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Thu 23 May

JAEGER LECOULTRE 40'S Bracelet watch in 18K yellow gold on leather. French work. CASE: square, stylized handles, screw closure on middle. Eagle head hallmark, E.J. (Edmond Jaeger) hallmark. Engraved on the back "ELDA", the name of Hélène Worth's boat. DIAL: silvered, sloping corners, painted Arabic numerals and track markers, small seconds at 6 o'clock. Signed. MOVEMENT: mechanical, swiss, false rib decoration, cal. 417/3B, no. 538905. Signed Jaeger Lecoultre. STRAP: leather with gold folding clasp, hallmarked eagle head and E.J. Numbered 95699. DIAM. 24 mm. GROSS WEIGHT: 36.00 g. SUZANNE THE LITTLE SISTER OF CARTIER'S THREE GRANDS Cartier jewelry was to make a splash in the world of jewelry, starting with a generation formed by Louis who ran Paris, Jacques London and Pierre who opened the New York branch. And let's not forget their younger sister, Suzanne, who married into the family of the great couturier Worth. She was 22 when she married Jacques Worth, and her wedding witnesses were none other than her brother Louis, married to Andrée-Caroline Worth (the groom's cousin), and her brother-in-law Jacques Lemoine, husband of the groom's sister, René Worth. Great ideas were established based on strong ties in the luxury sector between these genius entrepreneurs and craftsmen. At the time, Maison Worth was much larger than Maison Cartier. Little sister Suzanne, now Madame Worth, was not part of the great adventure. In the third photo, you'll find a full-length portrait of his daughter Hélène Worth, luxuriously dressed for her debutante ball, initiating her life in the café society of the time, from which some of the pieces come. The watches and objects we present were entrusted to us directly by her grandson. Francesca Brickell-Cartier's book reveals family details confirmed by descendants. Reference: BRICKELL-CARTIER, Francesca, "Les Cartier", Editions les Arènes, Paris, 2022. Condition report on request. Condition report on request. A 18K yellow gold manual-winding wristwatch by Jeager LeCoultre from the 1940's.

Estim. 1 500 - 2 000 EUR

Thu 23 May

JANESICH CIRCA 1910 Belle Epoque minute repeater clock in 18K yellow gold, enamel and agate. French work. CASE: yellow gold plate cube decorated with guilloché bands, framed by white enamel fillets, openings for winding and setting the time on the back, the cylindrical pink agate push-button for on-demand striking on the top, the molded agate base, a pearled gold line on the base. Unreadable maker's mark, but probably Eugène Bako (the resingle, his symbol, can be guessed). DIAL: round domed in white enamel, painted Roman and Arabic numeral hour markers, iron track and fleur-de-lys hands set with rose-cut diamonds. Bezel decorated with white enamel lines and dots. MOVEMENT: rectangular, gilt, signed Nocturne, Patent 30225, mechanical, anchor escapement, compensated balance wheel, blued-steel Breguet balance spring, minute repeater, two hammers on gong, time-setting and key winding. N° 4320. Numbered: 3693 (engraved on the brass plate above the agate base), found on the case, signed. DIM. 6.3 x 5.4 x 7.5 cm. GROSS WEIGHT: 386.33 g. WITH: red morocco flap case decorated with gilded garlands, signed Janesich, 19 rue de la Paix, Paris, Monte-Carlo, N° 2934 and 3693, one key. Eugène Bako, active between 1908 and 1923, specialized in custom work on small goldsmith's and silversmith's wares, boxes and precious objects, and regularly collaborated with Maisons such as Cartier and Lacloche on guilloche clocks. PROVENANCE: SUZANNE THE LITTLE SISTER OF THE THREE GREAT CARTIERS Cartier jewelry was to make a splash in the world of jewelry, starting with a generation formed by Louis who ran Paris, Jacques in London and Pierre who opened the New York branch. And let's not forget their younger sister, Suzanne, who married into the family of the great couturier Worth. She was 22 when she married Jacques Worth, and her wedding witnesses were none other than her brother Louis, married to Andrée-Caroline Worth (the groom's cousin), and her brother-in-law Jacques Lemoine, husband of the groom's sister, René Worth. Great ideas were established based on strong ties in the luxury sector between these genius entrepreneurs and craftsmen. At the time, Maison Worth was much larger than Maison Cartier. Little sister Suzanne, now Madame Worth, was not part of the great adventure. In the third photo, you'll find a full-length portrait of his daughter Hélène Worth, luxuriously dressed for her debutante ball, initiating her life in the café society of the time, from which some of the pieces come. The watches and objects we present were entrusted to us directly by her grandson. Francesca Brickell-Cartier's book reveals family details confirmed by descendants. Reference: BRICKELL-CARTIER, Francesca, "Les Cartier", Editions les Arènes, Paris, 2022. Condition report on request. Condition report on request. A 18K yellow gold manual-winding wristwatch by Jeager LeCoultre from the 1940's.

