COLLECTIONS & OEUVRES CHOISIES : Tableaux anciens, mobil…

Lot 1 - Italian school of the 17th century Lively landscape with large oak tree Pen and brown ink, brown wash over black pencil lines (Slightly oiled, small stains.) Height 16.2 cm; Width: 23 cm

Estim. 400 - 500 EUR

Lot 2 - Italian school of the 17th century Stroller with his dog in a wooded landscape Pen and brown ink, brown wash over black pencil lines Height 15 cm; Width: 19.5 cm (Missing at bottom center (iron gall ink), cut at four corners, small stains). Doubled drawing

Estim. 300 - 400 EUR

Lot 3 - 18th century Italian school Virgin and Child with Saint John the Baptist Pen and brown ink, red chalk and red chalk wash Annotated in black pencil upper right "Perugino". Two unidentifiable collector's stamps at bottom, formerly attributed to Perugino, lower center on mount (Slightly oiled, small stains.) Height 17 cm; Width: 19 cm

Estim. 300 - 400 EUR

Lot 4 - Italian school circa 1600 God the Father Pen and brown ink, traces of black stone Annotated "Tintoretto" lower right (Stains and foxing.) Transparent Height 24 cm; Width: 15.8 cm

Estim. 600 - 800 EUR

Lot 5 - An album entitled "Disegni antichi e moderni" comprising 54 drawings of various kinds (scenes from ancient and religious histories, portraits, landscapes, etc.). Mixed media (Some pages missing, small stains.) Height 32.5 cm; Width: 42 cm (album dimensions)

Estim. 600 - 800 EUR

Lot 6 - Rhenish school circa 1500 Adoration and donation of a reliquary shrine to monks; reverse: Saint Barbara and a donor - Saint Mary Magdalene Two altarpieces, double-sided panels Height 150 cm; Width: 61 cm Overall dimensions Our two panels were the side panels of a triptych whose central body could not be identified, and which was not necessarily painted, since this middle part, the case, is often carved in Germany. Their rare iconography tells the story of a gilded shrine containing relics, which were probably kept at the altarpiece's place of origin, attracting pilgrimages and hopes of healing the sick. One hypothesis would be to see here a reliquary of Saint Agilolphe, for the abbey of Stavelot-Malmedy, and we know that King Pepin of Herstal, in the 8th century, during various episodes, meditated on his tomb, thus in contact with Benedictine monks. In the 12th century, these relics were transferred from Malmedy to the church of Santa Maria ad Gradus in Cologne.

Estim. 20 000 - 30 000 EUR

Lot 7 - French school circa 1540 Allegory of Autumn, the Harvest Poplar panel, two boards, not parqueted (Old restorations.) Height 75 cm; Width: 53 cm Provenance : - Lyon private collection - Acquired by the owner's father in Italy in the 1930s.

Estim. 25 000 - 30 000 EUR

Lot 8 - Attributed to the Master of Romagna Ceramics (Maestro delle ceramiche romagnole, painter active in Emilia-Romagna in the mid-18th century) Kitchen interior with jars and mortar Canvas (Tears, holes and missing pieces; red wax stamp on back). Height 82.5 cm; Width: 120.5 cm A group of several ceramic still lifes has been assembled under the conventional name of "Maestro delle ceramiche romagnole". It comprises paintings previously attributed to Giovanni Domenico Valentino, Andrea Seghizzi, Rodolfo Lodi, Arcangelo Resani and Pseudo Resani. These artists are all, to some extent of Cristoforo Munari, depicting rustic kitchen interiors, accumulations of dishes accumulations of crockery, pottery and vases, juxtaposed side by side. This production from the Baroque still lifes of the rest of the Italian Peninsula at the same time, which abound in moving garlands of flowers and heaps of fruit. On the contrary, these canvases influenced by the "bodegones" of Spanish Caravaggism in the previous century, and are not unlike the work of Luis Meléndez. Our painting fits well into this context, and appears to be of higher pictorial quality than the works the Master of Romagna Ceramics, such as Still Life with Ceramics, branches and tomatoes and Interior with garlic rosary, carafe, branches, ceramics and plates, both formerly on sale at Semenzato in Venice (cf. op. infra, Bacchi, 2015, p. 143 and Giardini, 2020, p. 121). Here, the interplay of full and empty spaces, articulated by stone entablatures, the rendering of different textures (are unified and stylized by a range of browns and blacks, enhanced by white earthenware some white earthenware with bluish decoration. In places, the touch becomes unctuous, for example on the lid of the pot to the right of the mortar. General bibliography relating to this group of still lifes: - Edited by Daniele Benati and Lucia Peruzzi, La natura morta in Emilia e in Romagne: Pittori, centri de produzione produzione e collezionismo fra XVII e XVIII secolo. Milano, Skira editore, 2000. pp. 135-139. - Anna Colombi Ferretti, "La natura morta a Bologna e in Romagna", in Frederico Zeri, La natura morta in Italia, Milano, Electa, 1989, pp. 492-494. - Giulia Palloni, "Cucine e deschi tra Romagna e Marche nel XVIII secolo. Il Maestro delle ceramiche romagnole e i Ceccarini", in Bacchi Andrea, La natura morta di Federico Zeri, Bologna, Fondazione Federico Zeri, 2015, pp. 135-151. - Edited by Claudio Giardini, Pitture in quiete, Carlo Magini e la natura morta tra Marche e Romagna nel XVIII secolo. Ancona, Il lavoro editoriale, Fondazione Cassa di Risparmio di Fano, 2020, p. 121.

Estim. 8 000 - 12 000 EUR

Lot 9 - 17th century French school, follower of Robert NANTEUIL Portrait of a man wearing the Order of the Holy Spirit, formerly known as Portrait de Michel Le Tellier Oval copper Height 20.7 cm; Width: 17.3 cm Chased and gilded bronze frame On the reverse, label identifying the model as Michel Le Tellier Unknown painter

Estim. 2 000 - 3 000 EUR

Lot 10 - 17th century French school, follower of Robert NANTEUIL Portrait of a young man wearing the Order of the Holy Spirit, formerly known as the portrait of Louvois Oval copper (Little missing.) Height 20.6 cm; Width 17.5 cm Chased and gilded bronze frame On the reverse, label identifying the model as Louvois N° 31 Painter unknown.

Estim. 2 000 - 3 000 EUR

Lot 11 - French school circa 1790, workshop of Élisabeth VIGÉE LE BRUN Portrait of the composer Paisello Canvas Dated 1791 at bottom Height : 130 cm ; Width : 97 cm Exhibition: - Turin, Teatro Regio, L'arcano incanto, May-September 1991, no. IV.27 (as Louise-Élisabeth Vigée Le Brun). In the aftermath of the French Revolution, on the night of October 5 to 6, 1789, Élisabeth Vigée Le Brun was forced to migrate to Italy. to migrate to Italy. Although this Italian period gave a new inflection to her work, in Paris she continued to present to present her paintings at the Salon. In 1790, she established herself in Naples where she met Giovanni Paisiello (1740-1816), the famous music composer. This encounter left a lasting impression on both artists. Paisiello was born in Naples, where, from the age of 5, his voice attracted the attention of the Marquis of Fragagnano, Kapellmeister of the Church of the Capuchins. Chapel Master of the Capuchin Church. Under his patronage, the young musician trained at the Naples conservatory in Naples under the supervision of the Baroque composer Francesco Durante. From then on, Paisiello embarked on a musical career that took him from Bologna to Modena to Venice, writing his own works or adapting others. his own works or adapting scores by other composers. It was really with his operas bouffes such as La Pupille that the artist really came into his own. By 1766, Paisiello returned to his native Naples. He quickly became the benchmark for opera buffa, mixing styles styles, tonalities and settings. Such was his critical success that King Ferdinand IV commissioned his creation Chinese Idol at court for the arrival of his brother-in-law Joseph II and his wife Marie-Caroline of Austria. The musician became responsible for Ferdinand IV's royal bedroom. It was at this moment Élisabeth Vigée Le Brun painted the musician at the height of his fame. The original composition remained in the artist's collection until its bequest to the Musée du Louvre in 1842. Élisabeth Vigée Le Brun exhibited a similar version at the Salon of 1791, now kept at the châteaux de Versailles et de Trianon (inv. MV 5877). Going against the Romantics, Elisabeth Vigée Le Brun delivers a personal vision of the artist at her instrument. Against a dark background that highlights the Italian composer, Giovanni Paisiello is looking elsewhere, his face modulating to the fervor of his artistic inspiration. His hands simply rest on the keyboard keyboard of his pianoforte, waiting to play, while the scores of his operas, including the Rondo di Nina di Nina and the Te Deum, which were resounding successes at the time.

