CHINE - XVIIIème siècle
-
Archaizing rhinoceros horn libatory bowl.
The body is encircled by a wide central ring decorated with Taotie masks formed by stylized motifs, and carved in relief with three rampant qilong.
The handle is adorned with five detached qilong in the round.
Gross weight: 298 g. - H.: 13.5 cm - L.: 14.7 cm.
Accents, restorations, chips and chips.
Circular base in openwork wood.
For lots n°2 and 3:
The appraisal certificates of Mr. Peio RAHOLA, expert in zoological collections and entomologist, and Mrs. Alice JOSSAUME, expert in Asian Arts, from Cabinet PORTIER & Associés, will be given to the buyer with the lot.
They establish that this worked art object, was made from a Rhinoceros unicornis (I/A) horn, a so-called pre-convention specimen predating 1947 and in view of its age prior to June 1, 1947, its commercial use in the EU is permitted as well as on French national territory in accordance with the ministerial order of May 4, 2017, relating to the ban on trade in elephant ivory and rhinoceros horn.
In addition, reference is made to the applicable General Terms and Conditions.
Utagawa Hiroshige (1797-1858)
Oban yoko-e from the Tokaido gojusan tsugi no uchi series, The Fifty-Three Stations of the Tokaido, Station 36: Goyu, tabibito tomeru onna, Goyu, women stopping travelers.
Signed Hiroshige ga, publisher Hoeido (Lined).
Dim. 23.7 x 35.4 cm
Set includes:
- a triptych, oban tate-e, by Toyosai, Kabukiza gogetsu kyogen.
- three triptychs, oban tate-e, by Kunichika, one with actors Nakamura Fukusuke and Onoe Kikujiro, the other with actors Ichikawa Danjuro and Nakamura Shikan, the last featuring actor Ichikawa Danjuro (lined, stains, tears)
Set includes:
- a diptych, oban tate-e by Kuniyoshi, actors Ichikawa Danjûrô VIII, Bandô Kichiya and Bandô Shûka I.
- a triptych, oban tate-e by Kunisada, actors Iwai Shijaku, Bando Tamasaburo, Bando Mitsugoro and Segawa Kikunojo.
- a triptych, oban tate-e by Toyokuni III, actors Bando Hikosaburo, Sawamura Tossho and Sawamura Tanosuke (lined, stains, tears).
Utagawa Kuniyoshi (1797-1861)
Oban tate-e, part of a triptych, two young women dressed as daimyo and samurai.
Sight size 35.7 x 24 cm
Framed under glass
Utagawa Kuniyoshi (1797-1861)
Otanzaku from the Buyu nazorae Genji series, Heroic Comparisons of the Genji chapters, Yugao chapter plate, Ushiwaka-maru playing the flute on the Gojo bridge, Benkei behind him. Signed Chooro Kuniyoshi ga, publisher Ibaya Sensaburo (top edge glued).
Dim. 37.8 x 16.9 cm
Utagawa Kunisada I (Toyokuni III) (1786-1864)
Diptych, part of a triptych, women, man and child seated in a veranda opening onto a landscape, signed Toyokuni ga, publisher Kichibei.
(hole, stains)
Size of each plate 36.8 x 24.9 cm
Three oban tate-e, portraits of actors, by various artists including Toyokuni, are included.
Yashima Gakutei (1786-1868)
Two shikishiban surimono, from the series Mitate shichifukujin, Allusions to the Seven Gods of Happiness, female plate in the guise of the goddess Benten and female plate in the guise of Jurojin. Signed Gakutei. Withdrawals.
