All lots "Watercolours" Advanced search

Thu 02 May

Kolbe,C.W. - Tableaux en gouache, demi-gouache et dessins au lavis: The landscapes after Salomon Gessner. With the title, preface and 21 (instead of 25) etchings, together in 6 booklets. Zurich, Henri Gessner, 1806-1811. 52 × 72 cm. Loose sheets in blue laid paper wrappers with printed cover titles, in blue card covers. All somewhat creased and more heavily brown-stained, the cover somewhat stained and scratched. Leemann-van Elck, Gessner p. 84 - Etchings somewhat foxed throughout and with handling creases and bumping. Otherwise beautiful, decorative views.

Thu 02 May

Nierhoff, A, und M.Wieland. - Such is life, Hermann... Wienand Verlag, Cologne 1992. gr.fol. With prints and works on paper by 70 artists. Various techniques, including lithography, etching, gouache, woodcut. Various sizes, maximum Each signed and numbered. Partly dated. Also numbered in the imprint. In original wooden box with metal lid. One of 30 copies - With prints by: Dieter Appelt, Rainer Fetting, Ricarda Fischer, Klaus Fußmann, Karl-Horst Hödicke, Barbara Keidel and Ina Lindemann among others - Works and box are in very good condition.

Thu 02 May

Jannsen,H - Eiderland 1985. 85 color etchings on different, partly colored papers (one print on textile). Each monogrammed and dated. Small format prints from approx. 5.3 x 23.8 cm to 14.9 x 21.5 cm. Loose sheets in passe-partouts in original half-tone cassette with original cover illustration in watercolor and India ink, monogrammed and inscribed "Landschaft 1985". Gäßler 43. Janssen produced the series for Hartmut Frielinghaus for an exhibition of his printed art at the Kunstverein Oldenburg. There are 60 numbered copies for sale of the so-called Eiderland portfolio with a selection of 35 etchings. Here is the more extensive series with numerous additional print states and motifs. With an etched title page 'Eiderland. 27 etchings for the Kunsthalle Bremen' (not in Gäßler) and without the 2 motifs 43/52 and 43/64; the latter probably only included in the 60 numbered copies.

Pair of watercolors ''COWS GRAZING WITH PEASANTS'' - Pair of watercolors on paper depicting ''COWS AT THE PAST WITH COUNTRYMEN.'' Signed E.G. at bottom. Early 20th century. Framed. 22x48 cm approx.

Four ''BIRDS'' watercolors - Four watercolors on paper depicting ''FLATS.'' Signed ANUSHA at lower right. Early 20th century. 37.5x28 cm approx.

Thu 02 May

Robert HUE (1909-1977). Abstrait N°2 musique. Gouache on paper signed lower right and dated 41. 27.5 x 22 cm on view. (small scratches).

Thu 02 May

LEMAIRE (20th). Two compositions. Gouaches signed. 52 x 34 cm sight and 33 x 45 cm sight. After Vassily KANDINSKY (1866-1944) by FERRER (20th). Composition. Watercolor signed lower right. 40 x 50 cm.

Thu 02 May

Claude LE LAY (born 1946). Composition. Acrylic on paper signed lower right. 68 x 52 cm.

Thu 02 May

Emma THIOLLIER (1875-1973) - "Sainte Imelda", watercolor, sbg and dated 1920. 8x5 cm

Thu 02 May

M. RUEFF - "Château de Clisson sur la Sèvre nantaise", watercolor, sbg. 31x47 cm

Thu 02 May

Madeleine DAUPHANT-SENEAULT (XXe) - "Basket of fruit", gouache, sbd. 26x35 cm

Thu 02 May

KAMANN - "Breton fortress by the sea", watercolour, sbd. 30.5x42.5 cm

Thu 02 May

Madeleine RENAUD (1994) - "Bouquet de fleurs", oval watercolor, sbd. 23x17 cm

Thu 02 May

A. PEUZE - "Elégantes aux bas", three oval-view watercolors (one pane cracked). 36x27 cm

Thu 02 May

20th century school: "Scène de corrida", watercolor, sbd. 23x29 cm. (vdr 955)

Thu 02 May

Ray POIRIER (1938) - "Derby", enhanced watercolor, sbd (wet spots). 31x46 cm

Thu 02 May

Large gouache on paper mounted on cardboard: "La fable du corbeau et du renard" (wear, folds, cut, rolled). 160x138 cm

Thu 02 May

J. FAURE - "Barque sur la grève", watercolour, sbd. 13.5x19.5 cm

VICTOR-JEAN NICOLLE (1754-1826) VIEW OF ROME Watercolor Partially sun-exposed Rome, watercolour, partially sun-exposed paper 13.50 x 19 CM - 5.3 x 7.5 IN