Estim. 8 000 - 12 000 EUR

Lot 12 - French school circa 1770, workshop of Joseph-Siffred DUPLESSIS Portrait of the Count of Provence Oval canvas Height : 80 cm ; Width : 65 cm Oak frame carved with oak leaf, Louis XIV period, gilded Provenance : - Sale Paris Hôtel Drouot, Me Fraysse, March 23, 2013.

Estim. 6 000 - 8 000 EUR

Lot 13 - Piat Joseph SAUVAGE (Tournai, 1744-1818) and his workshop Lovers gathering fruit; Woman seated with lovers Pair of paintings Unframed (Old restorations, accidents and small missing parts). Height 108 cm; Width: 85.5 cm Provenance : - Nantes mansion in which General Cambronne lived from 1820 to his death in 1842.

Estim. 6 000 - 8 000 EUR

Lot 14 - Piat Joseph SAUVAGE (Tournai, 1744-1818) and his workshop Amours rémouleurs, amours chasseurs, amours aux couronnes, amour oiseleur Four canvases Unframed (Old restorations, accidents and small chips.) Height 104 cm; Width: 120 cm (two canvases) Height 79.5 cm; Width 104 cm (two canvases) Provenance : - Nantes mansion in which General Cambronne lived from 1820 until his death in 1842.

Estim. 15 000 - 25 000 EUR

Lot 15 - Piat Joseph SAUVAGE (Tournai, 1744-1818) and his workshop Antique profiles in medallions and putti with baskets of flowers Five canvases Unframed (Old restorations, accidents and small missing pieces). Height 105.5 cm; Width 109 cm (two canvases) Height 78 cm; Width 106 cm (three canvases) Provenance : - Nantes mansion where General Cambronne lived from 1820 to his death in 1842.

Estim. 15 000 - 25 000 EUR

Lot 16 - Piat Joseph SAUVAGE (Tournai, 1744-1818) and his workshop The Four Seasons Suite of four paintings Unframed (Old restorations, accidents and small missing parts). Height 103 cm; Width 119 cm Provenance : - Nantes mansion in which General Cambronne lived from 1820 until his death in 1842.

Estim. 20 000 - 30 000 EUR

Lot 17 - Charles-Émile VACHER DE TOURNEMINE (1812-1872) Flamingos and parrots circa 1866-1867 Oil on canvas, signed lower left Ch. de Tournemine On the reverse, stamp of the color and canvas dealer "Emmanuel Chenoz, rue de Condé". (Old restorations) Height 89 cm; Width 180.5 cm Bibliography - Jean-Claude Lesage, Charles de Tournemine, peintre orientaliste, Aix-en-Provence, Édisud, 1986, ph.10. p.101 (reproduced in black and white from a photograph belonging to M. Bourget d'Aulnoy). - Explanation des ouvrages de peinture, sculpture, architecture, gravure et lithographie des artistes vivants exposés au Palais des Champs-Élysées, le 15 avril 1867, p. 202 Exhibition: - Salon de Paris 1867, under n° 1485 Provenance : - French private collection. Charles Vacher de Tournemine was fascinated by the Mediterranean world, which he discovered when he signed up as a midshipman at the age of thirteen. He later moved to Paris, where he studied painting in the studios of Eugène Isabey and Louis Garneray. After completing his training, he continued his travels, which took him to the Maghreb, Asia Minor and the Balkans, and produced some of the finest canvases of French Orientalism. Familiar with the Salon des artistes français, where he exhibited from 1846 onwards, Tournemine received regular critical acclaim. In 1861, the French government purchased his "Café à Adalia", now in the Musée d'Orsay, as well as other paintings in the museums of his native Toulon, Marseille and Montpellier. In 1867, Tournemine presented two large canvases of the same format at the Salon: "Elephants of Africa" (under no. 1474), acquired and donated by the Emperor to the Musée du Luxembourg (now in the Musée d'Orsay), and our painting, "Flamingos and Parrots" (under no. 1475). With a lively touch and evident pleasure, the painter declines and multiplies colorful birds. Some fly into the sky towards the natural perch provided by a jacaranda trunk caught in the vegetation, while others fish, hidden in the plants that emerge from the calm waves, sleep on a branch, or observe each other, in front of the infinite landscape that borders this wide South American river. For this work of original territory, known only from a black-and-white photo in the artist's family archives, Tournemine drew inspiration from explorer Paul Marçoy's account of a trip to Peru, quoted in the Livret du Salon: "In the depths of perspective, distant shores stand out in silhouette. Sometimes the hollow trunk of a jacaranda tree, torn from its native soil by a riverbank collapse or overflow, floats on the surface of the water; while another, encountering a sandbank, stops in its tracks and comes to rest on the beach (...).... Beautiful pink flamingos frolic close to the shore in the midst of this luxuriant vegetation, and families of parrots populate this enguirlanded trunk, making these magical and incomparable regions resound with their cries". A painter of the Orient, Tournemine was fascinated by the animals he observed on his travels, particularly the wading birds of the Danube, whose verve and colors enchanted and fascinated the public (for example: Flamingos and Ibises, Turkish bank of the Lower Danube, 1861 salon, coll. Préfecture de Nantes). Our work brings to a climax this fascination for exotic birds, which the Parisian public discovers with astonishment and curiosity. The critic Alfred Nettement commented in La Semaine des familles: "What the traveler tells, the painter shows with his magical brush. Nothing less than M. Tournemine's delicate, fine touch and bright, vivid colors were needed to evoke on canvas the solitude of the new world, populated by delightful birds, for nature is not like the coquettes of our salons; it is in the desert that she displays the most beautiful diamonds of her jewel case.

Estim. 15 000 - 20 000 EUR

Lot 18 - Conrad Wise CHAPMAN (Washington, 1842-Hampton, 1910) View of the Valley of Mexico Oak panel, one board, not parqueted Signed lower right: Chapman, and trace of date below: 1... (Crack at lower left and small loss at top center). Height 21.5 cm; Width: 41 cm

Estim. 8 000 - 10 000 EUR

Lot 19 - Harrington MANN (1865-1937) Portrait of MichaelKroyer as a Child Oil on canvas, signed lower left and dated 1924 (Accidents and restorations.) Height Height : 103 cm The model is a son of Sir Michael KROYER KIELBERG (1882-1958). Provenance : - Former collection of Sir Michael KROYER KIELBERG (1882-1958) Danish-born shipping magnate and philanthropist, Sir Michael Kroyer-Kielberg was founding president of United Molasses. Under his leadership, the company played a key role in supporting the Free Denmark Movement during the war. He also served as Danish Ambassador to the Court. An art lover, his collections included important works by Sisley, Corot, Pissarro and Epstein. Between 1928 and 1930, he built Stockgrove Park House in Bedfordshire, a property considered to be the last major castle in England. built in England. During this period, he probably commissioned opulent silverware from the houses of Puiforcat and Garrard (lots 22 to 34 and 37).

Estim. 700 - 1 000 EUR

Lot 20 - Charles A. BUCHEL (1872-1950) Portrait of Delmira Marion Kroyer seated in a pink dress Oil on canvas, signed lower right (Accents and restorations.) Height 96 cm; Width: 71 cm The model is a daughter of Sir Michael KROYER KIELBERG (1882-1958). Provenance : - Former collection of Sir Michael KROYER KIELBERG (1882-1958) Danish-born shipping magnate and philanthropist, Sir Michael Kroyer-Kielberg was founding president of United Molasses. Under his leadership, the company played a key role in supporting the Free Denmark Movement during the war. He also served as Danish Ambassador to the Court. An art lover, his collections included important works by Sisley, Corot, Pissarro and Epstein. Between 1928 and 1930, he built Stockgrove Park House in Bedfordshire, a property considered to be the last major castle in England. built in England. During this period, he probably commissioned opulent silverware from the houses of Puiforcat and Garrard (lots 22 to 34 and 37).

