wife according to Lebanese traditions, but she felt a deep desire for freedom. She married a Frenchman, Paul Caland, nephew of one of her father's political rivals, and had several other love affairs. At the age of 30, Huguette Caland decided to study art at the American University of Beirut. She befriended Helen Khal, who founded the One gallery in Beirut and exhibited Caland's work alongside that of other leading figures of Lebanese modernism such as Etel Adnan, Simone Fattal and Shafic Abboud. In 1970, faced with the lack of understanding of her paintings in Lebanon, Huguette Caland left everything behind and moved to Paris. There, she began her famous Bribes de corps series and met major artistic figures such as André Masson, Pierre Schaeffer and Adalberto Mecarelli. In 1979, she collaborated with the famous couturier Pierre Cardin to create unique caftans. While in Paris, she met Romanian sculptor George Apostu, with whom she married and collaborated artistically. On the sculptor's death, Caland moved to Los Angeles, where her Venice studio became a meeting place for renowned artists such as Billy Al Bengston, Ed Moses, Ken Price and Nancy Rubins. (MLD)

Estim. 7 000 - 10 000 EUR

Lot 45 - Ladislas Kijno (1921-2012) - Composition 2000 Mixed media on crumpled paper signed upper right, mounted on canvas, countersigned and dated April 22/30, 2000 on back 41 x 33 cm Condition report: Framed Ladislas Kijno pioneered the technique of crumpling canvases and became its leader in the 1970s. Fascinated by the sacred and magical rites, he confides: "Like Tàpies, I'm into mental speleology. Starting from man's primitive forms, I set out to discover a new world. We're like sorcerers. The spectator must enter into this ritual dance.

Estim. 3 000 - 5 000 EUR

Lot 46 - Ali Ali-Khodja (1923-2010) - Germination 1994 Watercolor on paper signed and dated lower right, titled on back on label 40 x 55 cm Condition report: Framed

Estim. 600 - 800 EUR

Lot 47 - Pierre Fulcrand (1914-2004) - Composition Gouache on paper signed lower right 76 x 57 cm

Estim. 500 - 800 EUR

Lot 48 - Claude Viallat (né en 1936) - Composition [432] 2021 Acrylic on fabric mount 124 x 81 cm This work is accompanied by a certificate of authenticity from the artist, dated May 5, 2022 This work admirably reflects the Supports/Surface group's desire to return to the primitive gesture. It reflects Viallat's precepts: the artist's neutral - albeit now characteristic - motif, and his essential work on colors, which here play with rare elegance on this salvaged support. The work blends into the piece of felt, creating superb moiré effects in tones reminiscent of the parietal frescoes of prehistoric paintings.

Estim. 10 000 - 15 000 EUR

Lot 49 - Zao Wou-Ki (1920-2013) - Untitled, n°207 1970 Lithograph on paper signed lower right, dedicated lower left 56 x 76 cm Condition report: Rousseurs

Estim. 2 000 - 4 000 EUR

Lot 50 - Zao Wou-Ki (1920-2013) - Untitled, n°214 1971 Lithograph on paper signed lower right, annotated EA lower left 57 x 76 cm

Estim. 2 000 - 4 000 EUR

Lot 51 - Zao Wou-Ki (1920-2013) - Annunciation, moments - poems by Henri Michaux Etching on paper signed lower right, numbered XVII/XX lower left and annotated in the plate "d'après Henri Michaux" 28 x 25 cm

Estim. 1 500 - 2 500 EUR

Lot 52 - Zao Wou-Ki (1920-2013) - Annunciation, Moments Etching on paper signed lower right, numbered XVII/XX lower left 28 x 25 cm Condition report: Framed From the suite of 7 aquatints illustrating the book: [ZAO WOU-KI] - Henri MICHAUX. [Paris], Les Bibliophiles de l'Automobile Club de France, 1996.

Estim. 2 500 - 4 000 EUR

Lot 53 - Zao Wou-Ki (1920-2013) - Annunciation, Moments Etching on paper signed lower right, numbered XVII/XX lower left 28 x 25 cm Condition report: Framed From the suite of 7 aquatints illustrating the book: [ZAO WOU-KI] - Henri MICHAUX. [Paris], Les Bibliophiles de l'Automobile Club de France, 1996.