FRENCH SCHOOL CIRCA 1830 ANIMEE STREET Watercolor and ink Signed "E. Chardin" lower right Sight: French school c. 1830, animated street, ink and watercolour, signed "E Chardin" lower right. 21 x 15 CM - 8,3 x 5,9 IN

CHARLES DE SARCUS (1821-1867) BAL MASQUE Two watercolors One signed lower right and dated 1849 Small marks A VUE : Two watercolours, one signed lower right and dated 1849, small punctures 15 x 25,50 CM - 5,9 x 10 IN

LOUIS EUGENE CHARPENTIER (1811-1890) THE DISCOVERY OF THE CRADLE, 1851 Ink, wash and white watercolor Signed lower left Draft illustration for "Les misères des enfants trouvés" by Eugène Sue. The discovery of the cradle, ink, wash and white watercolour, signed lower left, project for "The misery of the found children" by Eugène Sue. 14,50 x 9,80 CM - 5,7 x 3,9 IN

HIPPOLYTE BELLANGE (1800-1866) THE FLYER Watercolor over ink lines Signed lower left Pasted in full, minor spotting and sun fading The soldier, ink and watercolour, signed lower left, mounted on cardboard, small punctures and sunburned 155 x 11 CM - 61 x 4,3 IN

19th CENTURY FRENCH ECOLE, ENTOURAGE DE JEAN-FRANÇOIS MILLET (1814-1875) SHEPHERD AND HIS FLOCK Watercolor over brown ink lines 19th century French school, circle of J.F. Millet, Shepherd and his herd, Brown ink and watercolour 25 x 32 CM - 9,8 x 12,6 IN Provenance: Artus & associés Artus et associés sale, May 3, 1988, lot 105, 8000F

CAMILLE FLERS (1802-1868) THATCHED COTTAGE BY THE WATER Black pencil and watercolor Monogram stamped lower right (L.533e) 23 x 33.5 cm (view) Small stains Cottage by the river, black chalk and watercolour, monogrammed right (L.533e), small stains 23 x 33,50 CM - 9,1 x 13,2 IN

PAUL CAMOIN (1816-1889) CHAMPEST VIEW Pencil and watercolor Signed lower right A vue : Animated landscape, pen and watercolour, signed lower right 21 x 30 CM - 8,3 x 11,8 IN

NINETEENTH-CENTURY FRENCH SCHOOL APSE OF NOTRE-DAME DE PARIS SEEN FROM THE PONT DE SULLY Watercolor Signed "B. MAURE" and dated 1891 lower left A vue : 19th century French school, View of Notre-Dame de Paris, watercolour, signed and dated 18.50 x 27 CM - 7.3 x 10.6 IN

MARC SAINT-SAENS (1903-1973) THE SNAKE CHARMER Gouache on paper Signed lower left Tapestry cardboard Gouache on paper; signed lower left; tapestry cardboard 21 X 28 CM - 8 1/4 X 11 IN.

MARC SAINT-SAENS (1903-1973) APOLLON Gouache on paper Signed lower center Tapestry cardboard Gouache on paper; signed lower center; tapestry cardboard 21 X 28 CM - 8 1/4 X 11 IN.

GÉRARD SENDREY (1928-2022) SET OF FIVE DRAWINGS - COMPOSITION, 1998 (i) - DANCE, 2013 (ii) - DANCE, 2012 (iii) (i) Gouache and grease pencil on paper Signed with initials and dated lower right Countersigned, titled and dated on the back Gouache and oil stick on paper; signed with the initials and dated lower right; signed again, titled and dated on the reverse (ii) "Danse" series Three gouaches on paper Signed with the initials and dated lower right Countersigned, titled and dated on reverse Some signed on the back A set of three gouache on paper; signed with the initials and dated lower right; signed again, titled and dated on the reverse (iii) "Danse" series Gouache on paper Signed with the initials and dated lower right Countersigned, titled, dated and dedicated on reverse Gouache on paper; signed with the initials and dated lower right; signed again, titled, dated and dedicated on the reverse 29,5 X 21 CM - 11 5/8 X 8 1/4 IN. (i) - 32 X 24 CM - 12 5/8 X 9 1/2 IN. (ii) - 29,5 X 21 CM - 11 5/8 X 8 1/4 IN. (iii)

GERARD SENDREY (1928-2022) SET OF FIVE DRAWINGS - DANSE, 2014 Five gouaches on paper Signed with initials and dated lower right Framed, titled and dated on back A set of five gouache on paper; signed with the initials and dated lower right; signed again, titled and dated on the reverse 21 X 14,5 CM EACH - 8 1/4 X 5 3/4 IN. EACH

