#105: Eclettica | Drouot.com

Lot 1 - Biagio Betti - Biagio Betti (1535-1605) - Jesus tried before the Sanhedrin cm 66 x106 Oil on canvas Unframed. Biagio Betti a pupil of Daniele Da Volterra, a lay friar of the Theatine order. Eclectic personality was in contact with the Roman artistic world but also beyond the Alps. He knew the engravings of Durer by whom he was influenced in his compositions. Stylistically he represents a late Roman Mannerism of the latter part of the 1500s. ASOR Studio Expert opinion by Professor Claudio Strinati Biagio Betti (Cutigliano c. 1545 - Rome 1615) Jesus interrogated in the Sanhedrin (oil on canvas 64 x 104 cm) The painting depicts the crucial moment in the story of Christ's Passion when the Redeemer is taken, after the Capture in the Garden of Gethsemane, to the Sanhedrin, that is, the Jewish Tribunal administered by the Sadducees and Pharisees to be interrogated about his alleged faults and subsequently condemned even though the actual condemnation was pronounced by Pilate. The scene is executed, in our painting, with remarkable skill and pictorial refinement with an impeccable style that is rigorous in its perspective definition and somewhat synthetic and compendious in the figures, as if the author of the 'work was primarily a specialized miniaturist such that he lavished all his doctrine in the analytical definition of the images accentuating their different states of mind, from the sorrowful sadness of Christ to the bureaucratic arrogance of the great priests who appear very numerous in the painting and were in fact, according to ancient sources, about seventy and all very fierce. Our painting, precisely for strictly stylistic reasons, seems to be dated to the end of the sixteenth century and to be framed precisely in that environment of miniature culture that had notable Italian and Flemish exponents at that time. Prominent among them was a painter who was also an eminent religious, the Theatine father Biagio Betti, of whom Giovanni Baglione wrote an exhaustive and learned biography, qualifying him as a cultured, authoritative personality, very influential in the debate on religious art and a skilled painter, sculptor and miniaturist himself. In that biography (published in his book Le Vite de' pittori, scultori e architetti, Roma 1642 (now in the modern edition edited by Barbara Agosti and Patrizia Tosini, Officina Libraria 2023, vol 1, p.632 ff.) the theological intent is evident and primarily doctrinal of the works executed by the Theatine painter, but with a formidable attention to the paintings' intrinsic quality and iconographic originality. Of the works cited by the Baglione few survive today, but enough survive to attribute to Biagio Betti the painting under consideration here. In fact, in the church of San Silvestro al Quirinale in Rome is preserved a large canvas, certainly autographed by this artist depicting The Dispute of Jesus with the Doctors (a subject similar, though different, to that of the work here which, unlike our painting, is a true altarpiece exemplified, iconographically speaking, on the Dürer prints much studied and known in Betti's time. And similar is the setting of our painting attributable, therefore, to the Betti with foundation also through a direct comparison with the Disputa cited above, which denotes a similar "Nordic" style though on a monumental scale, while our painting is, as noted, absolutely miniature. Moreover, Baglione clearly says that the painter Biagio Betti, "was likewise an illuminator and in parchment paper and in every other thing exquisitely colored." This seems to be the case with our painting, a most notable example of a painting-miniature of great intrinsic significance and fine quality of drafting, which is still clearly perceptible today despite some conservation problems that the work must have had but which do not in the least harm the appreciation and consequent critical judgment. I think it possible that this painting of ours was executed in conjunction with the jubilee celebrations of the year 1600 when Father Biagio Betti was at the height of his parabola and fame as an influential miniaturist and painter. A painting, therefore, remarkable on the historical artistic level and also on the doctrinal one, to which I attribute a conspicuous value of E. 25,000.00 In faith, Claudio Strinati

Estim. 4 300 EUR

Lot 2 - () - Bishop with book, 17th century 89x73 cm in frame 104x89 cm Oil on canvas Painter from the Lombard area of the 17th century. The painting manifests a marked realism. The concentration and attention placed by the character in the act of opening the book and reading the lines of his philosophical-religious thought, just written, appears evident. On the table, the pen and inkwell bear witness to the just-completed act of writing. The painting, moreover, expresses a Counter-Reformation taste that conforms to the tendency of the Catholic Church of the 17th century by endorsing a distinguished bishop, Doctor of the Church, such as St. Augustine. Studio Asor.

Estim. 1 400 EUR

Lot 3 - Simone de Wobreck - Simone de Wobreck (Haarlem 1557) - Ascent to Calvary H cm 53 x 40, in frame 63 x 48 Oil on panel Expertise of Professor Claudio Strinati: "The Ascent to Calvary bears inscribed on the back (partially covered by a parchettatura presumably applied in fairly recent times to strengthen the stability of the wood) the following inscription: Martin de Vos Antwerp 1532-1603. So the reference, which I believe was also written in recent times, is to the famous Flemish painter who was also present in Italy and left in our country distinguished works as well as a flourishing workshop. And precisely this point must be dealt with in relation to our painting. The work under consideration here, in fact, is absolutely Flemish and is with absolute certainty datable to the second half of the sixteenth century, but it does not at all denote the style, moreover unmistakable, of Martin de Vos. On the contrary, our work falls within a sphere of Flemish painting in Italy that does not derive directly from de Vos but instead coincides with a school of his countrymen collateral to him but quite distinct. Characteristic of our painting, here under consideration, is the swarming of characters who crowd around the fallen Redeemer and reflect a dual sentiment: ethical and aesthetic. On the one hand, on closer inspection, the painter vigorously depicts with harsh and almost popular accents the grief and sadness of the crowd, which is concentrated and thinned out with a very striking and engaging scenic effect; on the other hand, one can read in the work overall as a sense of derision and mockery, consistent with the story depicted. This kind of representations is typical of Flemish culture, which at a distance even remains connected, in many authors also active in Italy, to the culture of Hieronymus Bosch, dating, however, from the first half of the 16th century. But all this does not belong to the culture of de Vos, who is instead oriented toward an austere and noble classicism. Here, in our work, one sees the exact opposite of classicism. On the contrary, one sees an attitude on the part of the painter who executed the painting, of an absolutely mannerist type that corresponds with what we have noticed there. The stylistic features of our painting, therefore, are closely related to another Flemish master working in southern Italy in the second half of the 16th century, Simone De Wobreck. This is a name that may be less well known today than a de Vos, but Simone De Wobreck was a master of the first rank, active especially in Sicily where he created an important group of disciples and followers. If one compares our painting with an authentic masterpiece of De Wobreck's such as the majestic altarpiece of the Circumcision in the church of San Domenico in Castelvetrano it becomes, in my opinion, glaringly obvious how we are dealing with the same hand. Analytical and sharp, vivid and proliferating, our painting was created by an artist of the same mentality and figurative culture that we see expressed in the Castelvetrano altarpiece. Moreover, Simone De Wobreck repeatedly treated the theme of the Ascent to Calvary, as is well documented by at least two altarpieces that sources refer to him, one already in San Francesco in Caccamo and another in the church of Santa Maria Maddalena in Ciminna. Our painting, in short, must be considered a remarkable work of Flemish Mannerism in Italy, datable probably between the ninth and tenth decade of the 16th century, in the last years of the life of De Wobreck, who, born in Haarlem at an unspecified date but to be placed in the fourth decade, turns out to have disappeared, on documentary grounds, around 1596/97."

