23rd July - Private Collection III

Lot 1 - Atelier KARL HAGENAUER (Austria, 1898 - 1956). "Horse". Austria, ca. 1940's. Silver-plated metal. Painted wooden base. It shows wear on the figure; scratches and damage to the base. Measurements: 24 x 30 x 6 cm (figure); 5,5 x 38 x 8 cm (base). The style of Karl Hagenauer is evident in the making of this horse: an essential and synthetic modeling, but without avoiding naturalism. The son of the goldsmith Carl Hagenauer, Karl studied at the School of Arts and Crafts in Vienna, where he was taught by Josef Hoffmann and Oskar Strnad and imbued with the spirit of the Wiener Wekstätte. After obtaining his diploma in architecture, between 1917 and 1919 he did his military service, and upon his return he began to work as an architect and in his father's workshop. During these years he created numerous pieces in silver, brass, copper, enamel, ivory, stone and wood. In 1928, after the death of his father, he took over the management of the workshop and was responsible for the expansion of the firm, expanding production to include cabinetmaking and opening stores in Vienna and Salzburg. From then on he exhibited his best pieces both in Austria and abroad, was twice awarded the gold medal at the Milan Triennale and was appointed a member of the Austrian Werkbund and the Werkstätte. Today his pieces are part of collections around the world, including the Victoria & Albert Museum in London, the MoMA and the Jewish Museum in New York, the Casa Lis in Salamanca and many others.

Estim. 500 - 600 EUR

Lot 2 - Tabletop center BAGUÉS JOYEROS. Barcelona, ca. 1960. Hammered silver with enamel decoration. With hallmarks on one side and on the base. Weight: 420 gr. Measurements: 22 x 10 x 10 cm. Cylindrical table centerpiece. It presents a hammered surface embellished with almond-shaped cabochons of emerald simile.

Estim. 300 - 350 EUR

Lot 3 - Small Art Deco table lamp, 1940s. Bronze. Rough frosted glass shade. Circular wooden base. Electrified. It works. Presents marks of use and wear. Measurements: 19 cm (height) x 14 cm (largest diameter). A sibylline snake coils around the shaft of this small table lamp. The scales of the animal have been meticulously represented. The lampshade in the form of a flower corolla is distinguished by its organic character made of rough frosted glass.

Estim. 150 - 200 EUR

Lot 4 - Table lamp ROBJ. Paris, Art Deco period, 1930s. "Fruit bearer". Hand-painted ceramic. Electrified. Signed on the base. Measurements: 25 x 9 x 8 cm. Robj is a French ceramic company founded in 1908 by Jean Born, whose most active period was from 1920 to 1930. For 10 years it was all the rage in Paris and soon became a style: the Robj style. All its pieces may bear the Robj brand, but many artists of the time collaborated and manufactured for Robj, such as Lalique, Nancy Daum, Charles Schneider and many more.

Estim. 450 - 500 EUR

Lot 5 - ROLANDO CAMPOS (Seville, 1947). "Guitar", 1991. Wrought iron and patinated. Signed and dated on the lower left side. Measurements: 76 x 35 x 15 cm. Trained in drawing at the School of Arts and Crafts of Triana (Seville), in 1962 Rolando Campos entered the Santa Isabel de Hungría School of Fine Arts (Seville). In 1968 he exhibited for the first time in a collective exhibition at La Pasarela Gallery. The paintings and drawings of that period between 1967 and 1982 are subject to complex postmodern uses of cubist resources. At the beginning of the eighties he began the production of faceted still lifes with personalized and updated cubist resources that show his evolutionary maturity. In 1974 he came into contact with the theater group "Esperpento" (Seville), with which he collaborated as a set designer.

Estim. 700 - 750 EUR

Lot 6 - Rare and curious advertising poster-sculpture of Jabón La Cibeles, Gal-Madrid, years 20-30. Painted papier mache. Presents marks of use, wear and slight damage. Measurements: 44 x 38 x 22 cm. The advertising of La Cibeles Soap dictated the following: "True savings. When moderating your expenses to defend yourself from the current shortage, remember your linen and make sure it is always washed with La Cibeles Soap, which is soft, pure oil and very foamy. It saves clothes, effort, time and soap. The washing lasts less time, the soap lasts much longer, and the garments are as white as well treated. Two bars are worth three and the clothes last twice as long: all the advantages of soap made especially to help you in your saving purposes".

Estim. 500 - 550 EUR

Lot 7 - PABLO GARGALLO CATALÁN (Maella, Zaragoza, 1881 - Reus, Tarragona, 1934). "Harlequin's Head", 1928. Drypoint on laid paper, copy 9/12. Signed in plate: PG 28. With hand-painted period frame. Presents some lack of polychrome. Some stains on the paper. Measurements: 18 x 13 cm (plate); 22 x 17 cm (paper); 43 x 37 cm (frame). Rare print by the artist. Only one edition of 12 numbered copies was made of this work. The Pablo Gargallo Museum has the original plates of the only four drypoint engravings by Gargallo (Self-Portrait, Harlequin's Head, Female Nude and Ballerina). Pablo Gargallo is considered the precursor of iron sculpture, and learned the technique of forging from his father, who owned a blacksmith shop. In 1888 his family emigrated to Barcelona for economic reasons and there he began his artistic training, in the workshop of the sculptor Eusebio Arnau and in the School of La Lonja, with Venancio Vallmitjana as his main teacher. At the height of Modernism in Barcelona, Gargallo frequented the gatherings of "Els quatre Gats", establishing relationships with artists such as Nonell and Picasso. That is why his first works are influenced by Modernism, as is the case of the decoration of Barcelona buildings that he made in collaboration with the architect Domènech i Montaner, such as the Hospital de la Santa Cruz y San Pablo or the Palau de la Música. In 1903 Gargallo obtained a scholarship that allowed him to travel to Paris to complete his studies. His stay in the French capital was brief, but from then until 1923, when he settled permanently in Paris, his trips there would be frequent. In this city he found the aesthetic formulations of cubism, assimilated its expressive systems and sought the schematism and essentiality of figures and objects, trying to find the authentic three-dimensional expression of the cubist postulates. During these years he began to use metallic materials such as sheet metal, copper and iron. Around 1911-12 he made his first masks, pieces of great simplification made with cut sheet metal, linked to the cubist aesthetic. Using sheet metal, Gargallo began to suggest volumes and exalt the voids through the penetration of light into the interiors. In 1920 he was appointed professor of sculpture at the Escuela Técnica de Oficios Artísticos de la Mancomunidad de Cataluña, a post from which he was removed in 1923 for political reasons. It was then that Gargallo settled permanently in Paris with his wife and daughter. From this moment on his style acquires a very personal dimension, derived from his interpretation of cubism, based on the search for a formal synthesis of the figure in geometric planes always fluid, replacing conventional materials with wrought iron sheets, and introducing a new sculptural language by introducing the void as volume and giving his figures a great expressive dramatism. Pablo Gargallo is currently represented in the museum that bears his name in Zaragoza, the MoMA in New York, MACBA in Barcelona, the Museum of Modern Art in Paris and the Reina Sofia in Madrid, among many others.

Estim. 1 500 - 1 800 EUR

Lot 8 - Vase JHON A. SLATCHER, late twentieth century. Blown glass. Signed and dated on the base. Measurements: 19 x 13 x 6 cm. Master glassmaker, Jhon A. Slatcher gives us a vase in which he combines different techniques of execution, the main one being blown glass. To the aquamarine green color is added a superficial lattice of organic aspect.

Estim. 180 - 200 EUR

Lot 9 - Pair of curious vases from Tonala, Mexico, first half of the 20th century. Mexican ceramic from Tonala and brass. In need of restoration. Measurements: 25 x 30 x 22 cm. The vessel of this pair of vases is distinguished by its flaked character. The handles take the form of two iguanas of cerulean tonality that give a wild aspect to the pieces.

Estim. 150 - 160 EUR

Lot 10 - Lighter with the shape of a seaplane Art Deco, ca. 1930. Chromed metal. Black marble base. Unused lighter. It shows wear. Measurements: 10 x 17 x 19 cm (airplane); 2 x 9,5 x 17 cm (base).

Estim. 150 - 180 EUR

Lot 11 - Set of three toys, 1950s. Lithographed tinplate. It shows signs of use and wear. Measurements: 20 x 13 x 2 cm (boxers). Set consisting of two ratchets with the faces of a boy and a girl and a set of two boxers.