Estim. 1 500 - 2 500 EUR

Lot 54 - Park Dong-Soo (né en 1964) - Haemi 2019 Acrylic, Indian ink, rice paper and plaster on panel signed, dated and titled on back x cm Park Dong-Soo is a Korean artist who graduated from the École des Beaux-Arts de Versailles. In 2023, he was honored with a carte blanche by the Musée national des arts asiatiques - Guimet. Today, he lives as a hermit in the Korean countryside. His works explore the formation of the universe, the primitive explosion, and the infinitely large and small. Heir to traditional Korean artistic techniques, Park Dong-Soo subtly blends Western influences with those of his native country. After spending ten years in France, he chose to return to Korea to isolate himself in the quiet of the countryside. A notable feature of his art is the sovereignty of black, a color that has been omnipresent in his work since childhood. Growing up in a large, poor family, he was forced to "settle in the dark", color being too expensive. Park Dong-Soo's work is marked by the duality of chaos and harmony, with the circle motif occupying a central place as a symbol of life. For him, each work is part of a unique whole, each creation both interdependent and singular. (MLD)

Estim. 800 - 1 200 EUR

Lot 55 - Ma Desheng (né en 1952) - Nude 2020 Ink on paper signed and dated lower center left 70 x 100 cm Condition report: Framed

Estim. 4 000 - 6 000 EUR

Lot 56 - Rufino Tamayo (1899-1991) - Watermelons Lithograph on paper signed lower right and annotated HC lower left 75.5 x 55.5 cm

Estim. 1 000 - 1 500 EUR

Lot 57 - Alecos Fassianos (1935-2022) - Jeux des vagues Oil on canvas signed and titled upper left 130 x 100 cm Condition report: Framed Fassianos meets Louis Aragon by chance in a gallery. The writer says, "Are you Fassianos? I'm chasing you everywhere", and invited him to his home. There, the Greek artist discovered paintings by the great masters, including Picasso's Les Pigeons, the memory of which left its mark on his work. Discovering that Aragon owned many Fassianos, the young artist was told "you're the last painter of the Mediterranean!"

Estim. 20 000 - 25 000 EUR

Lot 58 - Alecos Fassianos (1935-2022) - Couple Lithograph on paper enhanced with red and blue pencils, double-signed and dedicated to Samy Kinge at bottom 63.5 x 73 cm

Estim. 800 - 1 200 EUR

Lot 59 - Pavlos (1930-2019) - Verre, bouteille 2011 Collage and poster stripping on paper 30 x 23.5 cm This work is accompanied by a certificate of authenticity. Condition report : Framed

Estim. 600 - 800 EUR

Lot 60 - Antonio Seguí (1934-2022) - Vase 9B 2014 Ceramic signed in the paste, dated and numbered 3/8 on the back H. 35.5 cm L. 39 cm Bibliography: > Antonio Segui, Céramiques 2014-2015, La Tuilerie, Treigny (reproduced)

Estim. 800 - 1 200 EUR

Lot 61 - Bengt Lindström (1925-2008) - Wall plaque BL2B Ceramic signed in the paste lower right, titled and numbered EA 2/4 on the back 70 x 50 cm

Estim. 800 - 1 200 EUR

Lot 62 - Bengt Lindström (1925-2008) - Wall plaque BL1 Ceramic signed in the paste lower right, titled and numbered 15/20 on the back 61 x 54 cm

Estim. 1 000 - 1 500 EUR

Lot 63 - Bram Bogart (1921-2012) - Composition n°31 1998 Ceramic quadriptych, lower right white square signed and dated in the paste lower right, each square titled and numbered HC I/II on the back H. 73 cm W. 73 cm D. 7 cm Born in the Netherlands, Bram Bogart studied at the Fine Arts School in The Hague. He first produced paintings inspired by Cubism, then his famous material impastos.

Estim. 2 000 - 3 000 EUR

Lot 64 - Bram Bogart (1921-2012) - Vase n°35 1998 Ceramic signed and dated in the paste, titled and numbered HC I/II on the underside H. 25 cm L. 24 cm

Estim. 1 000 - 1 500 EUR

Lot 65 - Jean Percet (né en 1938)* - Objets courants (Twins) 2 1997 Mixed media on canvas signed lower right, countersigned and dated on back 80 x 65 cm Condition report: Framed

Estim. 300 - 500 EUR

Lot 66 - Hassan Massoudy (né en 1944) - Untitled 1993 Watercolor on paper signed and dated center, Goethe quote lower left "Beware of youthful dreams, they always come true" 74 x 53 cm Condition report: Framed Iraqi painter and calligrapher born in 1944 in Najaf, Hassan Massoudy trained in traditional Arabic calligraphy and was a member of the Hurufiyya movement alongside Etel Adnan, Hassan Shakir and Jamil Hamoudi.