Estim. 6 900 EUR

Lot 4 - () - Madonna of the Necklace with Child, late 17th century H cm 46x32 - in frame H cm 55x40 Oil on canvas

Estim. 300 EUR

Lot 5 - () - Madonna and Child, Angels and St. Joseph, 16th century 104X78 cm in frame 124X99 Oil on panel The present painting depicting the Holy Family and the two angels reflects an iconography that was widespread in the 16th century in both the various Italian and foreign schools of painting. The painting can be placed in the second half of the 1500s and probably around 1570/80. It is to be considered historically interesting in that it is representative of the Flemish stylistic milieu that crossed Spain and Portugal and spread to culminate in some disciples of the Neapolitan school. In particular, the painting seems to be closely connected, in composition and style, with the activity of Spanish painting workshops, and more specifically of Palma de Mallorca. Flemish influences in such workshops appear as early as the second half of the 15th century and remain active until the end of the 16th century, a period of which our work is representative. Indeed, it is conspicuous historical evidence of that moment of convergence of the Hispano-Flemish letio with that of Europe in general and with the Neapolitan school in particular, which had already shown prodromes as early as the second half of the 15th century with Colantonio. Of particular interest is the iconography of the child who seems to soar from the pictorial composition manifesting joy and affection toward his mother. An iconography often and especially found in the Catalan school. ASOR Studio.

Estim. 3 400 EUR

Lot 6 - () - Angel announcing the birth of Jesus to the shepherds, Emilian school 17th century 25.5X97 cm in frame 103X133 cm oil on canvas

Estim. 2 600 EUR

Lot 7 - () - Friar with crucifix reading, 17th century painter H cm 30x25.5 - in frame H cm 43x40 Oil on canvas

Estim. 350 EUR

Lot 8 - () - Fruit picking, nineteenth century 98x75 cm Oil painting on canvas Nineteenth-century Italian painter.

Estim. 2 800 EUR

Lot 9 - David Teniers il Giovane (attribuito a) - David Teniers the Younger (attributed to) (Antwerp 15/12/1610-Brussels 25/04/1690) - The Monkey Banquet, 17th century H cm 16x27 - in frame H cm 23x34 Oil on cardboard glued on board

Estim. 1 800 EUR

Lot 10 - Anthonie Victoryns - Anthonie Victoryns (Antwerp 1620-1656) - Dice players in an interior, 17th century H cm 33x27 - framed H cm 43x35.5 Oil on canvas Signed lower left

Estim. 800 EUR

Lot 11 - Elena Recco - Elena Recco (Naples 1654-Madrid 1715) - Still life of fish, 17th century cm 40 x cm 48, in frame cm 52 x cm 60 oil on canvas Present Expert opinion by Prof.Strinati. "Still Life of Fish" (oil on canvas, cm.37 x 47, in frame 50 x 62) is a work that falls well within the scope of the production of Elena Recco, a distinguished painter specialized in this genre, daughter of the great Neapolitan master Giuseppe Recco and long active alongside her father (as well as her little-known brother Nicola Maria) between Naples and the Royal Court of Spain to which she moved, following precisely her father, towards the end of the 17th century and where she remained for a long time, honored with very important and primary commissions. Based on Recco's (Naples 1654, Madrid 1715) known and documented biography, the painting under consideration here, from a stylistic and material point of view, certainly seems to me datable within the first decade of the eighteenth century, in the most mature phase of the distinguished artist's production. I come to this consideration by comparing our work above all with some paintings from the ancient Orsini collection of Gravina di Puglia (now totally dispersed in various properties) where truly remarkable Nature Morte di pesci by Elena Recco did indeed appear, even though the inventories sometimes erroneously report them under the name of the great father Giuseppe. I report in this regard as a school case, of great historical and artistic interest, a Natura Morta di pesci, extremely close to ours, published by Lucio Galante, in La Natura Morta in Italia, tomo secondo, Electa Milano 1989, p.971, no. 1183, under the name of Giuseppe Recco but actually an absolute masterpiece of his daughter Elena. Recco specialized exceedingly in the genre of fish painting, and our painting appears very significant for the author's typical and distinctive method of mixing images of fish as if they had been thrown in disarray on the fishmonger's counter, waiting to be distributed to various customers and patrons. The pictorial material in our case is thick and full-bodied and this too is a peculiar element that characterizes the production of this great,painter who deserves a place in her own right, and of absolute prominence, in the great and lofty history of Still Life in Naples between the seventeenth and eighteenth centuries.I conclude by noting the state of conservation of the painting under consideration here as very good and thus confirming its rather high intrinsic quality.I therefore estimate the painting in relation to current international market conditions at the quotation of E. 18,000.00 (eighteen thousand). In faith, Claudio Strinati"