GERARD SENDREY (1928-2022) SET OF SEVEN DRAWINGS (i) Three gouaches on paper, 2019 Signed and dated on reverse A set of three gouaches on paper; signed and dated on the reverse (ii) Two gouaches and inks on paper Monogrammed lower right Signed and dated on reverse A set of two gouaches and inks on paper; monogrammed lower right; signed and dated on the reverse (iii) Two inks on paper, 1996 Monogrammed and dated "96" lower right Signed and dated on reverse A set of two inks on paper; monogrammed and dated lower right; signed and dated on the reverse 15 X 21 CM - 5 7/8 X 8 1/4 IN. (i) - 19 X 19 CM - 7 1/2 X 7 1/2 IN. (ii ; iii) PROVENANCE Collection of Mr. and Mrs. F. M. L., France.

Thu 02 May

English school, late 18th century, "view of the temple bridge in Venice, in the gardens of Francis Dashcode", watercolor engraving. 38 × 50 cm Consultant : Pierre-François Breuilh

Thu 02 May

Reunion of three still lifes including : - les anémones, watercolor on paper signed Elisabeth lower left. 20 x 50 cm, à vue, foxing - Nature morte au bouquet de fleurs, watercolor on paper, signed Lebucourt lower left and dated 89. 29.5 x 23 cm, à vue - Nature morte aux fraise, watercolor on paper signed De Veyle lower right and dated 1925. 17 x 23 cm, on view

Thu 02 May

Vintage WC Art with Flowers Bouquet Russian V. KORNILOFF - Original watercolor painting on artistic cardboard with a bouquet of flowers signed lowwr right. V. Korniloff. Provenance from the estate of a collector in South Florida. We have attached quality images to show its actual condition.The dimensions are Approx. 17.75" x 14". This lot is located in Boca Raton, Fl and its shipment will be made directly by Artelisted. Shipping insurance is the responsibility of the buyer. Ask us if you want to add insurance cost. Note that if there is loss or damage due to bad handling by the transporter, this loss will be assumed only by the buyer. Enquires are welcome, do not hesitate to contact us at your convenience, we are looking to providing you with an excellent service.

Fri 03 May

Greifswald. - The market square in Greifswald. Copy after Caspar David Friedrich. Watercolor and India ink, heightened with white on paper. 20th century. Approx. 54 x 64 cm, incl. frame approx. 82 x 94 cm. Hint. Glass slightly stained, as well as a hole of approx. 0.5 cm. D

Fri 03 May

Heilbronn. - Town hall. Watercolor by Betty Jacobshagen-Binder (1890 Berlin -?). Approx. 24 x 30 cm. Signed lower right. "B.Jacobshagen", titled lower left. Framed under mat and glass (not framed). D

Fri 03 May

Werner,C.F.H. - Le Nil. Vingt-quatre aquarelles d'après nature. Text par A.-E.Brehm et J.Dumichien. Paris, A. Levy 1882. fol. With lithogr. map and 24 color lithogr. mounts. Plates in color. 2 pp., 97 pp., 1 leaf. Olwd. with gilt and black embossing and gilt headpieces (some wear and rubbing, back cover slightly browned and with small cover loss). Thieme-Becker XXXV, 404 - One of the most splendid works of views of Egypt, the Nile River, the cities, monuments, landscapes and the folk life of the Egyptians by the architecture and landscape painter Carl Friedrich Heinrich Werner (1808-1894), "grandson on his mother's side of the actress Christiane Becker née Neumann celebrated by Goethe as 'Euphrosyne'", who studied in Leipzig, Munich and Italy. His "watercolors are hard and unpainterly, but very faithful in the reproduction of all details, therefore of significant topographical, ethnographical and architectural-historical value" (Thieme-Becker). - Mostly loosened, some marginal wear, somewhat browned and stained in places.

Fri 03 May

Lauter, Wilhelm Hermann Adolf - (Emmendingen/Baden 1847-1917 Berlin). Summery low mountain range landscape with a view of the Kronberg/Taunus fortress. Watercolor, 26.5 x 34 cm, signed and dated, framed behind glass. Wilhelm Lauter attended the Karlsruhe Polytechnic from 1865-1868 and was a pupil of the painter K. Lindemann-Frommel in Rome in 1869, exhibiting his landscape and architectural paintings from 1881. D

Fri 03 May

Kronberg. - Partial view. Watercolor, monogr. I.v.W., (= Ida von Wassmann), dat. 1903. 44.5 x 36.5 cm. Framed. R