Estim. 150 - 180 EUR

Lot 12 - CRISTÓBAL MARTÍN ABDUL WAHID (Madrid, 1956). Ashtray "Frog in pond", 1983. Patinated bronze, copy 2/99. Signed, dated and numbered. Measurements: 7 x 12 x 10 cm. Self-taught sculptor, Cristobal Martin is linked to Moriarty Gallery since its inception, in fact he has made several solo exhibitions and many editions of Arco with them. In 89-90 he was in Rome with the Scholarship of the Academy, where he took the opportunity to learn marble carving in the workshops of Pietrasanta in Tuscany. The following Banesto Foundation Grant was the occasion for a symbolic proposal. His work has always focused on a poetic-symbolic interpretation of nature, trying to reveal the underlying mystery behind the forms.

Estim. 150 - 180 EUR

Lot 13 - EUSEBI ARNAU MASCORT (Barcelona, 1864 - 1933) for MASRIERA Y CARRERAS. Paperweight "Ninfa", ca. 1905. Bronze on veined marble base. Signed with anagram by the author. Masriera y Carreras stamp on one side. Measurements: 9 x 5 x 8 cm (sculpture); 1,5 x 8 x 9 cm (base). The sculptor Eusebi Arnau was formed in the School of Fine Arts of Barcelona, and was a disciple of José Gamot. From 1887 he continued his studies in Rome, thanks to a scholarship from the School of La Lonja. Later he extended his training at the Julian Academy in Paris, exhibiting his works at the Salon of the French capital in 1895 and 1902. Later he opened his own workshop in Barcelona, where he had disciples such as Pablo Gargallo and Josep Dunyach. Arnau will carry out numerous commissions, such as the altarpiece of the basilica church of Santa Engracia in Zaragoza, where he worked with Josep Llimona. On the other hand, his sculptures applied to architecture made him stand out as a modernist sculptor. Some examples are those made for the Lleó Morera and Amatller houses, the Hotel España, the Palacio de la Música Catalana and the Hospital de San Pablo, all in Barcelona. He was also a regular collaborator of the architect Enric Sagnier Villavecchia, with whom he worked on the Customs building of the Port of Barcelona, the Ruper Garriga House, the Via Crucis of Montserrat, the Expiatory Temple of the Sacred Heart, the parish of the Sacred Heart of Poblenou, the agency of the Caixa de Pensions in Reus and other projects. He also excelled as a medal maker, producing, among others, the medal of the Universal Exposition of Barcelona in 1888, the Catalan Solidarity medal, the Columbus Centenary medal and the commemorative medal for the demolition of the walls of Barcelona. Throughout his life, Arnau took part in numerous exhibitions in Spain, Chicago, Mexico City and Paris. He was awarded a bronze medal at the Universal Exposition of Barcelona in 1888, an honorary diploma at the Fine Arts Exposition of the same city in 1891, and a prize at the 1896 Exposition; honorary mention in sculpture at the National Exposition of Madrid in 1899, first class medal in decorative arts at the National Exposition of 1908, gold medal of the Artistic Circle of Barcelona at the International Art Exposition of 1911, and third class medal at the National Exposition of 1912. Currently we can find public monuments by Arnau in Barcelona, Madrid and Villafranca, and other works by him in Barcelona, Comillas and Zaragoza. He is also represented in the National Art Museum of Catalonia.

Estim. 150 - 180 EUR

Lot 14 - LLUÍS TERRICABRAS (Manlleu, 1918- Mataró, 2000). "Sant Jordi". Metal sculpture on wooden base. Signed. Measurements: 40 x 9 x 5 cm (figure); 2,5 x 13 x 13 cm (diameter). Cultural promoter and writer, Lluís Terricabras participated during the 30's in the libertarian and literary environment of the republican Catalonia. In 1937 he was recruited to fight in the Spanish Civil War and sent to the front of Teruel. But he was taken prisoner in the concentration camps of Morella, Leon and Camposancos and worked as a prisoner in the Italian Air Force. In 1939 he was court-martialed as a separatist and imprisoned in the Model Prison of Barcelona until 1942. When he was released from prison he returned to Mataró, where in 1949 he founded the Racó , where he organized conferences and collaborated in the revival of Catalan culture.

Estim. 200 - 250 EUR

Lot 15 - Berber necklace. Metal and enamels. Flower-shaped beads, wire and enameled egg. It shows signs of use and wear. Measurements: 55 cm (length).

Estim. 150 - 180 EUR

Lot 16 - GUSTAVO FERNÁNDEZ CABRERA (Montevideo, 1958). "Guitar". Sculpture with stones, metal and wooden base. Without visible signature. In methacrylate urn with wooden base. Measurements: 8 x 17,5 x 7 cm (sculpture); 12 x 24 x 11 cm (urn). Gustavo Fernández was trained in drawing, woodcut and ceramics at the Barradas workshop under Salomón Azar and in archaeology at the Centro de Estudios de Ciencias Naturales of Francisco Oliveras. Also in the field of gobelin tapestry and hand made with the tapestry maker and designer Carlos Bermudez and in metal engraving with David Finkbeiner. Throughout his career he has exhibited in galleries in Brazil, Uruguay, Germany, Chile and Panama.

Estim. 180 - 200 EUR

Lot 17 - Jug with handles. Berber of the Rif, Morocco, 19th century. Earthenware fired and hand painted. It presents marks of use and wear. Measurements: 21 x 22 x 17 cm. The lines and design of this old Berber ceramic jug correspond to the Rif area, where one of the most authentic expressions of art is forged.

Estim. 150 - 180 EUR

Lot 18 - Bodhidharma of the Qing dynasty. Dehua, Fujian province, China, 20th century. Blanc de Chine porcelain. Seal on the back He Chaozong and stamp of manufacture in Dehua, Fujian province. Measurements: 19,5 x 10 x 12 cm. Round sculpture representing Bodhidharma, monk of Persian origin, the twenty-eighth patriarch of Buddhism and the first legendary patriarch and founder of the Zen or Chan form of Buddhism, framed within the style called in Europe Blanc de Chine. These pieces, made in Dehua, in the province of Fujian, originate from the Ming dynasty (1368-1644). They are characterized by their warm white color, achieved thanks to the use of a porcelain very low in iron oxide, which allows firing in an oxidizing atmosphere, instead of the reducing atmospheres typical of the rest of Chinese porcelain. Particularly representative are the images of the bodhisattva Guanyin, highly revered in Fujian.

Estim. 150 - 180 EUR

Lot 19 - ANTONIO GARRIGÓS I GINER (Murcia, 1886-1966). "Young woman with shawl and fan", 1934. Hand painted terracotta. Signed and dated on the base. It presents a restoration in the neck. Measurements: 24 x 13 x 6 cm. The sculptor and designer Antonio Garrigós frequented the well-known Group of the Oriental Coffee, a centric coffee of Murcia in which they met in animated gatherings different artists like Clemente Cantos, Victorio Nicolás, Pedro Flores and Luis Garay. Together with Clemente Cantós he opened the workshop Bellos Oficios de Levante. During his years as a sculptor, he also became councilman of Parks and Gardens, strongly betting on the nineteenth-century designs, wild and full of vegetation against geometric designs.

Estim. 150 - 180 EUR

Lot 20 - Spanish school of the 20th century. "Piranha". Wood and metal sculpture. Marble base with restoration and pickets. Measurements: 25 x 30 x 7 cm (figure); 7 x 6,5 x 6,5 cm (base). During the nineteenth and twentieth century the animal-themed sculpture will finally reach its own status within the context of romantic sculpture. Seeking to break away from the classical sculptural ideal, many artists saw in the animal theme a new way of expression, linked to the emotional and irrational nature, in a purely romantic sense.

Estim. 150 - 160 EUR

Lot 21 - CLAUDE FAVIER ORENDAIN (Guadalajara, Jalisco, 1931). "Squatting female figure". Bronze, specimen 34/50. Signed and numbered on the base. Measurements: 10 x 8 x 8 cm. Priest, intellectual, writer, architect, sculptor and illustrator, Claude Favier Orendain received the following awards for his artistic career: Gold Medal for 12 drypoint engravings at the International Biennial of Rome in 1963; Carmen Arrocera Prize for his engraving entitled Estampas mexicanas in Madrid in 1975; and the Sculpture Prize for Conjuro a la Mar at the 4th Biennial Exhibition of Pontevedra, Galicia, in 1980.

