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Ar Seiz Avel: designers in Brittany for today and tomorrow

Rennes Enchères Bretagne - +33299315800 - Email CVV

32, place des Lices 35000 Rennes, France
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178 results

Lot 96 - Maryse DUGOIS, born 1958 Evanescence, Rennes - 2014 Sculpture in tissue paper, light glue, wire. Unique piece. Signed on a tissue paper label under the globe base and under the lace dome. 36 x 26 cm Glass globe 40 x 30 cm In natural light, the transparency of this dome gives full dimension to the lace mesh, taking the eye on a meandering journey through the tissue paper. --- Maryse DUGOIS, born 1958 Initially trained at the Ecole Boulle, Maryse Dugois' creative work was truly born in Brittany. Breton nature, in all its diversity, has always been a source of inspiration for her, offering her a multitude of fields to explore. These explorations have led her to develop a personalized approach to tissue paper for over twenty years now. She draws her inspiration from nature to recreate the emotion that emanates from it, setting her creations in a poetic, dreamlike universe. Always on the lookout for new shapes and new material effects, she shapes silk paper by hand, bringing this material to life in refined creations that sublimate lightness and complicity with light... Working with some of the world's leading luxury brands, she creates silk paper sculptures and decors for events and window displays. Since 2010, she has been working for Guerlain, Dior, Chanel, Issey-Miyake, Mellerio... In Paris and around the world with original and unique creations. Her two creations presented for Ar Seiz Avel, Gorgonne and Evanescence, are made of silk paper lace and represent the culmination of a long period of research into a quest for expression of the essential, sensitive to the play of natural light, echoing nature and the emotion it provides.

Estim. 850 - 1 000 EUR

Lot 97 - Jean-Yves ANDRE, born 1955 Totem 01, Landunvez - 2024 Acrylic on polymer. Unique piece signed on the base and countersigned, dated and titled on the base. Height: 172 - Diameter: 16 cm - Base size: 30 x 30 cm --- Jean-Yves ANDRE, born 1955 A native of Plouescat, Jean-Yves André lives and works in Landunvez (Finistère), and has always felt at home in illustration and decoration. With this in mind, he decided to work with everyday materials. Influenced by the Seiz Breur, Pierre Toulhoat, Bigouden and Glazik motifs, but also by Australian Abori gene painting and Arabic calligraphy, he has worked in residence at Henriot in Quimper (2000 and 2013), created fabric decorations (particularly bath sheets) for Bouchara between 1996 and 2002 and designed illustrations for cards published by Jos de Châteaulin. He has also decorated buildings in the port of Brest for maritime festivals (1996, 2000, 2004). In addition to painting on wood, canvas or volume (columns) and drawing, he also expresses himself through engraving (etching, drypoint). As a stone enthusiast, he has produced several works (texts and drawings) on ancient crosses, megaliths and steles in Brittany. In addition to his involvement in contemporary Breton design, his creations are imbued with the Breton ornamental tradition, from the works of the Seiz Breur to the motifs on Bigouden costumes and Gavrinis engraved slabs. Ar Seiz Avel is a new opportunity to showcase his work in Rennes and introduce him to a new audience.

Estim. 500 - 700 EUR

Lot 99 - Caroline BIZIEN, born 1993 Kraz, 2024 Four-color Fine Art print on Fedrigoni Arena Smooth 300g/m2 paper. Single copy, signed lower right. 50 x 70 cm This illustration brings together, in a still life, all the specialties of the coast (mussels, cocos from Paimpol, kiwis from Cap-Coz, sausages from Molène) in a comic amalgam that celebrates the diversity of local cultures, as a nod to the complete postcard crepe. --- Caroline BIZIEN, born 1993 Author and illustrator, born in Quimper. After studying at ENSAD in Paris, including a year as an exchange student at the School of the Art Institute in Chicago, where she studied with comic book artist Chris Ware, she graduated in the Printed Image section. Chris Ware, she graduated from the Printed Image section. Passionate about storytelling and arts and crafts, she regularly collaborates with young brands, public institutions, the press, audiovisual production and associations. Her acti vity enables her to constantly reinvent her technical and aesthetic approach, through encounters and residencies that have led her to explore a wide range of territories. her to explore many different regions (Jura, Allier, Belgium...). Her attachment to Brittany and Finistère remains intact, however, as she lives and works in her native town. Here, she finds fertile ground for her imagination, for the oral sharing of a tradition of fiction, sometimes embellished, sometimes exaggerated, that infuses both landscape and heritage. She therefore decided, on the occasion of the Ar Seiz Avel initiative, to carry out a naturalistic and patrimonial research project which would the opportunity to collect and restore these stories to their rightful place in our contemporary collective imagination. Between humor and poetry, the two series pay tribute to Brittany and the Brittany and the Seiz Breur movement: to their range of practices, their bold palette and their sharp lines.

Estim. 400 - 500 EUR

Lot 100 - Caroline BIZIEN, born 1993 DZ-TX, 2024 Four-color Fine Art print on Fedrigoni Arena Smooth 300g/m2 paper. Single copy, signed lower right. 50 x 70 cm The Dz-tx poster humorously highlights the adaptability of the Breton people through two historical episodes: the exodus of the population of central Brittany to the United States in the 19th and 20th centuries, and the consequences of the sardine crisis of 1902, which led part of the fishing population to convert to textile production. The loup de mer is reinvented as a cowboy, a bordeur, or simply as an American cousin from the diaspora. --- Caroline BIZIEN, born 1993 Author and illustrator, born in Quimper. After studying at ENSAD in Paris, including a year as an exchange student at the School of the Art Institute in Chicago, where she studied with comic book artist Chris Ware, she graduated in the Printed Image section. Chris Ware, she graduated from the Printed Image section. Passionate about storytelling and arts and crafts, she regularly collaborates with young brands, public institutions, the press, audiovisual production and associations. Her acti vity enables her to constantly reinvent her technical and aesthetic approach, through encounters and residencies that have led her to explore a wide range of territories. her to explore many different regions (Jura, Allier, Belgium...). Her attachment to Brittany and Finistère remains intact, however, as she lives and works in her native town. Here, she finds fertile ground for her imagination, for the oral sharing of a tradition of fiction, sometimes embellished, sometimes exaggerated, that infuses both landscape and heritage. She therefore decided, on the occasion of the Ar Seiz Avel initiative, to carry out a naturalistic and patrimonial research project which would the opportunity to collect and restore these stories to their rightful place in our contemporary collective imagination. Between humor and poetry, the two series pay tribute to Brittany and the Brittany and the Seiz Breur movement: to their range of practices, their bold palette and their sharp lines.

Estim. 400 - 500 EUR

Lot 101 - Eva MORAZE, born 2001 Le Père Douarnenez, Nantes - 2024 Watercolor, acryla-gouache and colored pencils on 300g paper. Unique piece, dated and signed lower left. 29.7 x 21 cm Includes a set of Seven Families cards 09/72 and an edition 06/50. Man wearing traditional Douarnenez costume, early 20th century. --- Eva MORAZE, born 2001 Originally from Rennes, Eva Morazé lived for ten years in Lorient, then in Lesconil. A recent graduate of the Ecole Pivaut in Nantes, she is presenting a work for Ar Seiz Avel based on the Seven Families game, on the theme of Brittany. Seven Families game on the theme of Brittany of yesteryear. Her references are mainly George Robin, for his engraving compositions, but also Suzanne Candré-Creston for her motifs and colors. René-Yves Creston for his paintings and Mathurin Méheut for his gouaches and motifs. She is also inspired by Alphonse Mucha and his poster compositions, notably those of La Bretonne and La Normande. Through her work, she highlights the diversity of traditional Breton costumes and, through her visually rich drawings, perpetuates an aesthetic and culture that must not be forgotten. In this way, Eva Morazé contributes to the playful rehabilitation of Breton culture. In her game, each Family is named after a Breton town or village: Elliant, Pont l'Abbé, Pontivy, Douarnenez, Ploaré, Plougastel Daoulas, Pont-Aven, Locronan, each dressed in its own Breton costume, color palette and design. Of the thirty or so illustrations, the artist has selected nine original copies, sold with a deck of cards and an edition.

Estim. 300 - 400 EUR

Lot 102 - Eva MORAZE, born 2001 La Fille Locronan, Nantes - 2024 Watercolor, acryla-gouache and colored pencils on 300g paper. Unique piece, dated and signed lower left. 29.7 x 21 cm Includes a set of Seven Families cards 04/72 and an edition 01/50. Young girl wearing the Locronan costume of 1880. --- Eva MORAZE, born 2001 Originally from Rennes, Eva Morazé lived for ten years in Lorient, then in Lesconil. A recent graduate of the Ecole Pivaut in Nantes, she is presenting a work for Ar Seiz Avel based on the Seven Families game, on the theme of Brittany. Seven Families game on the theme of Brittany of yesteryear. Her references are mainly George Robin, for his engraving compositions, but also Suzanne Candré-Creston for her motifs and colors. René-Yves Creston for his paintings and Mathurin Méheut for his gouaches and motifs. She is also inspired by Alphonse Mucha and his poster compositions, notably those of La Bretonne and La Normande. Through her work, she highlights the diversity of traditional Breton costumes and, through her visually rich drawings, perpetuates an aesthetic and culture that must not be forgotten. In this way, Eva Morazé contributes to the playful rehabilitation of Breton culture. In her game, each Family is named after a Breton town or village: Elliant, Pont l'Abbé, Pontivy, Douarnenez, Ploaré, Plougastel Daoulas, Pont-Aven, Locronan, each dressed in its own Breton costume, color palette and design. Of the thirty or so illustrations, the artist has selected nine original copies, sold with a deck of cards and an edition.