Estim. 1 000 - 1 500 EUR

Lot 21 - Harrington MANN (1865-1937) Portrait of Peter Kroyer in Black in Front of a Sofa Oil on canvas, signed lower left and dated 1924 (Accidents and restorations.) Height : 123 cm ; Width : 100 cm The model is a son of Sir Michael KROYER KIELBERG (1882-1958) Provenance : - Former collection of Sir Michael KROYER KIELBERG (1882-1958) Danish-born shipping magnate and philanthropist, Sir Michael Kroyer-Kielberg was founding president of United Molasses. Under his leadership, the company played a key role in supporting the Free Denmark Movement during the war. He also served as Danish Ambassador to the Court. An art lover, his collections included important works by Sisley, Corot, Pissarro and Epstein. Between 1928 and 1930, he built Stockgrove Park House in Bedfordshire, a property considered to be the last major castle in England. built in England. During this period, he probably commissioned opulent silverware from the houses of Puiforcat and Garrard (lots 22 to 34 and 37).

Estim. 1 500 - 2 500 EUR

Lot 22 - Pair of bronze sconces with two arms of light held by female figures. Louis XV style. (Wear and accidents.) Height Height : 35 cm

Estim. 200 - 300 EUR

Lot 23 - Pair of two-light ormolu sconces with antique women; (drilled for electricity) After a model by Robert Auguste. Louis XVI style (Wear, stains and accidents.) Height Height : 35 cm

Estim. 200 - 300 EUR

Lot 24 - PUIFORCAT Vermeil bottle bucket decorated with friezes of ovals, the body adorned with the Kroyer-Kielberg coat of arms accompanied by the motto "Fidem Servabo". Work in the Louis XIV style. Circa 1926-1928, dates of Sir Ferdinand Michael Kroyer-Kielberg's ennoblement and the rebuilding of Stockgrove Park. (Oxidation, wear.) Height 21 cm Weight: 2,700 g. Provenance : - Former collection of Sir Michael KROYER KIELBERG (1882-1958) Danish-born shipping magnate and philanthropist, Sir Michael Kroyer-Kielberg was founding president of United Molasses. Under his leadership, the company played a key role in supporting the Free Denmark Movement during the war. He also served as Danish Ambassador to the Court. An art lover, his collections included important works by Sisley, Corot, Pissarro and Epstein. Between 1928 and 1930, he built Stockgrove Park House in Bedfordshire, a property considered to be the last major castle in England. built in England. During this period, he probably commissioned opulent silverware from the houses of Puiforcat and Garrard (lots 22 to 34 and 37).

Estim. 2 000 - 3 000 EUR

Lot 25 - PUIFORCAT (attributed to) Two vermeil sugar bowls with conical body and two solid side handles with shell decoration, conical lid with chased decoration and ivory fretel. Unsigned. Servabo", "Je garderai la foi". Rim decorated with leaves and small berries. In their carrying cases. (Wear and tear) Height 11.5 cm; Length: 18 cm; Depth: 13 cm Gross weight : 1226 g. History : - Piece commissioned by Sir Michael Kielberg-Kroyer, later Sir Michael Kroyer, probably around 1928-1930 for the furnishings of his Stockgrove Park House castle, Bedfordshire, England. Provenance: - Former collection of Sir Michael KROYER KIELBERG (1882-1958) Danish-born shipping magnate and philanthropist, Sir Michael Kroyer-Kielberg was founding chairman of United Molasses. of United Molasses. Under his leadership, the company played a key role in supporting the Free Denmark Movement during the war. He also served as Danish Ambassador to the Court. An art lover, his collections included important works by Sisley, Corot, Pissarro and Epstein. Between 1928 and 1930, he built Stockgrove Park House in Bedfordshire, a property considered to be the last major castle in England. built in England. During this period, he probably commissioned opulent silverware from the houses of Puiforcat and Garrard (lots 22 to 34 and 37). // Please note that this lot contains elephant ivory and that in accordance with European regulation 2021/2280 of December 16, 2021, the export of goods containing this material outside the EU is prohibited. Audap & associés will be able to issue the buyer with the intra-community certificate for this item.

Estim. 800 - 1 000 EUR

Lot 26 - GARRARD & Co Ltd - London (1928) Important vermeil menagère with interlacing and crest decoration, including : - Five serving pieces - Eleven dessert knives - Twelve table knives - Twelve table forks - Twelve teaspoons - Four pieces of cheese service - Twelve pieces of entremet cutlery - Eighteen butter knives - Twelve teaspoons - Twelve soup spoons - Twelve serving spoons - One ladle - One sauce spoon - Six jam spoons - Two mustard spoons - Four salt spoons - Twelve teaspoons - Four dessert serving pieces (two tart pans and two knives) - Twelve fruit knives - Twelve fruit forks - Six pieces of hors d'oeuvre cutlery - Twelve fish knives - Twelve fish forks Gross weight: 13,900 g (approx.) (Wear, oxidation, scratches) (In two wooden cases.)

Estim. 3 000 - 4 000 EUR

Lot 27 - Four gilded bronze display stands, the wing openwork, the basin engraved with a coat of arms accompanied by the motto "Fidem Servabo". Circa 1926-1928, dates of Sir Ferdinand Michael Kroyer-Kielberg's ennoblement and the reconstruction of Stockgrove Park. In two shaped cases. (Some scratches and wear). Diameter: 17 cm Provenance : - Former collection of Sir Michael KROYER KIELBERG (1882-1958) Danish-born shipping magnate and philanthropist, Sir Michael Kroyer-Kielberg was founding president of United Molasses. Under his leadership, the company played a key role in supporting the Free Denmark Movement during the war. He also served as Danish Ambassador to the Court. An art lover, his collections included important works by Sisley, Corot, Pissarro and Epstein. Between 1928 and 1930, he built Stockgrove Park House in Bedfordshire, a property considered to be the last major castle in England. built in England. During this period, he probably commissioned opulent silverware from the houses of Puiforcat and Garrard (lots 22 to 34 and 37).

Estim. 300 - 500 EUR

Lot 28 - Pair of gilt bronze display stands, the wing openwork, the basin engraved with a coat of arms and the motto "Fidem Servabo". Circa 1926-1928, dates of Sir Ferdinand Michael Kroyer-Kielberg's ennoblement and the rebuilding of Stockgrove Park. (In their carrying cases. Wear and tear) Diameter: 20 cm Provenance : - Former collection of Sir Michael KROYER KIELBERG (1882-1958) Danish-born shipping magnate and philanthropist, Sir Michael Kroyer-Kielberg was founding president of United Molasses. Under his leadership, the company played a key role in supporting the Free Denmark Movement during the war. He also served as Danish Ambassador to the Court. An art lover, his collections included important works by Sisley, Corot, Pissarro and Epstein. Between 1928 and 1930, he built Stockgrove Park House in Bedfordshire, a property considered to be the last major castle in England. built in England. During this period, he probably commissioned opulent silverware from the houses of Puiforcat and Garrard (lots 22 to 34 and 37).

Estim. 300 - 500 EUR

Lot 29 - Three tastevins in vermeil, the body gadrooned, the bottom decorated with a relief in the taste of medals. In a shaped carrying case. (Wear and stains.) Diameter : 9 cm Weight : 691 g.

Estim. 120 - 200 EUR

Lot 30 - BOIN-TABURET Three silver tastevins, serpentine handle (In a case.) Weight : 446 g.

Estim. 120 - 180 EUR

Lot 31 - Two silver tastevins, the body gadrooned, the bottom decorated with a profile of Queen Victoria in the medallic style. In a carrying case. (Wear, oxidation and stains; the case originally contained three tastevins). Weight : 439 g.

Estim. 80 - 120 EUR

Lot 32 - PUIFORCAT (attributed to) Two serving trays in vermeil with oval-shaped bodies and detached scrolled side handles ending in ivory grips carved with gadroons and small side rosettes. Central incised decoration depicting a ship escutcheon on the lower part and two upright lions on the upper part, on a background of leaves, a rudder and ropes, marked with the motto "Fidem Servabo", "Je garderai la foi" ("I will keep the faith"). Surrounding leaves and berries. In their carrying cases. (Wear, oxidation, scratches). Height 5 cm; Length: 86 cm; Depth: 58 cm Height 5 cm; L 76 cm; D 50 cm Weight: 10.1 kg. History : - Piece commissioned by Sir Michael Kielberg-Kroyer who became Sir Michael Kroyer probably around 1928-1930 for the furnishings of his Stockgrove Park House castle, Bedfordshire, England. Provenance: - Former collection of Sir Michael KROYER KIELBERG (1882-1958) Danish-born shipping magnate and philanthropist, Sir Michael Kroyer-Kielberg was founding chairman of United Molasses. of United Molasses. Under his leadership, the company played a key role in supporting the Free Denmark Movement during the war. He also served as Danish Ambassador to the Court. An art lover, his collections included important works by Sisley, Corot, Pissarro and Epstein. Between 1928 and 1930, he built Stockgrove Park House in Bedfordshire, a property considered to be the last major castle in England. built in England. During this period, he probably commissioned opulent silverware from the houses of Puiforcat and Garrard (lots 22 to 34 and 37). // Please note that this lot contains elephant ivory and that in accordance with European regulation 2021/2280 of December 16, 2021, the export of goods containing this material outside the EU is prohibited. Audap & associés will be able to issue the buyer with the intra-community certificate for this item.

