97 results

Sat 25 May

Valentini - Schau-Bühne Teil 1 - Valentini, M.B. Museum Museorum, Oder Vollständige Schau-Bühne Aller Materialien und Specereyen Aus andern Material- Kunst- und Naturalien-Kammern, Oost- und West-Indischen Reißbeschreibungen, Curiosen Zeit- und Tag-Registern, Natur- und Arztney-Kündigern, wie auch selbst-eigen Erfahrung... ... written. Part 1 (of 3) in 1 vol. Frankfurt, Zunner, 1704. 13 vols., 520 p., 2 vols., 76 p., 2 vols., 119 p., 6 vols. With 1 engraved title by Montalegre. Title by Montalegre, 16 (of which 4 double-page) copper plates and over 130 text engravings. Folio. Old cloth with RTitel (spine restored using the original, corners repaired).- Nissen BBI 2035 and ZBI 4217; Ferguson II, 493f.; Sabin 98357.- Comprehensive repertory describing the overseas products (later: colonial goods) used in medicine, technology, economy and household at that time, from dyes to medicinal plants and metals to coffee and fossils. The partly curious copper with depictions of plants, including coffee, cocoa, vanilla, pepper etc., furthermore animals such as rhinoceros, elephant and camel, fossils etc.- Without the second part 'Anhang von verschiedenen Kunst- und Naturalien-Kammern' and third part 'Neu-auffgerichtetes Rüst- und Zeughaus der Natur' with the descriptions of the technical inventions. Small handwritten inscription on front cover (dated 1738) as well as a note by the same hand on a small mounted plate on the flyleaf - Occasional light spotting, the last few with restored outer corner.

Estim. 1 900 EUR

Thu 09 May

Geology - Naumann, Carl Friedrich. Textbook of geognosy. 2 text volumes and atlas in 4 volumes. With 346 wood engravings and 70 lithographed plates on rolled China. Leipzig, Engelmann, 1850-1854. XI, 1000 pp.; XIV, 1222 pp. 23 x 15 cm (text)/ 26.5 x 20 cm (atlas). Contemporary half-leather bindings with gilt spines and 2 original half-linen folders with mounted title label (rubbed, corners bumped, joints partly restored; folder cover somewhat torn inside, 1 clasp loose). First edition. - Poggendorff II, 257 - NDB XVIII, 765 - Katalog Bergakademie Freiberg 478 - "Recognized as the most complete and thorough compendium of this science, which has served as a guide for all students of geology for decades." (Zittel 219). At the same time, it was the first textbook to devote significant space to questions of geotectonics, with Naumann partly going beyond Alexander von Humboldt. "His 'Lehrbuch' contained all of the scientific information known about earthquakes at that time. Naumann held that certain earthquakes occurred independently of any volcanic activity and might therefore be termed 'plutonic'. This view was in opposition to that of Humboldt, who believed earthquakes and volcanoes to be merely different manifestations of the same causes ... Naumann's most important work." (DSB IX, 620). - The plates with illustrations of the most important key fossils from the animal kingdom for the individual geological formations. - Text browned and foxed, plates browned in margins, title and cover labels with old stamp. VAT: *

Estim. 200 - 300 EUR

Mon 13 May

EUGENIO MERINO, (Madrid, 1975). "Deadball", 2011. Patinated bronze. Measurements: 27 x 19 x 27 cm. We see here a skull with an overdeveloped skull, which takes the shape of a soccer. Inspired, with his usual sarcasm, in the cranial elongation that was practiced among the oligarchic classes of the most ancient cultures (as can be seen in the fossils of Paracas), Eugenio Merino slips here a sarcastic commentary on the mental reformatting that soccer has turned into a big business of technocrats and millionaires. Eugenio Merino is, above all, known for the controversy he creates with his works: from the "Jaffar suicida" of the exhibition "Mondolirondo" in 2006, to the installation "Starway to heaven", passing through "Always Franco" (presented at ARCO) or "For the Love of Go(l)d". He began working in painting, with works of less content than the current ones (according to his own words, the turn in his career was due to boredom with the same processes and not feeling anything as a spectator of his own works). Showing his political work, typical of a creator who, conditioned by his time, transfers his social ideology to his hands and from there to the sculptural work that splashes the viewer (as it should be). With a degree in Fine Arts from the Complutense University of Madrid, he has had solo exhibitions at Unix Gallery (Houston, USA), Unix Fine Arts (New York, USA), ADN Galería (Barcelona, Spain), Jerome Zodo Gallery (Milan, Italy) and Louis 21 (Madrid, Spain), among other venues. He has had numerous solo and group exhibitions and has participated in a variety of art fairs, such as Volta NY, Volta Basel, ARCO (Madrid). Art Brussels, FIAC (Paris), Armory Show, Arte Fiera (Bologna), Art BO (Bogota), MACO (Mexico), Art Wynwood (Miami) and has exhibited at the MOCA Museum in Taipei and the BPS22 in Charleroi (Belgium).

Estim. 5 500 - 6 500 EUR