Dim. 21.5 x 19 cm
Set of thirty-six oban tate-e and yoko-e by various artists including eight oban by Kunisada comprising a triptych; portrait of actors; one oban from the Genji series; one oban by Kunisada II from the Shaka hassho ki imayo utsushi-e series, Life of the Buddha, plate 19; eight obans by Toyokuni III, portraits of actors and a plate from the Tokaido, Nikawa station; one oban by Kunichika, woman smoking a pipe; one oban by Yoshitoshi from the Hundred Views of the Moon series, Toyotomi Hidetsugu resting (cut); an oban by Yoshiiku from the Shunshoku sanjûroku kaiseki series, Colors of spring in the thirty-six restaurants, plate the Gyosen restaurant in Hiramatsu-chô; three oban yoko-e by Hiroshige, two from the Tokaido series and one from the famous views of Edo series; one oban by Hiroshige II from the series of thirty-six views of Edo; four oban by Kuniyasu, portraits of actors; two oban by Kuniyoshi, portraits of actors; one oban by Ginko, portrait of actor. (holes, stains, some lined)
Set including :
Utagawa Kunisada I (Toyokuni III) (1786-1864)
- Two oban tate-e, part of a triptych, portrait of actors Onoe Kikugoro and Onoe Kikujiro. Signed Gototei Kunisada ga, publisher tsuruya (stains, folds) Dim. 37 x 26 cm
- Two oban tate-e, part of a triptych, oban tate-e, portrait of actors Nakamura Daikichi, Ichikawa Ebizo and Iwai Shijaku. Signed Gototei kunisada ga, publisher Ikenohata. Dim. 37.3 x 25.7 cm
- two oban, part of a triptych, Taikenmon genpei kassen no zu, Battle between the Minamoto and Taira at the Taiken gate. Signed Gototei Kunisada ga, publisher Eikyudo. (wormholes, stains) Dim. 38.9 x 26.5 cm
- triptych, oban tate-e, portrait of actors. Signed Toyokuni ga, publisher Kichibei (stains) Dim. 37.2 x 24.6 cm
Utagawa Kunisada III (1848-1920)
triptych, oban tate-e, portrait of actors Onoe Kikugoro, Nakamura Fukusuke, Onoe matsusuke and Kataoka Ichizo. Signed Kochoro litsu. Dated Meiji 27 (1894). Dim. 35.4 x 23.2 cm
Toyohara Kunichika (1835 -1900)
Two oban tate-e, part of a triptych, portrait of actors Bando Hikosaburo and Sawamura Tossho. Signed Toyohara Kunichika hitsu. (holes) Dim. 36.5 x 25.2 cm
Set including :
- ten chuban tate-e including five from a Genji series by Toyokuni III, two from a series on silkworm cultivation by Yoshitora, one illustrating an American from a series on foreigners by Yoshitora. (stains, tears, holes) Dim. 24 x 18.2 cm
- a kokonotsugiri by Kunisada, portrait of an actor. Dim. 18 x 12 cm
- three chuban yoko-e, two by Yoshiiku from a series of the fifty-four Genji stations and one by Yoshitoshi, group playing under cherry blossoms. (stains) dim. 18.8 x 23.6 cm
Toyohara Chikanobu (1838-1912)
- Two oban tate-e, part of triptych, chiyoda no oku, Women of Chiyoda Palace, evening plate in Fukiage. Signed Yoshu Chikanobu. Dim. 37.7 x 25 cm
- Triptych, oban tate-e, Shin kôkyo goshukuen no zu, Banquet at the new imperial palace. Signed Yoshu Chikanobu. Dated Meiji 20 (1887) (insolate, stains). Size 37.2 x 25.1 cm
Utagawa Kuniteru (act.1818-1860)
Two oban tate-e from the series Ishokuj? no uchi kashoku osana etoki no zu, Illustration of clothing, food and children's house: craftsmen, boards Stages 18, 19 and 20: Plastering, roofing and coloring and craftsmen making tatami. Signed Kuniteru ga. (folds, stains, lining, restorations) Dim. 34.6 x 23.1 cm
Set of five chuban tate-e and eleven chuban tate-e by various artists of the Meiji period depicting women, musicians, monks and Mount Fuji, dancers, episodes of the Sino-Japanese war, samurai (folds, stains).