Estim. 7 000 - 12 000 EUR

Fri 07 Jun

Attributed to Lucien Falize (1838-1897). Double string bracelet in pink gold 750/°°° and silver over 800/°°° each strand separated by each strand separated by rose-cut diamonds totaling approx. 7 cts (subject to jeweler's de-sertissage). Secure ratchet clasp. French work circa 1890 and later safety chain. chain. Incomplete horizontal master stamp "L...". Width 15.90 mm. Gross weight 54.95 g The bracelet is housed in a case sheathed in eggplant morocco on the outside and navy blue velvet on the inside. navy-blue velvet inside, bearing the following gilded markings: "FALI...... Ainé amp; Fils - Probablement pour Falize Ainé et Fils (à savoir Alexis le père et Lucien the son) .5.. Avenue de l'Opéra. Here's a summary of what we can still learn by cross-checking the information provided by the master hallmark, the inscription on the inside of the case and the administrative and collected by Mr. Rémi Verlet in his dictionary of jewelers and goldsmiths orfèvres (2022 edition for the Ecole des Arts Joailliers VCA). The hallmark for Alexis Père et Lucien Fils, belonging to the boutique, joaillerie l'orfèvrerie located at 43 (not 55?) Avenue de l'Opéra is inscribed from 1875 onwards, and differs from the one the one on our bracelet. In fact, the hallmark most probably present on our bracelet bracelet is that of Maître Falize ainé amp; Fils "L.F. Fils, une bague et une perle" inscribed in 1892. This bracelet was made by Louis, son of Alexis Falize and father of André Pierre and Jean Falize. of André Pierre and Jean Falize, contained in a somewhat earlier case from the company.

Estim. 3 000 - 3 500 EUR

Sun 26 May

Joseph Etienne BLERZY (1735-1821) and Pierre-Adolphe HALL (1739-1793). Circular snuffbox in guilloché yellow gold and blue, green and white enamels enhanced with gold paillons and pastilles, decorated with festoons, palmettes and leafy garlands. The lid is adorned in the center with a miniature portrait of an infantry officer receiving the Order of Saint-Louis, set in a frame of fine pearls. Master goldsmith's hallmark: Joseph Etienne Blerzy, received master in 1768. Charge mark: Paris from 1783 to 1789, fermier général Henri Clavel. Discharge mark: vanneau head, Paris from 1783 to 1786. Engraved with the number 721 on the throat. The miniature signed Hall.f (for fecit) lower right. Diameter : 7 - Height. 2.5 cm - Gross weight: 130.3 g (missing enamel) A highly prized accessory for the aristocracy of the late 18th century, the snuffbox's primary function was to store tobacco, but also to be admired. It was a veritable social marker, attesting to the wealth and refinement of its owner. These precious artifacts were made by goldsmiths specialized in the creation of small objects, the most sought-after being Parisian craftsmen such as Adrien Vachette, Jean Ducrollay, Louis Roucel, Etienne Nitot and Joseph Etienne Blerzy. Blerzy, who set up shop on the Pont au Change under the sign "A la ville de Leipzig, le bijou d'or", was considered one of the finest goldsmiths of his time. This is evidenced by his inclusion in the Almanach Dauphin of 1776, listing the kingdom's finest craftsmen, artists and merchants. Our case bears his Master's hallmark twice. A technical masterpiece, it combines the excellence of goldsmiths, enamellers and jewelers with the addition of delicately set pearls. Both a snuffbox and a portrait box, the object's preciousness is also due to the delicacy of the miniature that adorns its lid. It bears the signature of Swedish painter Pierre Adolphe Hall, nicknamed by Diderot "the Van Dyck of miniatures". He moved to Paris to perfect his art under the protection of Alexandre Roslin, and was admitted to the Académie Royale in 1769, before being appointed painter to the Cabinet du roi et des enfants de France. These gold-plated works were often offered as diplomatic or military gifts, intended for the person depicted. This is probably the case of our box depicting an infantry officer knighted with the Order of Saint-Louis. Objects of virtue by de Blerzy are also to be found in public collections, including a snuffbox similar to ours in the Louvre, bearing the portrait of Joseph II Emperor of the Holy Roman Empire, in the Musée des Arts Décoratifs, the Musée Cognac-Jay, the Metropolitan Museum and the Victoria and Albert Museum.

Estim. 4 000 - 6 000 EUR
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