Estim. 1 500 - 2 000 EUR

Lot 33 - Pair of vermeil (Minerve) display stands or round dishes, the basin engraved with a coat of arms accompanied by the motto "Fidem Servabo". Circa 1926-1928, dates of Sir Ferdinand Michael Kroyer-Kielberg's ennoblement and the rebuilding of Stockgrove Park. Diameter: 30 cm Total weight: 3,300 g. Provenance: - Former collection of Sir Michael KROYER KIELBERG (1882-1958) Danish-born shipping magnate and philanthropist, Sir Michael Kroyer-Kielberg was founding president of United Molasses. Under his leadership, the company played a key role in supporting the Free Denmark Movement during the war. He also served as Danish Ambassador to the Court. An art lover, his collections included important works by Sisley, Corot, Pissarro and Epstein. Between 1928 and 1930, he built Stockgrove Park House in Bedfordshire, a property considered to be the last major castle in England. built in England. During this period, he probably commissioned opulent silverware from the houses of Puiforcat and Garrard (lots 22 to 34 and 37).

Estim. 500 - 800 EUR

Lot 34 - PUIFORCAT (attributed to) Two serving trays in vermeil with oval-shaped bodies and detached scrolled side handles ending in ivory grips carved with gadroons and small side rosettes. Central incised decoration depicting a ship escutcheon on the lower part and two upright lions on the upper part, on a background of leaves, a rudder and ropes, marked with the motto "Fidem Servabo", "Je garderai la foi" ("I will keep the faith"). Surrounding leaves and berries. In their carrying cases. Height 5 cm; Length: 66 cm; Depth: 42 cm Height 5 cm; Length: 56 cm; Depth: 35 cm (Wear, oxidation, scratches) Total weight: 5,700 g. History : - Piece commissioned by Sir Michael Kielberg-Kroyer, later Sir Michael Kroyer, probably around 1928-1930 for the furnishings of his Stockgrove Park House castle, Bedfordshire, England. Provenance: - Former collection of Sir Michael KROYER KIELBERG (1882-1958) Danish-born shipping magnate and philanthropist, Sir Michael Kroyer-Kielberg was founding chairman of United Molasses. of United Molasses. Under his leadership, the company played a key role in supporting the Free Denmark Movement during the war. He also served as Danish Ambassador to the Court. An art lover, his collections included important works by Sisley, Corot, Pissarro and Epstein. Between 1928 and 1930, he built Stockgrove Park House in Bedfordshire, a property considered to be the last major castle in England. built in England. During this period, he probably commissioned opulent silverware from the houses of Puiforcat and Garrard (lots 22 to 34 and 37). // Please note that this lot contains elephant ivory and that in accordance with European regulation 2021/2280 of December 16, 2021, the export of goods containing this material outside the EU is prohibited. Audap & associés will be able to issue the buyer with the intra-community certificate for this item.

Estim. 1 200 - 1 500 EUR

Lot 35 - PUIFORCAT and miscellaneous Two sets, each comprising two oval salt bowls, a Puiforcat blue glass mustard pot, two Puiforcat and Peugeot pepper mills and six spoons. (In their carrying cases.) (Wear, oxidation, scratches). Weight : 4 kg.

Estim. 300 - 500 EUR

Lot 36 - Pair of gilt bronze display stands, the wing openwork, the basin engraved with a coat of arms accompanied by the motto "Fidem Servabo". Circa 1926-1928, dates of Sir Ferdinand Michael Kroyer-Kielberg's ennoblement and the reconstruction of Stockgrove Park. (Wear, oxidation, scratches) Diameter: 24 cm Provenance : - Former collection of Sir Michael KROYER KIELBERG (1882-1958) Danish-born shipping magnate and philanthropist, Sir Michael Kroyer-Kielberg was founding president of United Molasses. Under his leadership, the company played a key role in supporting the Free Denmark Movement during the war. He also served as Danish Ambassador to the Court. An art lover, his collections included important works by Sisley, Corot, Pissarro and Epstein. Between 1928 and 1930, he built Stockgrove Park House in Bedfordshire, a property considered to be the last major castle in England. built in England. During this period, he probably commissioned opulent silverware from the houses of Puiforcat and Garrard (lots 22 to 34 and 37).

Estim. 300 - 400 EUR

Lot 37 - PUIFORCAT Two vermeil fluted goblets. (Oxidation, wear.) Height Height : 10 cm Total weight : 630 g.

Estim. 250 - 300 EUR

Lot 38 - PUIFORCAT & BACCARAT Two small jam jars with their silver spoons (Maison Garrard), with white crystal receptacle with conical body cut with large facets on circular vermeil plate with incised decoration and conical vermeil lid with ivory fretel. In their carrying case. Master and material hallmarks, signed with the Baccarat circular stamp. (Wear, oxidation, scratches). Height 11 cm; Diam. 18 cm Gross weight: 904 g. (total) History: - Piece commissioned by Sir Michael Kielberg-Kroyer, later Sir Michael Kroyer, probably around 1928-1930 for the furnishings of his Stockgrove Park House castle, Bedfordshire, England. Provenance: - Former collection of Sir Michael KROYER KIELBERG (1882-1958) Danish-born shipping magnate and philanthropist, Sir Michael Kroyer-Kielberg was founding chairman of United Molasses. of United Molasses. Under his leadership, the company played a key role in supporting the Free Denmark Movement during the war. He also served as Danish Ambassador to the Court. An art lover, his collections included important works by Sisley, Corot, Pissarro and Epstein. Between 1928 and 1930, he built Stockgrove Park House in Bedfordshire, a property considered to be the last major castle in England. built in England. During this period, he probably commissioned opulent silverware from the houses of Puiforcat and Garrard (lots 22 to 34 and 37). // Please note that this lot contains elephant ivory and that in accordance with European regulation 2021/2280 of December 16, 2021, the export of goods containing this material outside the EU is prohibited. Audap & associés will be able to issue the buyer with the intra-community certificate for this item.

Estim. 600 - 800 EUR

Lot 39 - WISKEMANN - BRUSSELS Two sugar bowls in vermeil with conical body and two solid side handles with shell decoration, conical lid with chased decoration and ivory fretel. Two silver spoons by Garrard. In their carrying case. Signed. (Wear, oxidation, scratches). Height 10 cm; Diam. 15 cm Total gross weight: 904 g. History: - Piece commissioned by Sir Michael Kielberg-Kroyer, later Sir Michael Kroyer, probably around 1928-1930 for the furnishings of his Stockgrove Park House castle in Bedfordshire, England. Provenance : - Former collection of Sir Michael KROYER KIELBERG (1882-1958) Danish-born shipping magnate and philanthropist, Sir Michael Kroyer-Kielberg was founding chairman of United Molasses. of United Molasses. Under his leadership, the company played a key role in supporting the Free Denmark Movement during the war. He also served as Danish Ambassador to the Court. An art lover, his collections included important works by Sisley, Corot, Pissarro and Epstein. Between 1928 and 1930, he built Stockgrove Park House in Bedfordshire, a property considered to be the last major castle in England. built in England. During this period, he probably commissioned opulent silverware from the houses of Puiforcat and Garrard (lots 22 to 34 and 37). // Please note that this lot contains elephant ivory and that in accordance with European regulation 2021/2280 of December 16, 2021, the export of goods containing this material outside the EU is prohibited. Audap & associés will be able to issue the buyer with the intra-community certificate for this item.