Estim. 300 - 400 EUR

Lot 103 - Eva MORAZE, born 2001 Le Fils Pont-Aven, Nantes - 2024 Watercolor, acryla-gouache and colored pencils on 300g paper. Unique piece, dated and signed lower left. 29.7 x 21 cm Includes a set of Seven Families cards 07/72 and an edition 04/50. Little boy wearing Pont-Aven costume, early 20th century. --- Eva MORAZE, born 2001 Originally from Rennes, Eva Morazé lived for ten years in Lorient, then in Lesconil. A recent graduate of the Ecole Pivaut in Nantes, she is presenting a work for Ar Seiz Avel based on the Seven Families game, on the theme of Brittany. Seven Families game on the theme of Brittany of yesteryear. Her references are mainly George Robin, for his engraving compositions, but also Suzanne Candré-Creston for her motifs and colors. René-Yves Creston for his paintings and Mathurin Méheut for his gouaches and motifs. She is also inspired by Alphonse Mucha and his poster compositions, notably those of La Bretonne and La Normande. Through her work, she highlights the diversity of traditional Breton costumes and, through her visually rich drawings, perpetuates an aesthetic and culture that must not be forgotten. In this way, Eva Morazé contributes to the playful rehabilitation of Breton culture. In her game, each Family is named after a Breton town or village: Elliant, Pont l'Abbé, Pontivy, Douarnenez, Ploaré, Plougastel Daoulas, Pont-Aven, Locronan, each dressed in its own Breton costume, color palette and design. Of the thirty or so illustrations, the artist has selected nine original copies, sold with a deck of cards and an edition.

Estim. 300 - 400 EUR

Lot 104 - Eva MORAZE, born 2001 La Mère Pont-L'Abbé, Nantes - 2024 Watercolor, acryla-gouache and colored pencil on 300g paper. Unique piece, dated and signed lower left, with certificate of authenticity. 29.7 x 21 cm Includes a set of Seven Families cards 08/72 and an edition 05/50. Young woman wearing Pontl'Abbé costume, early 20th century. --- Eva MORAZE, born 2001 Originally from Rennes, Eva Morazé lived for ten years in Lorient, then in Lesconil. A recent graduate of the Ecole Pivaut in Nantes, she is presenting a work for Ar Seiz Avel based on the Seven Families game, on the theme of Brittany. Seven Families game on the theme of Brittany of yesteryear. Her references are mainly George Robin, for his engraving compositions, but also Suzanne Candré-Creston for her motifs and colors. René-Yves Creston for his paintings and Mathurin Méheut for his gouaches and motifs. She is also inspired by Alphonse Mucha and his poster compositions, notably those of La Bretonne and La Normande. Through her work, she highlights the diversity of traditional Breton costumes and, through her visually rich drawings, perpetuates an aesthetic and culture that must not be forgotten. In this way, Eva Morazé contributes to the playful rehabilitation of Breton culture. In her game, each Family is named after a Breton town or village: Elliant, Pont l'Abbé, Pontivy, Douarnenez, Ploaré, Plougastel Daoulas, Pont-Aven, Locronan, each dressed in its own Breton costume, color palette and design. Of the thirty or so illustrations, the artist has selected nine original copies, sold with a deck of cards and an edition.

Estim. 300 - 400 EUR

Lot 105 - Eva MORAZE, born 2001 Le Fils Pont-L'Abbé, Nantes - 2024 Watercolor, acryla-gouache and colored pencil on 300g paper. Unique piece, dated and signed lower left, with certificate of authenticity. 29.7 x 21 cm Includes a set of Seven Families cards 10/72 and an edition 07/50. Little boy wearing Pont-L'Abbé costume, early 20th century. --- Eva MORAZE, born 2001 Originally from Rennes, Eva Morazé lived for ten years in Lorient, then in Lesconil. A recent graduate of the Pivaut school in Nantes, she is presenting a work for Ar Seiz Avel based on the Seven Families game on the theme of Brittany. Seven Families game on the theme of Brittany of yesteryear. Her references are mainly George Robin, for his engraving compositions, but also Suzanne Candré-Creston for her motifs and colors. René-Yves Creston for his paintings and Mathurin Méheut for his gouaches and motifs. She is also inspired by Alphonse Mucha and his poster compositions, notably those of La Bretonne and La Normande. Through her work, she highlights the diversity of traditional Breton costumes and, through her visually rich drawings, perpetuates an aesthetic and culture that must not be forgotten. In this way, Eva Morazé contributes to the playful rehabilitation of Breton culture. In her game, each Family is named after a Breton town or village: Elliant, Pont l'Abbé, Pontivy, Douarnenez, Ploaré, Plougastel Daoulas, Pont-Aven, Locronan, each dressed in its own Breton costume, color palette and design. Of the thirty or so illustrations, the artist has selected nine original copies, sold with a deck of cards and an edition.

Estim. 300 - 400 EUR

Lot 106 - Eva MORAZE, born 2001 La Fille Plougastel-Daoulas, Nantes - 2024 Watercolor, acryla-gouache and colored pencils on 300g paper. Single piece, dated and signed lower left. 29.7 x 21 cm Includes a set of Seven Families cards 05/72 and an edition 02/50. Little girl wearing pink Plougastel costume, early 20th century. --- Eva MORAZE, born 2001 Originally from Rennes, Eva Morazé lived for ten years in Lorient, then in Lesconil. A recent graduate of the Ecole Pivaut in Nantes, she is presenting a work for Ar Seiz Avel based on the Seven Families game, on the theme of Brittany. Seven Families game on the theme of Brittany of yesteryear. Her references are mainly George Robin, for his engraving compositions, but also Suzanne Candré-Creston for her motifs and colors. René-Yves Creston for his paintings and Mathurin Méheut for his gouaches and motifs. She is also inspired by Alphonse Mucha and his poster compositions, notably those of La Bretonne and La Normande. Through her work, she highlights the diversity of traditional Breton costumes and, through her visually rich drawings, perpetuates an aesthetic and culture that must not be forgotten. In this way, Eva Morazé contributes to the playful rehabilitation of Breton culture. In her game, each Family is named after a Breton town or village: Elliant, Pont l'Abbé, Pontivy, Douarnenez, Ploaré, Plougastel Daoulas, Pont-Aven, Locronan, each dressed in its own Breton costume, color palette and design. Of the thirty or so illustrations, the artist has selected nine original copies, sold with a deck of cards and an edition.

Estim. 300 - 400 EUR

Lot 107 - Eva MORAZE, born 2001 Father Plougastel-Daoulas, Nantes - 2024 Watercolor, acryla-gouache and colored pencils on 300g paper. Single piece, dated and signed lower left. 29.7 x 21 cm A set of Seven Families cards 12/72 and an edition 09/50 are included. Man wearing traditional pink Plougastel costume, early 20th century. --- Eva MORAZE, born 2001 Originally from Rennes, Eva Morazé lived for ten years in Lorient, then in Lesconil. A recent graduate of the Ecole Pivaut in Nantes, she is presenting a work for Ar Seiz Avel based on the Seven Families game, on the theme of Brittany. Seven Families game on the theme of Brittany of yesteryear. Her references are mainly George Robin, for his engraving compositions, but also Suzanne Candré-Creston for her motifs and colors. René-Yves Creston for his paintings and Mathurin Méheut for his gouaches and motifs. She is also inspired by Alphonse Mucha and his poster compositions, notably those of La Bretonne and La Normande. Through her work, she highlights the diversity of traditional Breton costumes and, through her visually rich drawings, perpetuates an aesthetic and culture that must not be forgotten. In this way, Eva Morazé contributes to the playful rehabilitation of Breton culture. In her game, each Family is named after a Breton town or village: Elliant, Pont l'Abbé, Pontivy, Douarnenez, Ploaré, Plougastel Daoulas, Pont-Aven, Locronan, each dressed in its own Breton costume, color palette and design. Of the thirty or so illustrations, the artist has selected nine original copies, sold with a deck of cards and an edition.

Estim. 300 - 400 EUR

Lot 108 - Eva MORAZE, born 2001 The Elliant Son, Nantes - 2024 Watercolor, acryla-gouache and colored pencils on 300g paper. Unique piece, dated and signed lower left. 29.7 x 21 cm Includes a set of Seven Families cards 06/72 and an edition 03/50. Little boy wearing Elliant costume, early 20th century. --- Eva MORAZE, born 2001 Originally from Rennes, Eva Morazé lived for ten years in Lorient, then in Lesconil. A recent graduate of the Ecole Pivaut in Nantes, she is presenting a work for Ar Seiz Avel based on the Seven Families game on the theme of Brittany. Seven Families game on the theme of Brittany of yesteryear. Her references are mainly George Robin, for his engraving compositions, but also Suzanne Candré-Creston for her motifs and colors. René-Yves Creston for his paintings and Mathurin Méheut for his gouaches and motifs. She is also inspired by Alphonse Mucha and his poster compositions, notably those of La Bretonne and La Normande. Through her work, she highlights the diversity of traditional Breton costumes and, through her visually rich drawings, perpetuates an aesthetic and culture that must not be forgotten. In this way, Eva Morazé contributes to the playful rehabilitation of Breton culture. In her game, each Family is named after a Breton town or village: Elliant, Pont l'Abbé, Pontivy, Douarnenez, Ploaré, Plougastel Daoulas, Pont-Aven, Locronan, each dressed in its own Breton costume, color palette and design. Of the thirty or so illustrations, the artist has selected nine original copies, sold with a deck of cards and an edition.

