Mobilier et objets d'art

Lot 1 - BOOK CONTROLLER

Estim. 100 - 200 EUR

Lot 2 - BOOK CONTROLLER

Estim. 100 - 200 EUR

Lot 3 - LOT OF ENGRAVINGS & DRAWING. 6 pieces representing landscapes, flowers... 20th. Various formats. A/B condition.

Estim. 20 - 50 EUR

Lot 4 - LOT of APPROXIMATELY 100 reproduction POSTERS, mostly by Editions Euros (Paris). Various formats. A/B condition.

Estim. 50 - 100 EUR

Lot 5 - LOT of 6 LITHOGRAPHIES in color (2 subjects in 3 copies). Proofs justified and signed "Agnès A[?]". 50 x 65 cm & 75 x 54 cm. Condition A (good condition).

Estim. 50 - 100 EUR

Lot 6 - RUSSIA - "VUE du KREMLIN et de ses environs à MOSCOU". c.1800. Line engraving and aquatint by Antoine Guérard de La Barthe (1730-1810). Proof with only the title and Rittner's address, on wove paper. Small margins. 46 x 59 cm. Condition A (occasional minor spotting in the margins and very slightly darkened).

Estim. 800 - 1 000 EUR

Lot 7 - Funny, anthropomorphic MAP OF EUROPE - "MAP OF EUROPE in 1870 ("Isolated England plagues with rage and almost forgets Ireland, which she keeps on a leash. Spain smokes, leaning on the Porftugal [...]". 19th century. Lithograph in antique colors. Proof on wove paper, printed by Ant. E. Mockly, Pellisserie 7, Geneva. Margins. 25 x 35.5 cm. Condition A (rare small foxing in the margins, good overall condition).

Estim. 150 - 200 EUR

Lot 8 - AEROSTATION by Antonio CAMASCHI. BALLON by aeronaut Antonio Comaschi of Bologna. 1842. Lithograph, on wove paper. 41.5 x 48.2 cm. Condition A (traces of folds and a tear in the upper left corner at the level of a fold).

Estim. 400 - 500 EUR

Lot 9 - EX-LIBRIS - LOT of approximately 150 bookplates (19th/20th). Various formats. A/B condition.

Estim. 200 - 300 EUR

Lot 10 - PROSPECTUS de la Table analytique & raisonnée des matières contenues dans les trente-neuf Volumes in-4° du DICTIONNAIRE DES SCIENCES, des ARTS & des METIERS, imprimée sur les mêmes caractères, & proposée par souscription, chez Amable le Roy, Libraire à Lyon, 1779. 8pp. laid paper. Annotated on 1st page in brown ink: "je vous prie M. de me marquer dans le courant de ce mois si vous souscrivés pour cette table après ce délai, il ne sera absolument plus tems, le 14 janvier 1780". 26 x 21 cm. Condition B (a few stains and wormholes).

Estim. 400 - 500 EUR

Lot 11 - PROSPECTUS of a third edition of the ENCYCLOPEDIE, which will contain 32 or 36 Volumes in-4°, with two columns, proposed by Subscription at the Société Typographique de Neufchâtel, of which a delivery will be made in July 1778 & which will be entirely completed in the year 1779. 8pp. laid paper. 26.5 x 21 cm. B condition (brown stain and rare wormholes).

Estim. 400 - 500 EUR

Lot 12 - BRITTANY - [Sketches of Breton women]. 19th century. Sketch in pencil, on fine wove paper. Annotated "Costumes de travail" in gray pencil at left center. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 20.8 x 13 cm. Condition A (a few stains and traces of folding).

Estim. 150 - 200 EUR

Lot 13 - BRITTANY - [View from the top of a hill]. 19th century. Pencil drawing probably by Félix BENOIST, on cream wove paper. Covered with a dry stamp with the letters "F.B" (Lugt not described). Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 31 x 46.8 cm. Condition A (a few stains and traces of folding).

Estim. 400 - 500 EUR

Lot 14 - CALVADOS (14) - EURE (27) - "Vallée d'Harcourt". 19th century. Pencil drawing on fine wove paper, lined. Located "Vallée d'Harcourt (Calvados)" in gray pencil lower left. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then in Nantes (from 1854). 27 x 41 cm. Condition A (few marks of handling, good condition).

Estim. 300 - 400 EUR

Lot 15 - ILLE-ET-VILAINE (35) - "St Servan (St Malo). View of the Port from the Pointe de la Cité". 19th century. Preparatory pencil drawing on wove paper, with numerous indications in the artist's hand, making comparisons with other drawings he had made... "My old view of St Servan was, it seems to me, the prettiest view of this town, and I didn't think it necessary to make another one. I only increased the 1st plan on the left, in order to have the grandeur of my large views. I have revised this entire view. My old drawing must be adjusted here in the AAA corner. I did the same for St Malo... [...]". On the upper edge, in brown ink, "see the costumes on the back of this drawing". On verso, drawings of various headdresses, including that of Dinart & Cancale. Provenance: Fonds of the Charpentier workshop run by Pierre-Henri (1788-1854) and his son Henri-Désiré (1806-1883), printers and publishers based in Paris, then Nantes (from 1854). 28 x 40.3 cm. Condition B (some stains and foxing, traces and rare handling creases).