Estim. 600 - 800 EUR

Lot 40 - CZAPEK & Cie, Geneva Half-Chronometer Mid-19th century Enameled gold present watch bearing the effigy of Prince Napoléon-Jérôme with double date and diablotine chronograph. Round hinged case, enameled back on a rhinestone surround, central medallion, grisaille enamel depicting Prince Jérôme Napoléon, gold bowl, signed "Czapek & Cie à Genève Place Vendôme 25 Paris". White enamel dial, Roman numerals, off-center hours and minutes at 9 o'clock, hour counter at 12 o'clock, weekday and date indications on two auxiliary dials at 12 and 3 o'clock, central chronograph hand with railway minute track, auxiliary seconds at 6 o'clock with this function graduated from 1 to 5 called "diablotine". Mechanical movement with key winding, half-chronometer type for rate precision, differential with double gear train, two barrels, compensated balance-spring, anchor escapement, one advance/retard adjustment racket. retard. Diameter: 58 mm Gross weight: 98.4 g. Red morocco case, monogrammed "N" and surmounted by an imperial crown, signed inside "Czapek & Cie Genève Horlogers de L.L.A.A.L.L le prince Napoléon et la princesse Clotilde 25 Place Vendôme Paris". Provenance: Inherited since the 19th century. AN IMPERIAL WATCH Prince Napoleon-Jérôme was born in Trieste on September 9, 1822, and died in Rome on March 17, 1891. Son of Jérôme Bonaparte and first cousin of Emperor Napoleon III, he was a political and military figure of the Second Empire. At the time, he was known as "Prince Napoléon" and was colloquially nicknamed "Plon-Plon". On the back of our watch, a Geneva-made grisaille enamel miniature depicts Prince Napoleon. As the case mentions Princess Clothilde, whose marriage to the prince dates back to 1859, we can deduce a date between 1859 and the end of the Second Empire in 1870. THE DIABLOTINE: A RARE COMPLICATION Our watch is undoubtedly one of the finest discoveries of recent years in the field of Czapek complication watches, given the addition and complexity of the Diablotine in its chronograph mechanism. The Diablotine, also known as the "seconde foudroyante", features a 1/5-second graduation. There is also a double date display, for the date and the days of the week. To date, only one similar watch is known in the annals of auctioneering. Antiquorum, 1991, Hong Kong, lot 285. In addition to the diablotine, our watch has another rare feature for a timepiece of this period. It is a grisaille enamelled miniature. The Patek Philippe Museum collection includes similar enamelled watches from the same period. The last one to be sold came directly from Prince Napoleon's family: Napoléon, Plon-Plon (1822-1891); Prince Victor Napoléon (1862-1926); Prince Louis Napoléon (1914-1997). Sotheby's, London, July 4, 2018, lot 69. CZAPEK & PATEK Czapek was certainly one of the most gifted watchmakers of his generation. He was, among others, the first partner of Antoine Norbert de Patek. These two Polish émigrés, who had fled to Geneva in 1836, founded a factory in 1839, which took the name "Patek Czapek & Cie. After six years of working together to create exceptional timepieces, the company became known as "Patek Philippe". PLACE VENDÔME Paris plays an important role in the world of watchmaking. It was here, in 1844, that Patek met Philippe. At the national exhibition on the Champ-de-Mars, the brilliant watchmaker Adrien Philippe presented his innovation and patent for the winding crown. It was also at this time that Czapek established itself in Paris at N°25 Place Vendôme. PHOTOGRAPHIC ENAMEL: AN INNOVATIVE PROCESS In addition to rare complications, 19th-century watchmakers sought to incorporate the most innovative inventions of the industrial arts, particularly photography, into these pocket luxury items. In "L'art de la photographie ,1862", the famous photographer Disdéri describes a process perfected by Lafon de Camarsac around 1855: "the vitrification of the photographic image", particularly on enamel. The principle is based on the inclusion of unalterable colorants in a photogenic adhesive layer. The process transforms "heliographic drawings into indelible paints". Jewelers and watchmakers were quick to incorporate these unalterable photographs into their creations for watches, pendants and bracelets, by

Estim. 20 000 - 40 000 EUR

Lot 41 - Pair of perfume-burner basins in sea-green marble, patinated bronze and gilt bronze, with openwork decoration of oves, interlacing and gadroons, the base with draperies (on a blue-painted background)), resting on turtles supported by a counter-socle with a frieze of foliage scrolls; (small accidents). After a model by Matthew Boulton. Circa 1830-1840. Height 36 cm; Width: 14 cm; Depth: 14 cm This model of incense-burner vase is a close variant of a pair of Blue John vases with sphinxes now in the King of England's collection at Buckingham Palace. While directly inspired by them, the body of the vase is not made in the usual Blue John of Matthew Boulton's productions of the 1770s, but in a sea-green marble more commonly used in the first half of the 19th century. Another pair of similar vases, this time in porphyry, was sold at Christie's in Paris on April 14, 2015, lot 183, then by the De Baecque study also in Paris, September 20, 2016, lot 122

Estim. 8 000 - 12 000 EUR

Lot 42 - Cut crystal chandelier with fifteen arms of light in two rows, decorated with pendants. Probably England, 19th century (Minor accidents and damage. Recently cleaned and re-electrified) Height 115 cm; Diam. 85 cm

Estim. 1 500 - 2 000 EUR

Lot 43 - Carved and painted wood console table, the blue tiger marble top resting on a canted belt decorated with a post frieze, supported by sheathed legs surmounted by a disk; (minor accidents, including small paint chips). Late 18th century. Height : 77 cm ; Width : 107 cm ; Depth : 61 cm

Estim. 600 - 800 EUR

Lot 44 - Pair of carved and painted wood console tables, the tiger-blue marble top resting on a canted belt decorated with foliage and rai-de-cœur friezes, supported by tapered legs with pearls and rudentures; (accidents, notably a chip to one of the marbles at the back). Late 18th century. Height : 84 cm ; Width : 96 cm ; Depth : 49 cm

Estim. 1 500 - 2 000 EUR

Lot 45 - Pair of molded and carved wood chairs with banded backs, fluted legs and uprights. Late 18th century (Accidents to upholstery.) Height : 84.5 cm ; Width : 43 cm

Estim. 200 - 300 EUR

Lot 46 - Elm burl writing table, the rectangular top resting on a belt opening to a drawer supported by sheath legs, MEU fire mark, Restoration furniture mark (three crowned fleurs-de-lis in an oval) and n° 48174 in ink; (cracks and lifts). First third of the 19th century. Height : 74 cm ; Width : 81 cm ; Depth : 48 cm Provenance : Château de Meudon under the Restoration. At the end of the Empire, cabinetmaker François Maigret delivered a series of burrwood furniture for the imperial family at the Château neuf de Meudon.

Estim. 800 - 1 200 EUR

Lot 47 - Aubusson rug, Restoration period, circa 1820-1830 Flat carpet (tapestry technique) (Good condition.) Length: 592 cm; Width: 574 cm This large rug features a central floral medallion on a light background, surrounded by six garlands of flowers. The field is sprinkled with florets, with bouquets of flowers in each corner on a garnet background. The entire composition is surrounded by a beautiful border of garlands of flowers on a pink background.

Estim. 3 000 - 5 000 EUR

Lot 48 - Fabius BREST (1823-1900) Still Life with Fruit and a Glass of Red Wine Oil on cardboard, signed lower right (Small loss at top right, craquelure). Height 32.6 cm; Width: 26 cm

Estim. 2 000 - 3 000 EUR

Lot 49 - Royal Aubusson Manufactory Queen Artemisia Tapestry by the Manufacture Royale d'Aubusson, second half of the 17th century Woven in wool and silk Height 310 cm; Width: 445 cm The tapestry retains some beautiful colors and its original border. It shows wear in the silks and old restorations. It is reduced in height and probably in width. A similar tapestry was sold at Giquello on June 24, 2019. Lot 253

Estim. 2 500 - 4 500 EUR

Lot 50 - Mazarin desk in flower marquetry, opening to seven drawers and a window, decorated with bouquets in lozenges (the reverse veneered), resting on an eight-legged sheath base joined four by four by braces; (extensive restorations, notably the top and base redone). Partly Louis XIV period. Height : 83 cm ; Width : 117 cm ; Depth : 63 cm

Estim. 2 000 - 3 000 EUR

Lot 51 - CHINA, KANGXI ERA (1662-1722) - (DEPOSIT NEEDED - NO LIVE BID FOR THIS LOT) Eight-leaf Coromandel lacquer screen with incised decoration, on one side, of dignitaries, court ladies and children in a garden embellished with bridge, pierced rocks, weeping willows, rose trellis and pavilions, horsemen and animals, framed by a frieze of furniture subjects, flowering vases, brush pots and mythical animals. (Gouges, repaints, cut feet, cut at top). Height : 283 cm ; Width : between 55 and 59 cm per leaf TO BID ON THIS LOT IN THE AUCTION ROOM, BY PURCHASE ORDER OR BY PHONE, PLEASE DEPOSIT €10,000 VIA THIS LINK AND CONTACT THE FIRM - NO LIVE BIDS ON THIS LOT TO BID ON THIS LOT BY PHONE OR ABSENTEE BID OR IN THE SALEROOM, PLEASE PAY A DEPOSIT OF 10.000 € VIA THIS LINK AND CONTACT OUR OFFICE ([email protected]) - NO LIVE BIDS ON THIS LOT https://www.audap-associes.com/depot-avance-en-ligne

Estim. 20 000 - 30 000 EUR

Lot 52 - Rare rosewood and rosewood chest of drawers, the strongly curved front opening to two drawers, the grey marble top resting on curved uprights terminating in cambered feet, beautifully decorated with gilded bronzes with openwork falls, asymmetrical handles and foliate apron. Stamped by Jean-Charles Saunier, cabinetmaker received as master in 1743. Louis XV period, circa 1740-1745. Height : 85 cm ; Width : 101 cm ; Depth : 56 cm Jean-Charles SAUNIER, received master on August 27, 1743. Son of cabinetmaker Charles SAUNIER.