Dim. 22.5 x 29.8 cm
Set including :
- Utagawa Kunisada II (1823 - 1880)
Two oban tate-e from the series Nise Genji gojûyo jô, Fifty-four chapters of the false Genji, plates Chapter 29: Miyuki and chapter 36: Yokobue. Signed Baichôrô Kunisada hitsu, publisher Koeido (stains, lining, holes) Dim. 35 x 22.3 cm
- Utagawa Kunisada I (Toyokuni III) (1786-1864)
Two oban tate-e from the series Meigi sanjûroku kasen, Excellent selection of thirty-six courtesans, plates 6: Ikuyo and 9: Wakamurasaki. Signed Ôju Toyokuni ga, publisher Koeido (stains) Dim. 36.6 x 25.5 cm
- Toyohara Kunichika (1835 -1900)
Three oban tate-e, portrait of the actor Ichikawa Danjuro. Signed Kunichika hitsu. (Dim. 36.1 x 23.4 cm
Katsushika Shinsai (1760-1849)
Surimono, kokonotsugiriban, Woman seated on a veranda, admiring a garden.
Signed Hokusai ga.
(lined, wormholes, faded colors, folds)
Dim. 14.1 x 18.9 cm
3 prints by Kitagawa Utamaro (1753? - 1806)
- Chôzan of Chôjiya with a young boy, from an untitled series of courtesans under cherry blossoms, signed Utamaro hitsu, publisher Yamaguchiya Tobei, censor's stamp Kiwame. (lined, stained, insulated). Dim. 32.6 x 22.7 cm.
- Meikun gakuya sugata series, Famous courtesans backstage, The courtesan Hanaôgi of Ogiya preparing to play the koto, signed Utamaro hitsu, publisher Maruya Jimpachi, censor stamp Kiwame. (cut, stains, wormholes), 32.3 x 22.5 cm
- Oban tate-e, Seirô Niwaka zensei asobi series, Festivities in full swing at the Niwaka festival in Yoshiwara, Woman in kimono adorned with chicks, carrying a palanche on one shoulder next to a kneeling woman wearing an eboshi. Publisher Yamaguchiya Tobei, censor stamp Kiwame (vertical and horizontal folds, labels, stains, colors slightly faded) Dim. 35.7 x 24 cm
After Kitagawa Utamaro (1753?-1806)
Oban tate-e, Yamauba no chichi o suh kintaro, Yamoba suckling Kintaro.
Signed Utamaro hitsu, publisher Nichimuraya Yohachi. Withdrawal. (Stains, lined).
Size: 38.1 x 26.5 cm
Utagawa Kunisada (1786-1865)
Surimono, shikishiban, geisha gathering warabi fern shoots, with three poems. Signed Gototei Kunisada ga.
Dim. 20 x 18 cm
Framed under glass
Katsushika Hokusai (1760-1849)
Oban yoko-e from the Fugaku sanjurokkei series, the thirty-six views of Mount Fuji, plate Kôto Suruga-chô Mitsui-mise ryakuzu, Mitsui Shops on Suruga-chô in Edo. Signed Saki no Hokusai Iitsu hitsu, 1834 (Margins glued to reverse, holes).
Size: 24.6 x 37.2 cm
Katsushika Hokusai (1760-1849)
Long surimono, two female travelers by a river near a thatched cottage, accompanied by their servants. Unsigned. Collector's stamp Tadamasa Hayashi (Bends, taped corners, stains).
Dim. 39.8 x 26.7 cm
After Hokusai (1760-1849)
Oban tate-e from the Fugaku sanjurokkei series, the thirty-six views of Mount Fuji, plate Shinshû Suwa-ko, Lake Suwa in Shinano province (Accidents).
Size: 25.5 x 38 cm
Framed under glass
Set includes:
- two triptychs, oban tate-e by Chikanobu, one with the actor Ichikawa Danjuro, the other depicting the first three shoguns of the Tokugawa clan
- a triptych, oban tate-e, by Utagawa Yoshitora, women of the Tokugawa clan.