Fri 03 May

Rollbild (Patua). - Gouache on canvas, probably Cambodia 20th century Approx. 190 x 88 cm. Painting divided into three sections: 5 gods at the top, 5 animals below: Cock, snake, tortoise, cattle, tiger, below the animals text probably in Khmer. In the center the Chulamani Chedi Stupa, surrounded by 12 gods sitting on clouds with mourning banners, below the stupa a scene from the life of the monk Phra Malai and Indra and Indranie and 5 other gods. In the lower part In the lower part Siddhartha Gautama cuts off his long hair with a sword as a sign of his renunciation of the world, Indra kneels before him with a bowl. Similar to the Tibetan thangka - creases, scuffing, the writing at the bottom barely legible, some marginal tears. Tears in the margins. R

Fri 03 May

Berglandschaft. - Three resting people looking into a valley with a telescope, on the left a peasant woman standing in the front door. Anonymous mixed media with watercolor, probably 19th century. 17 x 22.5 cm. Glued to the upper margin. R

Fri 03 May

Hertel, Albert - (probably, 1843 Berlin 1912). The painter at work, watercolor, pencil on paper, 14 x 19.5 cm (visible size). Signed A. Hertel lower left. ╔Thereby: Ders.╗ Vor der Schenke, watercolor on paper (probably round), 15.4 x 19 cm (visible size). Signed A. Hertel lower left. Framed, unopened. - 2 watercolors by the painter. D

Fri 03 May

Schafschur - In the stable. Anonymous, washed ink drawing, 19th century. Sheet size 24 x 34.5 cm. Framed under mat and glass. ╔With: Hof, Karl╗ (20th century). Werenwag castle. Watercolor signed lower left, ca. 48 x 37 cm. Under mount - ╔Militaria.╗ K.K.Fürst Franz Liechtenstein IX Husz. Regiment of mounted and foot soldiers in hussar uniform. Colored. Lithograph by "SK" for E. Sieger for Art.Anst. v. M.Trentsensky, Vienna about 1860. 33.5 x 26, sheet 38.5 x 27.5 cm. In the left border brass instruments and music book. Folded several times. - In the center the handwritten "Programm. No.1. Entrance march from Rienzi by Wagner. No. 2. Gran Scena & Aria from Ernani. No. 3. variations from Müller. No. 4. Thermen Walzer by Strauss. No. 5. Ouverure to Athalia by Medelsohn (!). No. 6: Monstre Quadrill. No. 7: Hattyu hangok Csárdás. No. 8. Gypsy Chorus from Op. Trovatore by Verdi". - Occasional foxing, creasing and marginal tears, partly underlined. Rare. D

Fri 03 May

Konvolut - of 18 sheets from various Areas in various formats. Techn. and formats, 18th-19th c. Including: ╔Militaria.╗ "Kress Chevaux-legers im Lager bei Acs. (July 1849)". Lithograph on mounted China n. C. A. Pettenkofen for J. Höfelich. 27 x 32.8, sheet size 38.5 x 44 cm. - ╔François I de Poilly╗ (1622-1693). Longinus stabs Jesus in the side with a spear (the "Holy Spear") after his death. Copperplate engraving n. C. le Brun, Paris. Pl. 61.5 x 47.7 cm. With the inscription and Latin (Videbunt in quem transfiacerunt) and French (Ils verront celuy qu'ils ont percé) title in the plate. At 3 sides with little margins around the border. - Le Blanc 53 Cf. Rijksmuseum RP-P-1967-456 (without ill.). - ╔Johann Friedrich Bause╗ (1738-1814). Petri's repentance. Aquatint etching n. C. W. E. Dietrich. Plgr. 35.5 x 38.5, sheet 38.5 x 42 cm. With the inscription and title in the plate. - ╔Portrait.╗ Georg von Reichenbach... 1826 in Munich. Half-length portrait of the Byerian engineer. Lithograph by Friedrich Hohe (1802-1870) after Stieler, about 1825. 45.5 x 33 cm. With the names in the stone a. typogr. text below the depiction. - Others. - Various strong signs of age and wear - ╔Including: Moritzburg.╗ Moritzburg near Dresden. Anonymous charcoal drawing 19th cent. sheet size 20.5 x 33 cm. Titled in the sky, verso inscribed "Moritzburg a hunting chateau of the King of Saxony" and "Engl. Romantiker (J.Harding) um 1835". - ╔Bavaria.╗ Bavarian chapel. Anonymous watercolor 1898. sheet size 22.7 x 31 cm. Dated lower right, inscribed "Amberg s. unter alte Berg" and " Stauer-München" verso. - ╔Allgäu.╗ 2 views of snow-covered Allgäu mountains with huts. 2 charcoal and graphite drawings, probably 1st half of the 20th century. Each approx. 13.7 x 17.5, sheet size 33 x 48 cm. Each indistinctly signed a. titled. - Slight signs of wear - ╔Stirling.╗ The Abbey Craig near Stirling. River landscape with sailing ship and ruined house, in the background the mountain massif. Pl. 20.5 x 28.9 cm. Lower left indistinctly resp. blurred sign. Mounted on card, titled verso. - Some foxing, occasional foxing. D