Estim. 300 - 400 EUR

Lot 109 - Eva MORAZE, born 2001 Le Père Pontivy, Nantes - 2024 Watercolor, acryla-gouache and colored pencils on 300g paper. Single piece, dated and signed lower left. 29.7 x 21 cm Includes a set of Seven Families cards 11/72 and an edition 08/50. Man wearing white Pontivy costume, early 20th century. --- Eva MORAZE, born 2001 Originally from Rennes, Eva Morazé lived for ten years in Lorient, then in Lesconil. A recent graduate of the Ecole Pivaut in Nantes, she is presenting a work for Ar Seiz Avel based on the Seven Families game, on the theme of Brittany. Seven Families game on the theme of Brittany of yesteryear. Her references are mainly George Robin, for his engraving compositions, but also Suzanne Candré-Creston for her motifs and colors. René-Yves Creston for his paintings and Mathurin Méheut for his gouaches and motifs. She is also inspired by Alphonse Mucha and his poster compositions, notably those of La Bretonne and La Normande. Through her work, she highlights the diversity of traditional Breton costumes and, through her visually rich drawings, perpetuates an aesthetic and culture that must not be forgotten. In this way, Eva Morazé contributes to the playful rehabilitation of Breton culture. In her game, each Family is named after a Breton town or village: Elliant, Pont l'Abbé, Pontivy, Douarnenez, Ploaré, Plougastel Daoulas, Pont-Aven, Locronan, each dressed in its own Breton costume, color palette and design. Of the thirty or so illustrations, the artist has selected nine original copies, sold with a deck of cards and an edition.

Estim. 300 - 400 EUR

Lot 115 - Patrice CUDENNEC, born 1952 Retour bleu sur le quai, 2021 Three oil paintings grouped in an American crate. Monogrammed below on the first two canvases, signed below on the last. Triptych titled and countersigned on the back. 65 x 162 cm --- Patrice CUDENNEC, born 1952 Born in St-Brieuc, he lives and works in Brittany. For the past 40 years, he has worked in a variety of artistic media, creating a recognizably poetic universe from painting to ceramics, engraving, sculpture, fabric design and stained glass, sculpture, fabric design and stained glass. He also writes poetic texts in French, Gallo and Breton, often in connection with his colorful creations. His work is framed by a certain gentle humanity and sharing through fishing scenes, landscapes, flower gardens and, more recently, scenes gleaned from his encounters or my walks by the sea or in the countryside, from the seaside to Central Brittany. His vision of Brittany is colorful, joyful and universal. His artistic influences include the Pont-Aven school, with its flat tints, colors, synthesis and return to nature. A multi-faceted artist, Patrice Cudennec represents a poetic, universal, chic and uncomplicated Brittany with strong, timeless lines, as shown by the admired Seiz Breur artists. The "Ar Seiz Avel" label is a positive endorsement of his current, lively artistic approach, following in the footsteps of the Seiz Breur discoverers and explorers, ambassadors of beautiful creation, of beautiful Brittany.

Estim. 4 500 - 5 000 EUR

Lot 116 - Denez DENIS, born 2000 - Collectif Eon Avel Saint Corantin, 2023 Oil on canvas, signed lower right. 50 x 70 cm --- EON AVEL Collective - Denez and Breuuenn, born in 2000 Originally from Plovan and Plogonnec, Denez and Breuuenn created the Eon Avel collective in 2021, sharing their interest in the region and its culture. Moved by the work by the work of Seiz Breur and the music of Emglev, they dream of works imbued with Brittany, not to mimic it or to please, but of a present-day Brittany, deeply lived, in response to the redundancy and lack of renewal in so-called "Breton" products. Eon Avel is a quest for this damaged heritage, whose forms and meanings they are trying to grasp. For them, the spirituality that once comforted their ancestors has not been passed on, and through art they find a way to approach it. Denez and Breuuenn work with images, using a variety of techniques: wood, linoleum and metal engraving metal, painting, sculpture and lettering. They tackle themes of reverie, introspection, nature, the Breton imagination and the stories of the ancients, which they try to modernize and in which they find themselves. in which they find themselves. Their creations perpetuate the taste for motif and symbolism of ancient embroiderers and cabinet-makers, the forms of sacred architecture, the country's thousand-year-old history and content with the force of the elements. The mystique of the landscapes in which they live their adventures also infuses their work, as does the spiritual atmosphere emanating from the many places and shrines. Following on from the collective work of the Seiz Breur, they dream of a general, original and profound artistic renewal that would be part of both an artistic quest for beauty and a search for oneself as a baker. as Breton men and women. For them, the Ar Seiz Avel event represents the concrete expression of what this could all be about, and enables them to share their distinctive universe with a wider public.

Estim. 800 - 1 000 EUR

Lot 118 - Jean-Yves ANDRE, born 1955 Saint Corentin banner, Landunvez - 2019 Acrylic on loose canvas, signed lower right. 114 x 88 cm Represents, according to legend, one of the seven founding saints of Brittany. --- Jean-Yves ANDRE, born 1955 A native of Plouescat, Jean-Yves André lives and works in Landunvez (Finistère), and has always felt at home in illustration and decoration. With this in mind, he decided to work with everyday materials. Influenced by the Seiz Breur, Pierre Toulhoat, Bigouden and Glazik motifs, but also by Australian Abori gene painting and Arabic calligraphy, he has worked in residence at Henriot in Quimper (2000 and 2013), created fabric decorations (particularly bath sheets) for Bouchara between 1996 and 2002 and designed illustrations for cards published by Jos de Châteaulin. He has decorated buildings in the port of Brest for maritime festivals (1996,2000,2004). In addition to painting on wood, canvas or volume (columns) and drawing, he also expresses himself through engraving (etching, drypoint). As a stone enthusiast, he has produced several works (texts and drawings) on ancient crosses, megaliths and steles in Brittany. In addition to his involvement in contemporary Breton design, his creations are imbued with the Breton ornamental tradition, from the works of the Seiz Breur to the motifs on Bigouden costumes and Gavrinis engraved slabs. Ar Seiz Avel is a new opportunity to showcase his work in Rennes and introduce him to a new audience.

Estim. 1 000 - 1 500 EUR

Lot 119 - Jean-Yves ANDRE, born 1955 Banner Saint Malo, Landunvez - 2019 Acrylic on loose canvas, signed and dated lower right. 151 x 97 cm Represents, according to legend, one of the seven founding saints of Brittany. --- Jean-Yves ANDRE, born 1955 A native of Plouescat, Jean-Yves André lives and works in Landunvez (Finistère), and has always felt at home in illustration and decoration. With this in mind, he decided to work with everyday materials. Influenced by the Seiz Breur, Pierre Toulhoat, Bigouden and Glazik motifs, but also by Australian Abori gene painting and Arabic calligraphy, he has worked in residence at Henriot in Quimper (2000 and 2013), created fabric decorations (particularly bath sheets) for Bouchara between 1996 and 2002 and designed illustrations for cards published by Jos de Châteaulin. He has decorated buildings in the port of Brest for maritime festivals (1996,2000,2004). In addition to painting on wood, canvas or volume (columns) and drawing, he also expresses himself through engraving (etching, drypoint). As a stone enthusiast, he has produced several works (texts and drawings) on ancient crosses, megaliths and steles in Brittany. In addition to his involvement in contemporary Breton design, his creations are imbued with the Breton ornamental tradition, from the works of the Seiz Breur to the motifs on Bigouden costumes and Gavrinis engraved slabs. Ar Seiz Avel is a new opportunity to showcase his work in Rennes and introduce him to a new audience.

Estim. 1 000 - 1 500 EUR

Lot 120 - Mathias OUVRARD, born 1990 Les Grands Cercles Jaunes, Quimper - 2020 Yellow silk and viscose velvet, hand-cut with scissors and die-cut, fused to yellow silk organza. One-of-a-kind piece, signed on the thread lower right. 120 x 80 cm This design is inspired by the concentric circle motifs so prevalent in Bigouden embroidery in the early 20th century. In this yellow, a favorite color of Bigouden embroidery, a play of sixteen orientations reveals velvet's ability to absorb and reflect light, turning a monochrome material into a surface full of golden nuances. --- Mathias OUVRARD, born 1990 Born in Quimper, Mathias Ouvrard discovered Brittany's traditional textile skills at a very early age, and the quality of the techniques and decorations created by embroidery craftsmen. During his post-graduate studies in embroidery and applied arts in Paris, he immersed himself in the ancient skills of his native region, earning a Diplôme des Métiers d'Art. The aesthetics, techniques and materials used in traditional ves tiaire, which have always fascinated him, are now inseparable from his creative process. Velvet, an omnipresent material in traditional garments, is a recurring theme in the work he has developed. Textile mosaics" composed of small pieces of velvet fused to silk organza. Each piece is hand-cut in its own direction, and each reflects or absorbs light according to its orientation, creating a changing surface as the viewer moves in front of it. Its weave enables it to both absorb and reflect light. It is this effect that he uses to give a monochrome velvet 16 shades, with 16 orientations shifted by 22.5 degrees, prepared in advance on computer. His inspirations for the motif lie between the "glazig" and "bigouden" regions, namely Quimper and Pont l'abbé. Lastly, her work echoes the Seiz Breur's desire to renew Breton arts and enhance Breton heritage.

Estim. 5 500 - 6 500 EUR

Lot 121 - Mathias OUVRARD, born 1990 Petit Goenvec Bleu, Quimper - 2024 Blue silk and viscose velvet, hand-cut with scissors and die-cut, fused to black silk organza. One-of-a-kind piece, signed on the thread lower right. 55 x 37 cm This design is inspired by various emblematic motifs from the Bigouden embroidery repertoire of the early 20th century, in particular a motif attributed to Pierre Goenvec. In this blue, a play of sixteen orientations reveals velvet's ability to absorb and reflect light, turning a monochrome material into a surface full of nuances. --- Mathias OUVRARD, born 1990 Born in Quimper, Mathias Ouvrard discovered Brittany's traditional textile skills at a very early age, and the quality of the techniques and decorations created by craftsmen and embroiderers. During his post-graduate studies in embroidery and applied arts in Paris, he immersed himself in the ancient skills of his native region, earning a Diplôme des Métiers d'Art. The aesthetics, techniques and materials used in traditional ves tiaire, which have always fascinated him, are now inseparable from his creative process. Velvet, an omnipresent material in traditional garments, is a recurring theme in the work he has developed. Textile mosaics" composed of small pieces of velvet fused to silk organza. Each piece is hand-cut in its own direction, and each reflects or absorbs light according to its orientation, creating a changing surface as the viewer moves in front of it. Its weave enables it to both absorb and reflect light. It is this effect that he uses to give a monochrome velvet 16 shades, with 16 orientations shifted by 22.5 degrees, prepared in advance on computer. His inspirations for the motif lie between the "glazig" and "bigouden" regions, namely Quimper and Pont l'abbé. Lastly, her work echoes the Seiz Breur's desire to renew Breton arts and enhance Breton heritage.