Estim. 400 - 500 EUR

Lot 16 - DÜRER Albrecht (1471 - 1528) - "Saint Jerome in His Study". 1514. Original burin. Signed with the artist's monogram and dated in the composition on the right. Ref: Bartsch, no. 60. Meder, no. 59c. Proof of the c/f state (according to Meder), before the curved scratch on the ceiling, on laid paper. The scholar Saint Jerome (c. 347-420 CE) diligently translates the Bible while seated in his comfortable study. He is accompanied by a lion who became his faithful companion when Jerome removed a thorn from his paw. As well as being kind to animals, Jerome was humble but extremely learned, able to translate the Bible from Greek and Hebrew into Latin, a language that ordinary people could read. Dürer offers us a spectacular spectacle of light entering through tiny round panes of glass. Dürer's etchings deal seven times with the theme of St. Jerome, one of the most represented sacred figures in art, both over and under the Alps, and who, in the early 16th century, became for humanists the exemplary symbol of the Christian scholar. Considering the sequence of Dürer's three "Meisterstiche", or masterpieces - The Knight, Death and the Devil, Saint Jerome in his Cell and Melancholy - the Saint Jerome reaches a degree of perfection unique in his work and in the art of engraving. Dürer's Saint Jerome is unanimously regarded as the most accomplished masterpiece of the burin. The artist's exceptional treatment of contour lines and hatching, adapted to each model, simultaneously renders the graphic form of the object and the pictorial effects of textures. 24 x 18.6 cm. Condition B (subject trimmed at top and bottom, minor restorations).

Estim. 15 000 - 18 000 EUR

Lot 17 - REMBRANDT H. van Rijn (1606 - 1669) - "Abraham Francen". C.1657. Original etching and drypoint. Ref: Bartsch, no. 273. Hollstein, no. 291. Fine proof of a late edition, on laid paper. Margins. Abraham Francen (1612 - after 1678) was a pharmacist, a major collector in Amsterdam and a close friend of Rembrandt. He had helped him on several occasions when Rembrandt was in financial difficulties. 16 x 20.8 cm for the subject. 17.5 x 22.5 cm for the sheet. Condition A (rare light foxing on verso, good condition).

Estim. 1 500 - 2 000 EUR

Lot 18 - WIERIX Johann (1553 - 1619) - "Adam and Eve". 1566. Burin after Albrecht DÜRER Albrecht (1471 - 1528). Dated in the upper right-hand corner of the plate. Proof on watermarked laid paper. 23.9 x 18.8 cm. Condition C (cut at the subject and sometimes very slightly inside the subject, traces of old folds visible on verso, gap filled (with foot glued back) and redrawn at lower left corner, tiny little tear on Eve's hair, old restorations).

Estim. 1 000 - 1 500 EUR

Lot 19 - BOSSE Abraham (1602 - 1676) - "The Sculptor in his workshop". 1642. Original etching. Ref: Blum, n°204. Lambert & Préaud, n°199. Proof of the unique state, on watermarked laid paper (coat of arms). Beautiful impression. 25.4 x 32.5 cm. Condition A/B (cut at the copperplate mark on three sides and at the square line at the bottom, a previously restored tear at the bottom right and a tear at the top reaching the subject, skinned paper at the corners of the tablet).

Estim. 800 - 1 000 EUR

Lot 20 - MAÎTRE ND (Active in Fontainebleau circa 1544) - "Le Massacre des Innocents". [Line plate]. 1544. Woodcut after Raffaello SANTI, known as RAPHAËL, and/or his workshop, and after Luca PENNI [?]. Ref: Bartsch no. 7. 28.3 x 39 cm. Condition D (cut inside the subject on the left and right, quite significant lack on the right, formerly restored and doubled, lack filled and redrawn on the top left...)

Estim. 800 - 1 000 EUR

Lot 21 - TIEPOLO Gian Domenico (1727 - 1804) - "The Holy Family in the moving boat". Plate 17 from the series of "The Holy Family in Egypt". Etching. Ref: De Vesme, n°17. Proof on laid paper (truncated watermark: crowned shield), covered on verso with the collector's mark of GIOVANNI LOCARNO (active 1826-1840), painter in Milan (Lugt 1691). Fine margins. 18.1 x 24.3 cm. Condition B (a few stains, two printing folds on the Virgin and the boat, slightly yellowed).

Estim. 600 - 800 EUR

Lot 22 - DORÉ Gustave (Strasbourg 1832 † Paris 1883) - "La guerre" (War/Krieg). 1867. Engraved by Paul GIRARDET (Suisse 1821 † Paris 1893). Signed "G.ve Doré 1866" lower right in the plate. Proof on wove paper. Ref: I.F.F After 1800 (Girardet), not described. Printed and published by Goupil & Cie on April 1, 1867, in Paris, London & The Hague. Margins. 84.5 x 62.5 cm. Condition B (Few short tears and some foxing in partially dusted margins).

