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Wed 26 Jun

A group of silver oddments and spoons and some metal items. Various dates and makers. The group including: a shell-shaped silver butter dish, Birmingham, 1975, Crisford & Norris, with shell decoration to terminal and raised on three ball feet, approx. 10.7cm long; a silver mounted small Edwardian glass flask with stopper, Chester, 1905, G Watts & Co., of circular form, engraved with scrolling foliate motifs and initials to side; a George V silver pill box, Birmingham, 1911, Marks & Cohen, of rectangular form, the lid engraved with shaped vacant cartouche within scrolling foliate motifs, 4.5cm long; a silver ingot pendant, London, 1977, Clifford & Tull, 4.1cm long; seven Edwardian silver coffee spoons, Sheffield, 1906, Francis Howard, engraved with decorative motifs, 12.6cm long; two George III silver Fiddle pattern teaspoons, 1818, maker W E, 13.8cm long; a further George III silver Fiddle pattern teaspoon, 1811, Solomon Hougham, with letters C over IE engraved to terminal, 13.8cm long; two William IV silver Fiddle pattern teaspoons, London, 1835, John, Henry & Charles Lias, 14.2cm long; a further William IV silver Fiddle pattern teaspoon, London, 1835, William Bateman II, engraved with initials to terminal, 14cm long; three Victorian silver Fiddle pattern teaspoons, London, 1846, Samuel Hayne & Dudley Cater, 13.8cm long; four silver coffee spoons, Sheffield, 1931, William Gallimore & Sons, 10.1cm long; a pair of Continental silver sugar tongs, stamped 830, the arms pierced and decorated with scrolling floral motifs, 11cm long; and other items, total weighable silver approx. 20.9ozt (a lot)

Estim. 250 - 350 GBP

Wed 26 Jun

A Victorian silver tea caddy. Josiah Williams & Co., London, 1894. Of oval form with crimped borders, the central banding repousse decorated with scrolling floral motifs, engraved initials within shaped cartouche to front and vacant shaped cartouche to back, 9.4cm high. The caddy together with a group of silver and metal mounted items and vanity jars, comprising: a silver mounted photo frame, Birmingham, 1920, F R Gomm, of rectangular form, with engine turned design, 16.2cm x 12cm; an Edwardian silver powder puff box and cover, Chester, 1906, Stokes & Ireland, of cylindrical form and with weight inside, approx. 11cm high; a small silver mounted hand mirror, Birmingham, 1912, maker's mark rubbed, engraved with scrolling motifs and garlands, 11cm long; two silver mounted Victorian cylindrical glass jars, London, 1892, maker's mark WG, both with lid engraved with scrolling foliate motifs and initial, the higher example 18cm; a further silver mounted Victorian cylindrical glass jar, London, 1889, Wright & Davies, the lid with engraved initial, 17.3cm high; a silver mounted Edwardian cylindrical glass jar, London, 1905, Charles Fox & Co., the lid with vacant cartouche and repousse decorated with scrolling floral and foliate motifs, 17.3cm high; a silver mounted and enamelled small glass jar, Birmingham, 1921, maker's mark indistinct, the lid with blue guilloche enamel, 7.8cm high; and two metal mounted glass jars, unmarked, total weighable silver approx. 11.8ozt (a lot)

Estim. 150 - 250 GBP

Wed 26 Jun

A group of silver and metal oddments and trinket boxes. Various dates and makers. The group including: a silver mounted Edwardian photo frame, Birmingham, 1905, E. Mander & Son, of squared form and decorated with engine turned design, 13cm wide; a Victorian heart-shaped silver trinket box, London, 1894, William Comyns & Sons, repousse decorated and with crimped borders, approx. 6.8cm wide; an Elizabeth II silver pill box, London, 1987, I. M. H., with plain, cylindrical body, 4.5cm high; a George V silver trinket box, Birmingham, 1924, maker's mark rubbed, the circular body raised on three feet, gilding and velvet lining to interior, 8.5cm dia.; a George V silver sovereign case, Birmingham, 1913, W. H. Haseler, engraved with scrolling foliate motifs and vacant cartouche; a Victorian silver cigarette box, Birmingham, 1898, Henry Matthews, the plain body of squared form, with gilding and wood lining to interior, 9cm wide; a late Edwardian heart-shaped silver trinket box, Birmingham, 1910,G. E. Walton & Co., raised on three paw feet and with velvet lining to interior; a late 19th century/early 20th century Continental silver pill box, 800 standard, with pseudo Hanau mark for Gebruder Glaser, of oval form, the sides embossed with lobed design and the hinged cover repousse decorated with classical scene, 6.5cm wide; and other silver items, together with a metal etui and a metal mounted glass cigarette case, total weighable silver approx. 7.8ozt (a lot)