Estim. 3 900 EUR

Lot 12 - () - Portrait of a woman, late 17th century cm61X47 in frame cm85X61 Oil on canvas

Estim. 400 EUR

Lot 13 - Antonio Cifrondi - Antonio Cifrondi (Clusone 1656-Brescia 1730) - Woman with hen, 1700-1730 84x105 cm Oil painting on canvas Work devoid of frame. "In a bare, flattened bluish background, the only reference to an external spatiality, the figure of a hunched elderly woman emerges from the half-light, her forehead furrowed with wrinkles and her sturdy arms - tried by hard work in the earth - delineating her role as a countrywoman. With a restrained, naturalistic composition, the woman can be considered the true protagonist of the painting even though, in reading her vacant gaze -- tried by fatigue and age -- the observer is invited to focus on the candid bird, delicately perched on a perch filled with hay. The image of the woman is modeled through broad, textural brushstrokes imbued with sparse, warm colors, evidently perceptible in the rosy hues of the complexion, sharing in the earthy shadows that contribute to the figure's plasticity. The peculiarities of the work, its formal characteristics are affected by the influences of Lombard painting, so much so as to make it close to those secular subjects so much in vogue in the last decades of the 17th century. However, the stylistic signature revealed by the chromatic sobriety allows the work to be assigned to Antonio Cifrondi of Bergamo and placed within the first thirty years of the 18th century." In fact, after being in France he settled permanently in Brescia mindful of the acquaintance he had had with Le Brun and the direct vision of nature and everyday life that inspired transalpine painting in the 1600s. He devoted himself, therefore, to the composition of paintings where the classes of the humblest are the protagonists: figures of the poor, pitocchi, peasants, etc. The painting in question is an expression of this period, done with a fast technique, with broad brushstrokes, determined and confident. ASORstudio

Estim. 2 000 EUR

Lot 14 - () - The Education of Mary , by Rubens, 18th century h 155x130 cm , framed 164x137 cm oil on canvas

Estim. 2 600 EUR

Lot 15 - () - Nativity with adoration of shepherds, 17th century cm 36;5X23.5 in frame 41X32 Oil on canvas

Estim. 300 EUR

Lot 16 - () - The Eternal Father and the Holy Spirit, nineteenth century Cm 83x56, in frame cm 106x80.5 Oil painting on canvas In beautiful coeval frame

Estim. 700 EUR

Lot 17 - () - Jesus Christ on the cross with the purging souls at the base, 18th century painter H cm 53x41 - in frame H cm 70x57 Oil on canvas

Estim. 500 EUR

Lot 18 - () - Face of Jesus crowned with thorns, 18th century cm 38X31 in frame 44.5X37 Oil on canvas

Estim. 400 EUR

Lot 19 - () - Biblical scene: Tobias healing his father with the help of Archangel Raphael, 17th/18th century cm 64X88 in frame 77X100

Estim. 450 EUR

Lot 20 - () - Biblical scene: Abraham driving away Hagar and her son and holding Sarah and her son Isaac, 17th/18th century cm 64X89 in frame 77X100

Estim. 450 EUR

Lot 21 - () - Ancient ruins with visitors, 18th century cm 32X20 in frame 40X38 Oil on canvas

Estim. 250 EUR

Lot 22 - Richard Wilson - Richard Wilson (Montgomeryshire 1714-Denbighshire 1782) - Roman Landscape with the Temple of the Sibyl H cm 50x67.5 in frame H cm 62.5x80 Oil on canvas Signed lower right

Estim. 1 400 EUR

Lot 23 - () - Three-masted sailing ship, late 18th century H 57x78 cm Oil painting on canvas In dark waters shaken by the wind and partially illuminated by a faint light from the sky, the romantic marine scene shows a three-masted sailing ship on which the Australian flag flies, hit by a wave caused by a storm in progress. The light source reveals the conclusion of the difficult time the ship is undergoing, for the sea is indeed rough but the waters will quieter shortly thanks to the bright glimpse that signals the change in the weather: the rain has ceased and the blue-violet hues are about to be replaced by the brightening tones of blue. The sailing ship also points straight toward a destination already sighted, the harbor of a volcanic island with a kind of fortification perched on a hill, largely concealed by the focus of the entire composition, the sailing ship. The painting, which can be placed in the last years of the 18th century, anticipates the scenic seascapes of Ivan Konstantinovich Aivazovsky (1817-1900). ASORstudio

Estim. 1 600 EUR

Lot 24 - () - Mythological scene with Aphrodite at sea, late 18th century 13.5X18 cm in frame 24.4X29.5 Painting on glass Venice

Estim. 350 EUR

Lot 25 - () - Mythological scene depicting centaur with cupid, late 18th century 14X18 in frame 25X29.5 Painting on glass Venice

Estim. 350 EUR

Lot 26 - () - Historical scene: Ulysses welcomed and refreshed by Nausicaa, late 18th century cm 19X23 in frame 29.5X35 Painting on glass Venice

Estim. 350 EUR

Lot 27 - Limoges - Limoges - Sixth son of Tarquin threatens Lucretia, 18th cm 17.7X12.7 in 35X30 frame polychrome relief enamels on copper

Estim. 400 EUR

Lot 28 - () - River landscape with washerwomen, late 18th/19th century 50X70 cm in frame 73X93 Signed lower leftSigned lower left