Fri 03 May

Anonym. - The wild army. (Note: The battle rages in the background), watercolor on paper, mounted, 15.2 x 17.8 cm (sheet size). Illegibly signed and dated lower right: (18)83. Inscribed lower right on the backing card: Das wilde Heer. Browned. D

Fri 03 May

Schleiereule. - Gouache. Signed by K. Bauer. 42 x 29 cm. Framed. R

Fri 03 May

Afghanistan. - Map of Afghanistan with the adjoining Russian and English territories. Edited by Gustav Freytag. Scale. 1:2,100,000. Vienna and others. Hartleben (around 1900). 67 x 79 cm. Folded several times. With attached illustrated OU. with 7 views in wood engraving. Cover edges partly creased, folds of the map partly torn - ╔In addition: Map╗ of Italy, Greece and the areas around the Black Sea. Composed of 4 parts, lithographed, border color map. Map, partly with ornamental border, ca. mid-19th century. Fragment. Ca. 51 x 113 cm. Folded several times. - Partly. Folds and margins somewhat damaged. - Indo-Persian miniature: A soldier presents the head of an enemy to the army commander (Shah). Gouache (15 x 10 cm) in floral frame, approx. 25 x 17 cm. Framed under glass (not framed). - Sheet with stress cracks. D

Contemporary Vietnamese school. Mother and child. Watercolor and ink on paper signed and stamped by the artist. 67.5 x 39 cm. Frame to be refixed.

Contemporary Vietnamese school. Group of women with baskets. Watercolor and ink on paper signed and stamped by the artist. 58.5 x 79 cm.

Philippe HAUCHECORNE (1907-1976). Harbor entrance. Oil on canvas signed and dated 52 lower left. 46 x 55 cm (unframed). Faded and restorations.

Philippe HAUCHECORNE (1907-1976). Sea. Watercolor signed, dated 57 and located St Marc lower right. 43 x 52.5 cm. Under glass, unframed.

Robert LARROQUE (1921-2015). Flowers in a Vase. Oil on canvas signed lower right and titled on back. 66 x 55 cm. Accident to frame.

Auguste CLERGE (1891-1963). Strasbourg, the locks. Oil on canvas signed and dated 27 lower right, titled on back. 54 x 65 cm. Slightly missing.

R.BETOURNE in Limoges. The fisherman in the lake at dusk. Painted enamel from Limoges, signed lower left. In a beautiful curved blackened wood frame and mahogany sub-frame. 20th century. 14 x 22cm.

R.BETOURNE in Limoges. The road between the trees. Painted enamel from Limoges, signed lower left. In a fine curved blackened wood frame and mahogany sub-frame. 20th century. 14 x 10cm.

Louis LASBOUYGUES (1943). The park of the prefecture of Agen. Watercolor on paper signed and dated 92 lower left. In a gilded molded wood frame under protective glass. 50 x 61 cm sight / 74 x 84.5 cm with frame. Pupil of the Montmartre painter Léopold Lecomte.

Alexandre MIELNIKOFF (1940-2015). The Meuse Canal, evening. Oil on canvas signed and dated 1984 lower right. 48 x 63 cm / 67 x 82 cm with frame. Painter from Lorraine.

Henri DE TOULOUSE-LAUTREC (1864-1901), after. Reine de joie by Victor Joze. Lithograph. Modern reduction print of the 1892 edition, on heavy paper, numbered 257/275 and with the Musée Lautrec dry stamp. 49 x 69 cm at sight.

Lucien Hector JONAS (1887-1947), after. Mineur. Lithograph signed, dated 1935 and located in Anzin in the plate. Dedicated in pencil. 34 x 25.5cm. Rousseurs.

Louis ICART (1888-1950), after. Orchids. Etching and aquatint in colors, signed in pencil lower right and numbered. Bears the dry stamp of the studio. 81 x 57 cm. Slight scratches.

20th CENTURY FRENCH SCHOOL. Flood. Oil on canvas signed J.Sièyes lower right. 42 x 49 cm with frame. Slight wear to frame.

Michel DELAQUAIZE (1929). Still life with avocados. Oil on canvas signed lower right MD. 70 x 55 cm with frame.

