Lot 's search

Sat 27 Apr

Lot of men's watches (including SEIKO, LIP), breastplate buttons and cufflinks. No guarantee of function. ATTENTION: Collection of this lot by appointment only, on Thursday May 2 or Monday May 6 in Versailles (RER: Versailles Château Rive Gauche). Apartment located on first floor, with elevator. Removal at buyers' expense: please provide handling equipment for furniture. [The exact address will be communicated to you after full payment of the slip, when the appointment is made].

Estim. 10 - 20 EUR

Sat 27 Apr

Lot of ladies' watches (condition not guaranteed) ATTENTION: Collection of this lot by appointment only, on Thursday May 2 or Monday May 6 in Versailles (RER: Versailles Château Rive Gauche). Apartment located on first floor, with elevator. Removal at buyers' expense: please provide handling equipment for furniture. [The exact address will be communicated to you after full payment of the slip, when the appointment is made].

Estim. 10 EUR

Sat 27 Apr

Portico clock in marble and gilt bronze adorned with two enamel plaques in the Wedgwood style. Dial with Arabic numerals and polychrome flower garlands. Louis XVI period 49 x 35.5 x 11.5 cm To be revised ATTENTION: Collection of this lot by appointment only, on Thursday May 2 or Monday May 6 in Versailles (RER: Versailles Château Rive Gauche). Apartment located on first floor, with elevator. Removal at buyers' expense: please provide handling equipment for furniture. [The exact address will be communicated to you after full payment of the slip, when the appointment is made].

Estim. 200 - 400 EUR

Sat 27 Apr

Religieuse clock in tortoiseshell and brass fillets. Louis XIV style - 19th century 44 (h) x 31 x 15 cm Missing ATTENTION: Collection of this lot by appointment only, on Friday May 3 or Tuesday May 7, 2024 in the 19th arrondissement (Métro : Crimée). Local located on first floor. Removal at the purchasers' expense: please provide handling equipment for furniture. [The exact address will be communicated to you after full payment of the slip, when the appointment is made].

Estim. 200 - 400 EUR

Sat 27 Apr

Blackened wood ox-eye with mother-of-pearl inlaid scroll decoration, dial with Roman numerals and aperture dial indicating the months. H. 61 cm, L. 51 cm ATTENTION: Collection of this lot by appointment only, on Friday May 3 or Tuesday May 7, 2024 in the 19th arrondissement (Métro: Crimée). Premises located on the first floor. Removal at the purchasers' expense: please provide handling equipment for furniture. [The exact address will be communicated to you after full payment of the slip, when the appointment is made].

Estim. 20 - 40 EUR

Sat 27 Apr

Large Meissen mantel clock "Clock carried by two putti". Original title Rectangular base, beveled at the corners and partly curved, on pressed ball feet. A seated pair of putti, girl and boy, leaning towards the center on iron-red, gold-flowered cushions, supporting the cylindrical clock case. Arabic numerals in relief on a white dial decorated in gold. Porcelain pendulum painted in framboise and gold as a radiant sun. Mechanical, modern movement "Franz Hermle". Clock designed by Paul Scheurich, around 1915 - 1919. H. 34 cm. 60 cm x 23 cm. Scheurich originally created the clock in bronze in 1915 (still without a base). In 1918, the Meissen manufactory commissioned the artist to create the clock in porcelain and acquired the model in 1919. The elaborately designed and painted clock was one of the most luxurious objects after 1924 and cost 1010 Reichsmark at the time in the painted version without movement. Cf. cat. Bröhan-Museum, vol. V/2, no. 107; J. Raffael, Meissener Manuskripte, VIII, no. 6, Marusch-Krohn, fig. 76. A large porcelain mantel clock with cupids modelled by P. Scheurich. Modern clockwork "Franz Hermle". Crossed swords mark. Meissen. 2nd half 20th century.

Estim. 6 500 - 13 000 EUR

Sat 27 Apr

Rosenthal annual plate for 1976 by Salvador Dalí from the "Limited Art Series" edition Round, flat plate on a stand ring with polychrome accentuated relief decoration with surrealistic motif of a "melting" pocket watch. Designed by Salvador Dalí, 1974, artist's sign. with date 1974; limited edition no. 1950/3000, original box. Manufacturer's mark. D. 34 cm. A Rosenthal 1979 annual porcelain plate designed by Salvador Dalí. Artist's sign. Limited edition of 3000, no. 1950. Original box. Manufacturer's mark. Selb. Rosenthal. Studio line. 1976.

Estim. 360 - 720 EUR

Sat 27 Apr

Large, rare mythological Meissen figurine group "Dance of the Hours". Original title Round terrain base covered with sculpted flowers and leaves with ornamental border in relief. In the center, a detachable figure of a winged youth standing on a fluted column stump, leaning against a cornucopia with sculpted rose petals. Grouped around him are five goddesses dancing in a round dance in antique-style robes, the Greek goddesses of regulated life and embodiments of the seasons, all connected by a sculpted garland of flowers (movable). Polychrome painting with rich gold decoration. Designed by Carl Gotthelf Starcke the Younger. Model no. L 15, unmarked; sword mark. Height 37 cm. A group in the style of classicism by Carl Gotthelf Starcke Jr.; born in Meissen in 1778, the modeller first attended the Meissen School of Drawing before beginning an apprenticeship as a bosser under Jüchtzer in 1792. From 1799, Starcke was permanently employed as a modeller, but left the manufactory in 1805. The original porcelain design envisaged a sixth figure as a crowning figure, but a design drawing preserved in the archive shows a boy armourer standing on the column stump with a bow and arrows. The paintings "Adoration of the Golden Calf", "Dance in Honor of Pirapus" and "Dance to the Music of Kronos" by Nicolas Poussin probably served as models for the design of the dancing Hore. Cf. P. von Spee, Klassizistische Porzellanplastik der Meissener Manufaktur, (diss.), Bonn, 2004, pp. 119, 146f. and cat. no. 250, p. 396. A large rare mythological figure group titled "Dance of the hores" by C. G Starcke. Insignificantly chipped. Crossed swords mark. Meissen. Circa 1935 - 1945.

Estim. 12 000 - 24 000 EUR

Sat 27 Apr

Magnificent large mantel clock by KPM Berlin with allegorical figures White porcelain with enamel painting. Footed, cranked rectangular base. The clock case with fluted pilaster strips, profiled arched pediment and canopy roof, crowned by a laced acanthus leaf finial. Flanked by a pair of antique-style figures leaning towards the center. A young lady in a long, fitted gown with a floral headdress, holding a laurel wreath in her right hand, probably Victoria as the personification of victory. Opposite, a male nude with a scarf and headdress in the rear view, holding a sword in his hand, probably Bellum, representing war. Circumferential relief decoration of laurel and acanthus leaves, rosettes and leaf wave bands in cookie porcelain as well as fine-line, stylized, ochre-coloured enamel decoration of meander, arch, acanthus and palmette friezes as well as floral bands. Brass-framed, glazed enamel dial with Arabic numerals. Movement plate marked "Lenzkirch A.G.U 1 Million" with no. 581999. Striking mechanism on bell. Model designed by Hans Latt (born 1859 in Breslau). Model book entry December 1899, probably designed by Max Vopel. Model no. 6278. year letter (1902). Dial cracked. Minimally rest.; sceptre mark. H. 35 cm. 87 cm x 15 cm. The sculptor Hans Latt attended the Breslau art school between 1878 and 1882. This was followed by a two-year stay in Rome. He worked in Berlin from 1886 and created designs for decorative architectural sculptures, sculptures for funerary monuments, portrait busts and reliefs, among other things. According to Köllmann, the figure compositions are reminiscent of the famous Medici tombs in the New Sacristy in the Florentine church of San Lorenzo. To complement the clock, Latt designed two candelabra with male and female caryatids as side plates (models 6330 and 6351). I. von Treskow, Jugendstil-Porzellane, KPM Berlin, p. 288, no. 6278 and p. 259; Bublitz, Königliche Porzellan-Manufaktur Berlin, 1913; Köllmann, vol. I, p. 209; Thieme-Becker, vol. 22, p. 426. A splendid large early 20th C. mantel clock with allegorical figures modelled by H. Latt. Dial little cracked. Minor restored. Sceptre mark. KPM-Berlin. Early 20th C.

Estim. 16 500 - 33 000 EUR

Sat 27 Apr

Magnificent mantel clock by KPM Berlin with soft painting On a three-sided curved base with voluted corner pilaster strips on the front. Baluster-shaped clock body on four sturdy volute feet with heavily relief-painted decoration of rocaille, foliage and latticework. Multi-partitioned, cornice-like profiled crown with large volute. A fully sculpted putto sitting on the left shoulder. The wall and base decorated with fine bouquets of flowers including wild roses, forget-me-nots, asters, violets, butterflies and dragonflies in fine, pastel-colored, so-called soft painting. Pale green, yellow and pink staffage and rich gold decoration. Designed by Robert Schirmer, 1885. Round movement case. Glazed, brass-framed porcelain dial in rose and apple green with floral arrangements and gold Roman numerals. Movement plate marked "Lenzkirch A.G.U 1 Million" with no. 306228. Striking mechanism on bell. Model no. 3105, unmarked; sceptre and painter's mark. Clock h. 45 cm. Total h. 52 cm. Cf. Dietz, Sabet Collection, p. 234ff. A splendid table clock with finely painted flower decor in so-called "Weichmalerei". Insignificantly restored. Sceptre and painter's mark. KPM-Berlin. Circa 1900.