Estim. 180 - 200 EUR

Lot 22 - Atelier KARL HAGENAUER (Austria, 1898 - 1956). "Horse head". Wood with chrome-plated metal base. Stamp on the base. Measurements: 32 x 37 x 11 cm. Son of the goldsmith Carl Hagenauer, Karl studied at the School of Arts and Crafts in Vienna, where he had Josef Hoffmann and Oskar Strnad as teachers and was imbued with the spirit of the Wiener Wekstätte. After obtaining his diploma in architecture, between 1917 and 1919 he did his military service, and upon his return he began working as an architect and in his father's workshop. During these years he created numerous pieces in silver, brass, copper, enamel, ivory, stone and wood. In 1928, after the death of his father, he took over the management of the workshop and was responsible for the expansion of the firm, expanding production to include cabinetmaking and opening stores in Vienna and Salzburg. From then on he exhibited his best pieces both in Austria and abroad, was twice awarded the gold medal at the Milan Triennale and was appointed a member of the Austrian Werkbund and the Werkstätte. Today his pieces are part of collections around the world, including the Victoria & Albert Museum in London, the MoMA and the Jewish Museum in New York, the Casa Lis in Salamanca and many others.

Estim. 800 - 900 EUR

Lot 23 - Atelier KARL HAGENAUER (Austria, 1898 - 1956). "Disc thrower". Chrome-plated metal. Stamp on the base. Measurements: 18 x 12 x 9 cm. Son of the goldsmith Carl Hagenauer, Karl studied at the School of Arts and Crafts in Vienna, where he had Josef Hoffmann and Oskar Strnad as teachers and was imbued with the spirit of the Wiener Wekstätte. After obtaining his diploma in architecture, between 1917 and 1919 he did his military service, and upon his return he began working as an architect and in his father's workshop. During these years he created numerous pieces in silver, brass, copper, enamel, ivory, stone and wood. In 1928, after the death of his father, he took over the management of the workshop and was responsible for the expansion of the firm, expanding production to include cabinetmaking and opening stores in Vienna and Salzburg. From then on he exhibited his best pieces both in Austria and abroad, was twice awarded the gold medal at the Milan Triennale and was appointed a member of the Austrian Werkbund and the Werkstätte. Today his pieces are part of collections around the world, including the Victoria & Albert Museum in London, the MoMA and the Jewish Museum in New York, the Casa Lis in Salamanca and many others.

Estim. 200 - 250 EUR

Lot 24 - European school of the 20th century. "Rosto de Beethoven". Sculpture to hang. Without signature. Measurements: 24 x 16 x 9 cm. Work that reproduces the serious and reflective portrait of Ludwig van Beethoven.

Estim. 150 - 180 EUR

Lot 25 - LORENZO FRECHILLA (Valladolid, 1927 - Madrid, 1990) Untitled. Steel, copy 171/500. Signed and numbered. Velvet lined base with heavy soiling. Measurements: 12 x 9 x 5 cm (sculpture); 2 x 11 x 7,5 cm (base). Lorenzo Frechilla del Rey was a Spanish sculptor. He studied at the School of Arts and Crafts in Valencia. In 1948 he participated in the foundation of the avant-garde group Pascual Letreros from Valladolid. This is a literary artistic group influenced by the constructive universalism of the Uruguayan Joaquín Torres García, which was active until the first half of the 1950s. The theorist and founder of the group was the Uruguayan poet José Parrilla and the Uruguayan painters Alma Castillo and Raúl Javiel Cabrera and the Valladolid artists Publio Wifrido Otero, Gerardo Pintado, Primitivo Cano and the Cantabrian sculptor Teodoro Calderón participated in it. Until 1954 he exhibits with them. In 1951 he moved to Madrid where he met his wife Teresa Eguibar, also a sculptor. Both moved to Paris and from 1961 they joined the International East-West Group with which they toured Europe during the sixties. In 1968 he travels to the Nordic countries. He exhibited in Norway with the East-West Group and held an individual exhibition in Helsingborg, Sweden and two in Paris. In 1969 he attends the computer art seminars at the Centro de Cálculo de la Universidad de Madrid. He participates in the Exhibition on Cybernetic Art together with Eusebio Sempere, Jose Luis Alexanco, Manuel Barbadillo, Manolo Quejido, Jose Maria Yturralde and Teresa Eguibar. He died in Madrid in 1990.

Estim. 180 - 200 EUR

Lot 26 - French school of the first third of the twentieth century. "Rooster". Hand painted bronze on veined marble base. Without signature. Measurements: 16 x 16 x 7 cm. (figure). 2 x 9 x 12 cm. (base). During the nineteenth and twentieth century, animal-themed sculpture finally achieved its own status within the context of romantic sculpture. Seeking to break away from the classical sculptural ideal, many artists saw in the animal theme a new way of expression, linked to the emotional and irrational nature, in a purely romantic sense.

Estim. 150 - 180 EUR

Lot 27 - Sèvres Art Deco vase. Paris, ca. 1930. Fire-glazed ceramic. With an original hole at the bottom to convert into a lamp stand. Signed on the base. Measurements: 25 x 19 x 19 cm. This vase manufactured by Sèvres breaks with the traditional aesthetics of this firm to venture into the Art Deco style. It is a vase with a globular vessel with marked shoulders and a jug mouth. It is decorated with horizontal bands in black and brown tones that combine with a drip of brownish tones.

Estim. 200 - 250 EUR

Lot 28 - MARIA LUISA CAMPOY (Malaga, 1945). "Female face". Bronze with green patina. Metal base. Exemplary P.U. Signed on the front of the pedestal and justified. Measures: 1,5 x 10 x 6 cm (sculpture); 5,5 x 7,5 x 6 cm (pedestal). Maria Luisa Campoy was trained at the Schools of Arts and Crafts in Malaga and Cordoba, later extending her studies at the Glasglow Art School, the Hameversmth Art School and the Sain Martins Art School in London. Throughout his career as an artist he has exhibited his work in Madrid, Barcelona, New York, San Francisco and Buenos Aires. His work is preserved in museums and institutions such as the Assembly of Madrid.

Estim. 200 - 250 EUR

Lot 29 - Art Deco vase. Paris, ca. 1930. Fire-glazed ceramic. With an original hole in the bottom to convert into a lamp stand. Signed on the base. Measurements: 20 x 19 x 19 cm. Vase of globular body entirely made of ceramic enameled to the fire of orange tonality.

Estim. 150 - 180 EUR

Lot 30 - LOUIS ALBERT CARVIN (Paris, 1875-1951). "Mouse eating chocolate". Patinated bronze. Signed on the back. Measurements: 4 x 10 x 3,5 cm. Louis Albert Carvin specialized in the modeling of human and animal figures (both mice like the one we now bid as well as deer, deer, lions, panthers, birds, cats, dogs or horses). He was a member of the Society of French Artists and exhibited at the Society's fairs from the end of the nineteenth century until 1933. He received an Honorable Mention in 1894.

Estim. 200 - 250 EUR

Lot 31 - MARCELÍ GINER I FOLCH (Marçà, Priorat, 1918-2006). "Bust of a child. Painted terracotta. Signed on the back. Presents very slight lack of polychrome. Measurements: 10 x 9 x 9 x 9 cm. Catalan sculptor, draftsman, and ceramist known artistically as Marçà-Giné, Marsaginer, Marçaginer or Marçà-Giner. His career as a sculptor began late, when at the age of 29 he moved to Barcelona to study at the School of Fine Arts in Barcelona, where his teacher was Llucià Oslé. In 1952 and 1953 he was awarded a prize at the National Exhibition of University Art in Madrid. In 1953 he also received a third prize in the Provincial Competition of the Centro de lectura de Reus, with the work "Segadora". In 1955 he participated with three works in the III Spanish-American Biennial. At that time he enjoyed a scholarship from the Fray Junipero Serra College. In 1954 he won an honorable mention in the same contest for "Maternidad".

Estim. 200 - 250 EUR

Lot 32 - MARCEL GAILLARD (France, 1886-1947) for EDITIONS ETLING. Paris, ca. 1930. Art Deco ceramic centerpiece. Painted terra cotta. With stamps on the base. Measurements: 23 x 29 x 29 cm. This vase maintains the angular forms of the Art Deco style to which it belongs. It rises on a base formed by three circles mounted in height and of decreasing size. The container has a conical shape and is distinguished by the markedly angular handles that flank the mouth.

Estim. 300 - 350 EUR

Lot 33 - Two Art Deco vases, ca. 1930. Ebonized wood and silver metal. It has slight damage in the mouth of one of them. Measurements: 18 x 7 x 7 x 7 cm. This pair of vases is distinguished by the small insect in silver metal that delicately rests on their geometric bodies. Both have octagonal bases that are extrapolated to the body of the same, also octagonal.

Estim. 200 - 250 EUR

Lot 34 - Two antique toy cars RICO Y PAYA, 1950s. Sheet metal. They show marks of use and wear. One of them lacks rope. Need to be reworked. Measurements: 9 x 35 x 12 cm (larger).