Estim. 100 - 200 EUR

Lot 23 - ICART Louis (1888 - 1951) - "Fair dancer or Ballerina". 1939. Original etching, drypoint and aquatint, enhanced with colors. Proof on wove paper, signed in pencil by the artist and stamped with a dry mill stamp. Margins. 60 x 68.8 cm. Condition B/C (a few foxes and slightly darkened).

Estim. 150 - 200 EUR

Lot 24 - LEPIC Ludovic Napoléon (1839 - 1889) - "Carte d'invitation pour une fête costumée donnée à l'hôtel de Mme Andrée, 11 rue de Calais". 1875. Original etching and drypoint. Ref: I.F.F Après 1800, no. 103. Signed in the plate. Proof on laid paper. Good margins. 41 x 30 cm. Condition A (margins slightly dusted, good condition).

Estim. 300 - 400 EUR

Lot 25 - MATISSE Henri Emile (1869 - 1954) - "Nude with Rocking Chair". 1913. Lithograph. Ref: Duthuit no. 410, plate no. 17. Proof on simili-japan, signed, monogrammed and numbered in pencil 34/50. Framed work. Throughout his career, images of women, clothed or unclothed, are omnipresent in Matisse's prints, drawings, sculptures and paintings. These harmonious figures are depicted in a variety of positions: reclining, from the back, lying down, reading or asleep. Women were thus used as objects to create an erotic feeling for the public. 50 x 32 cm (on view). Condition A/B (uninsulated sheet, mounted in frame and not examined outside its frame).

Estim. 5 000 - 6 000 EUR

Lot 26 - ALONSO Angel (1923 - 1994) - [Mineral composition]. 1968. Mixed media, on paper. Dated "mai 68" lower right. From 1960 onwards and for more than twenty years, Alonso was to remain virtually aloof from the art market. He devoted himself to painting as a spiritual imperative, always in contact with the earth and nature. These were intense years marked by a gradual return to the essential, expressed above all in color and materials. He began a series of large-scale black paintings using powdered charcoal, burnt plant material, straw, foliage and earth, giving the painting a unique consistency and intensity. At the same time, he created other works on wood, cardboard or paper, in which he continued his research and reflection on color. 55.2 x 43.5 cm. Framed piece. Condition A.

Estim. 2 500 - 3 000 EUR

Lot 27 - MIRO Joan (1893 - 1986) - "Grand Duc I". 1965. Original etching and aquatint, printed in colors. Ref: Dupin, n°394. Fine proof on Arches wove paper, signed and dedicated "à Marguerite Benhoura, affectueusement 7/XI/68" in pencil by the artist. Printed and published by Maeght in Paris. Total edition of 75 copies (numbered and signed) and a few signed copies hors commerce. All margins. From 1959 to 1966, Miro worked mainly with Robert Dutrou in the Galerie Maeght studio in Levallois, then with the same man at the Arte printing works on rue Daguerre. [...] In Levallois, until 1966, the artist engraved some fifty prints, mostly in etching and aquatint. The hors-commerce copy presented here is dedicated to Marguerite Benhoura. Marguerite Benhoura (1903-1987), an associate of the Maeght gallery and a passionate art collector, was responsible for managing Miró's etchings. Miró described her as the "miraculous fairy of the archives" or as "the benevolent Angel of [his] etchings" (in his dedications). She developed a close relationship of friendship and esteem with the artist, who gave her several of his books as gifts between 1970 and 1979, often off-the-shelf copies that he kept for his close friends and family. In 1974, Marguerite Benhoura was one of the authors of the catalog "Miró: l'oeuvre graphique" for the exhibition at the Musée d'art moderne de la ville de Paris. 68 x 53 cm for the subject. 90 x 63.5 cm for the sheet. Condition A (brown stain on verso caused by old mounting. Very rare minor handling marks. Good condition).

Estim. 6 000 - 8 000 EUR

Lot 28 - MIRO Joan (1893 - 1986) - "The grandmother of 10,000 ages". 1976. Lithograph printed in color. Ref: Miro lithographe, n°1084. Proof on Arches wove paper, numbered 19/50 and signed in pencil. Condition A.

Estim. 2 000 - 3 000 EUR

Lot 29 - PICASSO Pablo (1881 - 1973) (after) - "Clown (Carnaval)". 1961. Color lithograph. Ref: Miguel Orozco, n°363. Fine proof on Arches vellum, printed by Mourlot. Signed and dated "20.1.61" in the plate. Numbered 91/200 and countersigned in pencil by the artist. All margins. Ever since the Spanish Civil War, Picasso's artistic practice has been constantly linked to his political commitment against fascism. While his painting Guernica is the most notorious manifestation of this, other, more modest works testify to his left-wing political anchorage: in particular, his regular contributions to the French Communist press, which continued well after the war. This print was made for the front page of Le Patriote on February 14, 1961, to mark the Nice Carnival. 65.3 x 52 cm. Condition A (trace of old mounting on the edge of the sheet on verso).