Estim. 800 - 1 000 EUR

Lot 122 - Mathias OUVRARD, born 1990 Goenvec Noir, Quimper - 2024 Black silk and viscose velvet, hand-cut with scissors and die-cut, fused to black silk organza. One-of-a-kind piece, signed on the thread lower right. 77.4 x 45.4 cm In this black, a ubiquitous color in traditional Bigouden wardrobes, a game of sixteen orientations reveals velvet's ability to absorb and reflect light, turning a monochrome material into a surface full of nuance. a surface full of nuances. --- Mathias OUVRARD, born 1990 Born in Quimper, Mathias Ouvrard discovered Brittany's traditional textile skills at a very early age, and the quality of the techniques and decorations created by embroidery craftsmen. During his post-graduate studies in embroidery and applied arts in Paris, he immersed himself in the ancient skills of his native region, earning a Diplôme des Métiers d'Art. The aesthetics, techniques and materials used in traditional ves tiaire, which have always fascinated him, are now inseparable from his creative process. Velvet, an omnipresent material in traditional garments, is a recurring theme in the work he has developed. Textile mosaics" composed of small pieces of velvet fused to silk organza. Each piece is hand-cut in its own direction, and each reflects or absorbs light according to its orientation, creating a changing surface as the viewer moves in front of it. Its weave enables it to both absorb and reflect light. It is this effect that he uses to give a monochrome velvet 16 shades, with 16 orientations shifted by 22.5 degrees, prepared in advance on computer. His inspirations for the motif lie between the "glazig" and "bigouden" regions, namely Quimper and Pont l'abbé. Lastly, her work echoes the Seiz Breur's desire to renew Breton arts and enhance Breton heritage.

Estim. 1 500 - 2 000 EUR

Lot 123 - Mathias OUVRARD, born 1990 Goenvec Orange, Quimper - 2024 Orange silk and viscose velvet, hand, scissor and die-cut, fused to ivory silk organza. One-of-a-kind piece, signed on the thread lower right. 77.4 x 45.4 cm In this orange, a favorite color of Bigouden embroidery, a play of sixteen orientations reveals velvet's ability to absorb and reflect light, turning a monochrome material into a surface full of coppery nuances. --- Mathias OUVRARD, born 1990 Born in Quimper, Mathias Ouvrard discovered Brittany's traditional textile skills at a very early age, and the quality of the techniques and decorations created by artisan embroiderers. During his post-graduate studies in embroidery and applied arts in Paris, he immersed himself in the ancient skills of his native region, earning a Diplôme des Métiers d'Art. The aesthetics, techniques and materials used in traditional ves tiaire, which have always fascinated him, are now inseparable from his creative process. Velvet, an omnipresent material in traditional garments, is a recurring theme in the work he has developed. Textile mosaics" composed of small pieces of velvet fused to silk organza. Each piece is hand-cut in its own direction, and each reflects or absorbs light according to its orientation, creating a changing surface as the viewer moves in front of it. Its weave enables it to both absorb and reflect light. It is this effect that he uses to give a monochrome velvet 16 shades, with 16 orientations shifted by 22.5 degrees, prepared in advance on computer. His inspirations for the motif lie between the "glazig" and "bigouden" regions, namely Quimper and Pont l'abbé. Lastly, her work echoes the Seiz Breur's desire to renew Breton arts and enhance Breton heritage.

Estim. 1 500 - 2 000 EUR

Lot 124 - Mathias OUVRARD, born 1990 Goenvec Jaune, Quimper - 2024 Yellow silk and viscose velvet, hand-cut with scissors and die, fused to ivory silk organza. One-of-a-kind piece, signed on the thread lower right. 77, x 45.4 cm In this yellow, a favorite color of Bigouden embroidery, a play of sixteen orientations reveals velvet's ability to absorb and reflect light, turning a monochrome material into a surface full of golden nuances. --- Mathias OUVRARD, born 1990 Born in Quimper, Mathias Ouvrard discovered Brittany's traditional textile skills at a very early age, and the quality of the techniques and decorations created by embroidery craftsmen. During his post-graduate studies in embroidery and applied arts in Paris, he immersed himself in the ancient skills of his native region, earning a Diplôme des Métiers d'Art. The aesthetics, techniques and materials used in traditional ves tiaire, which have always fascinated him, are now inseparable from his creative process. Velvet, an omnipresent material in traditional garments, is a recurring theme in the work he has developed. Textile mosaics" composed of small pieces of velvet fused to silk organza. Each piece is hand-cut in its own direction, and each reflects or absorbs light according to its orientation, creating a changing surface as the viewer moves in front of it. Its weave enables it to both absorb and reflect light. It is this effect that he uses to give a monochrome velvet 16 shades, with 16 orientations shifted by 22.5 degrees, prepared in advance on computer. His inspirations for the motif lie between the "glazig" and "bigouden" regions, namely Quimper and Pont l'abbé. Lastly, her work echoes the Seiz Breur's desire to renew Breton arts and enhance Breton heritage.

Estim. 1 500 - 2 000 EUR

Lot 125 - Mathias OUVRARD, born 1990 Glazig Bleu et Jaune, Quimper - 2019 White silk and viscose velvet, hand-dyed in sixteen shades from blue to yellow, hand-cut and collaged on ivory silk organza. One-of-a-kind piece, signed in thread at lower right. 79 x 47.5 cm This design is inspired by a glazig embroidery motif, fashionable in the Quimper region in the early 20th century. Yellow and blue, two important glazig colors, merge in this mosaic. A play of velvet orientations further multiplies the number of nuances and reveals the material's ability to absorb and reflect light. --- Mathias OUVRARD, born 1990 Born in Quimper, Mathias Ouvrard discovered Brittany's traditional textile skills at a very early age, and the quality of the techniques and decorations created by craftsmen and embroiderers. During his post-graduate studies in embroidery and applied arts in Paris, he immersed himself in the ancient skills of his native region, earning a Diplôme des Métiers d'Art. The aesthetics, techniques and materials used in traditional ves tiaire, which have always fascinated him, are now inseparable from his creative process. Velvet, an omnipresent material in traditional garments, is a recurring theme in the work he has developed. Textile mosaics" composed of small pieces of velvet fused to silk organza. Each piece is hand-cut in its own direction, and each reflects or absorbs light according to its orientation, creating a changing surface as the viewer moves in front of it. Its weave enables it to both absorb and reflect light. It is this effect that he uses to give a monochrome velvet 16 shades, with 16 orientations shifted by 22.5 degrees, prepared in advance on computer. His inspirations for the motif lie between the "glazig" and "bigouden" regions, namely Quimper and Pont l'abbé. Lastly, her work echoes the Seiz Breur's desire to renew Breton arts and enhance Breton heritage.

Estim. 1 500 - 2 000 EUR

Lot 126 - Mathias OUVRARD, born 1990 Glazig Blanc, Quimper - 2019 White silk and viscose velvet, hand-cut and collaged on ivory silk organza. One-of-a-kind piece, signed on the thread lower right. 79 x 47 cm This design is inspired by a glazig embroidery motif, fashionable in the Quimper region in the early 20th century. A play of orientations reveals velvet's ability to absorb and reflect light, turning a monochrome material into a surface full of nuances. --- Mathias OUVRARD, born 1990 Born in Quimper, Mathias Ouvrard discovered Brittany's traditional textile skills at a very early age, and the quality of the techniques and decorations created by craftsmen and embroiderers. During his post-graduate studies in embroidery and applied arts in Paris, he immersed himself in the ancient skills of his native region, earning a Diplôme des Métiers d'Art. The aesthetics, techniques and materials used in traditional ves tiaire, which have always fascinated him, are now inseparable from his creative process. Velvet, an omnipresent material in traditional garments, is a recurring theme in the work he has developed. Textile mosaics" composed of small pieces of velvet fused to silk organza. Each piece is hand-cut in its own direction, reflecting or absorbing light according to its orientation, creating a changing surface as the viewer moves in front of it. Its weave enables it to both absorb and reflect light. It is this effect that he uses to give a monochrome velvet 16 shades, with 16 orientations shifted by 22.5 degrees, prepared in advance on computer. His inspirations for the motif lie between the "glazig" and "bigouden" regions, namely Quimper and Pont l'abbé. Lastly, her work echoes the Seiz Breur's desire to renew Breton arts and enhance Breton heritage.

Estim. 1 500 - 2 000 EUR

Lot 127 - Mathias OUVRARD, born 1990 Glazig Rouge et Blanc, Quimper - 2019 White silk and viscose velvet, hand-dyed in eight shades from red to white. Hand-cut and glued on ivory silk organza. One-of-a-kind piece, signed in thread at lower right. 79 x 47 cm (Scratch on the left glass) This design is inspired by a glazig embroidery motif, fashionable in the Quimper region in the early 20th century, and reveals the velvet's ability to absorb and reflect light. --- Mathias OUVRARD, born 1990 Born in Quimper, Mathias Ouvrard discovered Brittany's traditional textile skills at a very early age, and the quality of the techniques and decorations created by craftsmen and embroiderers. During his post-graduate studies in embroidery and applied arts in Paris, he immersed himself in the ancient skills of his native region, earning a Diplôme des Métiers d'Art. The aesthetics, techniques and materials used in traditional ves tiaire, which have always fascinated him, are now inseparable from his creative process. Velvet, an omnipresent material in traditional garments, is a recurring theme in the work he has developed. Textile mosaics" composed of small pieces of velvet fused to silk organza. Each piece is hand-cut in its own direction, reflecting or absorbing light according to its orientation, creating a changing surface as the viewer moves in front of it. Its weave enables it to both absorb and reflect light. It is this effect that he uses to give a monochrome velvet 16 shades, with 16 orientations shifted by 22.5 degrees, prepared in advance on computer. His inspirations for the motif lie between the "glazig" and "bigouden" regions, namely Quimper and Pont l'abbé. Lastly, her work echoes the Seiz Breur's desire to renew Breton arts and enhance Breton heritage.