Fri 03 May

Woitsch, Emmy - Woitsch, Emmy, 1894 Ried im Innkreis - 1981, gouache on paper, bouquet of roses in a vase against a black background, signed lower left, portrait format, 31 cm x 23 cm, matted, behind glass in frame

Fri 03 May

Woitsch, Emmy - Woitsch, Emmy, 1894 Ried im Innkreis - 1981, watercolor on paper, church tower in a village, signed lower left, 20th century, vertical format, 32 cm x 23 cm, matted, behind glass in frame

Fri 03 May

Hunting still life, watercolor on paper, mallard in reeds, 58 x 29 cm, in frame with fire painting

Fri 03 May

Hunting still life, watercolor on paper, pheasant in landscape, 58 x 29 cm, in frame with fire painting

Fri 03 May

Brogle, Georg Adolf - Brogle, Georg Adolf, 1900 - 1966, watercolor on paper, 1958, "Frühling am Untersberg", hut in the Salzburg region, signed and dated (19)58 lower right, matted on the left with title of work, on the right with artist's name and place name "Berchtesgaden", landscape format, sheet size approx. 39 cm x 48 cm, matted with the dimensions 53 cm x 63 cm, behind glass in frame

Fri 03 May

Habdank, Walter - Habdank, Walter, 1930 Schweinfurt - 2001 Berg am Starnberger See, watercolor on paper, southern coastal landscape with an offshore island, signed lower right, 53 cm x 73 cm, in frame

Fri 03 May

Pascal, P. - Pascal, P., 1885, gouache on cardboard, river landscape with a fishing boat, in the foreground people taking a Sunday stroll, signed and dated lower right, 20 cm x 33 cm, in frame

Fri 03 May

Compton, Edward Harrison - Compton, Edward Harrison, 1881 Feldafing am Starnberger See - 1960 ibid., watercolor on paper, view of the Fuggerei in Augsburg with Neptune Fountain, signed lower right with place name Munich, small landscape format, 21 cm x 32 cm, behind glass in narrow frame

Fri 03 May

Werner, Paul - Werner, Paul, 1906 - 1985, watercolor on paper, female nude, kneeling backwards, monogrammed "PW" lower right, vertical format, sheet size approx. 55 cm x 40 cm, in passe-partout measuring 84 cm x 64 cm, behind glass in simple white frame, (please note shipping instructions)

Fri 03 May

Werner, Paul - Werner, Paul, 1906 - 1985, watercolor on paper, bouquet of flowers, monogrammed "PW" lower left, vertical format, sheet size approx. 44 cm x 33 cm, in passe-partout measuring 63 cm x 50 cm, behind glass in white frame, (please note shipping instructions)

Fri 03 May

Achenbach, Andreas - Achenbach, Andreas, 1815 Kassel - 1910 Düsseldorf, watercolor on paper, sailing boats off the coast in the moonlight, signed and dated 1860, on the reverse adhesive label with entry on the artist, small horizontal format, sheet size 14.5 cm x 22.5 cm, in passepartout, behind glass in frame

Fri 03 May

Mimmo Germana' - Mimmo Germana' (Catania 02/07/1944-1992) - Figure, 1991 H cm 75x105 Oil on cardboard Signed and dated on the front at lower left.

Fri 03 May

Bruno Caruso - Bruno Caruso (Palermo 1927-Rome 2018) - Girl, 80s H cm 48x33 - in frame H cm 70x54.5 mixed media on paper Signed on the front at lower left and author's stamp on the front at lower right. Authentication on photo by the Artist.

Fri 03 May

Mino Maccari - Mino Maccari (Siena 1898-Roma 1989) - Figure, 60's H cm 24x18 - in frame H cm 41x35 Oil on canvas cardboard Signed on front bottom left. Authentication on photograph of the Artist.

Fri 03 May

Giacomo Manzù - Giacomo Manzù (Bergamo 1908-Rome 1991) - Portrait of a Woman, 1946 H cm 65x46 - in frame H cm 73x53 charcoal on paper Signed on front in center

Fri 03 May

Eliano Fantuzzi - Eliano Fantuzzi (Modena 1909-Verona 1987) - Woman on balcony H cm 70 x 50; (in frame) 92 X 72 Oil on canvas Signed at lower left. Authentication by the author on photograph. Authentication document from the "Renzo Spagnoli" gallery.

Fri 03 May

Ernesto Treccani - Ernesto Treccani (Milan 1920-Milan 2009) - Woman's face, 1960 H cm 40x30 - in frame H cm 59x50 Oil on cardboard Signed lower right.