Estim. 8 000 - 10 000 EUR

Lot 31 - Porcelain: plates, saucers, sugar bowl, vases

Estim. 20 - 30 EUR

Lot 32 - Batch of copperware: jug, saucepans

Estim. 20 - 30 EUR

Lot 33 - Batch of silver-plated metal: trays, sets, ladle, shovels

Estim. 40 - 60 EUR

Lot 34 - Set of silver-plated metal: pourers, sugar bowl, timbale

Estim. 30 - 40 EUR

Lot 35 - Batch of ceramic pieces: bowls, vases, terrine

Estim. 20 - 30 EUR

Lot 36 - Lots of old shares from different countries

Estim. 20 - 30 EUR

Lot 37 - A handwritten score by Jean VADON (1887-1973): "Messalina - valsepour piano", dated December 27, 1925. And sixty-eight other miscellaneous scores, illustrated covers.

Estim. 80 - 100 EUR

Lot 38 - Lot of six framed pieces: two color engravings "Soldat" and "Officier", two lithographs "Vendeuses", an oil on cardboard "Montigny sur Loing" and an engraving "Procession à la sortie de Notre Dame de Paris".

Estim. 40 - 50 EUR

Lot 39 - BOILLY (after): "Scène de famille". Framed engraving. 50 x 39 cm. REMBRANDT (after): "Christ blessing". Engraving XIXth Century (Traces of humidity). Plate: 43 x 55 cm

Estim. 50 - 80 EUR

Lot 40 - POUSSIN (after): "Landscape". 19th century print. Size: 40 x 61 cm

Estim. 50 - 80 EUR

Lot 41 - WEIROTTER Franz Edmund. Innsbrück 1730 - Vienna 1771. Thatched cottage. Pen, brown ink and brown wash. Glued to sheet. Pen and ink fillet. Marks lower right of the E. Calendo collection. Calendo collection (Lugt. 837) and the A. Beurdeley collection (Lugt. 421). H. 20.3 - L. 26.2 cm. Provenance: 1 -Paris, Sale of the Emile Calendo Collection December 11 & 12, 1899, catalog no. 223; 2 - Paris, Alfred Beurdeley Collection (1817 - 1919), sixth sale, June 2 - 4, 1920 (experts G. Petit & Brame); catalog no. 349; 3 - Paris, Hôtel Drouot, Etude Lenormand - Dayen, May 27, 1987, no. 127, p. 62 (reproduced).

Estim. 500 - 700 EUR

Lot 42 - HESSE Nicolas Auguste (Suite de). Paris 1795 - id.; 1869. L'Evanouissement de la Vierge, also known as Le Christ au sépulcre. Oil on canvas (Re-tooled; small missing at upper right; old varnish soiled). H. 130 - W. 97 cm. Related to the composition by Hesse exhibited at the Salon of 1838, and its 1845 variant, in the Musée du Louvre (Inv. 20848 & Inv.5343).

Estim. 300 - 500 EUR

Lot 43 - Chromolithograph after Greuze's The Broken Jug

Estim. 20 - 30 EUR

Lot 44 - French school of the 18th century. Virgin and Child. Oil on canvas. 63 X 47 cm

Estim. 400 - 600 EUR

Lot 45 - FRENCH SCHOOL Second half of the 18th century. The plague of Ashdodt (?) (Bible, Book I of Samuel V. 9 - 12). Pen, black and brown inks, gray wash and white highlights. Glued to sheet (Pitting, stains and accidents). H. 41.7 - L. 54 cm. In a gilded wood frame.

Estim. 500 - 600 EUR

Lot 46 - School of the XIXth Century: "The Massacre of Isaac by Abraham". Oil on canvas. Cracks and missing parts. 72 x 98 cm. In a beautiful gilded wood frame.

Estim. 200 - 300 EUR

Lot 47 - 19th century FRENCH SCHOOL, in the taste of Antoine Watteau (1684 - 1721). Cupid offering a dove to a young woman seated in a park, a fan in hand. Oil on canvas (small lack towards the middle left). On the reverse of the canvas the printed mark of the canvas dealer: MATHIEU PICOT / A PARIS. H. 24.5 - W. 32.5 cm. Gilded and molded wood and stucco frame in violin form with foliate scrolls. The painter was inspired here by certain models of young elegant women by Watteau, such as the woman with a fan in the Récréation Italienne (Berlin) or the Divertissements champêtres (London).

Estim. 200 - 300 EUR

Lot 48 - Early 19th century school, in the taste of Léopold ROBERT: "Cavaliers dans un paysage vallonné". Oil on canvas. Cracks, wear and restorations. Unsigned. 39 x 56.5 cm

Estim. 200 - 300 EUR

Lot 49 - FLEMISH or FRENCH SCHOOL. First third of the 19th century. Cattle grazing and villagers. Oil on canvas. On the reverse, three small pieces of reinforcement. H. 24 - L. 27,5 cm.