Estim. 250 EUR

Lot 29 - Francesco Conti - Francesco Conti (Florence 1681-1760) - Annunciation 88x55 cm in frame 101.5x69 cm Oil on canvas Expert opinion by Professor Claudio Strinati. Annunciation (oil on canvas, cm 101 x 69 in frame) This is a work that, by style (the wavy and animated drafting of the figures and drapery) and iconography the Archangel Gabriel and the Virgin are both standing and of equal stature and presence in space), must be dated to the beginning of the 18th century, reflecting in part the pictorial culture of the Roman school of Carlo Maratta, probably still alive at the time of the creation of our painting under consideration here; in part the legacy of the Florentine Baroque school, less known nowadays but extremely flourishing and rich in personality especially after the passage through the city of Pietro da Cortona and Ciro Ferri who left there distinguished masterpieces whose echo can also be perceived in our painting. For reasons of style, I believe that the author of the beautiful painting under consideration here must be identified in the Florentine Francesco Conti, who as a very young man was in close contact with the Marattesque school in Rome (where he was a pupil of the eminent Giovanni Maria Morandi) but then followed his own path which led him, having returned to Florence in good time, to achieve brilliant results in the sphere of Tuscan Baroque painting marked by those characteristics of wit, formal elegance, and polite dynamism, all of which seem to me to be found in our work. A comparison with one of Conti's early youthful masterpieces, the altarpiece of the Trinity in the Florentine church of San Jacopo sopr' Arno datable by the end of the first decade of the 18th century, leads me to recognize the same hand in our painting. Incidentally, it is curious how the model of the Eternal Father, with a singular baldness and a sparse, nervous beard, would be said to be exactly the same both in the altarpiece mentioned and in our painting where he is canonically depicted sending on the earth the Holy Spirit in the form of a dove. I conclude from this that our painting is an interesting and very beautiful testimony to the beginnings of an artist certainly less celebrated today than some of his other eminent countrymen and contemporaries, but of considerable interest and as such cited with merit both in the writings of the older art historians, as well as in those of some masters of twentieth-century historiography such as Matteo Marangoni, who in one of his important essays Settecentisti (but not too) fiorentini, in his volume Arte barocca, Firenze Vallecchi 1973 (2nd ed.) put well the relevance of Conti with arguments that are still very valid today Work ours, therefore, of remarkable historical significance and fine artistic quality guaranteed moreover by an excellent state of preservation. I therefore believe that the value of the painting under consideration here is, based on the current conditions of the National market as of the date of this appraisal, 25,000 euros In faith, Claudio Strinati

Estim. 3 400 EUR

Lot 30 - Salvatore Marchesi - Salvatore Marchesi (Parma 1852-Paris 1908) - Church interior 34x26 cm in frame 49x30 cm oil on masonite Signat lower left. A leading painter in the Sicilian artistic scene between the 19th and 20th centuries. His rigorous and precise perspective study, meticulous and accurate analysis of details, appropriate coloristics and the influence of light in his compositions distinguish him. Luministic poetics that is characterized by the use of warm, amber colors as in the painting in question. He favored painting church interiors and sacristies. ASORstudio.

Estim. 600 EUR

Lot 31 - Angelo Inganni - Angelo Inganni (Brescia 1807-Gussago 1880) - View of Piazza dei Mercanti or The passage from Piazza dei Mercanti to the Pescheria Vecchia H cm 46.5x36 - in frame H cm 57x45 Oil on canvas Signed and dated at lower right. Expertise of Professor Claudio Strinati: "The very fine painting is signed by Angelo Inganni and is a typical work of his late period, that is, executed during the eighth decade of the nineteenth century, when the master, after various interesting events developed between Milan and Vienna, devoted himself with great commitment and fervor to the representation of daily life in the city, with a most felicitous sense of perspective and with a magnificent aptitude for narrative painting crammed with figurines that were always strongly characterized, scattering his pictures with anecdotes and episodes of all kinds that render as best they could the tumult of a lively and teeming life. From his early youth, to be fair, Inganni had followed this kind of approach, but over time his style became more minute and delicate, and our painting, here under consideration, fully reflects this extreme stylistic shift. In this work, then, one can still feel very vividly the influence, which had been decisive in his early phase, of the great "city painters" belonging to the generation that had preceded him, such as the Piedmontese Giovanni Migliara or the Venetian Giuseppe Canella. From these artists Inganni draws, precisely, that taste for the urban narrative that characterizes so many memorable moments of European painting in the first half of the 19th century. But compared to his predecessors, Inganni has more right than ever to be considered (as our painting sufficiently demonstrates) the painter par excellence of the popolo minuto and petty bourgeoisie. In our painting one stands beside the other with naturalness and simple spontaneity, but at the same time the artist's eye is amiably involved with the joys and sufferings of everyday life. All of this is dropped into a very precise perspective structure where the gaze sweeps to distant horizons looming over the closed tangle of alleys and small squares. The area of Milan represented in the painting under consideration here is the one where the painter practiced for decades, the area around the Church of San Marco, which still exists even though it has been profoundly transformed by modern urban planning. A beautiful testimony of a truly distinguished painter with a work, moreover, perfectly preserved."

Estim. 8 500 EUR

Lot 32 - () - Portrait of woman in coeval gilt half-canvas frame, nineteenth century cm 54X43 in frame 67X55 Oil on canvas In coeval gilt half-canvas frame

Estim. 500 EUR

Lot 33 - () - Morning Prayer, 1857 H cm 65x54 -in frame H cm 79x69 Oil on canvas Copy from Jean Baptiste Greuze. Signed at lower right Auguste Petiet. In French gilt wooden frame

Estim. 450 EUR

Lot 34 - () - Woman with red head scarf, late 19th century 50X39 cm in 61X50 frame Oil on canvas

Estim. 200 EUR

Lot 36 - Luigi Gioli - Luigi Gioli (San Frediano a Settimo November 16, 1855-Florence October 27, 1947) - Lake Garda-Studio Art H cm 14.3x9.2, n frame h 28.5x24

Estim. 250 EUR

Lot 37 - Luigi Gioli - Luigi Gioli (San Frediano a Settimo November 16, 1855-Florence October 27, 1947) - Lake Garda-Punta di San Vigilio H cm 14x9.5, framed h 28x24 cm watercolor on paper

Estim. 250 EUR

Lot 38 - Andrea Marinelli - Andrea Marinelli - Vase with flowers H cm 80x50 in frame cm 102x72 Signed lower left and on the back MarinelliSigned lower left and on the back Marinelli

Estim. 400 EUR

Lot 39 - Andrea Marinelli - Andrea Marinelli - Pair of ovals with flowers 69X49 in frame 89X69 oil on board Signed

Estim. 800 EUR

Lot 40 - () - Big Ben in London with carriages and characters in the street, late 19th century cm 18X12 in frame 37X31 Oil on panel