Estim. 9 000 - 18 000 EUR

Sat 27 Apr

Pendulum, France around 1850, decorated bronzecase with old fire gilding (abraded), silver- plated, crown: writing next to clock, engine- turned dial with sec. Silver plating, retroactive indices, pendulum movement, applied brass signature: Thomas Woolfield a Paris (Loomes p. 857), half-hour strike on bell, running. approx. 1 week, pendulum sec., key missing, height approx. 34cm, condition ofmovement 3-4, housing 2-3

Estim. 200 - 400 EUR

Sat 27 Apr

coat clock, France around 1880/1900, black stone casing, base with central projection, bronze applications with female busts, glass lid in front and behind, gold-plated pear hands, seller's signature, pendulum movement marked: Japy, half-hour strike on bell, rack strike mechanism, orig. Pendulum, key missing, H. approx. 24cm, condition of movement, 2-3, housing 2

Estim. 200 - 350 EUR

Sat 27 Apr

Art Nouveau clock, France, around 1920/30, cream-colored marble body, arched approaches with floral motifs, geometric approaches, faceted. Glass lid at the front, sound openingat the back, copper number ring with period- typical numbers, style hands, round brass plate movement, lever escapement, running order. approx. 1 week, pendulum is missing, H.approx. 31cm condition of movement 2-3 (= goodcondition with minor flaws) housing 2

Estim. 200 - 600 EUR

Sat 27 Apr

Rare so-called 'talking table clock', Bernhard Hiller, Gustav Becker clockwork, around 1925, oak casing in the style of the time, top with sound openings, brass dial marked: D.R.P. and made in Germany, right with large winding crank, left on/off button, massive. Brass plate movement marked: Gustav Becker No. 2186484, pin anchor gear encapsulated, manufactured in small numbers at that time with half- and quarter-hourly time announcements (several languages), this is read from the sound head using gramophone mechanisms and announced in a small vertical funnel, endless celluloid film strip 50mm which announces the time with a consistent human voice (this one is torn/glued), even process, can be accessed via a push button at the top of the case, movement starts, entire phonographic mechanism needs rest., function and completeness not checked, winding key, watch is missing, H. approx. 42cm, condition of work 3, clock starts, housing 2-3, interesting collector's item

Estim. 450 - 1 000 EUR

Sat 27 Apr

System stick with clock, France, around 1900, wood shot, silver knob marked, floral relief decoration, small dial incorporated into the stock, marked: patent, winding by turning the knob, hand adjustment external to the clock, starts, movement not checked, greyhound head mark 3 A , L. 92 cm; See Lit. Dike 1982, pp. 70-71, No. 8/30

Estim. 350 - 450 EUR

Sat 27 Apr

System stick with clock, probably France, early 20th century, wooden stick, silver mountunmarked, dial with brevete, spring cover mechanism, enamel dial, button on the hand shaft for hand adjustment, winding by turning the case, starts, movement not checked, length88 cm , D. Clock 4cm; See Lit. Dike 1982, pp. 72-73, No. 8/40; Klever 1984, p. 194, Fig. 306

Estim. 350 - 450 EUR

Sat 27 Apr

System stick with pocket watch, early 20th century, knob and watch case metal, case back cover marked G.S.T.P. F059851, clock inserted in a protective capsule, dial replaced, plate movement with striped finish, Switzerland, closed bimetallic screw balance, Breguet hairspring, balance pin broken, hand adjustment and winding work, wooden stock blackened, WZ 4, L. 91 cm, D. clock 6 cm, Function not guaranteed

Estim. 300 - 450 EUR

Sat 27 Apr

Baroque clock (bracket clock), (John the Baptist) Lukavetzki Brünn, with Viennese chime, mid-18th century, elegant polished walnut case, glazed on all sides, folding handle, arched brass dial, silver-plated dial with signature, N(r). 206 (see ref.: Abeler, p. 356), display pendulum under number Brass plate movement with turned movement pillars, 3movements, verge movement, rigid pendulum, (transport lock is missing), fixed barrels, spring limits/positions removed, strike every quarter of at hour on the small bell followed by the strike of the previous hour on the large bell, retrieval option via cord (cord ismissing), Height with handle approx. 48cm, condition of movement 2-3 (= good condition with minor flaws), housing 2

Estim. 850 - 1 600 EUR

Sat 27 Apr

Table clock, with a quarter-hour chime and theoption to call up the so-called Viennese chime, German, 18th century, embossed brass front, richly decorated with rocailles and flowers, lined with sheet iron, brass numeral ring, time type. Pointer, under number XII. Display pendulum, mass. Brass plate movement, beautifully turned movement pillars, two largebarrels, ext. Ratchet wheels, spindle gear attached at the top, thread suspension of the pendulum, finely crafted large spindle wheel, strike on the small bell every quarter of an hour, followed by strike on the large bell on the hour by switching the hammer shaft, call- off option using a lever on the side, so- called Viennese strike (to be revised), H. approx. 34cm, pendulum/key sec., movement uncleaned, cleaning/overhaul recommended, running, condition of work 3-4, housing 3

Estim. 500 - 1 000 EUR

Sat 27 Apr

so-called officer's travel clock L. Leroy & Cie a Paris, around 1870, rectangular size. Bronze casing decorated with appliqués, upper part partly stepped, suggested gyroscope feet,folding handle, engraving on stylized sound cover at the back: horloger LeRoy a Paris, decorated glass cover, strongly curved glass, enamel dial, signed as on the back plate, L. Leroy & Cie, a Paris, 7 . Boul(evar)d de la Madeleine (Lit. Loomes, p. 479), finely sawn hands, pendulum movement, applied anchor echappement, bimetallic screw balance, flat hairspring, rack strike mechanism, running. approx. 1 week, old repair on barrel percussion mechanism, height with handle approx. 21.5cm, condition of work/housing 2-3,

Estim. 450 - 900 EUR

Sat 27 Apr

Table clock, Jaeger LeCoultre, Atmos around 1965, gold-plated brass casing (left stained), glazed on all sides, adjustable feet, dragonfly display, model V., caliber 526-5, gold-plated movement no. 145567, dial ring with applied numbers, glazed door, anaeroid box on the back, torsion pendulum model C, transport lock under the dial, tested in a short-term test - intact, recently overhauled according to the supplier, height approx. 22 cm, condition of movement 2, housing 2-3

Estim. 750 - 1 500 EUR

Sat 27 Apr

Large pendule, France around 1870/80, in a classicist style, decorated bronze housing, on at optically fixed base, fluted columns, large leaf volutes on the side, with elaborateopening work, pine cones, crowning of a large lidded vase, glass lid in front, sound lid in the back, enamel cartouches, pendulum movementacc .: Japy, calculation percussion, half hour. Strike the bell, sequential. approx. 1 week, fine adjustment, orig. Pendulum/key, H. approx. 56cm, condition of movement 2-3 (= good condition with minor flaws), housing 2

Estim. 400 - 800 EUR

Sat 27 Apr

Pendulum with Cupid, Lenzkirch factory around 1928, marble base with pearl strip decoration, clock built into the pedestal, Cupid standing next to it with a bow and arrow, crowned with at arrow quiver with a torch, flower garlands, a friendship bracelet above the dial, glass lid front and behind, enamel dial with floral arcades, movement no. 1682208, rack strike mechanism, half hour. Strike the bell, sequential. approx. 1 week, H. approx. 42cm, condition of movement 2-3 (= good condition with minor flaws), housing 2

Estim. 800 - 1 600 EUR

Sat 27 Apr

Carriage clock - travel clock, with Grand Sonnerie call-up option, France around 1830/40, octogene brass case with old gilding (partially covered), both sides can be opened, glazed front with strong faceting, decorated bezel with rose decoration, dial rubbed silver-plated, blued Breguet hands, verge clockwork with filigree spindle bridge, name (illegible), possibility to access the Grande Sonnerie by pulling a cord at the bottom of 2 gongs, silver-plated regulating disk, polished lever, running. 1 tag, diameter (without bracket) approx. 11cm, with 1 stand from a later period, with decorated old key, condition of movement 2, housing 2-3

Estim. 400 - 800 EUR

Sat 27 Apr

Table clock. so-called anniversary clock, withViennese chime, Habsburg Monarchy, around 1830/40, profiled wooden base, orig. Mineral glass dome, brass casing in portal clock shape, conical columns surrounded by leaves, eagle crown, stylized harp behind pendulum, floral bezel, enamel dial (min.dam.) massive Brass plate movement, spring limits/positions removed, lever escapement with thread suspension of the decorative pendulum, strike every quarter of at hour on a small gong with subsequent strike of the previous hour on a large gong, running time, approx /housing 2-3 , decorative