Estim. 100 - 150 EUR

Lot 50 - VETTER Jean Hégésippe Paris 1820 - 1900. Portrait of a man with a glass of wine and a pipe. Oil on panel. Parquetage (Trace of vertical crack). Signed lower right J. h. Vetter. H. 33.5 - L. 26.6 cm.

Estim. 80 - 100 EUR

Lot 51 - ZO Achille, 1826-1901. The Clyso !!!!!!!, 1877. Watercolor (insolation), monogrammed A.Z. and dated lower right, titled lower middle: "LE CLYSO !!!!!!! opér. com. en 20 jours (création nouvelle)", with dispatch lower right: "Souvenir de nos 20 jours de service à la patrie / à mon frères Édouard / P. Caubet septembre 1877". 36.5x25.5cm on view.

Estim. 100 - 150 EUR

Lot 52 - 19th century engraving in color: "Escrime, Demi-Volte, Volte". Plate: 23.5 x 46 cm. Attached is a color engraving "Le Vieux Louvre". 14 x 20 cm

Estim. 20 - 30 EUR

Lot 53 - Clarisse LATAPIE (1838-1903): "Portait de dame". Pastel signed and dated 1898 upper right. 61.5 x 50.5 cm

Estim. 150 - 200 EUR

Lot 54 - School of the XIXth Century: "The Goldsmiths". Oil on canvas. 46.5 x 38 cm. In a gilded wood frame.

Estim. 180 - 200 EUR

Lot 55 - French school of the XIXth century: "Woman and her herd of cows". Oil on canvas. Traces of signature lower right. Numerous accidents. 65 x 81 cm. In a gilded wood frame.

Estim. 80 - 120 EUR

Lot 56 - O. BOISSIN (French School of the XIXth Century): "Nature morte aux livres et au globe terrestre". Oil on canvas signed lower right. Accents and restorations. 75 x 125 cm. In a gilded wood frame.

Estim. 150 - 200 EUR

Lot 57 - Orientalist school of the XIXth Century: "Soldiers in uniform". Two oils on panels. Cracked, missing and dirty varnish. 41 x 22 cm

Estim. 80 - 120 EUR

Lot 58 - PINSON E. Active in the second half of the 19th century. House at the foot of the old castle. Black stone, shading and white highlights. Mounted on cardboard (small accidents in the margins). Signed lower right E. Pinson. H. 46 - W. 53.5 cm

Estim. 60 - 80 EUR

Lot 59 - CLAIRIN, 19th century, Cavaliers devant un campement militaire, black pencil on paper (freckles), lower left: Clairin 1830, 64.5x81cm

Estim. 100 - 150 EUR

Lot 60 - BRUNET-DEBAINES Alfred Louis, 1845-1939, Vestiges gothiques de l'Hôtel-Dieu, 1872, etching in black (insolation and foxing and edge tears), signed and dated lower right in the plate, 42.5x34.5cm

Estim. 15 - 25 EUR

Lot 61 - MERSON Luc Olivier. Paris 1846 - 1920. Seated woman, bare chest, head turned to the right. Sanguine and stump. Watermark (minor pitting). H. 31.5 - L. 19 cm. Related to "La Céramique française" (1883) model supplied to ceramist Léon Fargue, with La Céramiste japonaise (Cf. Catalogue of the exhibition L'étrange Monsieur Merson, ill. 31, pp.108 & 109 - Musée des Beaux - Arts de Rennes December 2008 - March 2009).

Estim. 300 - 350 EUR

Lot 62 - PARENT X., XIXth century, Portrait de M. Simonnet, oil on canvas (traces of cracking and restoration), signed lower left, annotated on back, 32.5x24cm, PROVENANCE: Collection of Jaime SEMPRUN

Estim. 80 - 120 EUR

Lot 63 - B. CORREARD (French school, late 19th century): "Lac de Saint André, environ de Chambéry". Oil on board signed lower left, handwritten title on back. Scratches. 23 x 30.5 cm. In a wood and gilded stucco frame.

Estim. 60 - 80 EUR

Lot 64 - Paul ARMANDI (Barbizon School Late 19th Century): "La Fagotière" and "Le porteur d'eau". Two oil on panels signed lower right, forming a pendant. 23.5 x 19 cm. In wood and gilded stucco frames

Estim. 150 - 200 EUR

Lot 65 - ANONYMOUS late 19th century. Rider by the river. Oil on cardboard (restorations). Unsigned. 20.5x25.5 cm.

Estim. 100 - 150 EUR

Lot 66 - A. VALEE (Barbizon School of the 19th Century): "Les deux lavandières en sous-bois". Oil on canvas. Numerous accidents, to be restored. 66.5 x 86 cm. In a gilded wood frame.

Estim. 50 - 80 EUR

Lot 67 - A. BERGERET (French School of the XIXth Century): "Nature morte aux crustacés". Oil on canvas signed lower right. 39 x 46.5 cm. In a gilded wood frame.

Estim. 150 - 200 EUR

Lot 68 - Charles BERGES (1851-1941): "Le torrent". Oil on canvas signed on the right side. Accents, folds, partly unstuck from the stretcher. 44.5 x 61 cm

Estim. 40 - 50 EUR

Lot 69 - Charles Clément DENET (1853-1939): "Personnages près d'un pont dans un village". Oil on canvas signed lower right. Damage. 93 x 65 cm. In a gilded wood frame.