Estim. 1 500 - 2 000 EUR

Lot 128 - Mathias OUVRARD, born 1990 Long Goenvec Noir, Quimper - 2024 Black silk and viscose velvet, hand, scissor and die-cut, fused to black silk organza. One-of-a-kind piece, signed on the thread lower right. 120 x 31.7 cm This design is inspired by various emblematic motifs from the Bigouden embroidery repertoire of the early 20th century, notably those attributed to Pierre Goenvec and the Pichavant workshop. In this black, a ubiquitous color in traditional Bigouden wardrobes, a play of sixteen orientations reveals velvet's ability to absorb and reflect light, turning a monochrome material into a surface full of nuances. --- Mathias OUVRARD, born 1990 Born in Quimper, Mathias Ouvrard discovered Brittany's traditional textile skills at a very early age, and the quality of the techniques and decorations created by craftsmen and embroiderers. During his post-graduate studies in embroidery and applied arts in Paris, he immersed himself in the ancient skills of his native region, earning a Diplôme des Métiers d'Art. The aesthetics, techniques and materials used in traditional ves tiaire, which have always fascinated him, are now inseparable from his creative process. Velvet, an omnipresent material in traditional garments, is a recurring theme in the work he has developed. Textile mosaics" composed of small pieces of velvet fused to silk organza. Each piece is hand-cut in its own direction, and each reflects or absorbs light according to its orientation, creating a changing surface as the viewer moves in front of it. Its weave enables it to both absorb and reflect light. It is this effect that he uses to give a monochrome velvet 16 shades, with 16 orientations shifted by 22.5 degrees, prepared in advance on computer. His inspirations for the motif lie between the "glazig" and "bigouden" regions, namely Quimper and Pont l'abbé. Lastly, her work echoes the Seiz Breur's desire to renew Breton arts and enhance Breton heritage.

Estim. 2 000 - 3 000 EUR

Lot 129 - MIOSHE - Antoine MARTINET, born 1984 Hétérotopies, 2022 Tapestry in wool thread, 6 colors in Aubusson digital stitch by Atelier Néolice Robert Four. Numbered 1/3, dated, titled and signed on reverse. 250 x 170 cm --- MIOSHE - Antoine MARTINET, born 1984 Antoine Martinet, aka Mioshe, stands at the crossroads of the "academic" world, the tradition of art history and painting, and a more "urban" culture through his work as a muralist. His works make reference to ancient art while dealing with major contem porary subjects. Through various media, Mioshe tackles subjects that trouble us: man and his relationship with nature, the Anthropocene and ecology, relationships of domination in society and zones to be defended. Following her cartographic work on the floor of the Musée de Bretagne, the artist wishes to continue this work on the resistance movements of yesterday and today that have forged Brittany's uniqueness. Sensitive to the forms of freedom in society within the Breton free party community, Mioshe, in love with the territory, likes to tell its story through its landscapes, its encounters and its various forms of civil disobedience. Zones to defend form the graphic terrain of the works the artist has created for the Ar Seiz Avel auction exhibition. The first work on offer, Mega-bassines, is a jar painted in support of the protests in Sainte-Soline linked to the privatization of the water supply in October 2022. The second, Des pierre contre des fusils, is borrowed from Nicole Le Garrec's documentary film and pays tribute to the anti-nuclear struggle at Plogoff between 1974 and 1981. Finally, Mioshe presents the tapestry Hétérotopies, woven in Aubusson digital stitch by the Néolice Robert Four workshop. This large-scale ecological frieze recounts the clash of civilizations like a naïve tale. The work takes its name from Michel Foucault's essay defining heterotopia as a multitude of imaginary spaces anchored in reality, a physical localization of utopia.

Estim. 5 000 - 6 000 EUR

Lot 130 - Mathilde VAILLANT, born 1995 Marie-Pierrette, Brest and Rennes - 2020 Woven plastic 110 x 600 cm Macramé is a popular technique for decorating domestic interiors, and is also found in the clothing heritage of northern Lower Brittany. Here, the motif has been transmitted by Marie-Pierrette, who gives her name to the work, an embroiderer from the Celtic circle of Peros-Guirrec. Developed with a second-hand material, nets from the farming community, this weaving explores the plastic properties of the meticulous knowledge of the local traditional heritage, while reactivating links with rurality. --- Mathilde VAILLANT, born in 1995 Mathilde Vaillant's work, which began in 2018 while she was studying fine arts, stems from her experience of Breton traditions. She discovered the Seiz Breur social and cultural project while writing her dissertation entitled Deskin, trein ha gwiadin, un regard breton sur la création contemporaine en arts plastiques, submitted in September 2020 with the congratulations of the jury at the Art et Essai gallery at the University of Rennes 2. The movement of Jeanne Malivel, the Creston couple and Georges Robin quickly resonated with what was driving her creation. While the folklorization of Brittany today has evolved towards a marketing use of symbols (Celtic designs, yellow oilskins and Bigouden headdresses), the diversity of practices and knowledge, particularly in textile works, offers enormous creative potential. Mathilde Vaillant, a dancer with the Celtic circle of the Kenleur federation in the Rennes region, alternates the making of traditional headdresses with a plastic research project in embroidery, which, nourished by the know-how of embroiderers, offers a renewal of forms and formats. She draws her inspiration from Breton culture and diversifies her approach by choosing second-hand materials and techniques. The large macramé weave, for example, renews traditional motifs from the Trégor and offers a close-up of embroidery techniques, while the plastic, colorful aspect and sweet smell of hay come from the medium, straw bale nets, collected, cleaned and untangled by her. care.

Estim. 2 000 - 3 000 EUR

Lot 131 - Anne LE BAYON, born 1965 Le Nombril de Vénus, Rennes - 2024 Pleated mesh, organza flowers molded on a metal button, rat-tail leaves. Unique piece. In its hat box. 15 x 25 cm Tree trunk covered with a bouquet of Venus navels. A tribute to the little-known and discreet Breton plant of the same name, which grows at the edge of our paths and comes to quench the thirst of lost travelers. --- Anne LE BAYON, born 1965 Anne Le Bayon designs and creates wedding dresses and hats for women who have chosen to wear a unique model. Drawing on her customers' "emotional curriculum vitae", she imagines and designs her creations in their image. Anne Le Bayon is also a milliner, a "heart" field in which she began her professional activity, creating hats for numerous private clients and fashion professionals. Anne holds a diploma in the clothing industry, as well as a diploma in fashion design from the MJM School in Rennes. In the years that followed, Anne designed event hats for various events such as the culinary arts. She also met stylist Marcel Marongiu and luxury doll designer Billy Boys, who commissioned her to design collections of hats. Finally, she set up her own business at 4 rue la Fayette in Rennes in 2003. Of Breton origin on her father's side, she is very attached to the traditions of the pardons of her childhood in Auray and Treguier - and is convinced of the particular artistic richness of our region, combining tradition with external cultural contributions. For Anne Le Bayon, in the world of clothing, the designer has a real responsibility towards protecting our environment, saving raw materials and energy, a responsibility she strives to exercise in each of her creations, in the choice and origin of the materials she uses.

Estim. 400 - 500 EUR

Lot 132 - Anne LE BAYON, born 1965 Triskel, Rennes - 2024 Hat designed with fishing line used to create scrolls in silk chiffon, the fishing line is covered with a hand-sewn black velvet ribbon, the guipure is reconstituted and stiffened with a primer, the pearls are hand-sewn. the pearls are hand-sewn. One-of-a-kind piece. In its hat box. Dim. 30 cm --- Anne LE BAYON, born 1965 Anne Le Bayon designs and creates wedding dresses and hats for women who have chosen to wear a unique model. Drawing on her customers' "emotional curriculum vitae", she imagines and designs her creations in their image. Anne Le Bayon is also a milliner, a "heart" field in which she began her professional activity, creating hats for numerous private clients and fashion professionals. Anne holds a diploma in the clothing industry, as well as a diploma in fashion design from the MJM School in Rennes. In the years that followed, Anne designed event hats for various events such as the culinary arts. She also met stylist Marcel Marongiu and luxury doll designer Billy Boys, who commissioned her to design collections of hats. Finally, she set up her own business at 4 rue la Fayette in Rennes in 2003. Of Breton origin on her father's side, she is very attached to the traditions of the pardons of her childhood in Auray and Treguier - and is convinced of the particular artistic richness of our region, combining tradition with external cultural contributions. For Anne Le Bayon, in the world of clothing, the designer has a real responsibility towards protecting our environment, saving raw materials and energy, a responsibility she strives to exercise in each of her creations, in the choice and origin of the materials she uses.

Estim. 400 - 500 EUR

Lot 133 - Anne LE BAYON, born 1965 L'Oiseau du pêcheur, Rennes - 2024 Hat created with Sizal covered with crepe, crocheted beaded thread and frayed silk feathers, glass bead for the beak. One-of-a-kind piece. In its hat box. 26 x 25 cm --- Anne LE BAYON, born 1965 Anne Le Bayon designs and creates wedding dresses and hats for women who have chosen to wear a unique model. Drawing on her customers' "emotional curriculum vitae", she imagines and designs her creations in their image. Anne Le Bayon is also a milliner, a "heart" field in which she began her professional activity, creating hats for numerous private clients and fashion professionals. Anne holds a diploma in the clothing industry, as well as a diploma in fashion design from the MJM School in Rennes. In the years that followed, Anne designed event hats for various events such as the culinary arts. She also met stylist Marcel Marongiu and luxury doll designer Billy Boys, who commissioned her to design collections of hats. Finally, she set up her own business at 4 rue la Fayette in Rennes in 2003. Of Breton origin on her father's side, she is very attached to the traditions of the pardons of her childhood in Auray and Treguier - and is convinced of the particular artistic richness of our region, combining tradition with external cultural contributions. For Anne Le Bayon, in the world of clothing, the designer has a real responsibility towards protecting our environment, saving raw materials and energy, a responsibility she strives to exercise in each of her creations, in the choice and origin of the materials she uses.