Estim. 10 000 - 12 000 EUR

Lot 53 - Beautiful caned armchair in carved walnut, with flat back and openwork decoration of shells, rocaille and foliage, trellises and staples, resting on scrolled cambered legs; (small accidents). Louis XV period. Height 99 cm ; Width : 65 cm

Estim. 800 - 1 200 EUR

Lot 54 - Moulded and carved walnut caned armchair, decorated with foliage and flowers, resting on cambered legs; (small missing parts). Louis XV period. Height : 94 cm ; Width : 65 cm

Estim. 400 - 600 EUR

Lot 55 - 17th century Italian school, workshop of Jacob Ferdinand VOET Portrait of Marie Mancini Canvas (Old restorations.) Height : 75 cm ; Width : 62 cm Provenance : Lot 16 of Christie's sale no. 9447, September 3, 2002 Captain Arthur Christie Crawford of Cartburn.

Estim. 2 000 - 3 000 EUR

Lot 56 - After Pierre Paul RUBENS (1577-1640) The Triumph of the Eucharist Black engraving (Wear.) Height 65 cm; Width 103 cm

Estim. 120 - 150 EUR

Lot 57 - After Antoon VAN DYCK Antoine Triest, Bishop of Ghent, born at Anweghem Castle in 1576, died in 1657 Black engraving (Wear.) Height 24.9 cm; Width: 18.5 cm (dimensions when viewed)

Estim. 100 - 200 EUR

Lot 58 - Carved and painted wood sofa, decorated with ribboned rush and flowers; (transformation, originally an armchair, enlarged at a later date). Partly 18th century. Height : 95 cm ; Width : 126 cm

Estim. 250 - 350 EUR

Lot 59 - Antoine-Louis BARYE (1795-1875) Theseus fighting the centaur Biénor Model created in 1849; Barbedienne edition from 1877 Bronze with brown-green patina Signed "BARYE Bears the circular gilded insert "COLLECTION BARBEDIENNE PARIS" on the reverse. Bears the founder's mark "F. BARBEDIENNE PARIS" on the reverse. Height 76 cm and terrace 53.5 x 20 cm Related literature: - Michel Poletti, Alain Richarme, Barye, le catalog raisonné des sculptures, Paris, Gallimard, 2000, model listed under no. F33, p. 109 ; - Florence Rionnet, Les bronzes Barbedienne, l'œuvre d'une dynastie de fondeurs 1834-1954, Paris, Arthena, 2016, model listed under cat. no. 426, p. 272.

Estim. 12 000 - 15 000 EUR

Lot 60 - Large ormolu and cut-glass lantern with five glazed sides and pendant decoration. Louis XV style Height Height : 120 cm

Estim. 1 500 - 2 500 EUR

Lot 61 - Attributed to Abraham BRUEGHEL (1631-c. 1690) Putti holding a garland of flowers Canvas (Old restorations.) Height 99 cm; Width 156 cm Notes : - The figures can be attributed to Guillaume Courtois.

Estim. 4 000 - 6 000 EUR

Lot 62 - MARCELLO (Marcello PETTINEO born 1954) Elaphe Deer Mixed media, signed "Marcello" and dated 10/11/2014 lower right. Height 114 cm; Width 162 cm A naturalist artist nourished by the atmospheres of curiosity cabinets and the Muséum National d'Histoire Naturelle in Paris, his style asserts itself through his studies, which appear like the pages of a gigantic travel diary. His vision invites us to explore and question our relationship with wild nature.

Estim. 400 - 600 EUR

Lot 63 - Patinated bronze and gilt bronze clock, decorated with a horse and stylized foliage. Louis-Philippe period. Height : 45 cm ; Width : 32 cm ; Depth : 14 cm

Estim. 800 - 1 200 EUR

Lot 64 - Molded beech armchair with a high, unhinged back resting on fluted tapered legs topped with discs; (accidents and missing parts; the belt strapped and not examined). Louis XVI period. Height 102 cm ; Width : 63 cm

Estim. 200 - 300 EUR

Lot 65 - Mahogany and Aleppo breche marble table with runners. Louis XVI style. Height : 74 cm ; Width : 62 cm ; Depth : 30 cm

Estim. 100 - 120 EUR

Lot 66 - Édouard-Paul DELABRIÈRRE (1829-1912) Horse with stump Bronze with light brown patina Signed "E. DELABRIÈRRE" on the terrace Stamped "EXPOSITION UNIVERSELLE DE 1889 / MEDAILLE D'OR". Bears the number "14 128". Height 40 cm and terrace Length : 43 cm ; Width : 17 cm Alongside Jean-Baptiste Delestre, Paul-Édouard Delabrièrre devoted the first part of his career to painting. Influenced by the work of Antoine-Louis Barye, he then turned to animal sculpture.

Estim. 800 - 1 200 EUR

Lot 67 - After Frans SNYDERS (1579 -1657) Wild boar hallali Black engraving (Wear.) Height : 40 cm ; Width : 67 cm

Estim. 100 - 150 EUR

Lot 68 - Pair of marmoset andirons in patinated bronze and brass; (with their irons). Early 18th century. Height 35 cm; Width: 26 cm

Estim. 200 - 300 EUR

Lot 69 - Clovis-Edmond MASSON (1838-1913) Two deer Bronze with double patina of gold and green-brown Signed on the terrace "C.E MASSON". Bears the founder's stamp Les Neuveux de Jules Lehmann "LNJN / PARIS". Bears the stamped number "22" and a stamp with the interlaced initials "MJ" with the number "22". Height 61 cm and terrace: Length: 53 cm; Width: 29 cm Clovis Masson, a pupil of Antoine-Louis Barye, was an animal sculptor who regularly exhibited his work at the Salon around 1890.

Estim. 1 500 - 2 500 EUR

Lot 70 - Pierre-Jules MÊNE (1810-1879) Trophy with dagger and body High-relief in bronze with medal patina Signed and dated "PJ / MÊNE / 1870". Height 30 cm; Width: 20 cm, in original natural wood frame (39 x 40 cm)

Estim. 1 000 - 1 500 EUR

Lot 71 - After Pierre-Jules MÊNE (1810-1879) Ibrahim Subject in patinated resin Height 35.5 cm; Length: 30.5 cm

Estim. 100 - 150 EUR

Lot 72 - Modern school Prancing horse Metal-clad subject standing on a gray marble base Height Height : 42.5 cm

Estim. 120 - 150 EUR

Lot 73 - 19th century French school The opening of the hunt Gilt bronze match holder Titled "Opening of the Hunt Height 12 cm on a marble base (Minor accidents and missing parts.)