Estim. 150 - 250 GBP

Wed 26 Jun

‡ A FINE 16 BORE SILESIAN WHEEL-LOCK RIFLED SPORTING CARBINE, TESCHEN, CIRCA 1620-50 - ‡ A FINE 16 BORE SILESIAN WHEEL-LOCK RIFLED SPORTING CARBINE, TESCHEN, CIRCA 1620-50 with octagonal swamped sighted barrel rifled with seven grooves, etched and gilt over the lower half with a symmetrical design of tightly scrolling tendrils, tang decorated en suite, flat lock retained by two side nails, etched and gilt with a bold design of strapwork and leafy tendrils, fitted with external wheel retained by a pierced bevelled circular bracket, flash-guard, sliding pan-cover with button-release, dog and bridle all etched and gilt en suite, double set trigger (the hair trigger missing its lower portion) figured full stock, profusely inlaid over its full surface with scrolling staghorn tendrils and pellets inhabited by running hounds, hares, rabbits, stags and marine monsters, all enriched with engraved mother-of-pearl ball flowers, the butt decorated en suite including cheek-piece decorated with the mounted figure of St George slaying the dragon with a further plaque beneath decorated with a rabbit pursued by a hound on the left and with sliding patchbox-cover inlaid en suite on the right, etched and gilt steel trigger-guard shaped for the fingers, plain trigger-plate, engraved staghorn butt-plate decorated with bouquet centring on a ball flower, engraved bone ramrod-pipes, engraved staghorn fore-end cap, ramrod with bone tip, perhaps the original, and in fine condition throughout (the inlay with minor restorations), 67.5 cm barrel Provenance William Goodwin Renwick, sold Sotheby & Co, 21st November 1972, lot 43 (£3,800 to Howard Ricketts) A carbine decorated in the same manner, including the scene of St George and the dragon on the cheek-piece, is preserved in the Hungarian National Museum, Budapest (inv. nr. 56.5308). See Kruczek 2001, p, 90. The barrel, lock and trigger-guard are described as somewhat archaic in the Sotheby & Co catalogue, though it is more likely they are earlier and South German, remounted in Silesia.

Estim. 8 000 - 10 000 GBP

Wed 26 Jun

Rare octagonal box, pyxis, core of stained softwood, veneered with ebony, bone, red paste and bronze. Each side is adorned with an openwork plate of eight eight-pointed stars on two columns in a frame with red paste remains; the body is outlined with fillets at top and bottom; the lid is geometrically decorated with a frieze arrangement of interlaced braids forming an eight-pointed star; bronze trim consisting of hinges, false angles and lanceolate-ended feet, a hinged hasp with a closing plate with trefoil corners featuring three triggers for the passage of a pin, and a movable top suspension ring. Spain, Nasrid period, Granada, 14th/15th century Overall height 13 cm - Overall width 11.7 cm Box alone, H. 10.9 cm - W. 10.1 cm (slight deformation of the lid) This pyxis, which has come down to us in an excellent state of preservation, belongs to a fairly limited corpus of boxes made in al-Andalus featuring ivory or bone plaques with openwork eight-pointed star motifs. Of very similar dimensions, five have been catalogued to date: Private collection, León (fig.a), Instituto Valencia de Don Juan, Madrid, inv. 4867 (fg.b), London Sotheby's sale, June 10, 2020, lot 87 (fig.c), Museum of Decorative Arts, Madrid, purchase 2023, inv. CE 30485 (fig.d), David Collection, Copenhagen, inv. 1/2017 (fig.e). They come from workshops on the Iberian Peninsula during the Muslim occupation, and borrow their technique and decoration from the Arab art of the Maghreb. Several scholars have studied this production and agree that it dates back to the kingdom of Granada, under the Nasrid dynasty (1238-1492). The originality of the box presented here lies in the simplicity of its decoration, which does not use the fine geometric marquetry technique known in Spanish as taracea that can be seen on the five other examples mentioned above. The use of these boxes remains to be determined: some art historians see them as inkwells, others as pyxes, as some were sold by monasteries. The latter hypothesis seems plausible in view of the geometric layout used by Andalusian craftsmen under Muslim rule, which depicts stars as well as crosses. Works consulted : - Á. Galán y Galindo, "Evolución de las técnicas de talla en marfil" in Boletin del Museo Arqueologico Nacional, 29-30-31/2011-12-13, I, p. 5-64 - N. Silva Santa-Cruz, "Entre la ebanisterai y la eboraria: Un probable tintero (Dawät) nazarí y otras taraceas medievales" in Codex Aquilarensis, 31/2015, p. 233-258

Estim. 12 000 - 15 000 EUR