- a triptych, oban tate-e, by Hiroshige II, views of flourishing businesses in Yokohama.
(Lined, stains, tears).
Set of seven oban tate-e triptychs including:
Inoue Tankei (1864-1889), carriage and imperial guards. Signed Inoue Tankei. (Stains, wormholes, lining) Dim. each 36.1 x 24.8 cm
Kobayashi Ikuhide (act. 1877-1898)
The Victory of the Empire of Japan at the Battle of Pyongyang. Signed Ikuhide hitsu. (Holes, one torn) Dim. 37 x 24.5 cm
Fushuken Tsuneshige (act. 1894-1904?), the defeat of the Qing army. Signed Fush?ken Tsuneshige ga. (Folds) Dim. 36.9 x 23.8 cm
Toshu Shogetsu (act.1870-1900), the arrival of the imperial carriage. Signed Toshu Shogetsu ga. (folds, stains) Dim. 36.9 x 25 cm
Anonymous, nisshin ryokoku senso-zu, Illustration of the Sino-Japanese war. Publisher Kobayashi Taijiro. Dated Meiji 27 (1894) (stains) Dim. 36.1 x 24.6 cm
Toyohara Chikanobu (1838-1912)
Transfer to the New Castle. Signed Yoshu Chikanobu. Dated Meiji 22 (1889) dim. 36 x 23.7 cm
Utagawa Kunisada III (1848-1920)
Tercentenary image of the city of Edo. Signed Kochoro Kunisada ga. (doubled) Dim. 35,6 x 23,9 cm
Attached is a diptych by Utagawa Yoshikazu (act.1850-1860), choren no zue, View of a military exercise. Signed Yoshikazu ga. Dim. 36.5 x 24.8 cm
Utagawa Kuniyoshi (1797-1861)
Triptych, oban tate-e, untitled, the oni Kido Maru, charging towards Minamonoto no Raiko, stopped by the latter's servants. Signed Ichiyusai Kuniyoshi ga, publisher Yamaguchi-ya Tôbei, censor's stamp nanushi (cut, doubled, stains).
Size each 35.5 x 24.9 cm
Ichieisai Yoshitsuya (1822-1866)
Triptych oban tate-e, giant mygale (tsuchigumo) attacked by a snake. Signed Ichieisai Yoshitsuya ga.
Sight size 36 x 74.5 cm.
Framed under glass
Utagawa Kunisada I (Toyokuni III) (1786-1864)
Oban tate-e from the series Tôkaidô gojûsan tsui, Fifty-three comparisons on the Tokaido route, plate Kanagawa no eki, Urashima-zuka, Kanagawa station: Urashima's tomb. Signed Ôju Toyokuni ga, publisher Enshûya Matabei (Lined, hole, wear).
Dim. 36.3 x 23.8 cm
Attached is a diptych by another artist, oban tate-e from a series on the Suikoden. (Lined, cut, stains, holes). Dim. 34.2 x 23.6 cm
Utagawa Kunisada I (Toyokuni III) (1786-1864)
Oban tate-e from the Ekyôdai Chûshingura series, assorted images for the Loyal Servants, plate act XI Juichidanme, woman holding a suzuribako, in the background, the attack on the Morono palace under the snow. Signed Kochoro kunisada ga, publisher Kikakudo, censor's stamp kiwame (folds, small holes).
Dim. 37.8 x 26.2 cm
Utagawa Kunisada I (Toyokuni III) (1786-1864)
Oban tate-e, Kintaro slaying a bear and holding a pine trunk on his shoulders. Signed Gototei Kunisada ga, publisher Omote-demma-cho (lined, folds, wear)
Dim. 35.5 x 24.9 cm
Attributed to Utagawa Yoshitora (1836-1887)
Double oban, the courtesan Wakamurasaki from the Tamaya to Edo-machi 1-chome.