Estim. 150 - 250 EUR

Lot 74 - Walnut and inlaid parquet clock case, decorated with scrolls and columns; (no movement). 18th century. Height : 246 cm : 246 cm ; Width : 60 cm ; Depth : 29 cm

Estim. 300 - 500 EUR

Lot 75 - Attributed to Nicola van HOUBRAKEN (Messina 1660-Livourne 1723) Still life with grapes, peaches, pears and plums on an entablature Canvas (Old restorations.) Height : 73 cm ; Width : 94 cm

Estim. 3 000 - 5 000 EUR

Lot 76 - Pair of gilt bronze andirons representing Venus and Vulcan; (wear). Louis XV period. Height : 39 cm ; Width : 40 cm

Estim. 1 000 - 1 500 EUR

Lot 77 - French school circa 1770 Portrait of a man holding a snuffbox Canvas (Old restorations.) Height : 92 cm ; Width : 73 cm

Estim. 1 000 - 1 500 EUR

Lot 78 - French school, in the taste of DUMONSTIER Portrait of a woman in her thirty-third year holding a book Oil on panel, annotated "attatis sua 33" and "anno 1634". Painted coat of arms top left (Repainted.) Height 66.5 cm; Width: 64.5 cm

Estim. 800 - 1 200 EUR

Lot 79 - Gilded wood mirror decorated with rocailles, foliage and shells; (accidents and chips). Louis XV period. Height : 203 cm ; Width : 107 cm

Estim. 3 000 - 4 000 EUR

Lot 80 - Suite of twelve chairs in painted and gilded wood, with curved backs and stylized foliage decor, resting on cambered legs. (Major accidents and missing parts, pitting, one chair in two pieces). Italy, 18th century. Height 95 cm ; Width : 54 cm

Estim. 2 500 - 3 500 EUR

Lot 81 - Two-piece carved oak display case, opening with two leaves at the bottom and two doors at the top, with openwork and symmetrical decoration of rocaille cartouches, palmettes and clasps; (accidents and restorations; composite, the two elements associated with a later date). Liege, 18th century. Height 265 cm; Width 180 cm; Depth 62 cm

Estim. 2 000 - 3 000 EUR

Lot 82 - Christophe FRATIN (1801-1864) Deer licking its flank Model created circa 1835 Bronze with brown patina Signed "FRATIN" on the terrace Height 36 cm and terrace Length : 43.5 cm ; Width : 19 cm Related literature: - Michel Poletti, Alain Richarme, Fratin, objets décoratifs et sculptures romantiques, Paris, Univers du bronze, 2000, model listed under no. 82, p. 59.

Estim. 800 - 1 200 EUR

Lot 83 - DELFT An ovoid earthenware tobacco pot decorated in blue monochrome on one side with a rocaille cartouche topped by a vase of flowers and the central inscription "St Domingo", and a copper lid. 18th century Provenance: - J. Anthonissen, Antwerp. A pair with the same decoration, inscribed "Portorico" and "Maryland", with a false three-bell mark on the reverse. Copper lids. Minor wear to the shoulder. Late 19th century (The 18th c. pot has been glued back together.) Height 28 and 25 cm

Estim. 200 - 300 EUR

Lot 84 - DELFT, in the style Pair of earthenware ovoid tobacco jars decorated, on one side, with a covered vase bearing the inscriptions "Havana" and "Portorico", and on the other, a seated native smoking, surrounded by barrels, fruit and foliage. Copper lids. Late 19th century, minor wear to shoulders. Height Height : 25.5 cm

Estim. 200 - 300 EUR

Lot 85 - Based on a model by BERNIN Fountain of the triton, Barberini Patinated bronze, black marble and wooden base Sculpture representing the base of the Newt Fountain in Rome in patinated bronze, the basin in patinated bronze, the bottom of the basin in black marble. (Misses.) Height 27 cm; height of bronze subject: 20.5 cm

Estim. 2 500 - 3 500 EUR

Lot 86 - Belgian work, WOLFERS FRÈRES (1892-1942) Tea and coffee service in plain silver 800 thousandths, of baluster form on pedestal, with sides, the neck underlined by a rush and shells. (dents.) Weight : 2.835 kg

Estim. 800 - 1 000 EUR

Lot 87 - GERMAN WORK Octagonal, lightly hammered, 800-milliliter silver dish, the wing highlighted with a frieze of flowers and fruit, ribboned. Goldsmith: C. TEWES (DORTMUND) Marked on the back L. Holtbuer Nachf. Leipzig (Scratches.) Width: 26 cm; Weight: 555 g.

Estim. 250 - 350 EUR

Lot 88 - Two oval service bells in silver-plated metal decorated with strings of pearls. (Suspension rings, different sizes.) Length : 26 cm ; Length . 32 cm

Estim. 150 - 250 EUR

Lot 89 - Silver-plated punch bowl with serrated rim resting on a circular pedestal, the handles decorated with lion's heads holding movable rings. (Slight wear.) Height 18 cm; Diam. 17 cm

Estim. 80 - 120 EUR

Lot 90 - Pair of silver-covered vegetable dishes, the fretel decorated with woodcocks (Wear.) Height : 18 cm ; Diam. : 50 cm Weight : 3060 g.

Estim. 800 - 1 200 EUR

Lot 91 - Probably German, late 19th century Large silver-plated and gilded metal centerpiece on a quadripod base decorated with leafy clasps bearing the inscription "Dem Jubelpaare und Minchen Schulte-Brochnhoff gcb Schulte-Moenting. Zur silberen hochzeitsfeier am 22 october 1892 Gewidmet von Thern geschwistern" surmounted by four deer trophies, a round crystal-engraved bowl, three deer under oak trees, topped by a horn-ringer holding two dogs. (Worn, missing). Height 78 cm; Diam. 37 cm

Estim. 2 000 - 3 000 EUR

Lot 92 - PARIS, 1809-19 Covered soup tureen in plain silver 950 thousandths, stamped with a coat of arms, flat-bottomed, handles with leafy attachments, doucine lid highlighted with water-leaf and gadroon moldings, ovoid socket on leafy mound. Plated metal lining. Goldsmith: Jean-Baptiste FAMECHON (Shocks, dents and restorations.) Diameter : 24.5 cm Silver weight : 1.580 kg

Estim. 800 - 1 200 EUR

Lot 93 - After the Manufacture by DUFOUR Psyche showing her jewels to her sisters Grisaille wallpaper, mounted on stretcher (Wear.) Height 195 cm; Width 240 cm The original series of this famous wallpaper was produced by Manufacture Dufour in 1815.

Estim. 600 - 800 EUR

Lot 94 - Late 19th century French school after Jean-Antoine HOUDON (1741-1828) Diana White marble bust (Minor accidents and chips, crescent in the headdress). Height Height : 64 cm Related work : - Jean-Antoine Houdon, Diane, 1790, bronze, signed and dated "HOUDON.F. 1790", H. 192.9 x W. 90 x D. 114.5 cm, Paris, Musée du Louvre, inv. CC 204.

Estim. 800 - 1 000 EUR

Lot 95 - Rococo clock in gilt bronze, the enameled dial marked "Cauchard" surrounded by branches with flowers in Sèvres and Chantilly porcelain. On the base, two cherubs, one blindfolded, the other hiding behind his fan, on the top a standing cherub holding a basket (wings missing). 18th-century porcelain and 19th-century mount. (Some chips to the flowers and chips to the figures, some flowers missing). Height Height : 32 cm

Estim. 1 000 - 1 500 EUR

Lot 96 - A pair of ormolu Rocaille candlesticks with two branches decorated with flowers in Sèvres and Chantilly porcelain, one with a figure of a young grape-picker holding grapes, the other with a dancing grape-picker holding a bunch of grapes in Meissen porcelain. Marked in blue. 18th century (Some chips to the flowers, chips to the hat and to the garland of grapes on the bust, some fingers and flowers missing). Height 24.5 and 23 cm

Estim. 1 000 - 1 500 EUR

Lot 97 - CHINA Pair of lamps decorated with Fô dogs in green, brown and yellow enameled porcelain Bronze and gilded metal mount 19th-20th centuries Height Height : 35 cm (Wear, small chips, one eye to be refixed, restoration to one paw).

Estim. 500 - 800 EUR

Lot 98 - Heriz rug (cotton warp and weft, wool pile), Northwest Persia, circa 1930-1960 (Wear and old restorations.) Length: 357 cm; Width: 267 cm (approx.) The carpet is embellished with numerous rosettes, polychrome flowers and geometric leaves on a red background. A wide navy blue border with flower garlands is framed by two counter-borders. Heriz lies northeast of Tabriz (...). At the end of the 19th century, Tabriz merchants, always on the lookout for cheap labor, set up a number of factories here, producing large, solid carpets (...).) The decorative theme introduced to Heriz by the Tabriz merchants was classical, with a medallion and spandrels; but the Heriz weavers refused the use of cartoons, which did not correspond to their traditions, and continued to weave their carpets by executing the design from memory or sometimes with the help of small vagireh (small carpets used by the weavers as a model and therefore adorned with a vast sampling of field and border designs). This approach led to a simplification of the medallion floral design, which was then represented geometrically.