Estim. 500 - 1 000 EUR

Lot 67 - Frédéric Poincelet (né en 1967) - Untitled 2012 Ballpoint pen on paper, dated and signed on back 32 x 25 cm Provenance: > Galerie Catherine Putman, Paris > Private collection, Paris Condition report : Framed

Estim. 200 - 300 EUR

Lot 68 - Steve Carpenter (né en 1959) - Body Oil on canvas signed lower right 73 x 100 cm Condition report: Framed

Estim. 800 - 1 200 EUR

Lot 69 - Oksana Mas (née en 1969) - D4 (project "Mars - Thousands Kisses Deep") 2020 Acrylic on canvas signed and dated lower right, countersigned and titled on back 40 x 40 cm > Accompanied by an artist's certificate of authenticity dated July 1, 2020 Condition report: Framed Oksana Mas is a renowned Ukrainian artist, trained at the Ilyichevsk School of Arts and the Grekov School of Arts in Odessa. Her work is marked by a diversity of media, including painting, plastic installations and video art. Mas belongs to the non-conformist Ukrainian pictorial tradition, while developing a highly personal style. His distinctive realism manifests itself through a patented individual technique, which involves layering and mixing layers of paint, pencil, varnish and lacquer on canvas. This method lends his works dreamlike, almost abstract tones. With over 300 exhibitions to her credit worldwide, Oksana Mas takes part in prestigious art events such as London Frieze, the Armory Show in New York, FIAC in Paris, Art Basel in Miami, Arco Madrid, Sotheby's auctions... In 2011, Oksana Mas was chosen to represent Ukraine at the 54th Venice Biennale. For this event, she created a monumental installation in the form of a mosaic made up of over three million wooden eggs. In 2012, the eminent Italian art critic Achille Bonito Oliva dedicated a book to her work, entitled Oksana Mas by Achille Bonito Oliva. (MLD)

Estim. 1 500 - 2 500 EUR

Lot 70 - Anna Boghiguian (née en 1946) - Embarcation et soleil rouge 2004 Colored pencils on paper signed and dated lower right 30 x 42 cm Condition report: Bent Born in Egypt to an Armenian family, Anna Boghiguian is a poet as well as a painter and draftswoman of individuals and urban spaces. A nomad, she studied economics and social sciences at the American University in Cairo, while learning painting from Fouad Kamel. Her family then moved to Montreal, where she obtained a degree in visual arts and music. It was during this period that she lost her hearing... thirsting for discovery, she continued to travel the continents, always accompanied by her sketchbooks, which she persistently filled. Her work has been exhibited at the Guggenheim in Abu Dhabi, Documenta 13 in Cassel in 2012, MoMA in New York in 2017...

Estim. 1 000 - 1 500 EUR

Lot 71 - Philippe Hérard (né en 1966) - Cent titres 2019 Acrylic on sheet metal panel signed and dated lower left, countersigned, titled and dated on back 61 x 92.5 cm Condition report: Framed

Estim. 800 - 1 200 EUR

Lot 72 - Claire Tabouret (née en 1981) - Lithograph on paper signed lower right, numbered 48/75 lower left 32.5 x 24.5 cm

Estim. 1 500 - 2 000 EUR

Lot 73 - Zemba Luzamba (né en 1973) - Dice pro Acrylic on canvas signed and dated lower right, countersigned, titled and dated on back 60 x 49.5 cm "There's a bit of politics in my work, but I play with that, so it's not too serious. If you look at my paintings, you'll see that I've played with elegance and lifestyle, with some references to politics and social commentary. In the Congo, certain men, known as Sapeurs, tend to pretend that they are richer than they are by following a culture of elegance in the way they dress. This is a superficial management of personal image, but also an expression of aspiration. In Congolese society, there are certain things we never talk about - big problems hidden under a facade. So I've followed this trend, and the sense of what can only be seen on the surface has influenced some of the work I've done recently. My images also include political events in South Africa. I don't speak too loudly, but softly in my own way. However, not all my works aim to show political movements; some simply try to highlight the politics of the life we live in." Zemba Luzamba, a painter originally from the Democratic Republic of Congo, lives and practices his art in South Africa. His work is deeply marked by his experience as an African migrant. His narrative paintings, in which the people depicted are often not real, are intriguing because of the lack of specificity conferred on the subjects and the shallowness of the pictorial space. His compositions tell tales of ordinary life, featuring characters almost always dressed in Western clothing. (MLD)