Estim. 1 200 - 2 400 EUR

Sat 27 Apr

Large Pendulum, France, around 1900, decoratedbronze housing with Alabaster inlets, figure crest and flirting lovers, chase- and fertility motifs, front feet with boar Masks, in the center fruit basket and end a welcome pineapple, tin dial with deepened numerals, hands in shamrock shape, Pendulum work, Brocot-escapement with steel pallets, ext. locking plate, pendulum spring suspension, half hour stroke on bell, running period. approx. 1 week, key and pendulum missing, H.approx. 39cm, condition of movement 2-3 (= good condition with minor flaws), housing 2, representative

Estim. 380 - 800 EUR

Sat 27 Apr

Comtoise with ceremonial pendulum and date display, France around 1880, embossed brass border with porcelain applications, with ceremonial pendulum (originally not part of the clock), this richly decorated with enamel inlay, floral painted enamel dial with seller's signature, central date display (switches on), anchor escapement, half-hour . Strike with repetition on bell, wall bracket sec., orig. Doors, clock height approx. 47cm, condition of movement/housing 3

Estim. 200 - 400 EUR

Sat 27 Apr

Ship's chronometer, Wempe, 1970/80s, brass case, glazed front cover, with glass strike onbell, metal dial with control of gear speed and strike stop, mechanism of pin anchor gear,oscillates - but does not start, cleaning / overhaul essential, diameter approx. 15cm, condition of movement 3- 4, housing 2-3

Estim. 200 - 350 EUR

Sat 27 Apr

Cartel clock with central seconds, France 18th century, solid, elegant bronze case, sculptor Caffieri (Tardy p. 105/106) signed at the bottom, swing area of the pendulum behind delicate diamond-shaped grilles, profiled glass lid with strongly curved glass, enamel dial, winding holes, signature : Hardel a Paris, (see ref.: Tardy, p. 292), decorated hands, large round brass plate movement with signature: Julien Le Roy A Paris, No. 342, two large barrels, larger ext. forked locking disk, half-hour strike on bell, pendulum spring, ext. Amant gear with correction screw,large pin wheel, fine adjustment on fork, height approx. 62cm, condition of movement 2-3 (= good condition with minor flaws), according to the consignor the watch was recently overhauled, housing 2

Estim. 2 200 - 3 500 EUR

Sat 27 Apr

Very large cuckoo clock, Manufactory Gordian Hettich & son, Furtwangen (Black Forest), around 1900, very large carved wood housing, Originalaufsatz with fully sculptured deer head and antlers over crossed Jagdgewehren, housing roof with ancient worm foxing, dial with enamel cartridges and ornate brass hands,as bezel hunting horn, flanked by sculptured rabbit and bird, below with hanging chase bag at leather strap, very fine carvings, opulent with oak leaves entwined, half hour call of the cuckoo with movable beak and leaves with strike on spiral gong, drive over necklaces and 2 weights, larger skeletonized brass platemovement marked GHS on oak leaf in circle, pipes intact, locking plate striking work, 2 small wooden ornaments are including loose, running period 1 day, H. approx. 141cm, condition of movement 2-3 (= good condition with minor flaws), housing 2, very rare

Estim. 750 - 1 500 EUR

Sat 27 Apr

Beroaldo-Bianchini, Natale de Abhandlung über die Feuer- und Seitengewehre, worin die Erzeugung, der Zweck und der Gebrauch aller einzelnen Bestandtheile, dann aller Gattungen kleiner und Jagdgewehre, mit der Angabe und Beschreibung ganz neuer Maschinen - Militaria Beroaldo-Bianchini, Natale de Treatise on firearms and sidearms, in which the production, purpose and use of all individual components, then all types of small arms and hunting rifles, with the indication and description of completely new machines and devices, together with plans and production tables, are described. (And:) Collection of plans and explanations for the purpose of a treatise on firearms and sidearms. 2 volumes of text and 1 volume of plates. With 39 partly folded lithographed plates. Vienna, 1829. XVI, 246 pp. VIII, 252 PP. Title, 39 plates each with explanatory leaf. 4°. Text volumes: boards (bumped, 1 joint chipped, somewhat soiled). - Boards: green hardcover with three gilt edges. Gilt edges, gilt embossed title, r.p. and gilt embossed fillets (somewhat rubbed and bumped). First edition of this classic standard work on the manufacture of rifles at the beginning of the 19th century. - Rare. - Riling 423 - Natalis von Beroaldo-Bianchini (1779-1854) was, among other things, director of the cannon foundry and armory in Pavia, managed a cannon foundry in Cajonrico and was lieutenant colonel of artillery in the Austrian army from 1816. As director of the rifle factory in Vienna, he improved military engineering through several inventions, and as major general he took over the artillery brigade command in Vienna in 1831, becoming field marshal lieutenant and artillery divisional commander in 1838. During this time he invented several machines for the cannon foundries and boring shops, the seven-pounder long howitzer and introduced improved carriages to the Austrian artillery. - The plates with numerous figures show, among other things: Hammer mechanism, drill bench, grinding mechanism, wheel mechanism, socket drawing bench, infantry rifle lock, lock component pressing machine, drilling machines, pendulum recoil machine, asymptotic rifle barrel turning machine etc. - Text volumes: endpapers somewhat foxed, uncut. - Boards: Some (foxing, finger) spotting throughout, otherwise in good overall condition. 1 plate slightly trimmed at the framing line. First edition. 2 text vols. on fire- and sidearms and 1 plate vol. with 39 partly folded lithogr. plates. - Text vols. uncut, partly foxed and stained, one plate cropped close, overall good condition. * This work is taxed. The hammer price is subject to a 23.95% surcharge and the final invoice amount is subject to 7% (books only) or 19% VAT in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books only) or 19% VAT on the final invoice amount in the European Union.

Estim. 500 EUR

Sat 27 Apr

Wehle, (Heinrich Theodor) Sechs Landschaftliche Compositionen. Erfunden von Wehle. In Aqua Tinta geäzt von C. Haldenwang, Grosherzoglich Badischem Hofkupferstecher. Mit 6 Aquatinta-Tafeln. Carlsruhe, Johann Velten (Kunsthändler), um 1805. Quer-Folio (32 - Wehle, (Heinrich Theodor) Six landscape compositions. Invented by Wehle. Etched in aqua tinta by C. Haldenwang, engraver to the court of the Grand Duke of Baden. With 6 aquatint plates. Carlsruhe, Johann Velten (art dealer), c. 1805. Landscape folio (32 x 38 cm). Loosely inserted plates in original envelope with printed cover title (inconspicuous brown stains). Thieme-B. XXXV, 256; Nagler XIV, 215/216; ADB LV, 358ff. Hasso von Haldenwang: Christian Haldenwang pp. 41ff. and 312-325; AKL LXVIII, 157ff. (for Haldenwang). - Probably published in the same year in Leipzig and with a different title in Karlsruhe. - With an enclosed original drawing by Joseph Winkelirer. Shows a double portrait of Wehle and the architect Karl Friedrich Schäffer. - Heinrich Theodor Wehle (1778-1805), German landscape painter, draughtsman and etcher, famous for his landscape paintings. Due to his early death at the age of 27, his oeuvre only consists of a relatively small number of 117 drawings and paintings in various techniques and 33 prints after his original drawings that are known today. - "His work reflects literary and artistically mediated currents. It was particularly strongly influenced by his travel impressions. The fragment of his surviving drawings already indicates that W. could have played an important role in the contemporary German art scene over a longer period of his life, on a par with Zingg and Klengel or even Caspar David Friedrich and Johann Christian Clausen Dahl." (Anke Fröhlich, article: Hendrich Bozidar Wjela (Heinrich Theodor Wehle), in: Sächsische Biografie, published by the Institut für Sächsische Geschichte und Volkskunde, https://saebi.isgv.de/biografie/10757) - cover and plates uncut. Plates with a few light brown spots, mostly limited to the margins. Excellent copy of this rare set of Arcadian landscapes, in which not only the original drawings but also the prints were made by important representatives of German landscape painting at the beginning of the 19th century. 6 plates with brownish aquatint views of arcadian landscapes. In publisher's printed gray wrappers. Plates and wrappers uncut. Wrappers with a few minor spots. - Probably published the same year in Leipzig and with a variant title in Karlsruhe. - With an enclosed original drawing by Joseph Winkelirer. Shows a double portrait of Wehle and the architect Karl Friedrich Schäffer. - Heinrich Theodor Wehle (1778-1805), a German landscape painter, draughtsman and etcher, renowned for his landscape paintings. Due to his early death at 27 his oeuvre consists of only a relatively small number of 117 drawings and paintings in various techniques and 33 prints after his original drawings which are known today. - Plates with a few light tiny brown spots mostly confined to margins, else fine. An excellent copy of this suite of arcadian landscapes in which as a rare coincidence not only the original drawings but also the prints were made by two important figures in German landscape painting in the beginning of the 19th century. * This work is taxed. The hammer price is subject to a 23.95% surcharge and the final invoice amount to 7% (books only) or 19% VAT in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books only) or 19% VAT on the final invoice amount in the European Union.