Estim. 200 - 300 EUR

Lot 99 - French school circa 1770, entourage of Jean-Baptiste PERRONNEAU Portrait of a lady holding a book Canvas Height : 61 cm ; Width : 50 cm

Estim. 2 000 - 3 000 EUR

Lot 100 - Rosewood and violetwood standing writing desk, opening with two leaves and two flaps, topped by a cardboard cabinet; (accidents and restorations). Louis XVI period. Height : 157 cm ; Width : 81 cm ; Depth : 52 cm

Estim. 1 500 - 2 000 EUR

COLLECTIONS & SELECTED WORKS

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Lot 1 - Italian school of the 17th century Lively landscape with large oak tree Pen and brown ink, brown wash over black pencil lines (Slightly oiled, small stains.) Height 16.2 cm; Width: 23 cm

Lot 2 - Italian school of the 17th century Stroller with his dog in a wooded landscape Pen and brown ink, brown wash over black pencil lines Height 15 cm; Width: 19.5 cm (Missing at bottom center (iron gall ink), cut at four corners, small stains). Doubled drawing

Lot 4 - Italian school circa 1600 God the Father Pen and brown ink, traces of black stone Annotated "Tintoretto" lower right (Stains and foxing.) Transparent Height 24 cm; Width: 15.8 cm

Lot 5 - An album entitled "Disegni antichi e moderni" comprising 54 drawings of various kinds (scenes from ancient and religious histories, portraits, landscapes, etc.). Mixed media (Some pages missing, small stains.) Height 32.5 cm; Width: 42 cm (album dimensions)

Lot 7 - French school circa 1540 Allegory of Autumn, the Harvest Poplar panel, two boards, not parqueted (Old restorations.) Height 75 cm; Width: 53 cm Provenance : - Lyon private collection - Acquired by the owner's father in Italy in the 1930s.

Lot 12 - French school circa 1770, workshop of Joseph-Siffred DUPLESSIS Portrait of the Count of Provence Oval canvas Height : 80 cm ; Width : 65 cm Oak frame carved with oak leaf, Louis XIV period, gilded Provenance : - Sale Paris Hôtel Drouot, Me Fraysse, March 23, 2013.

Lot 16 - Piat Joseph SAUVAGE (Tournai, 1744-1818) and his workshop The Four Seasons Suite of four paintings Unframed (Old restorations, accidents and small missing parts). Height 103 cm; Width 119 cm Provenance : - Nantes mansion in which General Cambronne lived from 1820 until his death in 1842.

Lot 18 - Conrad Wise CHAPMAN (Washington, 1842-Hampton, 1910) View of the Valley of Mexico Oak panel, one board, not parqueted Signed lower right: Chapman, and trace of date below: 1... (Crack at lower left and small loss at top center). Height 21.5 cm; Width: 41 cm

Lot 22 - Pair of bronze sconces with two arms of light held by female figures. Louis XV style. (Wear and accidents.) Height Height : 35 cm

Lot 23 - Pair of two-light ormolu sconces with antique women; (drilled for electricity) After a model by Robert Auguste. Louis XVI style (Wear, stains and accidents.) Height Height : 35 cm

Lot 29 - Three tastevins in vermeil, the body gadrooned, the bottom decorated with a relief in the taste of medals. In a shaped carrying case. (Wear and stains.) Diameter : 9 cm Weight : 691 g.

Lot 30 - BOIN-TABURET Three silver tastevins, serpentine handle (In a case.) Weight : 446 g.

Lot 31 - Two silver tastevins, the body gadrooned, the bottom decorated with a profile of Queen Victoria in the medallic style. In a carrying case. (Wear, oxidation and stains; the case originally contained three tastevins). Weight : 439 g.

Lot 35 - PUIFORCAT and miscellaneous Two sets, each comprising two oval salt bowls, a Puiforcat blue glass mustard pot, two Puiforcat and Peugeot pepper mills and six spoons. (In their carrying cases.) (Wear, oxidation, scratches). Weight : 4 kg.

Lot 37 - PUIFORCAT Two vermeil fluted goblets. (Oxidation, wear.) Height Height : 10 cm Total weight : 630 g.

Lot 42 - Cut crystal chandelier with fifteen arms of light in two rows, decorated with pendants. Probably England, 19th century (Minor accidents and damage. Recently cleaned and re-electrified) Height 115 cm; Diam. 85 cm

Lot 43 - Carved and painted wood console table, the blue tiger marble top resting on a canted belt decorated with a post frieze, supported by sheathed legs surmounted by a disk; (minor accidents, including small paint chips). Late 18th century. Height : 77 cm ; Width : 107 cm ; Depth : 61 cm

Lot 45 - Pair of molded and carved wood chairs with banded backs, fluted legs and uprights. Late 18th century (Accidents to upholstery.) Height : 84.5 cm ; Width : 43 cm

Lot 48 - Fabius BREST (1823-1900) Still Life with Fruit and a Glass of Red Wine Oil on cardboard, signed lower right (Small loss at top right, craquelure). Height 32.6 cm; Width: 26 cm

Lot 53 - Beautiful caned armchair in carved walnut, with flat back and openwork decoration of shells, rocaille and foliage, trellises and staples, resting on scrolled cambered legs; (small accidents). Louis XV period. Height 99 cm ; Width : 65 cm

Lot 54 - Moulded and carved walnut caned armchair, decorated with foliage and flowers, resting on cambered legs; (small missing parts). Louis XV period. Height : 94 cm ; Width : 65 cm

Lot 55 - 17th century Italian school, workshop of Jacob Ferdinand VOET Portrait of Marie Mancini Canvas (Old restorations.) Height : 75 cm ; Width : 62 cm Provenance : Lot 16 of Christie's sale no. 9447, September 3, 2002 Captain Arthur Christie Crawford of Cartburn.

Lot 56 - After Pierre Paul RUBENS (1577-1640) The Triumph of the Eucharist Black engraving (Wear.) Height 65 cm; Width 103 cm

Lot 57 - After Antoon VAN DYCK Antoine Triest, Bishop of Ghent, born at Anweghem Castle in 1576, died in 1657 Black engraving (Wear.) Height 24.9 cm; Width: 18.5 cm (dimensions when viewed)

Lot 58 - Carved and painted wood sofa, decorated with ribboned rush and flowers; (transformation, originally an armchair, enlarged at a later date). Partly 18th century. Height : 95 cm ; Width : 126 cm

Lot 60 - Large ormolu and cut-glass lantern with five glazed sides and pendant decoration. Louis XV style Height Height : 120 cm

Lot 61 - Attributed to Abraham BRUEGHEL (1631-c. 1690) Putti holding a garland of flowers Canvas (Old restorations.) Height 99 cm; Width 156 cm Notes : - The figures can be attributed to Guillaume Courtois.

Lot 63 - Patinated bronze and gilt bronze clock, decorated with a horse and stylized foliage. Louis-Philippe period. Height : 45 cm ; Width : 32 cm ; Depth : 14 cm

Lot 64 - Molded beech armchair with a high, unhinged back resting on fluted tapered legs topped with discs; (accidents and missing parts; the belt strapped and not examined). Louis XVI period. Height 102 cm ; Width : 63 cm

Lot 65 - Mahogany and Aleppo breche marble table with runners. Louis XVI style. Height : 74 cm ; Width : 62 cm ; Depth : 30 cm

Lot 67 - After Frans SNYDERS (1579 -1657) Wild boar hallali Black engraving (Wear.) Height : 40 cm ; Width : 67 cm

Lot 68 - Pair of marmoset andirons in patinated bronze and brass; (with their irons). Early 18th century. Height 35 cm; Width: 26 cm

Lot 70 - Pierre-Jules MÊNE (1810-1879) Trophy with dagger and body High-relief in bronze with medal patina Signed and dated "PJ / MÊNE / 1870". Height 30 cm; Width: 20 cm, in original natural wood frame (39 x 40 cm)

Lot 71 - After Pierre-Jules MÊNE (1810-1879) Ibrahim Subject in patinated resin Height 35.5 cm; Length: 30.5 cm

Lot 72 - Modern school Prancing horse Metal-clad subject standing on a gray marble base Height Height : 42.5 cm

Lot 73 - 19th century French school The opening of the hunt Gilt bronze match holder Titled "Opening of the Hunt Height 12 cm on a marble base (Minor accidents and missing parts.)

Lot 74 - Walnut and inlaid parquet clock case, decorated with scrolls and columns; (no movement). 18th century. Height : 246 cm : 246 cm ; Width : 60 cm ; Depth : 29 cm