Estim. 1 500 - 2 500 EUR

Lot 74 - Damien Hirst (né en 1965) - Butterfly spin painting 2009 Acrylic on paper signed and dated "24/09/2009" on back 71 x 82 cm Provenance: > Private collection, Paris Condition report: Framed under glass, dimensions on view Work produced for the opening of the exhibition Requiem, Damien Hirst, Pinchuk Art Centre, April 25-26, 2009 British artist. Member of the Young British Artists group in the 1990s. Winner of the Turner Prize in 1995. His work is marked by the relationship between art, life and death. From 1993, he painted butterflies on monochrome backgrounds. Since 2003, the theme of death has taken center stage in his often intense works.

Estim. 4 000 - 6 000 EUR

Lot 75 - Riccardo Licata (1929-2014) - Composition 2006 Oil on canvas signed lower left, dated lower right 100 x 81 cm "I try to create a plastic representation of thought, uncodified and unsystematic, but poetic, intensive, personal and imaginative." Riccardo Licata, Italian painter, began his career as an assistant to Gino Severini at the Italian School of Art in Paris. After becoming a professor at the École des Beaux-Arts, he won first prize for graphic art at the Venice Biennale in 1965. From 1952 onwards, his work tended more towards non-figuration. His colorful art uses all media and supports, and is intimately linked to music. "I painted music, then events, life and nature, thought, the human being and natural phenomena, the psyche, poetry and philosophy, the history of the world and my own, recounting, as in a diary, everything I felt and seeking to represent it with signs, traces and colors." (MLD)

Estim. 2 000 - 4 000 EUR

Lot 76 - Hugo Pratt (1927-1995) - Corto à Rhodes 1995 Offset on Vellum paper, signed lower right. Editions Vertige Graphic, Paris 80 x 60 cm Condition report: very good

Estim. 300 - 500 EUR

Lot 77 - Jean-Claude Mézières (1938-2022) - Portrait of Valérian Black felt pen and colored markers on paper, signed lower right, made on the reverse of an original blue blank from plate 26 of Valérian's album "Les Armes vivantes" 28.3 x 22.5 cm Condition report : Framed

Estim. 500 - 700 EUR

Lot 78 - Jean-Claude Mézières (1938-2022) - Three prints signed > Métro Châtelet direction Cassiopée, Circa 2010. Offset on paper numbered lower left, from an edition of 45 copies, featuring the cover of the eponymous album. Signed lower lower right. Format 32/45cm. > Brooklyn Station terminus Cosmos, Circa 2010. Offset on paper numbered lower left, from an edition of 45 copies, featuring the cover of the eponymous album. Signed lower lower right. Format 32/45cm. > Festival d'Audincourt, Circa 2000. Offset on paper, numbered lower left, from an edition of 45 copies, featuring the cover of the complete Valérian 6 series. Signed lower right. Format 32/45cm. Price : 300/500

Estim. 300 - 500 EUR

Lot 79 - Jacques Villeglé (1926-2022) - 2 original works > Untitled, 1999, torn posters signed lower right and mounted on cardboard countersigned, dated, titled, dedicated and located in Montauban on the back of the frame - 7.6 x 7.5 cm > Silhouette (autoportrait), 2007, ink and collage on card signed, dedicated and dated lower right - 14 x9 cm A lacerating artist alongside Raymond Hains (then Mimmo Rotella), Jacques Villeglé's career obviously began in the streets of Paris! Equally close to the Lettrist movement, he is the author of an alphabet all his own, a practice extended by graffiti artists in their wanderings.