Estim. 6 000 EUR

Sat 27 Apr

Kallenberg, Jakob Zwei Zeichnungen auf einem Blatt mit anatomischen Darstellungen eines Mannes in Vorder- und Rückenansicht. 1. Hälfte des. 16. Jhds. Je schwarze Feder- und grau-lavierte Tuschfederzeichnung auf chamoisfarbenem Bütten (mit nicht identif - Old art - Drawings Kallenberg, Jakob Two drawings on one sheet with anatomical depictions of a man in front and back view. 1st half of the 16th century. Each black pen and ink drawing with gray wash on buff laid paper (with unidentifiable watermark with heraldic double-headed eagle). Monogrammed lower left and additionally inscribed by another hand in pencil "Jacob Köbeln von Openheim 1531". 29.8 x 30 cm. - Margins slightly irregularly trimmed. Very short marginal tear (ca. 3 mm) lower left and center right. Slightly unfresh in the margins. With a total of 4 very small and barely noticeable holes, each outside the image. With vertical and smoothed centerfold in the middle. Verso in three corners each with slight traces of former mounting. Overall in very good condition. Nagler, Monogr. III, 2682, Brun. SKL II, 1908, cf. Hollstein, Deutsch XV2, 205-212 - The oeuvre of the Swiss Jakob Kallenberg was always attributed to the work of Jakob Köbel (1462 -1533) according to the old state of research, which presumably goes back to the identical initials "IK" of the two artists. Nagler still considered Kallenberg to be an unknown master. According to the latest findings, his oeuvre comprises an extensive and significant body of work, which is primarily characterized by woodcuts and whose main work is "Wapen, Des heiligen Römischen Reichs Teutscher Nation", which is also known as the Fahnenbuch and was published in 1579. Other important woodcuts can be found in the well-known folk book "Schimpf und Ernst" (1546), published by Johannes Pauli. Our sheet shows the anatomical depiction of the muscle and tendon cords of a male nude from the front and back in an accomplished manner. The body of the man is positioned with one foot on a rectangular stone slab, which is reminiscent of the depiction of the contrapposto with supporting and free leg and, in addition to the advantage of ideal presentation for anatomical purposes, also has aesthetic benefits. This is supported by the chronological correspondence with the pictorial tradition of the contraposto, which has enjoyed great popularity as an antique design medium since its rediscovery by Renaissance artists. For his drawing, Kallenberg worked with a fine black pen, which captures the contours in clear lines, and a delicately graduated wash in shades of grey, which brings them out in an extremely refined way: in addition to the aesthetic level and the elaboration of plasticity, the anatomically adequate character of the depiction of the body is emphasized. As a result, the body not only appears lifelike, but also extremely finely modeled thanks to the effective contrast between light and dark. Anatomical study depictions were very popular from the 16th century onwards, offering artists the ideal opportunity to study the human body and train their ability to depict (parts of) the body correctly. Kallenberg's oeuvre contains many depictions of people, both in drawings and prints, although there are few anatomical or nude depictions. Stylistically, the influences of the Italian and Nordic Renaissance, such as the so-called Augsburg School and Holbein's circle, are evident. Two drawings on one sheet with anatomical depictions of a man in front and back view. Each black feather and grey-wash pen and ink drawing on buff laid paper (with unidentifiable watermark with heraldic double-headed eagle). Monogrammed lower left and additionally inscribed by another hand in pencil "Jacob Köbeln von Openheim 1531". - Margins slightly irregularly cut. Lower left and middle right with a very short marginal tear (approx. 3 mm). Slightly unfresh in margins. With a 4 very small and barely noticeable holes, each outside the depiction. With vertical and smoothed centerfold. On the verso in three corners slight traces of former mounting. Overall in a very good condition. - According to the old state of research, the oeuvre of the Swiss artist Jakob Kallenberg was always attributed to the work of Jakob Köbel (1462 -1533), which presumably goes back to the identical initials "IK" of the two artists. Nagler still categorized Kallenberg as an unknown master. According to the latest findings, his oeuvre comprises an extensive and significant body of work, which is primarily characterized by woodcuts and whose main work is "Wapen, Des heiligen Römischen Reichs Teutscher Nation", which is also known as the Fahnenbuch and was published in 1579. Other important woodcuts can be found in the well-known folk book "Schimpf und Ernst" (1546) published by Johannes Pauli. Our sheet shows the anatomical depiction of the muscle and tendon cords of a male nude from the front and back in a skilful manner. The body of the man is positioned with one foot on a rectangular stone slab which is reminisce

Estim. 1 800 EUR

Sat 27 Apr

Lang, der Ältere, Caspar Hans Entwurf eines Scheibenrisses für eine Wappenscheibe. 1594. Feder in Schwarz, partiell grau laviert, auf Velin (mit WZ: Drache nach rechts blickend, unten rechts mit Miniaturhaus, nicht bei Piccard). 42,7 x 32,3 cm. Signiert - Old art - Drawings Lang, the Elder, Caspar Hans Sketch of a disc outline for a coat of arms disc. 1594. pen and black ink, partly with gray wash, on wove paper (with WZ: dragon looking to the right, with miniature house at lower right, not in Piccard). 42.7 x 32.3 cm. Signed, dated and inscribed "freyburg". With stamp DS (Lugt L. 793). - Margins slightly irregularly trimmed lower and right and with very short marginal tears in places (approx. 0.5 cm), these largely backed verso. Somewhat unfresh in the corners and in the depiction area. With light finger/color stains in places. Horizontal and smoothed fold marks in the center. Also verso. There with annotations in pen by another hand. Overall in very good condition. Paul Boesch, Hans Caspar Lang von Schaffhausen, With a list of his glass paintings and hand drawings. Thayngen 1948, p. 249, no. 30, in: Schaffhauser Beiträge zur Vaterländischen Geschichte, vol. 25, 1948. ed. Historischer Verein des Kantons Schaffhausen, Schaffhausen 1948. - Provenance: Dietrich Schindler (1795-1882, Switzerland), (Lugt L.793). - Enclosed: Ders., Design of a disk outline for a round coat of arms disk. D 22.7 cm. Verso with further depiction. With the stamp "DS" (Lugt L.793). - Some trimming to the margins. Brown stains in places. Vertical and horizontal smoothed fold marks and slight soiling. - In his design, which has already been worked out in many areas and details, Hans Caspar Lang demonstrates his masterly skill. Lang probably received the commission from the owner of a trade who requested the window cracks for his business. With the coat of arms still exposed, the name of the person who commissioned the work can probably be seen here. Above this is a crest, decorated with vegetal acanthus ornamentation, bordered by antique architectural elements and allegorical figures and putti. Lang came from a family that had been active in the arts for generations and specialized in painting and stained glass. During his years of travel, he stayed in Freiburg from 1592 to 1595, where our drawing must have been created. Back in Schaffhausen, he remained loyal to his home town, as his grandfather and father had done before him. He opened a flourishing workshop. Artistically, Lang initially devoted himself increasingly to glass painting, for which he produced design drawings, and from 1611 he concentrated on mural painting. From 1642, he was also active as mayor of the city until his death in 1645. Torn glass, the so-called neon signs of the Middle Ages, represent a prototype of marketing. In the context of a new building or renovation, the desire for a pane of glass was great, but only partially affordable due to the costs. The town, guilds or friends and acquaintances were therefore asked for donations. If they were collected, they were often used to provide information: the name, guild or profession was mentioned in bright colors and the donor was honored with a coat of arms and slogan. These were supplemented by moralizing inscriptions and depictions of allegorical figures intended to express the ethos. In terms of overall effect, the disc carving was an important external representation using the latest advertising media of the time. Feather in black, partly with gray wash, on wove paper. Signed, dated and inscribed "freyburg". With stamp (Lugt 793). - Lower and right margin slightly irregularly cut and with very short marginal tears in places (approx. 0.5 cm), these mainly backed verso. Bit unfresh in corners and depiction area. With isolated slight finger-/color traces. Horizontal and smoothed fold marks in the center. Also on the verso. There with annotations in pen by an unknown hand. All in all in very good condition. - Provenance: Dietrich Schindler (1795-1882), (L.793). - Included: Idem, design of a disk outline for a round coat of arms disk. D 22.7 cm. Verso with further depiction. With the same stemp (L.793).- Slightly cut at the side edges. Brown stains in places. Vertical and horizontal, smoothed fold marks and slight soiling. - In his design, which has already been worked out in many areas and details, Hans Caspar Lang demonstrates his masterly skill. Lang probably received the commission from the owner of a trade who requested the disc cracks for his business. With the coat of arms still exposed, this probably heralds the client's name. Above this is a crest, decorated with vegetal acanthus ornamentation, bordered by antique architectural elements and allegorical figures and putti. Lang came from a family that had been active in the arts for generations and specialized in painting and stained glass. During his years of traveling, he spent time in Freiburg from 1592 to 1595, where our drawing must have been created. Back in Schaffhausen, he remained loyal to his home town, as his grandfather and father had done before him. He opened a flourishing workshop. Lang initially focused on stained glass, for wh