Estim. 180 EUR

Lot 41 - Vittorio Matteo Corcos - Vittorio Matteo Corcos (Livorno October 4, 1859-Florence November 8, 1933) - Portrait of a woman H cm 39.5x29 in frame cm 52x42 Pastel on paper

Estim. 1 000 EUR

Lot 42 - () - Landscape with peasant woman carrying water H cm 31x47 in frame cm 40.5x57 Oil on board Signed G.Terni

Estim. 350 EUR

Lot 43 - Vincenzo Cabianca - Vincenzo Cabianca (Verona June 20, 1827-Rome March 22, 1902) - Landscape H cm 11x16, in frame h cm 43x48 Oil on cardboard Sigla at lower right V.C.Signature on verso V. Cabianca.Certification of authenticity by his son Silvio. On the back on the verso stamp Raccolta Eredi Cabianca , N.612

Estim. 850 EUR

Lot 44 - Pompeo Mariani - Pompeo Mariani (Monza September 9, 1857-Bordighera January 25, 1927) - Litorale con mare H cm 14.2x30.5 in frame H cm 22 x38 Oil on panel

Estim. 500 EUR

Lot 45 - Fausto Zonaro - Fausto Zonaro - Portrait with volcano in the background . cm 33x23 in frame 56.5x47 watercolor on paper

Estim. 800 EUR

Lot 46 - Alessandro Milesi - Alessandro Milesi (Venice 1856-Venice 1945) - Horse with character h cm 38.5x47 in frame h cm 41.5x50 Oil on panel Alessandro Milesi was an Italian painter originally from Venice in the mid-19th century. He trained at the Accademia di Belle Arti in Venice from 1869 to 1874 with Napoleone Nani, a portrait painter. In 1879 he made his debut at the Turin Exposition. And in 1997 he exhibited at the first edition of the Venice Biennale. In 1899 he joined the Corporazione di Pittori e Scultori Italiani (Guild of Italian Painters and Sculptors) with the aim of giving greater impetus to art. His canvases are characterized by free, fast and concise, luminous brushstrokes, and the artist is mainly interested in the representation of humble, everyday reality.

Estim. 900 EUR

Lot 47 - Tranquillo Cremona - Tranquillo Cremona (Pavia 1837-Milan 1878) - Couple with newborn Cm 38x29.5 in frame cm 60.5x53 Watercolor on cardboard

Estim. 800 EUR

Lot 48 - Girolamo Induno - Girolamo Induno (Milan 1825-Milan 1890) - Oriental Family cm 32.5x24 in frame cm 57x48.5 Watercolor on paper

Estim. 850 EUR

Lot 49 - () - Landscape with trees cm 76X91 in frame 97X113

Estim. 300 EUR

Lot 50 - Carlo Pollonera - Carlo Pollonera ((Alexandria March 27, 1849-Turin June 17, 1923)) - Landscape with river H cm 49.5x70 in frame cm 63 x84 Oil on panel Signed lower left

Estim. 650 EUR

Lot 51 - Aurelio Augusto Tiratelli - Aurelio Augusto Tiratelli (1839-Rome 1900) - Woman in folk dress spinning H cm 25.5x19.5, in corncie cm 39.5x36.5 Watercolor on paper

Estim. 400 EUR

Lot 52 - Angelo D'Agata - Angelo D'Agata (Sicily 1842-active until 1913) - Young woman in black 49X34 cm in frame 65X50 cm Signed at lower rightSigned at lower right

Estim. 250 EUR

Lot 53 - Angelo D'Agata (attribuito a) - Angelo D'Agata (attributed to) (Sicily 1842-active until 1913) - Young woman with pearl necklace cm 64X42 oil on canvas

Estim. 180 EUR

Lot 54 - Fausto Zonaro - Fausto Zonaro - Oriental Landscape cm 35x45 in frame cm 50x61 Oil on canvas Signed lower left signed F.Z 1891. Bottom right signed F. Zonaro 91

Estim. 1 100 EUR

Lot 55 - Giordano Zorzi - Giordano Zorzi - Village scene with carriage and characters H cm 33.5x46 in frame H cm 42.5x55 Oil on canvas Signed at bottom

Estim. 350 EUR

Lot 56 - () - Concert, nineteenth century 65X80 cm in frame 75X91 oil on canvas By Hendrick Ter Brugghen

Estim. 350 EUR

Lot 57 - Maria Rita Gravina - Maria Rita Gravina - Carriage with horse cm 25X35 in frame 46X56 Oil on panel Label on back of Sedra Art Gallery, Rome. Signed at lower right.

Estim. 160 EUR

Lot 58 - Franz Graf - Franz Graf (1840-1916) - Rural landscape with houses and characters , 1866 18x24 in frame cm 33x39 Oil on panel Signed and dated lower left

Estim. 500 EUR

Lot 59 - Vincenzo Migliaro - Vincenzo Migliaro (Naples 1858-Naples 1938) - Country Scene cm 15X14 in frame 19X28 Oil on cardboard

Estim. 350 EUR

Lot 60 - Antonino Leto - Antonino Leto (Monreale 1844-Capri 1913) - Bosco, Monreale 20x31.5 cm in frame 23.5x35.5 cm Oil on board

Estim. 600 EUR

Lot 61 - () - Sailboats at sea, nineteenth century 25X36 cm in frame 41X50 Oil on canvas Present color falls

Estim. 180 EUR

Lot 62 - () - Lake landscape with trees and mountains in pastille frame, nineteenth century cm 36X46 in frame cm 52X62 Oil on canvas

Estim. 180 EUR

Lot 63 - Cesare Maggi - Cesare Maggi (Rome 1881-Turin 1961) - Snowy landscape cm 11x 19 in frame cm 28x36 Oil on board

Estim. 500 EUR

Lot 64 - () - Country landscape with houses in pastille frame, late 19th century cm 25X46 in frame 45X65 Oil on panel Dutch painter

Estim. 100 EUR

Lot 65 - Edwin Hayes - Edwin Hayes (1819-1904) - Tantallon castle, 1866 60x90 in gilded wooden frame 93x123 Oil on canvas

Estim. 500 EUR

Lot 66 - Mario Fattori - Mario Fattori - In casa con la mamma cm 25X35 in frame cm 67X57 Oil on masonite Signed at lower right. On the back label artistic direction gallery A.C. Rome.