Estim. 150 - 180 EUR

Lot 35 - RAIMON CASALS I ALSINA (Barcelona, 1922). "Bust of a young coquette. Patinated metal. Wooden base. Signed on the right side. Measurements: 26 x 15 x 10 cm (sculpture); 5 x 10 x 9,5 cm (wooden base). With his 102 years, today Raimon Casals i Alsina is proclaimed the longest-lived chiseler, blacksmith, forger and sculptor of the Catalan artistic panorama.

Estim. 350 - 400 EUR

Lot 36 - RAOH SCHORR (Muttenz, Switzerland, 1901-1991). "Calf". Bronze figure with green patina. Signed on one side. Measurements: 18 x 24 x 8 cm. Raoh Schorr studied at the Hoffmanschule in Munich and later in Paris in 1923. In the French capital he knew the main painters of the School of Paris. He assisted Jean Dufy with fabric designs and designed dresses for the couturier Robert Piguet. After gaining a reputation as a decorative animal sculptor, he moved to London in 1936, where he had a solo exhibition in 1937 at the Redfern Gallery. He acquired a bronze, Bengal Tiger, from the Tate Gallery and was commissioned by Royal Doulton to design ceramic animals. He exhibited bronzes for many years at RA. Harrods, Elizabeth Arden and Helena Rubinstein were among his clients. Text source: 'Artists in Britain since 1945' by David Buckman (Art Dictionaries Ltd, part of Sansom & Company).

Estim. 180 - 200 EUR

Lot 37 - African woman, ca. 1950. Sculpture in patinated and gilded bronze. Circular base of veined marble. It has slight lack of polychrome. Measurements: 51 x 15 x 13 cm. Ornamental sculpture in round bulk with the shape of a beautiful woman of stylized but naturalistic anatomy. It is a realistic work in its modeling but rigorous and voluptuous in its composition, with some inspiration from the aesthetics of Art Deco.

Estim. 200 - 250 EUR

Lot 38 - VADIM ANDROUSOV (St. Petersburg, 1895-1975). "Circus acrobat". Enameled and varnished plaster. It has slight damage to the hat and a slight picket on the base. Without signature. Measurements: 25 x 19 x 10 cm. Vadim Androusov grew up in a family interested in culture (his grandfather was the archaeologist Heinrich Schliemann, discoverer of Troy and Mycenae -which explains why many of Androusov's sculptures are inspired by Classical Antiquity). As an artist, he preferred the use of terracotta, plaster, wood or stone to the use of bronze. Throughout his career as an artist, he exhibited his works at the Salon des Tuileries and the Salon des Indépendants. Parallel to his activity as a sculptor, he collaborated with decorators and made appliqués, furniture handles and escutcheons for locks; throughout the 1930s, 1940s and 1950s, his creations adorned neoclassical furniture made by André Arbus and Jean Pascaud.

Estim. 200 - 250 EUR

Lot 39 - STEPHANUS ALBERTUS UITERWAAL (IJsselstein, 1889 - Bunnik, 1960) for GLASFABRIEK LEERDAM. "Madonna and Child". Manufacture Leerdam (Holland), design 1929. Frosted glass. Signed with anagram on the base. Measurements: 38 x 8 x 8 cm. Stephanus Albertus Uiterwaal was a Dutch sculptor, draftsman and painter. He achieved great recognition for his religious statues and was appreciated for his experimental sculpture. The Glasfabriek Leerdam was created as a glass factory in Leerdam where many prominent designers have worked or supplied designs. The glass factory is now known as Royal Leerdam Crystal. The company entered into business relationships with many countries and many traders came to Leerdam. Initially they worked for the British market, for South America and Mexico, as well as for some foreign customers with agents in Hamburg and Paris. In 1912 artists were contacted to create glass designs, De Bazel was the first, Andries Copier Cornelis de Lorm, Chris Lanooy HP Berlage, Chris Lebeau, Frank Lloyd Wright, followed until 1940.

Estim. 150 - 180 EUR

Lot 40 - Spanish school of the late nineteenth-early twentieth century. "Sleeping dog". Painted terracotta sculpture. Without signature. Presents firing cracks, flaws in the paint and chipping. Measurements: 15 x 45 x 30 cm . Sculpture of round bulk made in patinated terracotta in which the figure of a dog lying on itself is represented. The body and the face are worked taking care of the right anatomy giving an idea of classic proportion, according to a realistic vision of the animal itself.

Estim. 350 - 400 EUR

Lot 41 - Pair of monkeys BING & GRONDAHL. Denmark, Art Deco period, ca. 1930. Hand painted porcelain. With stamp on the base. Measurements: 9 x 7 x 5 cm. Pair of monkeys of the Danish firm Bing & Grondahl. The brand itself states "Every imaginable animal, adults, children and even fairy tale creatures, have been sculpted by talented craftsmen and have found their way into homes all over the world. The figures are such an important part of the firm's proud heritage."

Estim. 150 - 180 EUR

Lot 42 - Spanish school of the mid-20th century. "Flamenco dancer". Hand painted ceramic. It has some slight lack of polychrome and some chipping. Measurements: 39 x 15 x 15 cm. A flamenco dancer moves her palms while she turns on herself. Her flamenco dress with colored polka dots presents a cheerful palette, according to the festive tone of the figure.

Estim. 150 - 180 EUR

Lot 43 - Gypsy. France, mid-20th century. White ceramic. Signed on the base. Measurements: 38 x 18 x 14 cm. Sculpture of folkloric theme representing a gypsy of delicate features. This work is part of the rise of regionalism in the second half of the nineteenth century and the first third of the twentieth century, developed an art of romantic heritage, costumbrista and realistic and detailed invoice, which focused on the representation of issues, themes and characters that reflect a new sense of folklore.

Estim. 200 - 250 EUR

Lot 44 - Thuringia cup, Art Deco period, 30-50s. Blown glass. Measurements: 23.5 x 6 x 6 cm. Ornamental cup in round bulk with the form of a beautiful woman of stylized but naturalistic anatomy, executing a dynamic dance step, raised on one foot, with one leg raised and the raised arm holding the cup container. It is a realistic work in its modeling but rigorous and geometric in its composition, perfectly reflecting the aesthetic basis of Art Deco. On the other hand, the figure is represented naked to avoid any temporal reference, seeking an ideal and absolute image of movement, without concessions to decorative or accessory elements.

Estim. 200 - 250 EUR

Lot 45 - Ballerina. Germany, Art Deco period, 30-50s. Hand painted wooden body. Methacrylate and glass on the skirt and bow. It shows wear and some lack of polychrome. Measurements: 20 x 17 x 11 cm. Ornamental sculpture in round bulk with the form of a beautiful woman of stylized but naturalistic anatomy, executing a dynamic dance step, kneeling and with the arm raised. A transparent ribbon falls delicately around her arm. It is a realistic work in its modeling but rigorous and geometric in its composition, perfectly reflecting the aesthetic basis of Art Deco.

Estim. 150 - 180 EUR

Lot 46 - LOUIS ETIENNE DESMANT (France, 1844-1902). Vessel. Hand-glazed stoneware. Signed on the base. Measurements: 17,5 x 20 x 16 cm. French ceramist, Louis Etienne Desmant offers us a vase inspired by medieval aesthetics. Two large pavilions with figurative scenes very much in keeping with the Middle Ages are superimposed on the golden background in the manner of mosaics.

Estim. 250 - 280 EUR

Lot 47 - ACCOLAY wild boar. France, 1960s. Glazed and polychrome ceramic. Wire for the legs. Signed on the back. It has very slight flaws in the legs. Measurements: 10,5 x 15 x 4 cm. Accolay is the name of a French village where an important community of potters has settled. Active from 1945 to 1983, its pottery is characterized by a great technical inventiveness and an extremely abundant production.

Estim. 150 - 180 EUR

Lot 48 - ROBJ decanter bottle. Paris, Art Deco period, 1930s. "African character". Hand-painted ceramic. Signed on the base. Measurements: 26 x 10 x 9 cm. Robj is a French ceramic company founded in 1908 by Jean Born, whose most active period was from 1920 to 1930. For 10 years it was all the rage in Paris and soon became a style: the Robj style. All its pieces may bear the Robj brand, but many artists of the time collaborated and manufactured for Robj, such as Lalique, Nancy Daum, Charles Schneider and many more.

Estim. 350 - 400 EUR

Lot 49 - Limoges inkwell. France, late 19th century-early 20th century. "Fruit seller". Hand-painted ceramic. Sealed on the base. Measurements: 16.5 x 15.5 x 11 cm. This inkwell takes the form of a fruit seller wearing a long white robe and a matching turban. He stands in front of three large jars, two of which are filled with fruit. The clothing and facial features of the protagonist indicate that he is an Orientalist figure from North Africa.