Estim. 3 500 EUR

Sat 27 Apr

Clarenbach, Max Landschaft der Eifel. Um 1910. Öl auf Hartfaserplatte. Ca. 36,5 x 46,5 cm. Signiert. Ganzflächig auf Unterlage kaschiert und gerahmt (ungeöffnet). - Augenscheinlich in gutem Zustand, die Farben satt, kraftvoll und deckend aufgetragen. - German - Düsseldorf School of Painting Clarenbach, Max Landscape of the Eifel. Circa 1910. Oil on hardboard. Approx. 36.5 x 46.5 cm. Signed. Laminated to support over the entire surface and framed (unopened). - Apparently in good condition, the colors applied richly, powerfully and opaquely. Max Clarenbach is one of the most important representatives of the Düsseldorf school of painting, and he explored the Rhenish landscape more extensively than any other artist. In his late work, he expanded his radius and painted the landscape of the Bergisches Land and Ruhr Valley. In his views, he showed the versatility of nature in the changing seasons and in interaction with the mood that it created and which is directly transferred to the viewer in their perception. Clarenbach's works are sensitive snapshots of nature; influenced by French Impressionism, light played an extremely important role in his work and he generally painted plein air, in direct proximity to the subject. Clarenbach also celebrates the open sky in our painting, devoting more than three-quarters of the picture surface to it. The artist depicts the Eifel region, with its rolling hills shaped by prehistoric volcanic activity, with a meadow of flowers, which is gently nestled between two forests on either side. The result is an atmospheric overall impression of untouched nature in the Rhenish landscape. Oil on hardboard. Signed. Fully mounted to underlying mat and framed (unopened). - Apparently in good condition, the colors applied richly, energetic and opaquely. - Max Clarenbach is one of the most important representatives of the Düsseldorfer Malerschule and was more extensively occupied with the Rhenish landscape than any other painter. In his late work, he expanded his radius and drew himself to the landscape in the Bergisches Land and Ruhrtal. In his views, he showed the versatility of nature during the year's seasons and in interaction with the mood created by it which in its perception is directly transferred to the viewer. Clarenbach's works are sensitive snapshots of nature, characterized by French Impressionism, light played an extremely important role in his work and the artist painted plen-air. Clarenbach also celebrates the unlimited sky in our painting devoting more than three-quarters to it. The artist shows the Eifel region with its rolling hills characterized by prehistoric volcanic activity, with a meadow of flowers gently bordered by two forests. The result is an atmospheric overall impression of unspoilt nature in the Rhineland landscape. * This work is taxed. A premium of 23.95% will be added to the hammer price and 7% (books only) or 19% VAT will be added to the final invoice amount in the European Union. This work is subject to the regular margin scheme. There is a 23.95% buyer's premium on the hammer price and 7% (Books only) or 19% VAT on the final invoice amount in the European Union.

Estim. 1 200 EUR

Sat 27 Apr

Doerell, Ernst Gustav Ansicht von Pilsen. 1875. Öl auf Holzplatte. 16 x 23 cm. Signiert und datiert. Verso vom Sohn des Künstlers E. Doerell handschriftlich bezeichnet "Als Sohn des Künstlers E. Doerell bestätige ich die Echtheit dieser Bilder. 1/ 38. - Landscapes - Czech Republic Doerell, Ernst Gustav View of Pilsen. 1875. oil on wood panel. 16 x 23 cm. Signed and dated. Handwritten inscription verso by the artist's son E. Doerell "As the son of the artist E. Doerell I confirm the authenticity of these paintings. 1/ 38. E. Doerell". Framed in a gold-colored stucco frame. - The edges partially with slight surface abrasions due to framing, slightly bumped in places. Surface slightly yellowed due to age. No retouching visible under UV. Overall very good. Finely painted and lovingly decorated miniature view of the city of Pilsen. Provenance: Private property Berlin. Doerell was a German-Bohemian landscape painter and representative of Romanticism. He had to abandon his painting studies at the Prague Academy of Arts due to a lack of money. During his years of study, however, Doerell had been able to consolidate his talent and build up a reputation, so that he became a successful independent painter despite dropping out. He settled in the town of Aussig. The subject of his work was always his neighborhood and the surroundings of the Bohemian low mountain range. He was a master at combining views of nature with staffage figures. He also depicted the industries of lignite mining and the railroad, which increasingly changed the landscape's reputation, so that Doerell's views can also be seen as vedute showing the advancing industrialization. The present work is from the artist's late period. Doerell shows an idyllic view of the city of Pilsen, resting in itself and embedded in the Bohemian low mountain range against a wide horizon. The railroad passes in front of the city. A lone walker in the lower center of the picture catches sight of the scenario and takes our position as an observer. Oil on wood panel. Signed and dated. Hand inscribed on the verso by the artist's son. Framed in a gold-colored stucco frame. - Some slight surface rubbing on edges due to framing, slightly isolated bumped. Surface slightly yellowed due to age. No visible retouching under UV light. Very good overall. Finely painted and lovingly decorated miniature view of the city of Pilsen. - Doerell was a German-Bohemian landscape painter and representative of Romanticism. The subject of his works was always his neighbourhood of the town of Aussig and the surroundings of the Bohemian low mountain range. Doerell was a master at combining views of nature with staffage figures. He also depicted the industries of lignite mining and the railway which increasingly changed the landscape's appearance, so that Doerell's landscape views can also be seen as vedutes showing the progress of industrialization. The present work is from the artist's late period. - Provenance: Berlin private collection.

Estim. 2 200 EUR

Sat 27 Apr

Portrait von Maria Leszczynska, Königin von Frankreich (Miniaturmalerei). Gouache auf Bein. 14 x 10 cm. Monogrammiert. Unter Glas in dekorativem Rahmen aus Bein gerahmt. - Kanten werkimmanent leicht unregelmäßig beschnitten. Vereinzelt leichte Oberflä - Miniatures - France Portrait of Maria Leszczynska, Queen of France (miniature painting). Gouache on leg. 14 x 10 cm. Monogrammed. Framed under glass in decorative frame of bone. - Edges slightly irregularly trimmed due to the work. Occasional slight surface rubbing and barely noticeable, slight traces of scratching. The areas heightened in white applied retrospectively. Overall very good and in rich, fresh colors. Miniature portrait of the Queen of France in fine painterly quality. Our work shows Maria Leszczynska (1703-1768) in a full-length portrait, seated in a magnificent dress. The interior surrounding her is also luxurious in the furnishings, fabrics and carpeting and serves to represent her status as the wife of the French King Louis XV (1710-1774). The sumptuous crown and a book in a leather cover, both draped on the table in the left-hand section of the depiction, are interesting and significant. The meaning behind the crown refers to Leszczynska's rank at the side of one of the most powerful monarchs in Europe, while the book can be interpreted as a symbol of her witty erudition. In her left hand, the queen holds a fan, which is closed but still shows its rich ornamentation. The overall effect of the portrait must have been one of representation and a demonstration of power, with the aim of managing the queen's public image. Leszczynska came from the Polish royal family and was regarded as an ideal marriage candidate for the Duke of Bourbon, a contender for the French royal throne. The marriage was characterized by mutual respect, but not love, and produced 10 children. In keeping with the genre of miniature painting, our portrait is on bone. Gouache was used for the paint, particularly in France, in delicate washes that were applied in layers to achieve their opaque luminosity. Gouache on bone. Monogrammed. Framed under glass in a decorative bone frame. - Edges slightly irregularly cut due to maerial character. Occasional slight surface rubbing and barely noticeable, light scratch marks. The white heightened areas were applied subsequently. Overall very good and with rich, fresh colors. Miniature portrait in fine painterly quality of the Queen of France. - Our work shows Maria Leszczynska (1703-1768) in full-length portrait, seated in a splendid dress. The interior that surrounds her is also luxurious in the furnishings, fabrics and carpet and serves to represent her status as the wife of the French King Louis XV (1710-1774). The sumptuous crown and a book in a leather cover, both draped on the table in the left-hand section of the depiction, are also interesting and significant. The meaning behind the crown refers to Leszczynska's rank at the side of one of the most powerful monarchs in Europe, while the book can be interpreted as a symbol of her witty erudition. In her left hand, the queen holds a fan, which is closed but still shows its rich ornamentation. The overall effect of the portrait must have been one of representation and a demonstration of power, with the aim of guiding the queen's public image. Leszczynska came from the Polish royal family and was regarded as an ideal marriage candidate for the Duke of Bourbon, a contender for the French royal throne. The marriage was characterized by mutual respect, but not love, and produced 10 children. In keeping with the genre of miniature painting, our portrait is on bone, which was considered an ideal painting surface. Gouache was used for the color, particularly in France, in delicate washes that were applied in layers to achieve their opaque luminosity.