Fri 03 May

Bruno Caruso - Bruno Caruso (Palermo 1927-Rome 2018) - Girl sitting at the Villa Bellini in Catania 58x73 cm in frame 69x86 cm Watercolor drawing Signed at bottom center

Fri 03 May

Jean Calogero - Jean Calogero (Catania 1922-Acicastello 2001) - The Red Chair, 1952 H cm 24 x 19 (unframed): H cm 44 x 39 oil on canvas Signed lower right; Present authentication of Jean Calogero's work General Archive (20/11/2023); Signed by President Patrizia Calogero

Fri 03 May

Giovanni La Cognata - Giovanni La Cognata (1954) - Seated Figure cm 90x80 in frame 95x85 Oil on canvas Signature on front bottom right

Fri 03 May

Giovanni La Cognata - Giovanni La Cognata (1954) - Figure with cat, 2002 H cm 80x60 - in frame H cm 95.5x75 Oil on canvas Signed and dated on the front at lower right. Exhibition Giovanni La Cognata, March 8-April 12, 2003, Gallery 61, Palermo.Published in the exhibition catalog on p. 23.Authentication on photo of the Artist.

Fri 03 May

Federico Lombardo - Federico Lombardo (Castellammare di Stabia 1970) - Untitled, 2012 H cm 50 x 50; (framed) cm 58 x 58 Digital paint Exemplar 1/3. Signature on back. Certificate of authenticity from Art&Co Galleries.

Fri 03 May

Ernesto Treccani - Ernesto Treccani (Milan 1920-Milan 2009) - Face of woman cm 50x35 in frame cm 67x51 Mixed media on canvas Signed at lower right. Authentication by the author on photograph.

Fri 03 May

Furio Cavallini - Furio Cavallini (Piombino 10/08/1929-Cecina 02/06/2012) - Nude of a woman crouching cm 35x40 in frame cm 54x59 Signed n lower right Signed n lower right

Fri 03 May

Elio Romano - Elio Romano (Trapani 1909-Catania 1996) - Nude of a woman cm 25x35 Oil on panel Signed at lower right. Work without frame

Fri 03 May

Elio Romano - Elio Romano (Trapani 1909-Catania 1996) - Nude of a woman cm 35x25, in frame cm 48x38 Oil on board Signed at top right

Fri 03 May

Luigi Bianchi - Luigi Bianchi - Nude of woman lying among polychrome fabrics, early 20th century H cm 60x100 Oil on canvas

Fri 03 May

Santi Alleruzzo - Santi Alleruzzo (Messina 1929-Villa San Giovanni 2006) - Woman in an Interior H cm 54 x 54; (framed) cm 65 x 65 Oil on canvas Signed on the front at lower left. authentication on photograph. Provenance Andre Cefaly gallery, Catania.

Fri 03 May

Elio Romano - Elio Romano (Trapani 1909-Catania 1996) - Autoritratto cm 49x67 Oil on canvas Signed at lower left. Work without frame

Fri 03 May

Albino Lorenzo - Albino Lorenzo (Tropea 1922-2005) - Lungomare, 60s/70s H cm 80x60 Oil on masonite On the back, intervention by the painter Stefano Puleo. The setting denies any drawing origin to give free rein to coloristic impressionism. The color determines powerful expressiveness. The figurative composition appears fluid and synthetic and the execution in this way permeates with a realism that through the brown and earthy colors connotes themes of rural and popular life really lived. A painter who knew how to represent the pure identity of his land through shaded brushstrokes, Lorenzo Albino was a faithful custodian of the memory of the Calabrian people and a devoted son of his Tropea. Through his works he conveyed the most authentic traditions of Calabria, narrating the rural and intimate stories of peasant culture, sincere and nostalgic works in contrast to a society bent on uncontrollable technological development. Called "the poet of the land," the "faithful custodian of the peasants of the South," the "portraitist of the poor," Albino, through his artistic production, translated into images the memories, everyday life and breath of his warm Calabria. ASORStudio

Fri 03 May

Albino Lorenzo - Albino Lorenzo (Tropea 1922-2005) - Women with oxen, 60s/70s H cm 70x50 Oil on masonite On the back intervention by the painter Stefano Puleo. Signed at lower left. The setting denies any drawing origin to give free rein to coloristic impressionism. The color determines powerful expressiveness. The figurative composition appears fluid and synthetic and the execution thus permeates with a realism that through brown and earthy colors connotes themes of rural and popular life actually lived. A painter who knew how to represent the pure identity of his land through shaded brushstrokes, Lorenzo Albino was a faithful custodian of the memory of the Calabrian people and a devoted son of his Tropea. Through his works he conveyed the most authentic traditions of Calabria, narrating the rural and intimate stories of peasant culture, sincere and nostalgic works in contrast to a society bent on uncontrollable technological development. Called "the poet of the land," the "faithful custodian of the peasants of the South," the "portraitist of the poor," Albino, through his artistic production, translated into images the memories, everyday life and breath of his warm Calabria. ASORStudio