Estim. 200 - 250 EUR

Lot 50 - JUAN ALMELA (Valencia, 1883- Mexico City, 1970). Vase, 1929. Hand-painted ceramic. Signed and dated on the base. Measurements: 20 x 15 x 15 cm. In this vase the painter Juan Almela draws, on its front, a pavilion with the representation of Adam and Eve taking the forbidden fruit from the tree. The back is embellished with the representation of a satyr. Gold and cobalt blue tones complete the decoration.

Estim. 250 - 300 EUR

Lot 51 - JOSEP PUJOL I MUNTANER, 20th century. "Ballerina". Glazed glazed ceramic. Signed and stamped on the back. Measurements: 34 x 16 x 11 cm. The tone, as well as the refined lines of the sculpture, are typical of the Art Deco style, which developed in Europe and the United States throughout the decade of the twenties. Josep Pujol i Muntaner designed for the ceramic brand Tamarit CMT a set of decorative animals that are characterized, like this seal, by their simple but forceful lines and bright tone.

Estim. 200 - 250 EUR

Lot 52 - Set of five 20th century sculptures. Patinated bronze and gilded metal. One of them signed by Wenceslao Jiménez. They show wear. Measurements: 9 x 6 x 5 cm (the largest). Five sculptures corresponding to different avant-garde movements: surrealism, cubism, abstraction, constructivism and metaphysical current.

Estim. 150 - 180 EUR

Lot 53 - Central European Art Deco school, ca. 1930-1950. "Monkey, dove and female bust". It shows wear and some lack of polychrome. The young woman has restoration on the fingers of the hand. Measurements: 24 x 16 x 19 cm (the largest).

Estim. 150 - 180 EUR

Lot 54 - Art Deco polar bear, ca. 1930. Copper plated metal with silver plating. It presents marks of use, wear and lack of silver plating on the belly of the animal. Measurements: 15 x 27 x 9 cm. In the making of this polar bear, Karl Hagenauer's style is evident: an essential and synthetic modeling typically Art Deco, but without avoiding naturalism.

Estim. 180 - 200 EUR

Lot 55 - Art Deco Penguin, ca. 1930. Painted wood and silver metal on black glass base. It shows wear. Measurements: 16 x 5 x 6 cm. This sculpture captures the essence and grace of an endearing penguin. With a unique artistic interpretation, this sculptural creation, designed by Hagenauer, embodies the essence of the cute animal while adhering to realistic details.

Estim. 300 - 350 EUR

Lot 56 - Set of four 20th century sculptures. "Marine animals". Bronze, nickel silver, silver metal and patinated metal. One of them with alabaster base. It shows wear, lack of polychrome and dirt. One of the lobster's antennae has been lost. Measurements: 15 x 15 x 9 cm (the largest).

Estim. 150 - 180 EUR

Lot 57 - Two Art Deco sculptures, ca. 1930-1940. "Bust of African woman" and "Ballerina". Patinated bronze. They show wear. Measurements: 19 x 15 x 6.5 cm (the largest). In the making of this slender dancer, Karl Hagenauer's style is evident: an essential and synthetic modeling typically Art Deco, but without avoiding naturalism. The same is true of the female face.

Estim. 150 - 180 EUR

Lot 58 - German school of the first half of the 20th century. "Man with turban". Carved and polychrome wood sculpture. Signed and dated "Zimmer" on the lower right. It presents wear, faults and lack of polychrome. Measurements: 30 x 10 x 7 cm. This sculpture of synthesized features represents a man with a turban. His considerably detailed face contrasts with the body simplified to the cylindrical form.

Estim. 150 - 180 EUR

Lot 59 - Central European Art Deco school, ca. 1930. "Nude young woman". Polychrome ceramic with synthetic hair on the head. With pedestal. It does not retain the finger of one hand. It shows wear and dirt. Measurements: 28 x 8 x 4 cm. Ornamental sculpture in round bulk, made in porcelain, with the form of a beautiful naked woman of stylized but naturalistic anatomy, executing a dynamic dance step.

Estim. 150 - 180 EUR

Lot 60 - Spanish school of the mid-20th century. Pair of female sculptures. Patinated bronze and resin. Alabaster base. Presents dirt. Measurements: 18 x 4 x 11 cm (larger). The first of the sculptures is reminiscent of the production of Henry Moore; the second piece represents a seated young woman holding a jar in her hands.

Estim. 150 - 180 EUR

Lot 61 - Set of three masks from the 20th century. Different periods and styles. Ceramic and painted terracotta. One of them signed Pizarro and located Ibiza. They show wear and some small lack in the painting. One of them has been restored. Measurements: 24 x 15 x 6 cm (the largest).

Estim. 150 - 180 EUR

Lot 62 - Set of two Art Deco penguins, ca. 1930. One in copper-plated bronze and the other in Russian Lomonosov porcelain. Stamped on the base. They show wear. Measurements: 23 cm (height greater). This pair of sculptures captures the essence and grace of two endearing penguins. With a unique artistic interpretation, these sculptural creations embody the essence of the cute animal while adhering to realistic details.

Estim. 180 - 200 EUR

Lot 63 - European school of the second half of the 20th century. "Horse. Bronze with green patina. Wooden pedestal painted black. Signed "Schan". Measurements: 18 x 18 x 7 cm (figure); 2 x 10 x 7 cm (base). In this work the author goes beyond the stylization of the forms to synthesize the anatomy of the horse and its movement, a reflection of the way in which the eye captures the animal on the run.

Estim. 180 - 200 EUR

Lot 64 - Netsuke. Meiji period, Japan, late 19th-early 20th century. "Frogs." Carved boxwood. Signed. Measurements: 4 x 3,5 x 2,5 cm. The netsuke are miniature sculptures that were invented in the seventeenth century in Japan as a complement to clothing, specifically, as a decorative object that retained the string of the inro boxes. Like the inro and ojime, evolved over time from a strictly utilitarian use to become objects with great artistic merit and presenting the work of skilled craftsmen. Such objects have a long history that captures important aspects of folklore and life in Japan.

Estim. 150 - 180 EUR

Lot 65 - Spanish school of the 20th century following models of the constructivist school. Wrought iron and patinated. Signed with initials on the base. Measurements: 15 x 17 x 17 cm. Following the line of geometric abstraction, the author seeks in this sculpture the dynamism and rhythm obtained from the juxtaposition of rectangular and circular shapes.

Estim. 150 - 180 EUR

Lot 66 - MARINO AMAYA (Astorga, León, 1927-Andalusia, 2014). Untitled. Patinated bronze. Signed in burin at the bottom of the back. Measurements: 12 x 5 x 5 x 5 cm (figure); 3 x 5.5 x 5.5 x 5.5 cm (base). Born in Astorga, Marino Amaya was in his early years shepherd, carpenter and weaver, although with only fifteen years he obtained his first commission as a sculptor, a statue of Santiago Apostle carved in stone. He began his artistic training at the School of Arts and Crafts in Salamanca, where he obtained a scholarship to travel to Madrid in 1945, in order to further his education. Four years later, in 1949, he began a long study trip that took him to France, Italy, Austria, Holland, Denmark, Norway, Sweden, Germany, Greece and, outside Europe, Egypt and Palestine. In 1950 Amaya returned to Spain and participated in the National Exhibition of Fine Arts in Madrid, being awarded a silver medal. This success earned him in 1951 an important commission from the bishopric of León, a grandiose monument dedicated to the Immaculate Conception. The following year he held his first exhibition, which took place at the Association of Writers and Artists of Madrid, and in 1954 he was presented for the first time in León, in an exhibition organized by the Provincial Council. Still in this decade he held exhibitions at the Ateneo de Santander (1956) and the Romantic Museum of Madrid (1957). In the sixties he worked intensely, also holding exhibitions in various Spanish capitals, in centers such as the Círculo de Bellas Artes in Madrid (1962). Also during these years he made the international leap, appearing in 1961 in Rio de Janeiro. He will continue with his exhibition career in the seventies, and in 1974 he is named favorite son of Astorga, a town where a street will also be dedicated to him. In 1981 he held an outstanding exhibition at the Zoma Gallery in New York, where fifteen of his works were acquired by the Rockefeller Foundation. That same year he moved to Marbella, the city where he would live and work from then on, in conjunction with his studio in Madrid. In 1985 Pope John Paul II granted him an interview to see his work "The Right to Life", which was blessed by the Holy Father and is now part of the Vatican collection. This sculpture will initiate the creation of a series of works that Amaya dedicates to the life of children. Also very present in his work are animal figures, especially dogs and cats. He is a sculptor very committed to public sculpture, and today we can find works by his hand in public places all over Spain, as well as in the Mateo Hernández Museum in Béjar and other public and private collections.