Estim. 200 - 300 EUR

Lot 70 - Armand BERTON (1854-1917): "Portait de Jacques, enfant". Pastel titled upper right, signed and dated 93 lower left. 55.5 x 46.5 cm

Estim. 400 - 500 EUR

Lot 71 - Hubert Emile BELLYNCK(1859-?): "Le Cachot". Oil on canvas signed lower left. Material missing. 55 x 47 cm. In a gilded wood frame.

Estim. 120 - 150 EUR

Lot 72 - Edmond-Alphonse DEFONTE 1862-1948. Still life with flowers. Watercolor on paper. H53 x 42.5 cm

Estim. 120 - 150 EUR

Lot 73 - Jean-Marie LOUSTAUNAU (XIX-XX-ème Siècle): "Les environs d'Aix". Oil on canvas signed lower right. 38 x 46 cm

Estim. 40 - 60 EUR

Lot 74 - Early 20th century French school: "Promeneurs en bord de rivière près d'un pont". Oil on canvas. 35 x 65 cm

Estim. 50 - 80 EUR

Lot 75 - 20th Century French School, in the taste of the 18th Century: "Promeneur au sous-bois". Watercolor on paper. Signed lower left. 26 x 47 cm

Estim. 50 - 80 EUR

Lot 75.1 - PONDEPEYRE A., Sainte Geneviève, red chalk and white chalk on paper (foxing), signed lower right with graphite annotation: December 12, 1911, 55.5x45.5 cm à vue

Estim. 80 - 100 EUR

Lot 76 - Early 20th Century Chinese School: "Portait de jeune femme" (Portrait of a young woman). Watercolor and black ink. Signed upper right.22 x 17.3 cm

Estim. 200 - 300 EUR

Lot 77 - CHADEL Jules (1870-1942), in the taste of, Femme de dos, pen and black ink wash on handmade paper, unsigned, annotated "Jules Chadel / Salomé" on a label on the back of the mount, 30.5x21.5cm.

Estim. 50 - 80 EUR

Lot 78 - Victor MIGNOT (1872-1944): "Vue du Parc du Château de Saint-Cloud". Oil on canvas signed lower right. 86 x 60.5 cm

Estim. 200 - 300 EUR

Lot 79 - Early 20th Century School: "The Exodus". Oil on canvas signed and dated "Mela 1901". 89.5 x 68 cm. In a beautiful gilt wood frame.

Estim. 800 - 1 000 EUR

Lot 80 - Charles DESPIAU (1874-1948): "Male Nude". Pencil drawing signed lower left (accident and traces of glue). 29 x 18 cm

Estim. 50 - 60 EUR

Lot 81 - Paul CHAIGNEAU (1879-1938): "La rentrée du troupeau". Oil on canvas signed lower left. Restoration. 46.5 x 55.5 cm

Estim. 400 - 500 EUR

Lot 82 - CHAPOUILLY. Active in Provence in the first half of the 20th century. Set of three studies of views of the Luberon in black pencil and blue wash (slightly oiled). Signed in the lower part in pen and dated 1938. Located lower right. 1 - Vue de Ménerbes (26 x 36,8 cm); 2 - Vue de Gordes (26 x 36,8 cm); 3 - Chapelle Notre - Dame à Apt (26 x 36,8 cm).

Estim. 40 - 50 EUR

Lot 83 - F. MOREAU (French School First Part of the XXth Century: "Buildings in a hilly landscape". Watercolor signed lower right. 22 x 27.5 cm. Framed, under glass.

Estim. 60 - 80 EUR

Lot 84 - Set of charcoal studies: "Female Nudes" and "Portraits".

Estim. 20 - 30 EUR

Lot 85 - H XX century. View of Bennwihr. Watercolor on paper. H 25 X 33 cm

Estim. 20 - 30 EUR

Lot 86 - XX century school. Study of Africans. H 46 x 33 cm

Estim. 50 - 100 EUR

Lot 87 - DKS XX century. Woman in the undergrowth. Oil on panel. Signed lower right. H 30 X 39 cm.

Estim. 80 - 100 EUR

Lot 88 - M GOSSELIN XX century. Country landscape. Oil on canvas. H 46 X 61 cm

Estim. 10 - 20 EUR

Lot 89 - XX century school. Red house in the forest. Oil on canvas. H 46 X 55 cm

Estim. 50 - 100 EUR

Lot 90 - 20th century school. Abstract composition. Pencil and watercolor. H 61.5 x 45.5 cm

Estim. 20 - 30 EUR

Lot 91 - École du Nord XX siècle. The return of the fishermen. Oil on canvas. Illegible monogram and inscription. H46 x 65 cm

Estim. 300 - 400 EUR

Lot 92 - Modern school, after Alexandre-Louis Leloir: "Jacob's struggle with the Angel". Oil on canvas. Missing and cracked. 24.4 x 30 cm