Estim. 800 - 1 200 EUR

Lot 80 - Robert Combas (né en 1957) - Le Frimeur flamboyant Paris, Maison européenne de la photographie, 2009. Enriched with a silver felt-tip drawing: 32.5 x 24 cm

Estim. 600 - 800 EUR

Lot 81 - Robert Combas & Georges Brassens - Complete 10-vinyl green box set 2022 Complete original titles by Georges Brassens, super deluxe edition, box set no. 242/700 H. 32 cm W. 33 cm D. 6 cm

Estim. 100 - 200 EUR

Lot 82 - Onemizer (né en 1987) - Graffiti Skateboard 2023 Print on skateboard signed bottom center, dated and numbered 27/100 on back BDMG Sodiema edition 80 x 21 cm

Estim. 350 - 500 EUR

Lot 83 - Shepard Fairey (né en 1970) & Tomo77 (né en 1977) - Pandemonium 2021 Silkscreen on paper signed lower right and lower center, annotated AP 6/20 lower left 60 x 44 cm Condition report: Framed

Estim. 300 - 500 EUR

Lot 84 - Shepard Fairey (né en 1970) - Noise 2020 Silkscreen on paper signed and dated lower right, annotated AP lower left 45.5 x 45.5 cm Condition report: Framed

Estim. 300 - 500 EUR

Lot 85 - Clet (né en 1966) - Al Dente, n°61 2023 Sticker on road sign signed top right, countersigned, dated and numbered 61 in felt pen and stencilled on back 48.5 x 55 cm

Estim. 400 - 600 EUR

Lot 86 - Zenoy (né en 1974) - Composition 2009 Acrylic on canvas signed and dated on back 90 x 90 cm A French graffiti artist with a passion for spray-painting from an early age, Zenoy was introduced to graffiti by a New York classmate. Now a world-renowned artist, Zenoy's pop style is akin to animation, with a narrative dimension that was relatively new to the graffiti world.

Estim. 3 000 - 4 000 EUR

Lot 87 - Boxer (19??-1994) - "Triphasé" circa 1988 Felt pen on three-phase electric meter cover 40 x 30 cm Boxer is a true legend of Parisian graffiti, and evidence of his art is extremely rare today! A historic member of the Crime Time Kings (CTK) crew alongside Bando, Colt, mode2... he influenced an entire generation (notably Rockin'Squat, founder of rap group Assassin in 1985). Here we present a no-frills tag on a medium dear to graffiti artists, an indelible trace of an ephemeral moment.

Estim. 600 - 800 EUR

Lot 88 - JonOne (né en 1963) - Untitled (ephemeral hospital period) 1990 Acrylic on canvas signed and dated on back 80 x 80 cm Condition report: Framed John Perello began tagging the subways of his native New York under the name Jon156. He soon renamed himself JonOne. With his graffiti friends Rac7 and Kyle, he founded the 156 All Starz collective. Now living in Paris, with a strong attachment to urban art, he transposes the freedom, colors, vitality and techniques of graffiti onto canvas, exploring the practices of American action painting and European lyrical abstraction. This painting is part of the Hôpital éphémère project, launched in Paris in 1990 by Caroline Andrieux and Christophe Pasquet. The then-abandoned Bretonneau hospital in the 18th arrondissement was transformed into an arts center, with artists' studios, exhibition halls, workshops, recording studios, concert halls, dance and theater studios... The project lasted 7 years and enabled 200 artists to express and showcase their art. Among them was JonOne, who painted his first canvases here. "I had no artistic education. When I was tagging trains in New York, I couldn't imagine that one day I'd be expressing myself on canvas. What really got me into tagging was seeing other people painting graffiti all over the city. The school I went to was very strict. And so boring! I remember that back then, people on the street had freedom. I didn't want what America offered me: a job, a nice suit and a pretty house. I met A-One (Anthony Clark 1964-2001). He used to hang out with Jean-Michel Basquiat (Brooklyn, New-York, December 22, 1960 - August 12, 1988). A-One was the link between the street and the art world. He would travel to Europe and come back with a lot of money, simply because of his art. I'd listen to his travel tales and my eyes would sparkle with envy. Back then in New York, I was like a lot of people today: I hung out in front of my apartment building. In those days, I didn't leave my neighborhood either. Thanks to A-One, I began to take my work seriously, to see it not as vandalism but simply as art."

Estim. 8 000 - 12 000 EUR

Lot 89 - Hondo (né en 1972) - The real "O" circa 1998 Mixed media on canvas signed and titled on back 38 x 61 cm Hondo began tagging at the age of 10 in the Châtelet district of Paris: "I went into graffiti like my mates went into cinema", he told Arnaud Laporte in 2000 on France Culture's Multipistes program. He is also one of the first French artists to have transposed his work from the street to the canvas: here we find the spontaneity and "margin for error" left to the spray can in the same way as Georges Mathieu or Jean-Michel Atlan left it to the paintbrush.