Unsigned. (Stains, folds)
Size 66.8 x 22.1 cm
Mounted in a vertical roll.
Toyohara Kunichika (1835 -1900)
Twenty-two koban tate-e, portraits of actors from various series including Iwai Shijaku, Nakamura Shikan, Onoe Baiko. Signed Kunichika hitsu, publishers Kinshudo and Kiyo (Holes on some).
Dim. 17.2 x 11 cm
Attached is a hosoban on crepe paper by Takahashi Shotei, a man walking with a lantern under the moon. Dim. 29 x 13.6 cm
Utagawa Hiroshige (1797-1858)
Two oban tate-e:
- from the Fuji sanjurokkei series, the tent-six views of Mount Fuji, plate Konodai Tonegaw, the river Tone at Konodai, late print, signed Hiroshige ga, publisher Koeido. Size 36.1 x 24.7 cm
- from the series Ogura nazorae hyakunin isshu, One hundred poems by one hundred poets, plate 21, the monk Sosei-hoshi, signed Hiroshige ga, publisher Dansendo. (folds glued in) Dim. 36 x 25, 2 cm
We enclose an oban tate-e, a reprint after Koryusai, an oban tate-e from the Tokyo meisho no uchi series, plate Fireworks on the ryogoku bridge, a hosoban by Hiroshige IV, samurai near a lantern.
Utagawa Yoshitora (act.1836-1887)
Eight oban tate-e from the Seichû gishi meimeiden series, Biographies of Loyal Servants, plates: the Me syllable: Yazama Jûtarô Fujiwara no Mitsuoki, the Yo syllable: Kataoka Gengoemon Minamoto no Takafusa, the Ka syllable, the Re syllable, the Ke syllable: Muramatsu Santaifu Fujiwara no Takanao, the syllable Ta: Chiba Saburôbei Taira no Mitsutada, the syllable To: Senzaki Yagorô Fujiwara no Noriyasu, the syllable Mu: Katsuta Shunzaemon Minamoto no Taketaka. Signed Kinchôrô Yoshitora ga, publisher Kinjiro (wormholes, stains).
Dim. 36.7 x 24.9 cm
Toyohara Chikanobu (1838-1912)
Album with ten triptychs, oban tate-e
including seven triptychs from the Onko azuma no hana series, Flowers of Edo in ancient times, the Shogun's boar hunt at Koganahara, Daimyo procession visiting Ueno temple, Shogatsu Gantan Shoko hatsu tojo no zu, the Daimyo's first visit to the Shogun for the New Year, Evacuation of the burning castle, the crowd watching the Noh show: Okina, the Daimyo's procession entering Edo, the Shogun listening to a trial at Fukiage. Signed Yoshu Chikanobu.
Dim. 35.3 x 23.5 cm
Set including :
Toyohara Chikanobu (1838-1912)
Triptych, oban tate-e, portraits of actors including Onoe Kikusuke and Iwai Matsunosuke. Signed Yoshu Chikanobu hitsu. (lined, folds) Dim. 23.3 x 35.6 cm
Utagawa Yoshishige (act. 1830-1850)
Two oban tate-e, part of a triptych, young women cultivating silkworms. Signed Yoshishige ga, publisher Izumiya Ichibei (folds, holes) Dim. each sheet 37 x 25 cm
Utagawa Hiroshige (1797-1858)
Oban tate-e from the series Gojûsan tsugi meisho zue, The Fifty-Three Famous Tokaido Views, Station Plate 19: Ejiri, Tago no ura, Miho no Matsubara, Ejiri, Tago Bay and Miho no Matsubara. Signed Hiroshige hitsu, publisher Koeido. (Bends, foxing, holes, faded colors, tears) Size 37.5 x 25.4 cm
Set of twenty-five oban tate-e and chuban by various artists, including a reproduction after Utamaro; one by Yoshiiku; an actor's portrait by Kuniyoshi; one by Kunisada II from a series of the four seasons, summer plate; four by Toyokuni III, including one from a Chushingura series; a surimono by Hokkei, kabuto; six chuban including three by Hiroshige III, views of Edo, one by Hiroshige, bird in the reeds; four double-page albums including one from a Sumidagawa series. (stains, some doubled, holes)
Tsuchiya Koitsu (1870-1949)
Oban yoko-e from the series Drawings of Famous Views of Japan, plate Fishermen with Cormorant in Nagaragawa. Signed Koitsu, publisher Doi Hangaten, engraver's stamp Harada and printer's stamp Yokoi, dated Showa 15 (1940), posthumous edition from the 1950's. (Margin stains)
Dim. 26.6 x 39 cm
Ito Shinsui (1898-1972):
Crouching young woman washing flowers in a bucket
Ink and colors on silk
Signed lower right Shinsui
Size 33 x 23.1 cm
Mounted in a vertical scroll.