Estim. 250 - 300 EUR

Lot 67 - MAX MEDER (France, 1937). "Clown". Sculpture carved in wood. Signed on the right side. Measurements: 39 x 6 x 18 cm. Observing carefully this sculpture we can conclude that it presents the form of a clown. The abstract and synthesized forms give the sculpture a surrealist and avant-garde aspect.

Estim. 300 - 350 EUR

Lot 68 - Spanish school of the first third of the 20th century. "Basque fisherman". Sculpture of copper-plated and patinated metal. Wooden base. It shows wear. Measurements: 15 x 5 x 4 cm. This work responds to the regionalist trend in which artists seek to reflect types and customs of their own land, which make it different and unique, thus claiming their own roots and, above all, the traditions and ways of dressing and behaving of its inhabitants.

Estim. 150 - 180 EUR

Lot 69 - Set of three 20th century sculptures. "Organic surrealism". Bronze, silver metal and root wood. Two of them illegibly signed and numbered. It shows wear. Measurements: 10 x 28 x 22 cm (the largest). The voluptuous organic forms of this set of three figures are reminiscent of the surrealist movement.

Estim. 200 - 250 EUR

Lot 70 - Italian school from the end of the 19th century-early 20th century. Plaster plate with reproductions of Roman carvings or cameos with erotic themes. It shows wear, faults and dirt. Measurements: 22 x 24,5 x 1,5 cm.

Estim. 200 - 225 EUR

Lot 71 - Italian school of the 20th century. "Classic torso". Patinated bronze. Measurements: 27 x 12 x 10 cm. This synthesized male torso may represent that of a Greek or Roman god. The young god is naked, standing, with the weight on the right leg.

Estim. 250 - 300 EUR

Lot 72 - SERGIO CASTILLO MANDIOLA (Santiago de Chile, 1925 - 2010). "Gallo". Iron. Marbled marble base. Measurements: 39 x 27 x 47 cm (sculpture); 6 x 15 x 15 x 15 cm (pedestal). Sculptor and academic linked to constructivism, he studied drawing at the École Nationale Supérieure des Beaux-Arts and the Académie Julian in Paris, continuing his studies at the School of Fine Arts in Chile, where he trained in sculpture with professors such as Marta Colvin and Julio Antonio Vasquez. In 1967 he began teaching at the School of Fine Arts. Thanks to a scholarship, he went to the United States, where he continued to work as a teacher. He was president of the Chilean Association of Painters and Sculptors in the 1970s and, in 1995, he became a full member of the Academy of Fine Arts of the Institute of Chile. Castillo Mandiola was the first sculptor commissioned to create an abstract sculpture to be exhibited in a public space. His sculptural work stands out for its peculiar technique based on the use of metal plates and pieces to elaborate abstract compositions of geometric equilibrium.

Estim. 800 - 900 EUR

Lot 73 - BEC ZBIGNIEW (Poland, present). Untitled, 1977. Patinated bronze. Signed, dated and located on the back. Methacrylate base. Measurements: 5 x 17 x 2 cm (sculpture); 4 x 6 x 4 x 4 cm (pedestal). The organic character of this sculpture entirely made in bronze may well recall the appearance of a seed.

Estim. 180 - 200 EUR

Lot 74 - Set of 5 Art Deco perfume bottles. Spain and France, 20-40's. Various crystals (Baccarat and others) carved and painted. With wear, dirt and marks of use. Measurements: 17 x 10 x 3,5 cm (larger).

Estim. 300 - 350 EUR

Lot 75 - Set of three flamenco dancers, first half of the twentieth century. Glazed ceramic hand painted. One of them is from Triana pottery. One of them has restorations in the arms. Measurements: 31 cm. height the biggest one. Set of three statuettes in glazed ceramic hand painted in vivid colors. They represent three flamenco dancers. Two of them play castanets with their hands raised while wiggling their bodies. All three, with their dancing, twirl the flounces of their polka-dot dresses.

Estim. 200 - 300 EUR

Lot 76 - Central European Art Deco school, ca. 1930. "Ballerina". Gilded bronze. Circular base of veined alabaster. It shows wear. Slightly chipped pedestal. Measurements: 20 x 12 x 10 cm. Ornamental sculpture in round bulk with the form of a beautiful woman of stylized but naturalistic anatomy, executing a dynamic dance step, standing on one foot, with one leg raised, the body inclined and the face thrown backwards. It is a realistic work in its modeling but rigorous and geometric in its composition, perfectly reflecting the aesthetic basis of Art Deco.

Estim. 180 - 200 EUR

Lot 77 - Curious Art Deco tabletop vase with crocodile-shaped legs, ca. 1940. Terracotta glazed and hand-fired enameled. It has some chipping. Measurements: 33 cm (height) x 14 cm (largest diameter). The curious vase in tender combines the classicism of the container, only ornamented with horizontal incised bands, with the legs in the form of crocodiles that elevate it in height.

Estim. 180 - 200 EUR

Lot 78 - Spanish school, mid-twentieth century. "Maternity". Bronze sculpture. Wooden base. Presents wear on the pedestal. Measurements: 15 x 13 x 8 cm (figure); 6,5 x 9 x 9 x 9 cm (pedestal). Bronze sculpture representing a mother with her child. Only the heads have been realized and, nevertheless, the couple transmits us great tenderness. The united cheeks, the fine features of both ovals, the significant gesture of the arched eyebrows... suggest to us the idea of love and protection.

Estim. 200 - 300 EUR

Lot 79 - RAYMOND DE MEESTER (Belgium, 1904-1995). "Rabbits". Hand-painted plaster. Signed on the right side of the base. It presents wear and very slight lack of polychrome. Measurements: 17 x 24 x 16 cm. Raymond de Meester was a Belgian sculptor specialized in the animalistic theme. He represented all kinds of animals in a variety of sculptural techniques. Many of them are powerful and elegant. His biographers relate that he visited the Antwerp Zoo daily for inspiration. He received numerous awards, and participated in the International Exhibitions in Antwerp (1930) and Brussels (1935). He received official commissions. His works are kept in museums in Brussels, Antwerp, Paris, Buenos Aires and Riga.

Estim. 300 - 400 EUR

Lot 80 - Central European Art Deco school, ca. 1930. "Dancers". Three figures in silver metal. Wooden, metal and marble bases. It shows wear and some lack of polychrome on the base. Measurements: 22 x 12 x 8 cm. Ornamental sculptures in round bulk in the form of beautiful women with stylized but naturalistic anatomy, performing dynamic dance steps, standing on one foot, with one leg raised and the body inclined. These works are realistic in their modeling but rigorous and geometric in their composition, perfectly reflecting the aesthetic basis of Art Deco.

Estim. 300 - 350 EUR

Lot 81 - FRANCISCO BARÓN MOLINA (Madrid, 1931 - 2006). "Head". Patinated bronze, specimen 20/25. Painted plaster base. Signed and numbered on one side. Measurements: 5 x 8 x 6,5 cm (sculpture); 4,5 x 5 x 3,5 cm (pedestal). Mainly sculptor, although he also tackled painting, Francisco Baron began his training at the School of Fine Arts of San Fernando, where he had as teachers Laviada and Ortells, and later expanded it in London and New York thanks to various scholarships. In 1960 and 1961 he was awarded the first prize at the New England Art Festival, and in 1965, two years after returning to Spain for good, he participated in the New York International Art Fair and obtained a grant from the March Foundation. That same year he held his first solo exhibition at the Neblí Gallery in Madrid. Throughout his career Baron showed his work throughout Spain, as well as in Europe, Latin America, the United States and Africa, and was awarded the Valladolid Sculpture Prize (1983), the Art and Culture Prize of the Museum of Contemporary Art of Madrid (1965), the gold medal at the Exhibition of Mini-Paintings at the Círculo 2 gallery in Madrid and the Mojácar Prize. He is currently represented in the Museo de Escultura al Aire Libre de Alcalá de Henares, among other public and private collections.

Estim. 200 - 300 EUR

Lot 82 - Central European Art Deco school, ca. 1940. "Deer". Silver plated metal on marble base. Some chipping. Some wear. Measurements: 20 x 37 x 9,5 cm. The modeling of this sculpture is essential and synthetic without leaving aside the naturalism, typically Art Deco. Thus, in general, the details are left aside, the meticulous rendering of the real model, although the author, a follower of Karl Hagenauer's style, pays special attention to capturing the movement of the animal's anatomy.

Estim. 200 - 250 EUR

Lot 83 - French Art Nouveau school, ca. 1900. Tabletop centerpiece. Hand painted plaster. With maker's marks, "Revetements (illegible)". Signed "Ronner" on the right side. Shows wear, use marks and slight chipping on one side. Measurements: 3 x 24 x 12 cm. Centerpiece in plaster painted by hand in oval form. The decorations of the eaves, worked in bas-relief, follow modernist models of the time. Two frogs in jumping position and surrounded by flowers decorate the corners.