Estim. 1 000 - 1 500 EUR

Lot 90 - Hondo (né en 1972) - L'Homme pour avoir des baskets a besoin d'argent - Part of life 1998 Mixed media on canvas signed and dated on the back 38 x 55 cm With this 1998 canvas, Hondo demonstrates the multiple dimensions of his art, capable of moving from pure lettering, to quasi-abstract graffiti, to a figuration flirting with "ignorant style" before its time! He declares that he "started painting very young, with no knowledge of art history", and here he illustrates a style very close to narrative figuration: the man suggested by light pencil strokes is guided by an arrow to the sneakers he wants to buy, which hide banknotes. We find the circulation of objects on canvas, so dear to artists like Hervé Télémaque, and the sequencing characteristic of cinema, regularly used by Jacques Monory... And while the canvas may appear highly legible, the message is more subtle, as the man, almost effaced here, turns his back on this clear-cut path... "Painting is in a way literary; and it's in this sense that I work on themes. There's a beginning, an end, characters and the ambiguity of a novel. So it's a narrative, as if I'd written fifteen novels... " Eduardo Arroyo.

Estim. 1 000 - 1 500 EUR

Lot 91 - Zest, Frank Noto dit (né en 1980) - Untitled (Geometric abstraction) 2019 Acrylic on canvas signed and dated on back 100 x 100 cm Condition report: Framed (American wooden crate)

Estim. 5 000 - 7 000 EUR

Lot 92 - JonOne (né en 1963) - All Out 2022 Acrylic and ink on canvas signed, titled, dated and located in Paris on the back 137 x 130 cm Condition report: Framed

Estim. 12 000 - 18 000 EUR

Lot 93 - Gudmundur Erró (né en 1932) - Avengers / Hommage à Fernand Léger 2020 Mixed media on canvas signed and dated on the back 75 x 50 cm This work is accompanied by a certificate of authenticity signed by the artist. Condition report : Framed

Estim. 5 000 - 8 000 EUR

Lot 94 - Benjamin Spark (né en 1969) - Untitled 2005 Acrylic on canvas signed lower left 146 x 114 cm A photocopy of the certificate of authenticity will be given to the buyer Benjamin Spark, a painter and visual artist who claims to be part of the "street pop" movement, evolves at the frontiers of graffiti, comics and pop art.

Estim. 1 000 - 1 500 EUR

Lot 95 - JonOne (né en 1963) - Untitled 2022 Mixed media on paper signed "JonOne Rock" lower right and dated lower left 65 x 50 cm Condition report: Framed

Estim. 2 000 - 3 000 EUR

Lot 96 - JonOne (né en 1963) - 720's 2021 Acrylic on canvas signed, titled, dated and located in Paris on the back D. 100 cm

Estim. 5 500 - 8 000 EUR

Lot 97 - Peeta, Manuel di Rita dit (né en 1980) - Squash back 2013 Airbrush and acrylic on canvas signed on back 99 x 150 cm Provenance: > Maxwell Collette Gallery, Chicago > Magma Gallery, Bologna - Venice > Galerie Ayrton Salvador, Paris > Private collection, Paris Manuel Di Rita, better known by his pseudonym Peeta, is an Italian graffiti artist. An important figure in street art, he is a member of the EAD crew in Padua and the FX and RWK crews in New York City. In his work, he focuses on the sculptural quality of individual letters, particularly those of his artist's name. His work, like a self-portrait, explores and attempts to understand the artist's ego. He remains deeply rooted in the art of Graffiti, which is above all an art of calligraphy. He distorts and stylizes letters, playing with three-dimensionality to trick the eye with light and shadow. (MLD)

Estim. 1 000 - 1 500 EUR

Lot 98 - Blade, Steve Ogburn dit (né en 1957) - Subway 2009 Photograph on paper enhanced with black and orange markers, print and drawings made in 2009, photograph taken in 1978 29.7 x 44.7 cm Exhibitions: > "Subway Art 25th anniversary - Martha Cooper, Henry Chalfant & Blade", Taxie Gallery & Bailly Contemporain, Paris 2010 Condition report: Framed, sight size Blade made a name for himself in the New York graffiti scene in the late 1970s with his experimental use of lettering. His daring touch and distinctive universe make him an artist in his own right. His letters intertwine, interlock and untangle in colorful tones strongly inspired by pop culture. Having covered more than 5,000 New York trains, he has earned himself the nickname "King of Kings".