Estim. 40 - 60 EUR

Lot 93 - Modern school: "Angel with tambourine". Gouache on paper". 24.7 x 16.8 cm

Estim. 40 - 60 EUR

Lot 94 - Maurice RICHARD. Still life with bouquet. Oil on canvas. H 45 x 60 cm. Signed lower right, chips

Estim. 100 - 150 EUR

Lot 95 - Set of gouaches and watercolors "Landscapes". Mid-twentieth-century work

Estim. 30 - 50 EUR

Lot 96 - L. MARTIN (French school, mid-20th century): "Portail à Montmartre". Oil on panel signed and dated "Paris 53" lower right. 32 x 40 cm

Estim. 50 - 80 EUR

Lot 97 - CASTRO Paul de (1882-1939). View of the South. Oil on canvas signed lower left. 50x 73 cm

Estim. 300 - 400 EUR

Lot 98 - 20th Century School: "The Carriage". Black ink. 19.2 x 33.2 cm

Estim. 30 - 50 EUR

Lot 99 - A. MOLLIER (XXth Century School): "Landscape of dunes". Watercolor signed lower left.45 x 56 cm

Estim. 30 - 50 EUR

Lot 100 - Charles GIR (1883-1942): "The Spanish Dancer". Oil on board signed upper right. 46.5 x 37.5 cm

Estim. 150 - 200 EUR

Furniture and objets d'art

Eric Caudron - +33142662448 - Email CVV

Lot 1 - BOOK CONTROLLER

Lot 2 - BOOK CONTROLLER

Lot 3 - LOT OF ENGRAVINGS & DRAWING. 6 pieces representing landscapes, flowers... 20th. Various formats. A/B condition.

Lot 4 - LOT of APPROXIMATELY 100 reproduction POSTERS, mostly by Editions Euros (Paris). Various formats. A/B condition.

Lot 5 - LOT of 6 LITHOGRAPHIES in color (2 subjects in 3 copies). Proofs justified and signed "Agnès A[?]". 50 x 65 cm & 75 x 54 cm. Condition A (good condition).

Lot 8 - AEROSTATION by Antonio CAMASCHI. BALLON by aeronaut Antonio Comaschi of Bologna. 1842. Lithograph, on wove paper. 41.5 x 48.2 cm. Condition A (traces of folds and a tear in the upper left corner at the level of a fold).

Lot 9 - EX-LIBRIS - LOT of approximately 150 bookplates (19th/20th). Various formats. A/B condition.

Lot 23 - ICART Louis (1888 - 1951) - "Fair dancer or Ballerina". 1939. Original etching, drypoint and aquatint, enhanced with colors. Proof on wove paper, signed in pencil by the artist and stamped with a dry mill stamp. Margins. 60 x 68.8 cm. Condition B/C (a few foxes and slightly darkened).

Lot 28 - MIRO Joan (1893 - 1986) - "The grandmother of 10,000 ages". 1976. Lithograph printed in color. Ref: Miro lithographe, n°1084. Proof on Arches wove paper, numbered 19/50 and signed in pencil. Condition A.

Lot 31 - Porcelain: plates, saucers, sugar bowl, vases

Lot 32 - Batch of copperware: jug, saucepans

Lot 33 - Batch of silver-plated metal: trays, sets, ladle, shovels

Lot 34 - Set of silver-plated metal: pourers, sugar bowl, timbale

Lot 35 - Batch of ceramic pieces: bowls, vases, terrine

Lot 36 - Lots of old shares from different countries

Lot 37 - A handwritten score by Jean VADON (1887-1973): "Messalina - valsepour piano", dated December 27, 1925. And sixty-eight other miscellaneous scores, illustrated covers.

Lot 38 - Lot of six framed pieces: two color engravings "Soldat" and "Officier", two lithographs "Vendeuses", an oil on cardboard "Montigny sur Loing" and an engraving "Procession à la sortie de Notre Dame de Paris".

Lot 39 - BOILLY (after): "Scène de famille". Framed engraving. 50 x 39 cm. REMBRANDT (after): "Christ blessing". Engraving XIXth Century (Traces of humidity). Plate: 43 x 55 cm

Lot 40 - POUSSIN (after): "Landscape". 19th century print. Size: 40 x 61 cm

Lot 43 - Chromolithograph after Greuze's The Broken Jug

Lot 44 - French school of the 18th century. Virgin and Child. Oil on canvas. 63 X 47 cm

Lot 45 - FRENCH SCHOOL Second half of the 18th century. The plague of Ashdodt (?) (Bible, Book I of Samuel V. 9 - 12). Pen, black and brown inks, gray wash and white highlights. Glued to sheet (Pitting, stains and accidents). H. 41.7 - L. 54 cm. In a gilded wood frame.

Lot 46 - School of the XIXth Century: "The Massacre of Isaac by Abraham". Oil on canvas. Cracks and missing parts. 72 x 98 cm. In a beautiful gilded wood frame.