Estim. 600 EUR

Sat 27 Apr

Art Nouveau clock in carved walnut with a half-dressed lady and floral decoration, enamel numerals, circa 1900. Weight: 5.83 kg Shipping unavailable Sizes: H 800MM X L 380MM Condition: At first glance: good condition

Estim. 800 - 1 500 EUR

Sat 27 Apr

Wall-mounted gilt bronze cartel with strikes known as Paris movement, late 19th century. The striking Paris movement first appeared around 1750, and production stopped in 1939, on the eve of the Second World War, after which it did not restart. The calibre refers to the size of the plates and the arrangement of the gears within them. The platinums are the two brass plates between which the gears turn. Weight: 6.00 kg Shipping unavailable Area: France Sizes: H 500MM X L 250MM Condition: At first glance: normal wear / patina of use

Estim. 400 - 800 EUR

Sat 27 Apr

Set of two 18k yellow gold watches circa 1950-60, total weight 25.1gr. Weight: 25 g Shipping available Sizes: H 195MM X L 20MM / H 65MM X L 20MM Condition: At first glance: normal wear / patina of use

Estim. 300 - 500 EUR

Sat 27 Apr

Fulam - Complete ladies' watch (case and bracelet) in 18K white and yellow gold weighing 38.3gr. In working order. Weight: 40 g Shipping available Sizes: BRACELET H 190MM D 21MM Condition: At first glance: good condition

Estim. 700 - 1 000 EUR

Sat 27 Apr

Jaeger LeCoultre - Desk clock "Montre boule" with Chinese decoration, XXth C. No return for this lot. Weight: 970 g Shipping available Area: Suisse Sizes: H 200MM X D 190MM Condition: At first glance: good condition

Estim. 500 - 800 EUR

Sat 27 Apr

Magnificent silver chatelaine, decorated with various charms such as watch keys, seals, etc... Dutch and other hallmarks, 18th - 19th century depending on the piece. Weight: 145 g Shipping available Area: Holland Sizes: H 350MM X L 55MM Condition: At first glance: good condition

Estim. 600 - 1 000 EUR

Sat 27 Apr

Small Empire period chased and gilt bronze clock with Breguet movement, early 19th century. A missing needle. Weight: 1.01 kg Shipping available Area: France Sizes: H 170 MM X L 140 MM Condition: At first glance: normal wear / patina of use

Estim. 250 - 500 EUR

Sat 27 Apr

Louis XVI period clock in gilt bronze and white marble, Crosnier movement in Paris. Weight: 21.00 kg Shipping unavailable Area: France Sizes: H 490 MM X L 390 MM Condition: At first glance: good condition

Estim. 1 500 - 2 500 EUR

Sat 27 Apr

Omega Seamaster Chrono-Quartz "Albatros", steel case and bracelet. This 1976 watch was the first official Olympic Games chronograph, introduced for the Montreal Olympics in 1976. Its nickname comes from the shape of its wing-shaped battery connectors. Supplied with box. No returns for this lot. Weight: 500 g Shipping available Area: Suisse Sizes: H 95MM X L 50MM Condition: At first glance: good condition

Estim. 500 - 800 EUR

Sat 27 Apr

Rolex Oyster Perpetual Datejust (16078) in 18k yellow gold, automatic winding, "Jubilée" bracelet, Full Set. Box and official Rolex documents from 1980 as well as certificate of service in Luxembourg. Weight: 680 g Shipping unavailable Area: Switzerland Sizes: H 100MM X D 40MM Condition: At first glance: good condition

Estim. 5 000 - 7 000 EUR

Sat 27 Apr

Rolex Midas - Calibre 650 mechanical watch with reversed crown, case and bracelet in 18K yellow gold, ref 9630. circa 1964. Champagne-gold dial, numbered 062, folding clasp marked "King Midas" by Rolex of Geneva, Rolex crown on either side of the clasp. Screw back "Modèle Déposé Registered Design". In working order, wear, scratches and patina. Box and papers not supplied. Weight: 165 g Shipping unavailable Area: Suisse Sizes: H 90MM X L 30MM Condition Detail: POID 164.7

Estim. 12 000 - 15 000 EUR

Sat 27 Apr

Mondor "Doctors" hand-wound chronograph watch, Landeron 48 calibre, "Breguet" numerals, complete case in 18k gold, Switzerland circa 1950. In working order. Weight: 65 g Shipping available Area: Suisse Sizes: D 40MM Condition: At first glance: good condition

Estim. 300 - 600 EUR

Sat 27 Apr

NAVA - Incabloc mechanical watch, case and bracelet in 18k white gold, men's model circa 1980. Weight: 140 g Shipping available Sizes: L 190 MM X D 34 MM Condition: At first glance: normal wear / patina of use

Estim. 800 - 1 200 EUR

Sat 27 Apr

Small 18k gold pocket watch with gold dust cover, gross weight 26.6gr. Weight: 27 g Shipping available Sizes: H 47 MM X D 33 MM Condition: At first glance: normal wear / patina of use

Estim. 250 - 500 EUR

Sat 27 Apr

Pocket watch in 18k gold, brass dust cover, total weight 24 gr. Weight: 24 g Shipping available Sizes: D 30MM Condition: At first glance: good condition

Estim. 80 - 120 EUR

Sat 27 Apr

18k gold pocket watch, horsehead hallmark, gold dust cover, total weight 26.4 gr. Weight: 26 g Shipping available Sizes: H 50MM X D 32MM Condition: At first glance: good condition Condition Detail: POIT 26.4

Estim. 200 - 400 EUR

Sat 27 Apr

LIP - 18k gold pocket watch, "Grands prix, Hors concours, 200 médailles d'or, Premier prix de réglage", for a total weight of 70.6 gr. Weight: 71 g Shipping available Sizes: H 65MM X D 47MM Condition: At first glance: good condition Condition Detail: POIT 70.6

Estim. 350 - 650 EUR

Sat 27 Apr

18k gold "Pateck Genève Cylindre 10 Rubis" pocket watch, total weight 69.9 g. Gold dust cover. Weight: 70 g Shipping available Area: Suisse Sizes: H 65MM X D 45MM Condition: At first glance: good condition Condition Detail: POIT 69.6

Estim. 350 - 650 EUR

Sat 27 Apr

Chronomètre D" pocket watch in 18k gold, "Anchor straight line, 15 jewels, visible double plate", total weight 70.3 g. Weight: 70 g Shipping available Sizes: H 65MM X D 50MM Condition Detail: POIT 69.9

Estim. 350 - 650 EUR

Sat 27 Apr

Pocket watch in 14k gold, cylinder 10 rubies, total weight 77.6 g. Weight: 78 g Shipping available Sizes: H 65MM X D 48MM Condition: At first glance: good condition Condition Detail: POIT 77.6

Estim. 350 - 650 EUR

Sat 27 Apr

On-board watch, white enamelled dial with Arabic numerals, marked "propriété de l'aviation Française", with counter at 12 o'clock, in its leather case (accident to the enamel / missing crown? ) / Attached: (x1) inlaid watch case (small missing parts) + (x3) pocket watches (one with silver case) + (x1) vest chain.

Estim. 100 - 150 EUR

Sat 27 Apr

François Moreau (1858-1931) d'après, "Amour brûlant ses armes", marble and brown patina regula pendulum, signed on the base, with titled cartouche on the marble base marked "salon des beaux Arts" (36x47x22 cm) / Attached (x1) pair of Louis XVI style marble and brown patina regula cassolettes.

Estim. 100 - 150 EUR

Sat 27 Apr

Portico" clock in alabaster or marble and gilt bronze, decorated with palmettes, the round dial partially enamelled white on a chased background, with glass globe and blackened wood stand, 19th century (accidents / 72x24x34 cm)

Estim. 200 - 300 EUR

Sat 27 Apr

Rolex Oyster Perpetual Datejust, ladies' watch in 18-carat yellow gold, round case with fluted bezel (diameter: 25mm), gold-backed dial with date window at 3 o'clock, Rolex bracelet in 18-carat yellow gold with folding clasp, self-winding mechanical movement (bt weight: 79.12g).

Estim. 2 200 - 3 000 EUR

Sat 27 Apr

Rolex Oyster Perpetual Datejust, men's watch in steel and 18-carat yellow gold, round case with fluted bezel (diameter: 35 mm), gold-backed dial with date window at 3 o'clock, Rolex bracelet with folding clasp, self-winding mechanical movement (bt weight: 97.30g), sold with its guarantee dated 3/11/1987 and its case.

