Null Claire ADELFANG, born 1984
Water line, 2010
Silver color photograph mounted…
Description

Claire ADELFANG, born 1984 Water line, 2010 Silver color photograph mounted under diasec with wooden stretcher, signed and numbered 1/3. 120 x 120 cm --- Claire ADELFANG, born 1984 Claire Adelfang's attachment to Brittany is partly linked to her maternal roots and her frequent visits to her family home. Through her photographic and filmic explorations, she has become and filmic explorations, she has become immersed in this land, both rural and industrial, and interested in its history. The Ar Seiz Avel project inspires her, as does her desire to participate in the creation of a collective experience. The history of places, the natural environment transformed by man and the indirect traces of his presence are founding elements of her work. She is deeply interested in the history and memory of places. When she discovers a landscape, whether natural or concrete, she needs to feel it, to understand it. The subject of each of her photographs and videos is a fragment of reality without artifice, a naked truth. Ligne d'eau was shot in the Brière region during peat harvesting, which she also filmed. In this photograph, what's most striking is the fusion of elements, which can even go as far as a certain confusion. to the point of confusion, reinforcing the image's enigmatic quality. What we are given to see is no longer the reality perceived at first glance. This long pipe winds its way between the water and the sky, imprinting itself on the viewer's perception of space. The line becomes a sign, writing, sculpture. The presence of water is always suggested in the concrete landscapes she photographs.

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Claire ADELFANG, born 1984 Water line, 2010 Silver color photograph mounted under diasec with wooden stretcher, signed and numbered 1/3. 120 x 120 cm --- Claire ADELFANG, born 1984 Claire Adelfang's attachment to Brittany is partly linked to her maternal roots and her frequent visits to her family home. Through her photographic and filmic explorations, she has become and filmic explorations, she has become immersed in this land, both rural and industrial, and interested in its history. The Ar Seiz Avel project inspires her, as does her desire to participate in the creation of a collective experience. The history of places, the natural environment transformed by man and the indirect traces of his presence are founding elements of her work. She is deeply interested in the history and memory of places. When she discovers a landscape, whether natural or concrete, she needs to feel it, to understand it. The subject of each of her photographs and videos is a fragment of reality without artifice, a naked truth. Ligne d'eau was shot in the Brière region during peat harvesting, which she also filmed. In this photograph, what's most striking is the fusion of elements, which can even go as far as a certain confusion. to the point of confusion, reinforcing the image's enigmatic quality. What we are given to see is no longer the reality perceived at first glance. This long pipe winds its way between the water and the sky, imprinting itself on the viewer's perception of space. The line becomes a sign, writing, sculpture. The presence of water is always suggested in the concrete landscapes she photographs.

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