Estim. 400 - 500 EUR

Lot 134 - Anne LE BAYON, born 1965 Fée du Lac, Rennes bridal show - 2018 Wedding dress size 36-38 Embossed silk organza on Lin fil étamine. Silk lining. Feather ribbon with glass beads. Whalebone bustier. Shoulder-floor length: 165 cm - Back with train: 230 cm Strapless, slightly flared dress with train. V-neckline front and back, covering shoulders with feathers. --- Anne LE BAYON, born 1965 Anne Le Bayon designs and creates wedding dresses and hats for women who have chosen to wear a unique model. Drawing on her customers' "emotional curriculum vitae", she imagines and designs her creations in their image. Anne Le Bayon is also a milliner, a "heart" field in which she began her professional activity, creating hats for numerous private clients and fashion professionals. Anne holds a diploma in the clothing industry, as well as a diploma in fashion design from the MJM School in Rennes. In the years that followed, Anne created event hats for various events such as the culinary arts. She also met stylist Marcel Marongiu and luxury doll designer Billy Boys, who commissioned her to design collections of hats. Finally, she set up her own business at 4 rue la Fayette in Rennes in 2003. Of Breton origin on her father's side, she is very attached to the traditions of the pardons of her childhood in Auray and Treguier - and is convinced of the particular artistic richness of our region, combining tradition with external cultural contributions. For Anne Le Bayon, in the world of clothing, the designer has a real responsibility towards protecting our environment, saving raw materials and energy, a responsibility she strives to exercise in each of her creations, in the choice and origin of the materials she uses.

Estim. 2 000 - 2 500 EUR

Lot 135 - Mathias OUVRARD, 1990 Manchoù à Paillettes, Quimper - 2016 Haute couture "Giz ar Vro" collection in collaboration with JAN Thomas. Black wool sheet, black velvet and colored sequins, quilted velvet (needlework technique), sequins applied with Lunéville crochet and needlework. Unsigned, repeated in a few places on the lining. Size 36-38 Entirely hand-decorated, this piece is inspired by a style fashionable in the Quimper region in the 1880s. It features the cut and velvet decorations characteristic of clothing from this period in the Glazig region. --- Mathias OUVRARD, born 1990 Born in Quimper, Mathias Ouvrard discovered Brittany's traditional textile skills at a very early age, as well as the quality of the techniques and designs created by artisan embroiderers. During his post-graduate studies in embroidery and applied arts in Paris, he immersed himself in the ancient skills of his native region, earning a Diplôme des Métiers d'Art. The aesthetics, techniques and materials used in traditional ves tiaire, which have always fascinated him, are now inseparable from his creative process. Velvet, an omnipresent material in traditional garments, is a recurring theme in the work he has developed. Textile mosaics" composed of small pieces of velvet fused to silk organza. Each piece is hand-cut in its own direction, reflecting or absorbing light according to its orientation, creating a changing surface as the viewer moves in front of it. Its weave enables it to both absorb and reflect light. It is this effect that he uses to give a monochrome velvet 16 shades, with 16 orientations shifted by 22.5 degrees, prepared in advance on computer. His inspirations for the motif lie between the "glazig" and "bigouden" regions, namely Quimper and Pont l'abbé. Lastly, her work echoes the Seiz Breur's desire to renew Breton arts and enhance Breton heritage.

Estim. 4 000 - 5 000 EUR

Lot 139 - Nolwenn FALIGOT, born 1991 Suzanne Candré-Creston dress, Gwenn ha Glaz collection, Dirinon - 2024 One-of-a-kind piece, organic cotton and cotton ribbing, from dormant stock knitted in Quimper. Size M/L Length 1.40 m A very graphic striped dress, reminiscent of the broken line worked by designer Seiz Breur who gave her name to the dress, with a play of cut-outs creating precisely placed striped patterns. A fabric from dormant stock (unused end-of-roll), knitted in Quimper. A long, elegant dress with puffed sleeves and a high collar mixing stripes and plain. A comfortable comfortable, slightly fitted at the waist in a soft, warm sailor's fabric. --- Nolwenn FALIGOT, born 1991 A graduate of London's top fashion schools, Nolwenn Faligot has worked in England, Slovakia, China, Japan and at Paris Fashion Week. Wishing to create her eponymous brand, she decided to return to her roots and settle in her native Finistère, where she created a line of clothing for women combining elegance and functionality. Her NOLWENN FALIGOT brand is a delicate blend of Celtic heritage and influences from the four corners of the world, echoing Breton clothing heritage in a bold, modern evocation. She also creates mini-collections in collaboration with Armor Lux, revisiting the brand's classics with her own creativity. Nolwenn Faligot - president of the PEVARZEK collective, a group of artists, craftspeople and designers who reflect on Breton design today - echoes the Seiz Breur approach, which aims to promote Brittany, its heritage and know-how, while renewing its creative power in a contemporary way, as Jeanne Malivel did in her day. For Ar Seiz Avel, she has created an exclusive collection entitled "Gwenn ha Glaz" / "Blanc et mer". Nolwenn Faligot draws her inspiration from the everyday clothes of yesteryear, men's and women's work outfits, the meeting of farmer and sailor. From volume to detail, the pieces draw on the region's clothing repertoire. From the tis serande, who traditionally creates material by hand, to the graphic artist who cuts stone paper for silk-screen printing, and the embroiderer who perpetuates ancestral gestures to bring to life motifs inspired by Breton textile heritage, masterpieces from the world of the Breton-soul clothing designer are revisited: from the kabig to the striped dress, via the kimono caban, the double-breasted dress and the short jacket, or the reversible shawl and the smocked dress Artists, designers, poets, explorers or legendary people - the names of these seven creations evoke inspired and inspiring Breton women.

Estim. 1 000 - 1 500 EUR

Lot 140 - Nolwenn FALIGOT, born 1991 Mari-Morgan dress, Gwenn ha Glaz collection, Dirinon - 2024 One-of-a-kind, linen and hemp, mother-of-pearl buttons, hand-smocked. One size Long. 1.30 m A smocked dress with wrinkle work or hand pleating in a patchwork of linen and linen and hemp in shades of storm blue, storm blue and a blue stripe with orange accents. The striped front and skirt create a random interplay of wavy stripes and blending colors via the artisanal smocking technique. The bare-shouldered décolleté is held in place by a collar that closes in the back with small buttons. Puffy sleeves tightened by visible gathers at the cuff and a wide elasticated belt (reminiscent of the gouriz wide belt) reinforce the refined allure. --- Nolwenn FALIGOT, born 1991 A graduate of London's top fashion schools, Nolwenn Faligot has worked' in England, Slovakia, China, Japan and at Paris Fashion Week. Wishing to create her eponymous brand, she decided to return to her roots and settle in her native Finistère, where she created a line of clothing for women combining elegance and functionality. Her NOLWENN FALIGOT brand is a delicate blend of Celtic heritage and influences from the four corners of the world, echoing Breton clothing heritage in a bold, modern evocation. She also creates mini-collections in collaboration with Armor Lux, revisiting the brand's classics with her own creativity. Nolwenn Faligot - president of the PEVARZEK collective, a group of artists, craftspeople and designers who reflect on Breton design today - echoes the Seiz Breur approach, which aims to promote Brittany, its heritage and know-how, while renewing its creative power in a contemporary way, as Jeanne Malivel did in her day. For Ar Seiz Avel, she has created an exclusive collection entitled "Gwenn ha Glaz" / "Blanc et mer". Nolwenn Faligot draws her inspiration from the everyday clothes of yesteryear, men's and women's work outfits, the meeting of farmer and sailor. From volume to detail, the pieces draw on the region's clothing repertoire. From the tis serande, who traditionally creates material by hand, to the graphic artist who cuts stone paper for silk-screen printing, and the embroiderer who perpetuates ancestral gestures to bring to life motifs inspired by Breton textile heritage, masterpieces from the world of the Breton-soul clothing designer are revisited: from the kabig to the striped dress, via the kimono caban, the double-breasted dress and the short jacket, or the reversible shawl and the smocked dress Artists, designers, poets, explorers or legendary people - the names of these seven creations evoke inspired and inspiring Breton women.