Estim. 3 000 - 4 000 EUR

Sat 27 Apr

Ferdinand Louis Moreau (1826-1884) after, marble and regule mantelpiece with brown patina, comprising: (x1) borne clock with round white enameled dial with floral decoration, in a borne flanked by a mandolin player, signed "L & F Moreau" (42x55x19 cm) + (x1) pair of cassolettes with putti (patina accidents / 36x15x15 cm)

Estim. 120 - 180 EUR

Sat 27 Apr

APULIAN RED-FIGURE BELL KRATER WITH SATYR AND DIONYSUS - Ca. 390 BC. A pottery bell krater with a black glazed body adorned with red figure decorations. Its composition includes a circular base, a short stem, a bell-shaped body, two handles, and a broad everted rim. Side A of the krater depicts a satyr striding right, holding a tympanum, a percussion instrument. On the right side of the scene, a nude Dionysus with a himation thrown over his right shoulder is seen holding a thyrsus, a long staff topped with a pine cone. Side B features a pair of male youths, known as ephebi, wearing himations and engaged in discussion. Both scenes are framed with a laurel leaf motif above and a meander motif below. Additionally, large palmettes are positioned below the handles. This piece is accompanied by a TL report from QED. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy. Size: 310mm x 310mm; Weight: 2.6kg Provenance: Property of a London ancient art gallery; formerly acquired on the Spanish art market; formerly in a private collection, Cannes, France; previously acquired at Pierre-Eric Becker Gallery, Cannes, 1998. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Estim. 4 000 - 6 000 GBP

Sat 27 Apr

ROMAN GLASS MOSAIC DEPICTING A TIGER - Ca. 100 BC - AD 100. A fantastic fragment of Roman mosaic glass depicting a coloured tiger in a deep-blue frame. The animal is rendered in a very naturalistic manner with details of the mane and the hair coloured in red and black. The eye is globular with a blue iris showing a circular black pupil on the inside. The muzzle is strikingly realised with folds of skin standing out as the feline opens its mouth showing its teeth and tongue. For similar see: MET Museum Accession Number: 30.8.183. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy. Size: 30mm x 30mm; Weight: 15g Provenance: Prince collection, 1990s-2014; acquired 2008 from a UK private collected formed in the 1970s to 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Estim. 20 000 - 30 000 GBP

Sat 27 Apr

NEOCLASSICAL GOLD BROOCH WITH HERMES CAMEO - Ca. AD 1700 - 1800. A striking cameo, featuring a portrait of the god Hermes, the messenger of the gods. The portrayal of Hermes in the cameo is highly detailed, emphasizing his characteristic features that are central to his depiction in Greek mythology. The god Hermes is depicted here in his right profile, wearing his iconic hat with wings, known as the petasos, which symbolizes his role as the messenger of the gods. The fine features of his face are delicately rendered in the carving, with particular attention paid to his alert and watchful eyes, reflecting his role as the messenger who is constantly vigilant and alert. His nose is straight and chiseled, his lips are thin, and his chin is strong and well-defined. In addition to his attire and facial features, the carving also shows Hermes with a mantle slung over his left shoulder, emphasizing his status as a deity. On his right arm rests a caduceus, a staff that is traditionally associated with Hermes and represents his role as the patron of commerce, travelers, and thieves. The caduceus is depicted as a staff with two intertwined snakes and a pair of wings at the top, symbolizing Hermes' ability to travel quickly between the realms of the gods and humans. The cameo is set in a gold brooch setting, which is bordered with a loop-in-loop chain. The setting complements the carving, highlighting the intricate details and fine craftsmanship of the cameo. The brooch is equipped with a pin to the back, providing a secure and functional way to wear the piece. Size: 28.9mm x 25.5mm ; Weight: 4.88g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/ International art market in the 1990s.

Estim. 300 - 600 GBP

Sat 27 Apr

Wall-mounted inlaid wood cartel with console Gilt bronze trim Enameled dial with Admirauld railroad in Paris Louis XV period Cartel height: 76 - W: 36 - D: 15 cm Console height: 34 - W: 37- D: 19 cm

Estim. 1 200 - 1 500 EUR

Sat 27 Apr

After Albert Ernest CARRIER BELLEUSE (1824-1887) Sphere-shaped clock held by a bronze Victory Dial signed BERNOUX in Paris Resting on a marble base in the form of a fluted column decorated with bronze foliage scrolls H: 72 - W: 26 cm

Estim. 1 000 - 1 500 EUR

Sat 27 Apr

Centaur and Bacchus child Gilded regule clock 19th century H: 80 - W: 42 - D: 20 cm (one back foot missing)

Estim. 200 - 300 EUR

Sat 27 Apr

White Carrara marble and patinated bronze clock decorated with Molière writing l'impromptu de Versailles Napoleon III period H: 63 - W: 43 - D: 20 cm

Estim. 300 - 500 EUR

Sat 27 Apr

Gilt bronze and cut-crystal mantel set including a borne clock and a pair of cornet vases. Circa 1900. Movement signed and located in Cannes. H: 34 - W: 20, 5- D: 16 cm

Estim. 300 - 500 EUR

Sat 27 Apr

Lot of 14 jewelry drawings on tracing paper (some mounted on cardboard) in pencil heightened with polychrome gouache, mainly in white jewelry and diamonds, including: four drawings of ladies' wristwatches, three drawings of V-shaped link workshops heightened with diamonds typical of the 1955/60 period, and four drawings of string link bracelets circa 1945/50. Paul TOUZET, a designer and jeweler active from the 1940s to the 1970s, worked in the family tradition for VAN CLEEF & ARPELS, BOUCHERON and STERLE. He is also said to have worked with Georges BRAQUE and Jean COCTEAU on their jewelry. His creations are typical of French and Parisian jewelry production during the Trente Glorieuses. Expert: Alexandre Léger.

Estim. 60 - 100 EUR

Sat 27 Apr

Lot of 20 jewelry drawings on tracing paper and light-blue paper in pencil heightened with polychrome gouache, including two drawings of brooches holding a collar watch, two drawings of twisted heart pendants, a set of preparatory drawings for cufflinks and signet rings, six jewelry designs from 1945/55, notably with gold threads and twists, and five designs strongly inspired by the Sterlé collections with stylized pineapple motifs, sometimes enhanced with blue enamels, diamonds and cabochons of turquoise and moonstone. Paul TOUZET, a designer and jeweler active from the 1940s to the 1970s, worked in the family tradition for VAN CLEEF & ARPELS, BOUCHERON and STERLE. He is also said to have worked with Georges BRAQUE and Jean COCTEAU on their jewelry. His creations are typical of French and Parisian jewelry production during the Trente Glorieuses. Expert: Alexandre Léger.

Estim. 100 - 300 EUR

Sat 27 Apr

Yellow gold 750°/°° (18k) pendant/watchwinder set with an orange marmorated glass intaglio of an antique-style man, surmounted by two birds in the round. H: 8 cm. 27.61 g gross.

Estim. 600 - 800 EUR

Sat 27 Apr

LONGINES. Ladies' watch in 750°/°° (18k) yellow gold with signed circular dial, fine link bracelet. L: 17 x D: 1.5 cm. 21.72 g gross. In case also signed (wear).

Estim. 600 - 700 EUR

Sat 27 Apr

OMEGA. Ladies' watch in 750°/°° (18k) yellow gold, square dial with rounded corners signed (Swiss hallmarks), quartz movement, interlocking twisted link bracelet (French eagle head hallmarks). L: 17.5 x D: 2 cm. 28.36 g gross. In a case also signed.

Estim. 650 - 750 EUR

Sat 27 Apr

Ladies' watch in 750°/°° (18k) white gold, circular dial signed "Reglia". D: 1.7 cm. L: 17 cm. 17.33 g gross.

Estim. 400 - 500 EUR

Sat 27 Apr

JAEGER LECOULTRE. Military watch with steel case numbered 23566, signed circular dial with Arabic numerals and railway, mechanical movement, black leather strap. Circa 1948. D: 3.2 cm. Sold with purchase invoice dated September 9, 1948. Slight oxidation to the dial.

Estim. 200 - 300 EUR

Sat 27 Apr

FREDERIQUE CONSTANT. Ladies' watch with steel case signed and numbered 1050621, circular dial with Roman numerals, days, date and lunar phases, crocodile-style brown leather strap. D: 3 cm. Sold with original box.

Estim. 500 - 800 EUR

Sat 27 Apr

Yellow gold gousset watch 750 °/°° (18k, horse hallmark), enameled dial with Roman and Arabic numerals, railway track and seconds dial, case signed "Lebon rue Montorgueil 45". D: 4.5 cm. 78.24 g gross.

Estim. 300 - 400 EUR

Sat 27 Apr

LIP. Ladies' watch with 750 °/°° (18k) yellow gold case numbered 57095, black leather strap (wear). D: 1.5 cm. 8 g gross.

Estim. 70 - 100 EUR

Sat 27 Apr

MOVADO ladies' watch. Wear and tear.

Estim. 50 - 70 EUR

Sat 27 Apr

Mantel clock supported by two ormolu children on a white marble base. 19th century. Height: 34 cm

Estim. 100 - 150 EUR

Sat 27 Apr

Gilt brass officer's clock. Dial signed "L'épée, Sainte Suzanne, France". Beveled glass. Height: 14.5 cm. A Second Empire globe with blackened wood base.