Estim. 80 EUR

Lot 67 - Mario Fattori - Mario Fattori - Pastorale cm 25X35 in frame 57X67 oil on masonite On the back label artistic direction gallery A.C. Rome

Estim. 80 EUR

Lot 68 - () - Landscape with trees and castle, late 19th century cm 12X18.3 Oil on tablet

Estim. 200 EUR

Lot 69 - () - St. Mark's Basin with boats and sails, early 20th century (art nouveau period) cm 115X120

Estim. 350 EUR

Lot 70 - () - Putti playing cm 25.5X40 in frame 33.5X47 Drawing on paper Signed lower right

Estim. 140 EUR

Lot 71 - () - Devotional oval with painting depicting Trinity and Zephyrs at base, Palermo, 18th century Silver with embossed outline and ornamented with floral motifs.Silver with embossed outline and ornamented with floral motifs.

Estim. 1 000 EUR

Lot 72 - () - Angel holding flashlight, gilt wood statue, nineteenth century 50X31 cm

Estim. 100 EUR

Lot 73 - () - Pair of gilt wooden three-light candle-holder putti, late 19th/20th century cm 58

Estim. 250 EUR

Lot 74 - () - Silver crucifix, 16th century 23X20 cm in frame 49X44 Punched at bottom. Hallmark of the city of Messina. Hallmark silversmith M GPunzoned at bottom. Hallmark of the city of Messina. Hallmark silversmith M G

Estim. 200 EUR

Lot 75 - () - Wooden Statue Madonna and Child, 18th century cm 56X30 Present some missing: fingers of Virgin and Child, right arm of Child,some fingers of both feet of Child. Presence of mothings.Present some missing: fingers of the Virgin and Child, right arm of the Child,some fingers of both feet of the Child. Presence of mothings.

Estim. 500 EUR

Lot 76 - () - Painting with sculpture of a detail of a bas-relief of the portal of San Petronio in Bologna, by Jacopo Della Quercia H cm 36x27 - in frame H cm 88.5x67.5 Signed at bottom. On the back dedication.Signed at bottom. On back dedication.

Estim. 140 EUR

Lot 77 - () - Entirely round carved silver Baby Jesus (probable Ex Voto), Southern Italy, late 18th century H cm 29 - with base H cm 40 On later-period carved wood baseOn later-period carved wood base

Estim. 700 EUR

Lot 78 - () - Murano glass mirror, 20th century cm 105X60 Decorated with floral stylings. Decorated with floral stylings.

Estim. 900 EUR

Lot 79 - () - Hand-blown Murano glass mirror, 19th/20th century cm 65X30 Bulined mirror with floral motifs with genre figure in center. Small lacks and restorations.Mirror embossed with floral motifs with genre figure in center. Small lacks and restorations.

Estim. 350 EUR

Lot 80 - () - Hand-blown Murano glass small mirror, 19th/20th century cm 65X30 Bulined mirror with floral motifs with gender figure in center. Lateral break. Small lacks and restorations.Mirror embossed with floral motifs with genus figure in center. Lateral break. Small lacks and restorations.

Estim. 350 EUR

Lot 81 - () - Murano glass mirror with glass bulined and engraved perimeter H cm 75x72 Present missing.Present missing.

Estim. 300 EUR

Lot 82 - () - Mirror in lacquered and gilded frame, 20th century cm 115.5X78.5

Estim. 140 EUR

Lot 83 - () - Small mirror with single-light fan and mercury mirror Louis XV, 18th century CM 48x32

Estim. 250 EUR

Lot 84 - () - Small rosewood one-leaf glass wall-mounted bulletin board, Sicily, 19th century H cm 20x25x8 With half-barrel upper frameWith half-barrel upper frame

Estim. 80 EUR

Lot 85 - () - Gilt wood frieze with arms and candles, in the center bulined silver leaf with floral motifs , 19th/20th century H cm 79x105

Estim. 450 EUR

Lot 86 - () - Pair of lacquered and gilded wooden fragments, late 18th century cm 36x196 In the center floral garlands in gilded and applied woodIn the center floral garlands in gilded and applied wood

Estim. 600 EUR

Lot 87 - () - Head of young Roman man in reconstituted stone with round base, 20th century H cm 49

Estim. 120 EUR

Lot 88 - () - White marble capital with wooden base, 18th century cm 28X52X48 with base h cm 40

Estim. 400 EUR

Lot 89 - () - Antique marble stoup, 18th century cm 20X49X40

Estim. 200 EUR

Lot 90 - () - Antique marble stoup, 18th century cm 20X49X40

Estim. 200 EUR

Lot 91 - () - Antique marble stoup, 18th century cm 20X49X40

Estim. 200 EUR

Lot 92 - () - Pair of carved marble columns with octagonal base, cordoned column in center and octagonal leafy capital, late 18th century H cm 50 - base cm 23x23

Estim. 400 EUR

Lot 93 - () - Two-horse chariot with Roman charioteer; bronze sculpture, late 19th century cm 39X82 , with marble base 83X23With white marble baseWith white marble base

Estim. 200 EUR

Lot 94 - Vincenzo Cinque - Vincenzo Cinque (Naples 1852-Naples 1929) - Boy with crab, large bronze sculpture H cm 110x72 Signature on the jugSignature on the jug

Estim. 500 EUR

Lot 95 - () - Rape of Persephone, late 19th century H cm 70x30x25 - with bese H cm 75 Bronze sculpture with black marble base.Bronze sculpture with black marble base.

Estim. 600 EUR

Lot 96 - Vincenzo Cinque - Vincenzo Cinque (Naples 1852-Naples 1929) - Boy balancing on pitcher, brown patinated bronze sculpture H cm 45, marble base cm 2

Estim. 300 EUR

Lot 97 - () - Alabaster vase with relief flowers on the front, Second half of the 19th century cm 40.5X15.5 Decorations with leaves.Decorations with leaves. Various pastedowns present.