Estim. 3 000 - 3 600 EUR

Lot 141 - Nolwenn FALIGOT, born 1991 Jeanne Malivel dress, Gwenn ha Glaz collection, Dirinon and Quimper - 2024 One-of-a-kind piece, washed natural linen, mother-of-pearl buttons, silk-screen printed by Sophie Ambroise (Glaz'ink). One size Long. 1.10 m A double-breasted dress, featuring the gathered detail - a Nolwenn Faligot signature borrowed from Breton garments of yesteryear. A favorite piece in the NOLWENN FALIGOT universe, the generous-volume dress is revisited in undyed washed linen (evoking the blouse by designer Seiz Breur's blouse, which gives the dress its name), illuminated by a gold-toned print - an echo of traditional embroidery - with a revisited Bigouden motif. --- Nolwenn FALIGOT, born 1991 A graduate of London's top fashion schools, Nolwenn Faligot has worked in England, Slovakia, China, Japan and at Paris Fashion Week. Wishing to create her eponymous brand, she decided to return to her roots and settle in her native Finistère, where she created a line of clothing for women combining elegance and functionality. Her NOLWENN FALIGOT brand is a delicate blend of Celtic heritage and influences from the four corners of the world, echoing Breton clothing heritage in a bold, modern evocation. She also creates mini-collections in collaboration with Armor Lux, revisiting the brand's classics with her own creativity. Nolwenn Faligot - president of the PEVARZEK collective, a group of artists, craftspeople and designers who reflect on Breton design today - echoes the Seiz Breur approach, which aims to promote Brittany, its heritage and know-how, while renewing its creative power in a contemporary way, as Jeanne Malivel did in her day. For Ar Seiz Avel, she has created an exclusive collection entitled "Gwenn ha Glaz" / "Blanc et mer". Nolwenn Faligot draws her inspiration from the everyday clothes of yesteryear, men's and women's work outfits, the meeting of farmer and sailor. From volume to detail, the pieces draw on the region's clothing repertoire. From the tis serande, who traditionally creates material by hand, to the graphic artist who cuts stone paper for silk-screen printing, and the embroiderer who perpetuates ancestral gestures to bring to life motifs inspired by Breton textile heritage, masterpieces from the world of the Breton-soul clothing designer are revisited: from the kabig to the striped dress, via the kimono caban, the double-breasted dress and the short jacket, or the reversible shawl and the smocked dress Artists, designers, poets, explorers or legendary people - the names of these seven creations evoke inspired and inspiring Breton women.

Estim. 1 200 - 1 800 EUR

Lot 142 - Nolwenn FALIGOT, born 1991 Kabig Val Piriou, Gwenn ha Glaz collection, Dirinon / Plobanalec - 2024 Unique piece, wool and cashmere (olive wood buttons), embroidered by Françoise Kerjose (Atelier Boem) Size 38 /40 Length 0.65 m A smocked kabig - wrinkled or pleated by hand - with revisited style and proportions. A staple of the Breton wardrobe and that of Nolwenn Faligot, historically worn by the seaweed farmers of Pagan country. It retains its belly pocket, here highlighted by delicately shimmering satin cotton and wooden brandebourg buttons. The volume of the flared sleeves in particular evokes the proportions of certain pieces historically worn by men and women in different parts of Brittany, and in particular Pays Bigouden. --- Nolwenn FALIGOT, born 1991 A graduate of London's top fashion schools, Nolwenn Faligot has worked in England, Slovakia, China, Japan and at Paris Fashion Week. Wishing to create her eponymous brand, she decided to return to her roots and settle in her native Finistère, where she created a line of clothing for women combining elegance and functionality. Her NOLWENN FALIGOT brand is a delicate blend of Celtic heritage and influences from the four corners of the world, echoing Breton clothing heritage in a bold, modern evocation. She also creates mini-collections in collaboration with Armor Lux, revisiting the brand's classics with her own creativity. Nolwenn Faligot - president of the PEVARZEK collective, a group of artists, craftspeople and designers who reflect on Breton design today - echoes the Seiz Breur approach, which aims to promote Brittany, its heritage and know-how, while renewing its creative power in a contemporary way, as Jeanne Malivel did in her day. For Ar Seiz Avel, she has created an exclusive collection entitled "Gwenn ha Glaz" / "Blanc et mer". Nolwenn Faligot draws her inspiration from the everyday clothes of yesteryear, men's and women's work outfits, the meeting of farmer and sailor. From volume to detail, the pieces draw on the region's clothing repertoire. From the tis serande, who traditionally creates material by hand, to the graphic artist who cuts stone paper for silk-screen printing, and the embroiderer who perpetuates ancestral gestures to bring to life motifs inspired by Breton textile heritage, masterpieces from the world of the Breton-soul clothing designer are revisited: from the kabig to the striped dress, via the kimono caban, the double-breasted dress and the short jacket, or the reversible shawl and the smocked dress Artists, designers, poets, explorers or legendary people - the names of these seven creations evoke inspired and inspiring Breton women.

Estim. 3 500 - 4 000 EUR

Lot 143 - Nolwenn FALIGOT, born 1991 Yvonne Jean Haffen jacket - Gwenn ha Glaz collection, Dirinon and Cléguérec - 2024 One-of-a-kind piece, linen and merino wool and alpaca (olive wood buttons), hand-woven by Sandra Le Noxaic (Selona Tissage). One size 0.45 m long A short jacket, with ample volumes, evoking the proportions of certain pieces historically worn by men and women in different parts of Brittany, and in particular Cornouaille, with the wooden brandebourg buttons of the kabigs of yesteryear. A fabric created exclusively and tailor-made for this piece in a linen/wool weave with fringed yokes creating a wool fur with colorful touches. The chevron detail pays homage to the broken line of Seiz Breur. --- Nolwenn FALIGOT, born 1991 A graduate of London's top fashion schools, Nolwenn Faligot has worked in England, Slovakia, China, Japan and at Paris Fashion Week. Wishing to create her eponymous brand, she decided to return to her roots and settle in her native Finistère, where she created a line of clothing for women combining elegance and functionality. Her NOLWENN FALIGOT brand is a delicate blend of Celtic heritage and influences from the four corners of the world, echoing Breton clothing heritage in a bold, modern evocation. She also creates mini-collections in collaboration with Armor Lux, revisiting the brand's classics with her own creativity. Nolwenn Faligot - president of the PEVARZEK collective, a group of artists, craftspeople and designers who reflect on Breton design today - echoes the Seiz Breur approach, which aims to promote Brittany, its heritage and know-how, while renewing its creative power in a contemporary way, as Jeanne Malivel did in her day. For Ar Seiz Avel, she has created an exclusive collection entitled "Gwenn ha Glaz" / "Blanc et mer". Nolwenn Faligot draws her inspiration from the everyday clothes of yesteryear, men's and women's work outfits, the meeting of farmer and sailor. From volume to detail, the pieces draw on the region's clothing repertoire. From the tis serande, who traditionally creates material by hand, to the graphic artist who cuts stone paper for silk-screen printing, and the embroiderer who perpetuates ancestral gestures to bring to life motifs inspired by Breton textile heritage, masterpieces from the world of the Breton-soul clothing designer are revisited: from the kabig to the striped dress, via the kimono caban, the double-breasted dress and the short jacket, or the reversible shawl and the smocked dress Artists, designers, poets, explorers or legendary people - the names of these seven creations evoke inspired and inspiring Breton women.

Estim. 2 500 - 3 000 EUR

Lot 144 - Nolwenn FALIGOT, born 1991 Angela Duval shawl, Gwenn ha Glaz collection, Dirinon and Cléguérec - 2024 Linen and merino wool and alpaca, hand-woven by Sandra Le Noxaic (Selona Tissage) One size 0.90 m long A reversible shawl that can be worn short or long, with more or less drape around the neck to wrap up in. A piece of minimalist construction highlighting the beauty of the weave. A fabric created exclusively and tailor-made for this piece in a linen/wool weave with bangs creating a wool fur with colorful touches. The chevron detail pays homage to the broken line of Seiz Breur. --- Nolwenn FALIGOT, born 1991 A graduate of London's top fashion schools, Nolwenn Faligot has worked in England, Slovakia, China, Japan and at Paris Fashion Week. Wishing to create her eponymous brand, she decided to return to her roots and settle in her native Finistère, where she created a line of clothing for women combining elegance and functionality. Her NOLWENN FALIGOT brand is a delicate blend of Celtic heritage and influences from the four corners of the world, echoing Breton clothing heritage in a bold, modern evocation. She also creates mini-collections in collaboration with Armor Lux, revisiting the brand's classics with her own creativity. Nolwenn Faligot - president of the PEVARZEK collective, a group of artists, craftspeople and designers who reflect on Breton design today - echoes the Seiz Breur approach, which aims to promote Brittany, its heritage and know-how, while renewing its creative power in a contemporary way, as Jeanne Malivel did in her day. For Ar Seiz Avel, she has created an exclusive collection entitled "Gwenn ha Glaz" / "Blanc et mer". Nolwenn Faligot draws her inspiration from the everyday clothes of yesteryear, men's and women's work outfits, the meeting of farmer and sailor. From volume to detail, the pieces draw on the region's clothing repertoire. From the tis serande, who traditionally creates material by hand, to the graphic artist who cuts stone paper for silk-screen printing, and the embroiderer who perpetuates ancestral gestures to bring to life motifs inspired by Breton textile heritage, masterpieces from the world of the Breton-soul clothing designer are revisited: from the kabig to the striped dress, via the kimono caban, the double-breasted dress and the short jacket, or the reversible shawl and the smocked dress Artists, designers, poets, explorers or legendary people - the names of these seven creations evoke inspired and inspiring Breton women.

Estim. 1 000 - 1 500 EUR

Lot 145 - Nolwenn FALIGOT, born 1991 Anita Conti pea jacket, Gwenn ha Glaz collection, Dirinon and Cléguérec - 2024 One-of-a-kind piece, linen and merino wool and alpaca, olive wood buttons, hand-woven by Sandra Le Noxaic (Selona Tissage) One size 1 m long A generously proportioned kimono pea jacket, partially cinched with a belt reminiscent of the wide fabric or leather gouriz belts worn by men in different parts of Brittany. Here, it's elasticated and fastened with the wooden brandebourg buttons of the kabigs of yesteryear. A fabric created exclusively and tailor-made for this piece in a linen/wool weave with fringed yokes creating a wool fur with colorful touches. The chevron detail pays homage to the broken line of Seiz Breur. --- Nolwenn FALIGOT, born 1991 A graduate of London's top fashion schools, Nolwenn Faligot has worked in England, Slovakia, China, Japan and at Paris Fashion Week. Wishing to create her eponymous brand, she decided to return to her roots and settle in her native Finistère, where she created a line of clothing for women combining elegance and functionality. Her NOLWENN FALIGOT brand is a delicate blend of Celtic heritage and influences from the four corners of the world, echoing Breton clothing heritage in a bold, modern evocation. She also creates mini-collections in collaboration with Armor Lux, revisiting the brand's classics with her own creativity. Nolwenn Faligot - president of the PEVARZEK collective, a group of artists, craftspeople and designers who reflect on Breton design today - echoes the Seiz Breur approach, which aims to promote Brittany, its heritage and know-how, while renewing its creative power in a contemporary way, as Jeanne Malivel did in her day. For Ar Seiz Avel, she has created an exclusive collection entitled "Gwenn ha Glaz" / "Blanc et mer". Nolwenn Faligot draws her inspiration from the everyday clothes of yesteryear, men's and women's work outfits, the meeting of farmer and sailor. From volume to detail, the pieces draw on the region's clothing repertoire. From the tis serande, who traditionally creates material by hand, to the graphic artist who cuts stone paper for silk-screen printing, and the embroiderer who perpetuates ancestral gestures to bring to life motifs inspired by Breton textile heritage, masterpieces from the world of the Breton-soul clothing designer are revisited: from the kabig to the striped dress, via the kimono caban, the double-breasted dress and the short jacket, or the reversible shawl and the smocked dress Artists, designers, poets, explorers or legendary people - the names of these seven creations evoke inspired and inspiring Breton women.