Lot 48 - Early 19th century school, in the taste of Léopold ROBERT: "Cavaliers dans un paysage vallonné". Oil on canvas. Cracks, wear and restorations. Unsigned. 39 x 56.5 cm

Lot 49 - FLEMISH or FRENCH SCHOOL. First third of the 19th century. Cattle grazing and villagers. Oil on canvas. On the reverse, three small pieces of reinforcement. H. 24 - L. 27,5 cm.

Lot 50 - VETTER Jean Hégésippe Paris 1820 - 1900. Portrait of a man with a glass of wine and a pipe. Oil on panel. Parquetage (Trace of vertical crack). Signed lower right J. h. Vetter. H. 33.5 - L. 26.6 cm.

Lot 52 - 19th century engraving in color: "Escrime, Demi-Volte, Volte". Plate: 23.5 x 46 cm. Attached is a color engraving "Le Vieux Louvre". 14 x 20 cm

Lot 53 - Clarisse LATAPIE (1838-1903): "Portait de dame". Pastel signed and dated 1898 upper right. 61.5 x 50.5 cm

Lot 54 - School of the XIXth Century: "The Goldsmiths". Oil on canvas. 46.5 x 38 cm. In a gilded wood frame.

Lot 55 - French school of the XIXth century: "Woman and her herd of cows". Oil on canvas. Traces of signature lower right. Numerous accidents. 65 x 81 cm. In a gilded wood frame.

Lot 56 - O. BOISSIN (French School of the XIXth Century): "Nature morte aux livres et au globe terrestre". Oil on canvas signed lower right. Accents and restorations. 75 x 125 cm. In a gilded wood frame.

Lot 57 - Orientalist school of the XIXth Century: "Soldiers in uniform". Two oils on panels. Cracked, missing and dirty varnish. 41 x 22 cm

Lot 58 - PINSON E. Active in the second half of the 19th century. House at the foot of the old castle. Black stone, shading and white highlights. Mounted on cardboard (small accidents in the margins). Signed lower right E. Pinson. H. 46 - W. 53.5 cm

Lot 59 - CLAIRIN, 19th century, Cavaliers devant un campement militaire, black pencil on paper (freckles), lower left: Clairin 1830, 64.5x81cm

Lot 60 - BRUNET-DEBAINES Alfred Louis, 1845-1939, Vestiges gothiques de l'Hôtel-Dieu, 1872, etching in black (insolation and foxing and edge tears), signed and dated lower right in the plate, 42.5x34.5cm

Lot 62 - PARENT X., XIXth century, Portrait de M. Simonnet, oil on canvas (traces of cracking and restoration), signed lower left, annotated on back, 32.5x24cm, PROVENANCE: Collection of Jaime SEMPRUN

Lot 63 - B. CORREARD (French school, late 19th century): "Lac de Saint André, environ de Chambéry". Oil on board signed lower left, handwritten title on back. Scratches. 23 x 30.5 cm. In a wood and gilded stucco frame.

Lot 64 - Paul ARMANDI (Barbizon School Late 19th Century): "La Fagotière" and "Le porteur d'eau". Two oil on panels signed lower right, forming a pendant. 23.5 x 19 cm. In wood and gilded stucco frames

Lot 65 - ANONYMOUS late 19th century. Rider by the river. Oil on cardboard (restorations). Unsigned. 20.5x25.5 cm.

Lot 66 - A. VALEE (Barbizon School of the 19th Century): "Les deux lavandières en sous-bois". Oil on canvas. Numerous accidents, to be restored. 66.5 x 86 cm. In a gilded wood frame.

Lot 67 - A. BERGERET (French School of the XIXth Century): "Nature morte aux crustacés". Oil on canvas signed lower right. 39 x 46.5 cm. In a gilded wood frame.

Lot 68 - Charles BERGES (1851-1941): "Le torrent". Oil on canvas signed on the right side. Accents, folds, partly unstuck from the stretcher. 44.5 x 61 cm

Lot 69 - Charles Clément DENET (1853-1939): "Personnages près d'un pont dans un village". Oil on canvas signed lower right. Damage. 93 x 65 cm. In a gilded wood frame.

Lot 70 - Armand BERTON (1854-1917): "Portait de Jacques, enfant". Pastel titled upper right, signed and dated 93 lower left. 55.5 x 46.5 cm

Lot 71 - Hubert Emile BELLYNCK(1859-?): "Le Cachot". Oil on canvas signed lower left. Material missing. 55 x 47 cm. In a gilded wood frame.

Lot 72 - Edmond-Alphonse DEFONTE 1862-1948. Still life with flowers. Watercolor on paper. H53 x 42.5 cm

Lot 73 - Jean-Marie LOUSTAUNAU (XIX-XX-ème Siècle): "Les environs d'Aix". Oil on canvas signed lower right. 38 x 46 cm

Lot 74 - Early 20th century French school: "Promeneurs en bord de rivière près d'un pont". Oil on canvas. 35 x 65 cm

Lot 75 - 20th Century French School, in the taste of the 18th Century: "Promeneur au sous-bois". Watercolor on paper. Signed lower left. 26 x 47 cm