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Fine Asian & African Art

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26 St. Stephen's Green Dublin 2 D02 X665 Dublin, Ireland
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Lot 4 - TWO BLACK AND WHITE GLAZED ‘BI YONG’ CIRCULAR INKSTONE 宋代 黑、白釉辟庸陶砚两件 China, Song dynasty The central unglazed grinding surface is surrounded by a narrow well, positioned above an openwork apron created by short legs attached to a ring. The entire piece is finely glazed, except for the grinding surface and underside, which reveal the fine white body material. D. 6.4, 5.1cm NOTE In the history of porcelain inkstones, the Biyong inkstone boasts a particularly unique design. Biyong was the place where ancient emperors lectured. The Record of Rites: Wang Section states: The grand college is located in the suburbs; the emperor's is called Biyong, while those of the feudal lords are called Leigong. Cai Yong of the Eastern Han Dynasty explained in his Mingtang Danling Lun as: It is surrounded by water on all four sides, resembling a wall. Subsequently, it came to be known as Biyong. During the Southern and Northern Dynasties as well as the Sui and Tang Dynasties, ceramic artisans imitated the design of the Biyong to create the Biyong inkstone, which became highly prized artistic treasures. During the Wei and Jin Dynasties, with the rapid development of the porcelain industry, ceramic inkstone platforms emerged in large numbers. Among them, a type with a round dish with feet was most popular, which also served as the precursor to the Biyong inkstone during the Sui and Tang Dynasties. During the Wei and Jin periods, the most popular inkstones were three-legged or four-legged celadon round dishes, which evolved into bead-footed inkstones and Biyong inkstones with five to ten legs during the Southern and Northern Dynasties. By the Sui and Tang Dynasties, circular multi-legged Biyong inkstones had developed.

Estim. 500 - 600 EUR

Lot 8 - A CIZHOU TIGER FORM PILLOW 明代 磁州窯系藍釉菊花紋虎形枕 China, Ming dynasty L.26cm NOTE A similar pillow in the collection of Liuzhou Museum of China. Cizhou kilns represent a historically significant and extensive folk kiln system in northern China, primarily centered in Cixian, Hebei Province, but also distributed across Hebei, Henan, and Shanxi provinces. The pottery from this region is characterized by its rugged and bold style, with simple and brisk lines. The designs are practical for everyday use, plain and elegant, durable, and exude a strong rustic charm. Porcelain pillows began to be produced during the Sui Dynasty, and their manufacture continued through the Tang, Song, Yuan, Ming, and Qing dynasties. Initially, porcelain pillows appeared in the form of pulse pillows but gradually evolved into sleeping utensils, valued for their cool, refreshing effect on the skin, providing comfort and relaxation. As a result, they were favoured by people of all social strata, including the imperial palace. Pillows shaped like tigers carry cultural significance. For millennia, there has been a tradition of tiger worship in Chinese folklore. According to legend, sleeping on a tiger-shaped pillow could protect and calm the sleeper, instilling courage to face the unknown and strength for a good life. This tradition also reflects the ancient desire to ward off evil, seek safety, and turn misfortune into blessings. The pillow combines the endearing appearance of the tiger with the fresh, harmonious depiction of grasses and flowers, showcasing the artisans' rich imagination.

Estim. 500 - 800 EUR

Lot 72 - AN EXTREMELY RARE JADE STANDING FIGURE 漢代 白玉立人 China, Han dynasty (202 BC–220 AD) 青白玉質地,上半身帶有明顯的沁斑。 玉人立姿,以圓雕和淺浮雕描繪了髓型修長,削肩細腰,抱袖置於腹前。 面部橢圓,尖下巴,菱形的雙眼睜大。 以淺浮雕技法琢出粗長的鼻子和細小的嘴巴。 耳朵被兩側的頭髮遮擋。 身穿右衽素飾的長衣。 背部以單線刻畫出腰帶和衣服的褶皺。 此件玉人玉質細膩,神態生動,再現了漢代上層貴族們的樣子。 Carved from celadon jade, the upper body of this figure displays prominent veins. The jade figure stands upright, portraying a slender physique with rounded and shallow relief carvings depicting graceful proportions, narrow shoulders, and a delicate waist, with folded arms placed in front of the abdomen. The facial features are oval-shaped, with a pointed chin and wide diamond-shaped eyes. The technique of shallow relief carving is employed to sculpt a long, prominent nose and small mouth. The ears are obscured by hair on both sides. Adorned in an undecorated long robe draped over the right shoulder, the back is delineated with simple lines to represent the waistband and folds of the clothing. This jade figure exhibits exquisite craftsmanship and lifelike expression, providing a glimpse into the appearance of upper-class nobility during the Han Dynasty. H: 8.3cm PROVENANCE Acquired in Hong Kong in the 1990s. 90年代購於香港

Estim. 4 000 - 6 000 EUR