Estim. 500 - 700 EUR

Lot 99 - Tanc (né en 1979) - Untitled 2018 Mixed media on canvas signed, dated and annotated on the back "VaoStudio" and "156 AllStars" 120 x 120 cm

Estim. 2 500 - 4 000 EUR

Modern & Contemporary Arts

FauveParis - +33155288090 - Email CVV

Lot 1 - Honorio Garcia Condoy (1900-1953) - Two figures Ink and watercolor on paper signed lower right and enriched with an ink drawing on the back 41.5 x 29 cm Condition report: Minor brown spots

Lot 2 - Benedict Chukwukadibia Enwonwu (1921-1994) - Untitled 1948 Oil on canvas signed and dated lower right 45.5 x 35.5 cm Condition report: Framed

Lot 4 - Roger Desserprit (1923-1985) - Bas-Relief 1950 Assemblage of painted wood on panel signed and dated lower right H. 93 cm W. 57.5 cm D. 9 cm

Lot 5 - Nicolas De Staël (1914-1955) - Maximes circa 1955 Lithograph on paper 41 x 56 cm Condition report: Rousseurs

Lot 7 - Ladislas Kijno (1921-2012) - Composition from the Antibes 1955 series Gouache on paper, mounted on canvas, signed, dated lower right 54 x 65 cm A certificate from Malou Kijno will be given to the buyer. Condition report :

Lot 9 - Paul Ackerman (1908-1981) - Composition Oil on paper signed upper right and mounted on panel 45 x 50 cm Condition report: Framed

Lot 10 - Le Corbusier (1887-1965) - Petites Confidences 1957 Lithograph on BFK Rives paper signed and dated in the plate top right Printer Mourlot 45 x 57 cm

Lot 12 - Bram Van Velde (1895-1981) - Head 1969 Lithograph on paper signed lower right, numbered 123/300 lower left 66 x 47.5 cm

Lot 13 - Jean Miotte (1926-2016) - Untitled Carborundum etching enhanced with gouache on paper signed lower right, numbered 31/100 lower left 92 x 63 cm

Lot 15 - Jean Lurçat (1892-1966) - Portrait of Gala Dali 1965 Graphite on paper signed, dated and dedicated below - annotated on the back as a portrait of Gala Dali 25.4 x 28 cm Condition report: Framed under glass

Lot 16 - Francis Bacon (1909-1992) - Portrait of Isabel Rawsthorne Lithograph on paper numbered 6/350 lower left, dry stamp Maeght Éditeur 53.5 x 39.5 cm

Lot 19 - Salvador Dalí (1904-1989) - L'Alchimiste 1975 Drypoint and aquatint on watercolor paper signed lower right and numbered 195/250 lower left 70.7 x 56.5 cm Bibliography: Lopsinger 581

Lot 20 - Constant (1920-2005) - New Babylon 1971 Etching on paper signed lower right, numbered 6/50 lower left Sheet size 56 x 38 cm Size of subject 12 x 13, cm Condition report: Leaf darkened

Lot 25 - Heinrich Nüsslein (1879-1947) - Temple landscape circa 1940 Oil on paper 50 x 64.5 cm

Lot 26 - Alexis Gritchenko (1883-1977) - Environs de Pise 1962 Oil on panel signed and dated lower right 47 x 61 cm

Lot 26.Bis - Alexis Gritchenko (1883-1977) - Around Pisa, 1962 Oil on panel signed and dated lower right - 47 x 61 cm

Lot 31 - Arnulf Rainer (né en 1929) - From the series Pseudologica Mixed media, on a Peter Fendi etching background, on paper signed in pencil lower right 40.5 x 21 cm Condition report: Framed

Lot 32 - Hans Namuth (1915-1990) - Jackson Pollock, 1951 1989 Silver print on baryta paper signed, dated in ink lower right and numbered 3/50 lower center 50 x 40 cm Condition report: matted

Lot 34 - Sol Lewitt (1928-2007) - Blue cube Silkscreen on cut plates superimposed on Arches paper signed lower right and annotated HC lower left 90 x 63 cm