Estim. 80 EUR

Lot 98 - () - Pair of six-light bronze candlesticks cm 46.5X19 Lack of a small doodle in one of the two. absence of a flower at the base in the other candlestick.Lack of a small doodle in one of the two. absence of a flower at the base in the other candlestick.

No estimate

Lot 99 - () - Splendid red marble vase with riser in neoclassical form , 19th century, Napoleon III H cm 32 x W cm 39 x D cm 33, mouth diameter cm 26 Handles and details in gilt bronze.Gilt bronze handles and details.

Estim. 800 EUR

Lot 100 - () - Pair of porcelain vases and biscuit figures and landscape decoration, nineteenth century 42.5X24 cm Pair of green porcelain vases with gilt and white details, decorated with hand-painted landscapes within medallions. Each vase features a carved figure in white porcelain: one male and one female, both in classical dress. The bases are round, in green with gilt trim. Present chipping to one of the vasesPair of green porcelain vases with gilt and white details, decorated with hand-painted landscapes within medallions. Each vase features a carved figure in white porcelain: one male and one female, both in classical dress. The bases are round, in green with gilt trim. Present chipping to one of the vases.

Estim. 350 EUR

Lot 101 - () - Marble bust of a maiden, Tuscany, 19th century cm 25X21.5

Estim. 100 EUR

#105: Eclectic

ArtLaRosa - +390957169129 - Email

Lot 4 - () - Madonna of the Necklace with Child, late 17th century H cm 46x32 - in frame H cm 55x40 Oil on canvas

Lot 6 - () - Angel announcing the birth of Jesus to the shepherds, Emilian school 17th century 25.5X97 cm in frame 103X133 cm oil on canvas

Lot 7 - () - Friar with crucifix reading, 17th century painter H cm 30x25.5 - in frame H cm 43x40 Oil on canvas

Lot 8 - () - Fruit picking, nineteenth century 98x75 cm Oil painting on canvas Nineteenth-century Italian painter.

Lot 9 - David Teniers il Giovane (attribuito a) - David Teniers the Younger (attributed to) (Antwerp 15/12/1610-Brussels 25/04/1690) - The Monkey Banquet, 17th century H cm 16x27 - in frame H cm 23x34 Oil on cardboard glued on board

Lot 10 - Anthonie Victoryns - Anthonie Victoryns (Antwerp 1620-1656) - Dice players in an interior, 17th century H cm 33x27 - framed H cm 43x35.5 Oil on canvas Signed lower left

Lot 12 - () - Portrait of a woman, late 17th century cm61X47 in frame cm85X61 Oil on canvas

Lot 14 - () - The Education of Mary , by Rubens, 18th century h 155x130 cm , framed 164x137 cm oil on canvas

Lot 15 - () - Nativity with adoration of shepherds, 17th century cm 36;5X23.5 in frame 41X32 Oil on canvas

Lot 16 - () - The Eternal Father and the Holy Spirit, nineteenth century Cm 83x56, in frame cm 106x80.5 Oil painting on canvas In beautiful coeval frame

Lot 17 - () - Jesus Christ on the cross with the purging souls at the base, 18th century painter H cm 53x41 - in frame H cm 70x57 Oil on canvas

Lot 18 - () - Face of Jesus crowned with thorns, 18th century cm 38X31 in frame 44.5X37 Oil on canvas

Lot 19 - () - Biblical scene: Tobias healing his father with the help of Archangel Raphael, 17th/18th century cm 64X88 in frame 77X100

Lot 20 - () - Biblical scene: Abraham driving away Hagar and her son and holding Sarah and her son Isaac, 17th/18th century cm 64X89 in frame 77X100

Lot 21 - () - Ancient ruins with visitors, 18th century cm 32X20 in frame 40X38 Oil on canvas

Lot 22 - Richard Wilson - Richard Wilson (Montgomeryshire 1714-Denbighshire 1782) - Roman Landscape with the Temple of the Sibyl H cm 50x67.5 in frame H cm 62.5x80 Oil on canvas Signed lower right

Lot 24 - () - Mythological scene with Aphrodite at sea, late 18th century 13.5X18 cm in frame 24.4X29.5 Painting on glass Venice

Lot 25 - () - Mythological scene depicting centaur with cupid, late 18th century 14X18 in frame 25X29.5 Painting on glass Venice

Lot 26 - () - Historical scene: Ulysses welcomed and refreshed by Nausicaa, late 18th century cm 19X23 in frame 29.5X35 Painting on glass Venice

Lot 27 - Limoges - Limoges - Sixth son of Tarquin threatens Lucretia, 18th cm 17.7X12.7 in 35X30 frame polychrome relief enamels on copper

Lot 28 - () - River landscape with washerwomen, late 18th/19th century 50X70 cm in frame 73X93 Signed lower leftSigned lower left

Lot 32 - () - Portrait of woman in coeval gilt half-canvas frame, nineteenth century cm 54X43 in frame 67X55 Oil on canvas In coeval gilt half-canvas frame

Lot 33 - () - Morning Prayer, 1857 H cm 65x54 -in frame H cm 79x69 Oil on canvas Copy from Jean Baptiste Greuze. Signed at lower right Auguste Petiet. In French gilt wooden frame

Lot 34 - () - Woman with red head scarf, late 19th century 50X39 cm in 61X50 frame Oil on canvas

Lot 36 - Luigi Gioli - Luigi Gioli (San Frediano a Settimo November 16, 1855-Florence October 27, 1947) - Lake Garda-Studio Art H cm 14.3x9.2, n frame h 28.5x24

Lot 37 - Luigi Gioli - Luigi Gioli (San Frediano a Settimo November 16, 1855-Florence October 27, 1947) - Lake Garda-Punta di San Vigilio H cm 14x9.5, framed h 28x24 cm watercolor on paper