Estim. 200 - 300 EUR

Lot 84 - Mack Trucks logo. "Bulldog". Sculpture in chromed metal. On marble base with hair. With signature marks on the front. Measurements: 10 x 12 x 5 x 5 cm (sculpture); 1,5 x 8 x 50 cm (base). The bulldog is the ornament on the front of the Mack Trucks vehicles. It is, therefore, its logo. It has accompanied the company since the beginning of the twentieth century, to represent the durability and power of its trucks.

Estim. 150 - 200 EUR

Lot 85 - Atelier KARL HAGENAUER (Austria, 1898 - 1956). "Skier" and "Polo player". Austria, ca. 1940-50's. Silver metal and wood. Unsigned. Shows wear, soiling and use marks. Measurements: 9 x 16 x 12 cm. the largest. The style of Karl Hagenauer is evident in the making of these two statuettes. Son of the goldsmith Carl Hagenauer, Karl studied at the School of Arts and Crafts in Vienna, where he was taught by Josef Hoffmann and Oskar Strnad and imbued with the spirit of the Wiener Wekstätte. After obtaining his diploma in architecture, between 1917 and 1919 he did his military service, and upon his return he began working as an architect and in his father's workshop. During these years he created numerous pieces in silver, brass, copper, enamel, ivory, stone and wood. In 1928, after the death of his father, he took over the management of the workshop and was responsible for the expansion of the firm, expanding production to include cabinetmaking and opening stores in Vienna and Salzburg. From then on he exhibited his best pieces both in Austria and abroad, was twice awarded the gold medal at the Milan Triennale and was appointed a member of the Austrian Werkbund and the Werkstätte. Today his pieces are part of collections around the world, including the Victoria & Albert Museum in London, the MoMA and the Jewish Museum in New York, the Casa Lis in Salamanca and many others.

Estim. 250 - 300 EUR

Lot 86 - Chinese dragon. Qing Dynasty, 19th century. Chiseled and patinated bronze. Part of a larger undetermined piece. On wooden base. It has some damage, flaws and wear. Measurements: 25 x 32 x 26 cm (figure); 13 x 36 x 20 cm (base). Bronze sculpture representing a Chinese dragon. It was part of a larger piece. Endowed with powerful jaws and expressive claws, it is possible to link this mythological creature with the philosophy of Feng Shui. Feng Shui considers the dragon to be one of the four guardians of heaven, the bearer of magic, power and wisdom. In traditional Chinese culture, dragon amulets were kept to protect the home.

Estim. 200 - 300 EUR

Lot 87 - JORGE LUIS ZARRAN PAZ (Havana, 1957). "Head". Sculpture in acana wood. Signed, dated and dedicated on the back. Measurements: 18 x 5 x 4 cm (sculpture); 3,5 x 5 x 4 cm (base). Jorge Luis Zarrán Paz is a Cuban sculptor, member of the Cuban Association of Artisan Artists (ACAA) and the Union of Writers and Artists of Cuba (UNEAC). Works of the artist located in Cuba: 1981 Sculpture, iron, Parque de las Esculturas, Las Tunas; 1987 Toys, Palacio de los Pioneros, Havana; Emplacement, sculptural mural, Baracoa Beach Airport; Havana, disassembled concrete, concrete, metallic profiles and graphic plates. Among the awards received, we mention the Mention of the National Salon of Small Format Sculpture, Center for the Development of Visual Arts, Havana.

Estim. 200 - 300 EUR

Lot 88 - Atelier KARL HAGENAUER (Austria, 1898 - 1956). "Ballerina". Austria, ca. 1940-50's. Silver-plated metal. No signature. Black metal base. It presents wear and some lack in the polychrome of the base. Measurements: 42 x 24 x 5 cm (figure); 2 x 40 x 9 cm (base). In the making of this slender dancer, Karl Hagenauer's style is evident: an essential and synthetic modeling typically Art Deco, but without avoiding naturalism. The son of the goldsmith Carl Hagenauer, Karl studied at the Vienna School of Arts and Crafts, where he was taught by Josef Hoffmann and Oskar Strnad and imbued with the spirit of the Wiener Wekstätte. After obtaining his diploma in architecture, between 1917 and 1919 he did his military service, and upon his return he began working as an architect and in his father's workshop. During these years he created numerous pieces in silver, brass, copper, enamel, ivory, stone and wood. In 1928, after his father's death, he took over the management of the workshop and was responsible for the expansion of the firm, expanding production to include cabinetmaking and opening stores in Vienna and Salzburg. From then on he exhibited his best pieces both in Austria and abroad, was twice awarded the gold medal at the Milan Triennale and was named a member of the Austrian Werkbund and the Werkstätte. Today his pieces are part of collections around the world, including the Victoria & Albert Museum in London, the MoMA and the Jewish Museum in New York, the Casa Lis in Salamanca and many others.

Estim. 500 - 600 EUR

Lot 89 - ACISCLO MANZANO FREIRE (Orense, 1940). "Face". Sculpture in patinated bronze, copy 2/34. Marble base. Signed on the base and numbered on one side. Measurements: 6 x 5 x 7 cm; 5 x 5,5 x 6,5 cm (base). Acisclo Manzano is a Galician sculptor who studied at the Escola de Formación Profesional Acelerada and at the Escola de Artes e Oficios de Santiago de Compostela, expanding his knowledge with a period in the workshop of Francisco Asorey. Together with Xaime Quessada and Xosé Luís de Dios, he was part of the group "O volter", and of the group "Siete Artistas Galegos" with Nanuel Buciños, Arturo Baltar, Virxilio Fernández Cañedo and Xavier Pousa Carrera. He began following a style close to expressionism, characterized by an extraordinary strength, to later move towards vaguely figurative forms, with a marked air of reclusion. It is necessary to emphasize the so-called "Ibizan stage", directly inspired by the reliefs of the Phidias of the Parthenon of Athens. He has shown his work in numerous exhibitions (both in Spain and abroad), and it is kept in several public places (Santiago de Compostela, Lalín...) and in various collections (MusarqOurense, Afundación, Real Academia Galega de Bellas Artes de Nuestra Señora del Rosario, etc.).

Estim. 200 - 300 EUR

Lot 90 - FRANZ GRÜBER (Vienna, 1878-1945). "Bust of a lady from 1848". Art Nouveau, ca.1890. Bronze. Signed on the back. Measurements: 9 x 9 x 5 cm. Female bust in bronze made by the Austrian sculptor Franz Grüber, an artist attached to Art Nouveau but in whose work he often portrayed women of the Biedermeier period. It represents a lady wearing a hat decorated with feathers. On her long neck she wears a pearl necklace. Her features are small and delicate. The blouse is decorated with a poly-lobed trim.

Estim. 200 - 250 EUR

Lot 91 - Central European Art Deco school, ca. 1940. "Dog". Silver plated metal on black chrome plated metal base. No signature. It shows wear due to the passage of time. Measurements: 20 x 22 x 4 cm. The modeling of this sculpture is essential and synthetic without leaving aside the naturalism, typically Art Deco. Thus, in general the details are left aside, the meticulous rendering of the real model, although the author, a follower of Karl Hagenauer's style, pays special attention to capturing the movement of the animal's anatomy.

Estim. 180 - 200 EUR

Lot 92 - Viennese school. Jugendstil period, ca. 1900. "Female nudes". Two bronze sculptures. Measurements: 3 x 11,5 x 3 cm. Pair of statuettes in gilded bronze, representing two naked women lying in languid but natural postures, without any affectation.

Estim. 250 - 300 EUR

Lot 93 - MANOLO BUCIÑOS (Buciños, Lugo, 1938). "Peasant girl". Sculpture in bronze, copy 37/100. Stone base. Signed and numbered on the right side. Measurements: 9x 6 x 6 x 10 cm (sculpture); 3,5 x 10 x 12 cm (pedestal). Better known as Buciños, the sculptor Manuel García Vázquez has developed practically all his career in Ourense, linked to the group led by the writer Vicente Risco, called Os Artistiñas. He began his career working in wood with a language influenced by Cristino Mallo and Antón Failde Gago, and later switched to bronze, evolving into an appreciation of emptiness that evokes the work of Henry Moore and Julio González. Throughout his career he has held numerous exhibitions, both in Spain and abroad. He is currently represented in all the museums of Galicia, as well as in numerous public institutions and private collections. His work combines figurative references with a refined formal synthetism that links him to avant-garde trends such as cubism or geometric abstraction.