Estim. 4 000 - 4 500 EUR

Lot 148 - Françoise KERJOSE, born 1968 Octopus, 2023 Square in silk twill (62g/m2) or twill fabric, digitally printed by a silk workshop in Lyon, and hand-rolled from a paper cut signed by artist Anh GLOUX. Label, limited edition of 12. 65 x 65 cm --- Françoise KERJOSE, born 1968 Passionate about design, art and materials, Françoise Kerjose explores a variety of artistic techniques, with a particular attraction to traditional embroidery, which is now one of her sources of inspiration. Atelier BOEM's commitment is to highlight natural, noble materials such as linen and hemp, sublimated by contemporary, refined motifs, Cornély embroidered or printed, for a modern, up-to-date image of Breton design. Based in South Finistère for the past two years, she publishes high-quality printed and embroidered textile creations inspired by Brittany's traditional craftsmanship, taking care of every stage of the collection's production. She also collaborates with renowned companies who perpetuate their French know-how, and with former textile workers who put their skills at her disposal. Each creation is produced in small batches, and is designed and produced with respect for the challenges of our time: French manufacturing, respectful choice of materials, sewing carried out in the workshop or entrusted to a local Etablissement de Service d'Aide par le travail. For the Ar Seiz Avel event, she presents three pieces from the Nadozioù Vor Collection, designed in collaboration with Nolwenn Faligot in wool felt from Breton sheep, fashioned in Morbihan.

Estim. 120 - 180 EUR

Lot 149 - Françoise KERJOSE, born 1968 Marée basse, 2023 Square in silk twill (62g/m2) or twill fabric, digitally printed by a silk workshop in Lyon, and hand-rolled from a paper cut signed by artist Anh GLOUX. Label, limited edition of 12. 65 x 65 cm --- Françoise KERJOSE, born 1968 Passionate about design, art and materials, Françoise Kerjose explores a variety of artistic techniques, with a particular attraction to traditional embroidery, which is now one of her sources of inspiration. Atelier BOEM's commitment is to highlight natural, noble materials such as linen and hemp, sublimated by contemporary, refined motifs, Cornély embroidered or printed, for a modern, up-to-date image of Breton design. Based in South Finistère for the past two years, she publishes high-quality printed and embroidered textile creations inspired by Brittany's traditional craftsmanship, taking care of every stage of the collection's production. She also collaborates with renowned companies who perpetuate their French know-how, and with former textile workers who put their skills at her disposal. Each creation is produced in small batches, and is designed and produced with respect for the challenges of our time: French manufacturing, respectful choice of materials, sewing carried out in the workshop or entrusted to a local Etablissement de Service d'Aide par le travail. For the Ar Seiz Avel event, she presents three pieces from the Nadozioù Vor Collection, designed in collaboration with Nolwenn Faligot in wool felt from Breton sheep, fashioned in Morbihan.

Estim. 120 - 180 EUR

Lot 150 - Françoise KERJOSE, born 1968 Poentou table runner, 2024 Cornély embroidery in pearl cotton thread on linen canvas. One-of-a-kind 1/1 label in recycled organic cotton. 174 x 54 cm Embroidered motif representing two mirrored stripes, inspired by the colors of Jeanne Malivel's ceramic work and her fabric sketch strokes. --- Françoise KERJOSE, born 1968 Passionate about design, art and materials, Françoise Kerjose explores a variety of artistic techniques, with a particular attraction to traditional embroidery, which is now one of her sources of inspiration. Atelier BOEM's commitment is to highlight natural, noble materials such as linen and hemp, sublimated by contemporary, refined motifs, Cornély embroidered or printed, for a modern, up-to-date image of Breton design. Based in South Finistère for the past two years, she publishes high-quality printed and embroidered textile creations inspired by Brittany's traditional craftsmanship, taking care of every stage of the collection's production. She also collaborates with renowned companies who perpetuate their French know-how, and with former textile workers who put their skills at her disposal. Each creation is produced in small batches, and is designed and produced with respect for the challenges of our time: French manufacturing, respectful choice of materials, sewing carried out in the workshop or entrusted to a local Etablissement de Service d'Aide par le travail. For the Ar Seiz Avel event, she presents three pieces from the Nadozioù Vor Collection, designed in collaboration with Nolwenn Faligot in wool felt from Breton sheep, fashioned in Morbihan.

Estim. 300 - 350 EUR

Lot 151 - Klervi KEROUEDAN, born 2000 La coiffe de Mémé Kerongard, 2021 Inkjet print on 200g satin paper. Single print signed on a cartel on the back of the frame. 59.4 x 42 cm --- Klervi KEROUEDAN, born in 2000 Klervi Kerouedan graduated from the Ecole Boulle last year, and is working on a design thesis on the theme of traumatic ruins. For her diploma, she is tackling the question of an appeased memory, that of Brittany, which she left four years earlier. In her research, she analyzed the work of the Seiz Breur and then appropriated it, questioning the possibility of modernizing the vestiges of the past. Her research revolves around two dichotomous axes: preservation and disappearance, nurturing a form of ambiguity and confrontation in her work. For example, she provokes analogies by creating contemporary "palimpsests", so that individual histories add up to create a common one. Her approach is characterized by the use of very simple means (print, collage, image, motif, form), and the image is accompanied by the written word, thought, words and poetry. The writing of her dissertation, Ker, was the trigger for wider research into the modernization of traditional Breton arts. She explored the possibility of a meeting between our "relics of the past" and our "wrecks of the future" by proposing an exhibition for the 100th anniversary of Seiz Breur at the radome in Pleumeur-Bodou, in the Côtes d'Armor. Subsequently, Klervi Kerouedan led the mutations silencieuses project, which explored the possibility of reviving the Seiz Breur movement through design. Within this framework, she developed a production of volumes and images inspired by the collective's work.

Estim. 180 - 220 EUR

Lot 152 - Aurore BAGARRY, born 1982 Ile Renote, Tregastel, Côtes-d'Armor, Roches series, 2016-2020 Pigment print from a 4 x 5 inch color negative on cotton paper. Print numbered 1/4 and signed on the back 100 x 125 cm --- Aurore BAGARRY, born 1982 French photographer and video artist, born in 1982 in Le Mans. For five years, she surveyed the coasts of the English Channel, photographing the cliffs and rocks of northern France and southern England. From Finistère to Pas-de-Calais, then across the sea from Eastbourne to Cape Lizard in Cornwall, she produced what appears to be a survey of the different geological formations to be found along the Channel coast: pink granite, green shale, white chalk cliffs, red siliceous rocks. The colored rocks occupy all the space in the image, to the point of making the notion of scale of scale, becoming both sculptures and fascinating backdrops. Aurore Bagarry graduated from the Ecole Nationale de la Photographie d'Arles in 2008, and joins Ar Seiz Avel for its stimulating and innovative approach to promoting and supporting artists. Her work focuses on notions of time and landscape, using a large-format view camera. Arriving in Brittany in 2016, her work has taken on new momentum, through encounters with local art professionals and the production of books and exhibitions. Ar Seiz Avel resonates with her artistic preoccupations with nature and the living. For this sale, she is offering five works, including Ile Renote, Trégastel, a major work for its large format and soft tones. It is emblematic of her artistic approach to the intersection of photography and geology. The sale project, Ar Seiz Avel, offers an ideal opportunity to showcase this work, particularly in Rennes, where Mathurin Méheut and Yvonne Jean Haffen a decorative cycle in the former Rennes Geological Institute: a celebration of Science and the Earth in Brittany.

Estim. 2 000 - 2 500 EUR

Lot 153 - Claire ADELFANG, born 1984 Water line, 2010 Silver color photograph mounted under diasec with wooden stretcher, signed and numbered 1/3. 120 x 120 cm --- Claire ADELFANG, born 1984 Claire Adelfang's attachment to Brittany is partly linked to her maternal roots and her frequent visits to her family home. Through her photographic and filmic explorations, she has become and filmic explorations, she has become immersed in this land, both rural and industrial, and interested in its history. The Ar Seiz Avel project inspires her, as does her desire to participate in the creation of a collective experience. The history of places, the natural environment transformed by man and the indirect traces of his presence are founding elements of her work. She is deeply interested in the history and memory of places. When she discovers a landscape, whether natural or concrete, she needs to feel it, to understand it. The subject of each of her photographs and videos is a fragment of reality without artifice, a naked truth. Ligne d'eau was shot in the Brière region during peat harvesting, which she also filmed. In this photograph, what's most striking is the fusion of elements, which can even go as far as a certain confusion. to the point of confusion, reinforcing the image's enigmatic quality. What we are given to see is no longer the reality perceived at first glance. This long pipe winds its way between the water and the sky, imprinting itself on the viewer's perception of space. The line becomes a sign, writing, sculpture. The presence of water is always suggested in the concrete landscapes she photographs.

Estim. 2 000 - 3 000 EUR
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