Lot 38 - Andrea Marinelli - Andrea Marinelli - Vase with flowers H cm 80x50 in frame cm 102x72 Signed lower left and on the back MarinelliSigned lower left and on the back Marinelli

Lot 39 - Andrea Marinelli - Andrea Marinelli - Pair of ovals with flowers 69X49 in frame 89X69 oil on board Signed

Lot 40 - () - Big Ben in London with carriages and characters in the street, late 19th century cm 18X12 in frame 37X31 Oil on panel

Lot 41 - Vittorio Matteo Corcos - Vittorio Matteo Corcos (Livorno October 4, 1859-Florence November 8, 1933) - Portrait of a woman H cm 39.5x29 in frame cm 52x42 Pastel on paper

Lot 42 - () - Landscape with peasant woman carrying water H cm 31x47 in frame cm 40.5x57 Oil on board Signed G.Terni

Lot 44 - Pompeo Mariani - Pompeo Mariani (Monza September 9, 1857-Bordighera January 25, 1927) - Litorale con mare H cm 14.2x30.5 in frame H cm 22 x38 Oil on panel

Lot 45 - Fausto Zonaro - Fausto Zonaro - Portrait with volcano in the background . cm 33x23 in frame 56.5x47 watercolor on paper

Lot 47 - Tranquillo Cremona - Tranquillo Cremona (Pavia 1837-Milan 1878) - Couple with newborn Cm 38x29.5 in frame cm 60.5x53 Watercolor on cardboard

Lot 48 - Girolamo Induno - Girolamo Induno (Milan 1825-Milan 1890) - Oriental Family cm 32.5x24 in frame cm 57x48.5 Watercolor on paper

Lot 49 - () - Landscape with trees cm 76X91 in frame 97X113

Lot 50 - Carlo Pollonera - Carlo Pollonera ((Alexandria March 27, 1849-Turin June 17, 1923)) - Landscape with river H cm 49.5x70 in frame cm 63 x84 Oil on panel Signed lower left

Lot 51 - Aurelio Augusto Tiratelli - Aurelio Augusto Tiratelli (1839-Rome 1900) - Woman in folk dress spinning H cm 25.5x19.5, in corncie cm 39.5x36.5 Watercolor on paper

Lot 52 - Angelo D'Agata - Angelo D'Agata (Sicily 1842-active until 1913) - Young woman in black 49X34 cm in frame 65X50 cm Signed at lower rightSigned at lower right

Lot 53 - Angelo D'Agata (attribuito a) - Angelo D'Agata (attributed to) (Sicily 1842-active until 1913) - Young woman with pearl necklace cm 64X42 oil on canvas

Lot 54 - Fausto Zonaro - Fausto Zonaro - Oriental Landscape cm 35x45 in frame cm 50x61 Oil on canvas Signed lower left signed F.Z 1891. Bottom right signed F. Zonaro 91

Lot 55 - Giordano Zorzi - Giordano Zorzi - Village scene with carriage and characters H cm 33.5x46 in frame H cm 42.5x55 Oil on canvas Signed at bottom

Lot 56 - () - Concert, nineteenth century 65X80 cm in frame 75X91 oil on canvas By Hendrick Ter Brugghen

Lot 57 - Maria Rita Gravina - Maria Rita Gravina - Carriage with horse cm 25X35 in frame 46X56 Oil on panel Label on back of Sedra Art Gallery, Rome. Signed at lower right.

Lot 58 - Franz Graf - Franz Graf (1840-1916) - Rural landscape with houses and characters , 1866 18x24 in frame cm 33x39 Oil on panel Signed and dated lower left

Lot 59 - Vincenzo Migliaro - Vincenzo Migliaro (Naples 1858-Naples 1938) - Country Scene cm 15X14 in frame 19X28 Oil on cardboard

Lot 60 - Antonino Leto - Antonino Leto (Monreale 1844-Capri 1913) - Bosco, Monreale 20x31.5 cm in frame 23.5x35.5 cm Oil on board

Lot 61 - () - Sailboats at sea, nineteenth century 25X36 cm in frame 41X50 Oil on canvas Present color falls

Lot 62 - () - Lake landscape with trees and mountains in pastille frame, nineteenth century cm 36X46 in frame cm 52X62 Oil on canvas

Lot 63 - Cesare Maggi - Cesare Maggi (Rome 1881-Turin 1961) - Snowy landscape cm 11x 19 in frame cm 28x36 Oil on board

Lot 64 - () - Country landscape with houses in pastille frame, late 19th century cm 25X46 in frame 45X65 Oil on panel Dutch painter

Lot 65 - Edwin Hayes - Edwin Hayes (1819-1904) - Tantallon castle, 1866 60x90 in gilded wooden frame 93x123 Oil on canvas

Lot 66 - Mario Fattori - Mario Fattori - In casa con la mamma cm 25X35 in frame cm 67X57 Oil on masonite Signed at lower right. On the back label artistic direction gallery A.C. Rome.

Lot 67 - Mario Fattori - Mario Fattori - Pastorale cm 25X35 in frame 57X67 oil on masonite On the back label artistic direction gallery A.C. Rome

Lot 68 - () - Landscape with trees and castle, late 19th century cm 12X18.3 Oil on tablet

Lot 69 - () - St. Mark's Basin with boats and sails, early 20th century (art nouveau period) cm 115X120

Lot 70 - () - Putti playing cm 25.5X40 in frame 33.5X47 Drawing on paper Signed lower right

Lot 71 - () - Devotional oval with painting depicting Trinity and Zephyrs at base, Palermo, 18th century Silver with embossed outline and ornamented with floral motifs.Silver with embossed outline and ornamented with floral motifs.

Lot 72 - () - Angel holding flashlight, gilt wood statue, nineteenth century 50X31 cm

Lot 73 - () - Pair of gilt wooden three-light candle-holder putti, late 19th/20th century cm 58

Lot 74 - () - Silver crucifix, 16th century 23X20 cm in frame 49X44 Punched at bottom. Hallmark of the city of Messina. Hallmark silversmith M GPunzoned at bottom. Hallmark of the city of Messina. Hallmark silversmith M G