Estim. 80 - 120 EUR

Sat 27 Apr

LIP TYPE COURANT model (Used in the French army) Men's wristwatch circa 1910, round metal case, mechanical movement (in working order, not guaranteed), white dial with Arabic numerals, second hand at 6 o'clock, Diam: 32 mm (wear, scratches, dial accident), winding stem attached. Later 20 mm black leather strap with pin buckle.

Estim. 40 - 60 EUR

Sat 27 Apr

Gilt brass officer's clock with column, Roman and Arabic numeral indexes, beveled glass. Functional movement (not guaranteed), no key, one hand missing. Size: 12 x 7 x 6.5 cm

Estim. 20 - 50 EUR

Sat 27 Apr

Gilt brass officer's clock with column, Roman numeral index, beveled glass. Functional movement (not guaranteed), no key. Size: 12 x 7 x 6.5 cm

Estim. 30 - 50 EUR

Sat 27 Apr

Ladies' jumping watch with chain. Engraved case. GG 14 K. Weight 42g. Chain L: 24 cm.

Estim. 280 - 560 EUR

Sat 27 Apr

Two ladies' pocket watches. Engraved case. GG 14 K. Plate marked". Remontoir Cylindre10 Rubis". Remains of enamel. Weight 22g. Comes with pocket watch silver 800.

Estim. 150 - 300 EUR

Sat 27 Apr

Ladies' wristwatch. GG 18 K. Baume & Mercier Switzerland. Oval gold case, white dial with Roman numeral ring. Weight approx. 15 g. Intact.

Estim. 300 - 600 EUR

Sat 27 Apr

Two men's wristwatches. Royana brand. GG 14 K. Weight 18 g. Comes with a men's wristwatch, Apollo brand GG 8 K. Flexible bracelet.

Estim. 280 - 560 EUR

Sat 27 Apr

Ladies' wristwatch. Predial brand. Silver 835. watch and link bracelet. Weight 37 g. L: 20 cm.

Estim. 80 - 160 EUR

Sat 27 Apr

Wall clock. Regulator R 1680 "Helmut Mayr Andechs". Cherrywood case, brass pendulum, Roman dial. Cable movement, 1/2 hour strike on gong, strike and striking mechanism stop. Blued Brequet steel hands H: 76 cm.

Estim. 950 - 1 900 EUR

Sat 27 Apr

Biedermeier clock. Austria, 19th century. Softwood, mahogany veneer. Box-shaped clock case on a rectangular base, stepped finial. White enamel dial with Arabic hours. Mounted. Striking mechanism on bell. Pendulum on thread suspension. Rate not tested. Damaged. H: 36 cm. Damaged. Comes with a carved and gilded wooden portal case, dam. H: 45 cm.

Estim. 100 - 200 EUR

Sat 27 Apr

Men's wristwatch. Nomos model Orion, Glashütte. Stainless steel case, manual winding, small second. Leather strap. Original case. Guarantee pass.

Estim. 600 - 1 200 EUR

Sat 27 Apr

Men's wristwatch. Omega De Ville - Co-Axial Chronometer. Hour Vision Blue. Stainless steel case, leather strap. Original case. Unworn.

Estim. 2 000 - 4 000 EUR

Sat 27 Apr

Portico clock. Rectangular veneered mahogany case, portico with four columns. White enameled dial, Arabic numerals. Pendulum on thread suspension, hour strike on clay spring. H: 40.5 x 26 x 15 cm. Key. Movement not tested.

Estim. 120 - 240 EUR

Sat 27 Apr

Portal clock. France, 2nd half of the 19th century. Ebonized wooden case on a rectangular base with inlay work. Turned pigtail columns. Spring suspension. Half hour strike with repeater. Key. H: 48 cm. Min. dam. Running time not tested.

Estim. 50 - 100 EUR

Sat 27 Apr

Framed clock. German, 19th century. Gilt frame, silver-plated dial with signs of the zodiac. Battery movement. H: 36 x 36 cm. Min. dam.

Estim. 30 - 60 EUR

Sat 27 Apr

Stick clock. England, 18th/19th century. Mahogany case. Engraved brass dial with Roman and Arabic numerals. Marked "Potman London". Half hour strike with repeater, key. H: 40 cm. Min. dam.

Estim. 200 - 400 EUR

All lots "Watches and timepieces" Advanced search

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Art Nouveau clock in carved walnut with a half-dressed lady and floral decoration, enamel numerals, circa 1900. Weight: 5.83 kg Shipping unavailable Sizes: H 800MM X L 380MM Condition: At first glance: good condition

Sat 27 Apr

Sat 27 Apr

Set of two 18k yellow gold watches circa 1950-60, total weight 25.1gr. Weight: 25 g Shipping available Sizes: H 195MM X L 20MM / H 65MM X L 20MM Condition: At first glance: normal wear / patina of use

Sat 27 Apr

Fulam - Complete ladies' watch (case and bracelet) in 18K white and yellow gold weighing 38.3gr. In working order. Weight: 40 g Shipping available Sizes: BRACELET H 190MM D 21MM Condition: At first glance: good condition

Sat 27 Apr

Jaeger LeCoultre - Desk clock "Montre boule" with Chinese decoration, XXth C. No return for this lot. Weight: 970 g Shipping available Area: Suisse Sizes: H 200MM X D 190MM Condition: At first glance: good condition

Sat 27 Apr

Magnificent silver chatelaine, decorated with various charms such as watch keys, seals, etc... Dutch and other hallmarks, 18th - 19th century depending on the piece. Weight: 145 g Shipping available Area: Holland Sizes: H 350MM X L 55MM Condition: At first glance: good condition

Sat 27 Apr

Small Empire period chased and gilt bronze clock with Breguet movement, early 19th century. A missing needle. Weight: 1.01 kg Shipping available Area: France Sizes: H 170 MM X L 140 MM Condition: At first glance: normal wear / patina of use

Sat 27 Apr

Louis XVI period clock in gilt bronze and white marble, Crosnier movement in Paris. Weight: 21.00 kg Shipping unavailable Area: France Sizes: H 490 MM X L 390 MM Condition: At first glance: good condition

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Sat 27 Apr

Mondor "Doctors" hand-wound chronograph watch, Landeron 48 calibre, "Breguet" numerals, complete case in 18k gold, Switzerland circa 1950. In working order. Weight: 65 g Shipping available Area: Suisse Sizes: D 40MM Condition: At first glance: good condition

Sat 27 Apr

NAVA - Incabloc mechanical watch, case and bracelet in 18k white gold, men's model circa 1980. Weight: 140 g Shipping available Sizes: L 190 MM X D 34 MM Condition: At first glance: normal wear / patina of use

Sat 27 Apr

Small 18k gold pocket watch with gold dust cover, gross weight 26.6gr. Weight: 27 g Shipping available Sizes: H 47 MM X D 33 MM Condition: At first glance: normal wear / patina of use

Sat 27 Apr

Pocket watch in 18k gold, brass dust cover, total weight 24 gr. Weight: 24 g Shipping available Sizes: D 30MM Condition: At first glance: good condition

Sat 27 Apr

18k gold pocket watch, horsehead hallmark, gold dust cover, total weight 26.4 gr. Weight: 26 g Shipping available Sizes: H 50MM X D 32MM Condition: At first glance: good condition Condition Detail: POIT 26.4

Sat 27 Apr

LIP - 18k gold pocket watch, "Grands prix, Hors concours, 200 médailles d'or, Premier prix de réglage", for a total weight of 70.6 gr. Weight: 71 g Shipping available Sizes: H 65MM X D 47MM Condition: At first glance: good condition Condition Detail: POIT 70.6

Sat 27 Apr

18k gold "Pateck Genève Cylindre 10 Rubis" pocket watch, total weight 69.9 g. Gold dust cover. Weight: 70 g Shipping available Area: Suisse Sizes: H 65MM X D 45MM Condition: At first glance: good condition Condition Detail: POIT 69.6

Sat 27 Apr

Chronomètre D" pocket watch in 18k gold, "Anchor straight line, 15 jewels, visible double plate", total weight 70.3 g. Weight: 70 g Shipping available Sizes: H 65MM X D 50MM Condition Detail: POIT 69.9

Sat 27 Apr

Pocket watch in 14k gold, cylinder 10 rubies, total weight 77.6 g. Weight: 78 g Shipping available Sizes: H 65MM X D 48MM Condition: At first glance: good condition Condition Detail: POIT 77.6

Sat 27 Apr

Sat 27 Apr

François Moreau (1858-1931) d'après, "Amour brûlant ses armes", marble and brown patina regula pendulum, signed on the base, with titled cartouche on the marble base marked "salon des beaux Arts" (36x47x22 cm) / Attached (x1) pair of Louis XVI style marble and brown patina regula cassolettes.

Sat 27 Apr

Portico" clock in alabaster or marble and gilt bronze, decorated with palmettes, the round dial partially enamelled white on a chased background, with glass globe and blackened wood stand, 19th century (accidents / 72x24x34 cm)

Sat 27 Apr