Estim. 200 - 300 EUR

Lot 94 - "COMPOSTELA"; FRANCISCO VÁZQUEZ DÍAZ (Santiago de Compostela, 1898 - San Juan de Puerto Rico, 1988). "The bear and the strawberry tree". Patinated bronze. Signed. Measurements: 12 x 9 x 10 cm. The pseudonym of Compostela was used by the sculptor in order to differentiate himself from the painter Daniel Vázquez Díaz. His work, apart from portraits, is fundamentally animalistic, with an art-deco accent and a strong ironic sense derived from Don Quixote and The Island of the Penguins, by Anatole France. In 1929 he participated in the elaboration of the Galician Pavilion at the Ibero-American Exposition in Seville, receiving the Gold Medal; that year he also obtained with Plena carrera the Second Class Honorary Diploma at the Fine Arts Exposition in Barcelona. During the Republic he participated in the National Exhibitions of 1932 and 1936, in the Autumn Salons of 1931, 1932 and 1935 and in the Exhibition of Galician Art, held in Santiago in 1935, while he also held individual exhibitions in Vigo and Madrid.

Estim. 150 - 180 EUR

Lot 95 - JUAN ADSUARA RAMOS (Castellón, 1893 - 1973). "Waterwoman". Plaster. Signed on the left side. Measurements: 16 x 15 x 17 cm. Born in Castellón and encouraged by his school teacher, since he was a child he was exercised in the drawing and in view of his aptitudes he was pensioned by the Provincial Council of Castellón to study in the School of San Fernando of Madrid. In 1912 he obtained the third medal in the National Exhibition of Fine Arts. After returning from military service in his hometown, he made some busts, decorative and monumental sculptures for public buildings. He worked throughout his life and traveled with scholarships and competitions awarded to him. Above all, he was a great admirer of religious imagery, Berruguete being his greatest master. He was an outstanding member of the Valencian avant-garde of the 1930s.

Estim. 200 - 250 EUR

Lot 96 - Sealing wax seal. Art Deco period, ca. 1930. "Bird". Bronze and enamel. Engraved initials "J.M". It presents marks of use, wear and faults in the enamel. Measurements: 8,5 x 2,5 x 2,5 cm. Sealing wax seal representing a bird with a long beak, like a pelican or anthropomorphic crow. The design seeks the synthetic lines, although softened, typical of Art Deco.

Estim. 200 - 250 EUR

Lot 97 - JOSÉ MANUEL BOUZAS NOVOA (Ourense, 1958). "Seated female nude". Patinated bronze sculpture, copy 29/75. Signed and numbered on the base. Measurements: 17 x 8 x 11,5 cm. Painter and sculptor, José Manuel Bouzas Novoa was self-taught. All his professional activity is related to art, where he has been and is a teacher, researcher, lecturer, essayist and curator. He has worked from State Museums to Cultural Centers of reference such as: Círculo de Bellas Artes de Madrid and Museo Galego de Arte Contemporáneo (CGAC). He has held exhibitions in Spain and several European countries. His works can be seen in public and private collections in Spain, France, Belgium, Germany, United Kingdom, Greece and the United States.

Estim. 200 - 250 EUR

Lot 98 - Atelier KARL HAGENAUER (Austria, 1898 - 1956). "Bird and frog". Vienna, ca. 1940-50's. Bronze. Presents marks on the back. Measurements: 9.5 x 7 x 7 cm. Son of the goldsmith Carl Hagenauer, Karl studied at the School of Arts and Crafts in Vienna, where he had Josef Hoffmann and Oskar Strnad as teachers and was imbued with the spirit of the Wiener Wekstätte. After obtaining his diploma in architecture, between 1917 and 1919 he did his military service, and upon his return he began working as an architect and in his father's workshop. During these years he created numerous pieces in silver, brass, copper, enamel, ivory, stone and wood. In 1928, after the death of his father, he took over the management of the workshop and was responsible for the expansion of the firm, expanding production to include cabinetmaking and opening stores in Vienna and Salzburg. From then on he exhibited his best pieces both in Austria and abroad, was twice awarded the gold medal at the Milan Triennale and was appointed a member of the Austrian Werkbund and the Werkstätte. Today his pieces are part of collections around the world, including the Victoria & Albert Museum in London, the MoMA and the Jewish Museum in New York, the Casa Lis in Salamanca and many others.

Estim. 200 - 250 EUR

Lot 99 - PIERRE D'AVESN (France, 1901 - 1990/91). Art Deco plate, ca. 1930. Molded and satin-finished glass. Signed and localized. Measurements: 6 x 25 x 25 cm. Pierre D'Avesn, whose real name was Pierre Gire, studied at the School of Decorative Arts in Paris, and with only fourteen years he entered to work in the firm of René Lalique, where he learned the arts of glass with this great master. He worked with Lalique for twelve years, and for him he designed some of the most famous pieces of the firm, such as the "Serpent" and "Tourbillons" vases. In 1927 he began working for Daum, designing and supervising the production of its Luneville factory, specializing in Art Deco glass for export, mainly to the United States. However, the factory closed in 1932 due to the Depression, and between 1937 and 1940 D'Avesn worked for Verlys. Although it is not known for certain, it is possible that after World War II he continued to work for the art glass industry, probably in Choisy-Le-Roi/Sèvres.

Estim. 200 - 250 EUR

Lot 100 - Spanish school of the XVII-XVIII centuries. "Saint". Relief in carved alabaster. Eighteenth century frame in wood, with velvet base. Presents some lack of polychrome and some chipping. Measurements: 11,5 x 6,5 x 1,5 cm (alabaster); 20 x 17 cm (frame). Devotional relief in carved and chiseled alabaster. It represents a saint. It could be an evangelist. He wears tunic and mantle and a short beard outlines his oval face. His only attributes are the Scriptures on his left arm and what could be a palm of martyrdom on the right.

Estim. 300 - 400 EUR

23rd July - Private Collection III

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Lot 10 - Lighter with the shape of a seaplane Art Deco, ca. 1930. Chromed metal. Black marble base. Unused lighter. It shows wear. Measurements: 10 x 17 x 19 cm (airplane); 2 x 9,5 x 17 cm (base).

Lot 11 - Set of three toys, 1950s. Lithographed tinplate. It shows signs of use and wear. Measurements: 20 x 13 x 2 cm (boxers). Set consisting of two ratchets with the faces of a boy and a girl and a set of two boxers.

Lot 15 - Berber necklace. Metal and enamels. Flower-shaped beads, wire and enameled egg. It shows signs of use and wear. Measurements: 55 cm (length).

Lot 24 - European school of the 20th century. "Rosto de Beethoven". Sculpture to hang. Without signature. Measurements: 24 x 16 x 9 cm. Work that reproduces the serious and reflective portrait of Ludwig van Beethoven.

Lot 29 - Art Deco vase. Paris, ca. 1930. Fire-glazed ceramic. With an original hole in the bottom to convert into a lamp stand. Signed on the base. Measurements: 20 x 19 x 19 cm. Vase of globular body entirely made of ceramic enameled to the fire of orange tonality.

Lot 34 - Two antique toy cars RICO Y PAYA, 1950s. Sheet metal. They show marks of use and wear. One of them lacks rope. Need to be reworked. Measurements: 9 x 35 x 12 cm (larger).

Lot 53 - Central European Art Deco school, ca. 1930-1950. "Monkey, dove and female bust". It shows wear and some lack of polychrome. The young woman has restoration on the fingers of the hand. Measurements: 24 x 16 x 19 cm (the largest).

Lot 56 - Set of four 20th century sculptures. "Marine animals". Bronze, nickel silver, silver metal and patinated metal. One of them with alabaster base. It shows wear, lack of polychrome and dirt. One of the lobster's antennae has been lost. Measurements: 15 x 15 x 9 cm (the largest).

Lot 61 - Set of three masks from the 20th century. Different periods and styles. Ceramic and painted terracotta. One of them signed Pizarro and located Ibiza. They show wear and some small lack in the painting. One of them has been restored. Measurements: 24 x 15 x 6 cm (the largest).

Lot 70 - Italian school from the end of the 19th century-early 20th century. Plaster plate with reproductions of Roman carvings or cameos with erotic themes. It shows wear, faults and dirt. Measurements: 22 x 24,5 x 1,5 cm.

Lot 71 - Italian school of the 20th century. "Classic torso". Patinated bronze. Measurements: 27 x 12 x 10 cm. This synthesized male torso may represent that of a Greek or Roman god. The young god is naked, standing, with the weight on the right leg.

Lot 74 - Set of 5 Art Deco perfume bottles. Spain and France, 20-40's. Various crystals (Baccarat and others) carved and painted. With wear, dirt and marks of use. Measurements: 17 x 10 x 3,5 cm (larger).