Fri 03 May

Albino Lorenzo - Albino Lorenzo (Tropea 1922-2005) - Peasant, 60s/70s H cm 100x70 Oil on masonite On the back intervention by painter Antonio Sciacca. Signed at lower left. The setting denies any drawing origin to give free rein to coloristic impressionism. The color determines powerful expressiveness. The figurative composition appears fluid and synthetic and the execution thus permeates with a realism that through brown and earthy colors connotes themes of rural and popular life actually lived. A painter who knew how to represent the pure identity of his land through shaded brushstrokes, Lorenzo Albino was a faithful custodian of the memory of the Calabrian people and a devoted son of his Tropea. Through his works he conveyed the most authentic traditions of Calabria, narrating the rural and intimate stories of peasant culture, sincere and nostalgic works in contrast to a society bent on uncontrollable technological development. Called "the poet of the land," the "faithful custodian of the peasants of the South," the "portraitist of the poor," Albino, through his artistic production, translated into images the memories, everyday life and breath of his warm Calabria. ASORStudio

Fri 03 May

Albino Lorenzo - Albino Lorenzo (Tropea 1922-2005) - Chariot with oxen, 60s/70s H cm 80x60 Oil on masonite On the back present intervention by the artist Stefano Puleo. Signed at lower right. The setting denies any drawing origin to give free rein to coloristic impressionism. The color determines powerful expressiveness. The figurative composition appears fluid and synthetic and the execution thus permeates with a realism that through brown and earthy colors connotes themes of rural and popular life actually lived. A painter who knew how to represent the pure identity of his land through shaded brushstrokes, Albino Lorenzo was a faithful custodian of the memory of the Calabrian people and a devoted son of his Tropea. Through his works he conveyed the most authentic traditions of Calabria, narrating the rural and intimate stories of peasant culture, sincere and nostalgic works in contrast to a society bent on uncontrollable technological development. Called "the poet of the land," the "faithful custodian of the peasants of the South," the "portraitist of the poor," Albino, through his artistic production, translated into images the memories, everyday life and breath of his warm Calabria. ASORStudio

Fri 03 May

Albino Lorenzo - Albino Lorenzo (Tropea 1922-2005) - Women in the fields H cm 70x50 Oil on masonite On the back, intervention by the painter Stefano Puleo. The setting denies any drawing origin to give free rein to coloristic impressionism. The color determines powerful expressiveness. The figurative composition appears fluid and synthetic and the execution in this way permeates with a realism that through the brown and earthy colors connotes themes of rural and popular life really lived. A painter who knew how to represent the pure identity of his land through shaded brushstrokes, Lorenzo Albino was a faithful custodian of the memory of the Calabrian people and a devoted son of his Tropea. Through his works he conveyed the most authentic traditions of Calabria, narrating the rural and intimate stories of peasant culture, sincere and nostalgic works in contrast to a society bent on uncontrollable technological development. Called "the poet of the land," the "faithful custodian of the peasants of the South," the "portraitist of the poor," Albino, through his artistic production, translated into images the memories, everyday life and breath of his warm Calabria. ASORStudio

Fri 03 May

Albino Lorenzo - Albino Lorenzo (Tropea 1922-2005) - Lobster, 60s/70s H cm 106x64 Oil on masonite On the back intervention by painter Antonio Sciacca. Signed at lower left. The setting denies any drawing origin to give free rein to coloristic impressionism. The color determines powerful expressiveness. The figurative composition appears fluid and synthetic and the execution thus permeates with a realism that through brown and earthy colors connotes themes of rural and popular life actually lived. A painter who knew how to represent the pure identity of his land through shaded brushstrokes, Lorenzo Albino was a faithful custodian of the memory of the Calabrian people and a devoted son of his Tropea. Through his works he conveyed the most authentic traditions of Calabria, narrating the rural and intimate stories of peasant culture, sincere and nostalgic works in contrast to a society bent on uncontrollable technological development. Called "the poet of the land," the "faithful custodian of the peasants of the South," the "portraitist of the poor," Albino, through his artistic production, translated into images the memories, everyday life and breath of his warm Calabria. ASORStudio

Fri 03 May

Rocco Lentini - Rocco Lentini (Palermo 17/10/1858-Venice 20/10/1943) - Roman Ruins H cm 31x22.8 - in frame H cm 49x41 Watercolor on cardboard Signed lower left

Fri 03 May

Giacinto Gigante (attribuito a) - Giacinto Gigante (attributed to) (Naples 11/07/1806-Naples 29/09/1876) - Golfetto with ancient tower and characters, nineteenth century H cm 30x45 - in frame H cm 40x56 Oil on canvas board Signed at lower left Gi. Giant. On the back stamp and signature of the Expert of the Court of Milan Carlo Angelini for authenticity