Lot 35 - Geneviève Asse (1923-2021) - Untitled II 1970 Lithograph on paper signed lower right, numbered 260/500 lower left, stamped on the back "C.N.A.C tirage limité à 500 exemplaires à l'occasion de l'exposition Asse - 1970" 75 x 51.5 cm

Lot 37 - Geneviève Asse (1923-2021) - Composition Oil on paper signed on back 14 x 11 cm Condition report : Framed

Lot 40 - Arman (1928-2005) - Tubes 1990 Tubes of gouache and gouache on circular cardboard laminated to cardboard, signed, dated and annotated "projet pour montre LITO" lower center 53 x 53 cm Condition report: Framed under Plexiglas traces of humidity

Lot 41 - Alain Raya-Sorkine (1936-2022) - Oil on canvas signed lower right 35 x 27 cm

Lot 42 - Gérard Garouste (né en 1946) - Le Sourcier Lithograph on paper signed, dedicated and numbered 14/120 lower right 75 x 106.5 cm

Lot 46 - Ali Ali-Khodja (1923-2010) - Germination 1994 Watercolor on paper signed and dated lower right, titled on back on label 40 x 55 cm Condition report: Framed

Lot 47 - Pierre Fulcrand (1914-2004) - Composition Gouache on paper signed lower right 76 x 57 cm

Lot 49 - Zao Wou-Ki (1920-2013) - Untitled, n°207 1970 Lithograph on paper signed lower right, dedicated lower left 56 x 76 cm Condition report: Rousseurs

Lot 50 - Zao Wou-Ki (1920-2013) - Untitled, n°214 1971 Lithograph on paper signed lower right, annotated EA lower left 57 x 76 cm

Lot 51 - Zao Wou-Ki (1920-2013) - Annunciation, moments - poems by Henri Michaux Etching on paper signed lower right, numbered XVII/XX lower left and annotated in the plate "d'après Henri Michaux" 28 x 25 cm

Lot 55 - Ma Desheng (né en 1952) - Nude 2020 Ink on paper signed and dated lower center left 70 x 100 cm Condition report: Framed

Lot 56 - Rufino Tamayo (1899-1991) - Watermelons Lithograph on paper signed lower right and annotated HC lower left 75.5 x 55.5 cm

Lot 58 - Alecos Fassianos (1935-2022) - Couple Lithograph on paper enhanced with red and blue pencils, double-signed and dedicated to Samy Kinge at bottom 63.5 x 73 cm

Lot 59 - Pavlos (1930-2019) - Verre, bouteille 2011 Collage and poster stripping on paper 30 x 23.5 cm This work is accompanied by a certificate of authenticity. Condition report : Framed

Lot 60 - Antonio Seguí (1934-2022) - Vase 9B 2014 Ceramic signed in the paste, dated and numbered 3/8 on the back H. 35.5 cm L. 39 cm Bibliography: > Antonio Segui, Céramiques 2014-2015, La Tuilerie, Treigny (reproduced)

Lot 61 - Bengt Lindström (1925-2008) - Wall plaque BL2B Ceramic signed in the paste lower right, titled and numbered EA 2/4 on the back 70 x 50 cm

Lot 62 - Bengt Lindström (1925-2008) - Wall plaque BL1 Ceramic signed in the paste lower right, titled and numbered 15/20 on the back 61 x 54 cm

Lot 64 - Bram Bogart (1921-2012) - Vase n°35 1998 Ceramic signed and dated in the paste, titled and numbered HC I/II on the underside H. 25 cm L. 24 cm

Lot 65 - Jean Percet (né en 1938)* - Objets courants (Twins) 2 1997 Mixed media on canvas signed lower right, countersigned and dated on back 80 x 65 cm Condition report: Framed

Lot 67 - Frédéric Poincelet (né en 1967) - Untitled 2012 Ballpoint pen on paper, dated and signed on back 32 x 25 cm Provenance: > Galerie Catherine Putman, Paris > Private collection, Paris Condition report : Framed

Lot 68 - Steve Carpenter (né en 1959) - Body Oil on canvas signed lower right 73 x 100 cm Condition report: Framed

Lot 71 - Philippe Hérard (né en 1966) - Cent titres 2019 Acrylic on sheet metal panel signed and dated lower left, countersigned, titled and dated on back 61 x 92.5 cm Condition report: Framed

Lot 72 - Claire Tabouret (née en 1981) - Lithograph on paper signed lower right, numbered 48/75 lower left 32.5 x 24.5 cm