Wooden box.
Hamaguchi Yozo (1909 -2000)
Gouache on tile, reclining tabby cat, paws outstretched, head facing the viewer, on an ochre background spotted with black. Signed Hamaguchi and Yozo character lower left.
Size: 14.5 x 7 cm
Wooden frame made by the artist, coated and painted with beige and brown gouache.
JAPAN - MEIJI period (1868 - 1912)
Ink and colors on silk, sea bream. Bears the apocryphal signature of Hokusai (tears, stains).
Dim. 49.4 x 64.5 cm
Mounted as a kakemono.
UTAGAWA HIROSHIGE (1797-1858)
Double oban tate-e, eagle on a pine branch. Signed Hiroshige ga. (Traces of glue). Sight size 68.5 x 23 cm. Framed under glass
Enclosed:
UTAGAWA HIROSHIGE (1797-1858)
Double oban tate-e, crane on a pine branch. Signed Ichiryusai.
Sight size 67 x 21 cm. Framed under glass.
JAPAN - EDO period (1603 - 1868), 19th century
Fundame lacquer Inro with four compartments, decorated in hiramaki-e and takamaki-e in gold, silver and fundame lacquer with waterfalls and scholars' objects among rocks under the moon. Nashiji lacquer interior.
Signed Joka (Yamada Jokasai).
H. 9 cm
Provenance :
E.A Wrangham collection n° 1888.
JAPAN - Middle EDO period (1603 - 1868)
Wooden Inro with three compartments, decorated in takamaki-e with gold, red and silver lacquer and mother-of-pearl butterfly inlays.
H. 7.8 cm
JAPAN - Middle EDO period (1603 - 1868)
Inro with three lacquered cherry bark compartments decorated in hiramaki-e gold lacquer and kanagai with cherry blossom branches.
Signed Kunishige, inspired by a painting by Tosa Mitsusada.
H.8 cm
Provenance :
E.A Wrangham collection n°2147
JAPAN - EDO period (1603 - 1868), 19th century
Bundai (writing table) in nashiji lacquer with taka maki-e decoration in gold and silver lacquer and mother-of-pearl inlays of standing and reclining deer under a maple tree, the fittings chased with karakusa, the reverse in hirame.
(Slightly missing)
Dim. 36.6 x 64.1 x 12.5 cm
JAPAN - MEIJI period (1868 - 1912)
Bamboo brush-holder with hira maki-e decoration of insects and mother-of-pearl and bone inlays of butterfly and flowers.
(Natural gerce)
H. 13.5 cm
JAPAN - MEIJI period (1868 - 1912)
Chaufferette in bronze with brown patina, decorated with chrysanthemums and a couple of birds, the lid with rabbits.
On the reverse, an archaic inscription.
H. 16.8 cm
JAPAN - MEIJI period (1868 - 1912)
Okimono in partially gilded brown patina bronze, young woman standing on a round tripod base, wearing a kimono decorated with autumn flowers, holding a flap in her left hand and a fan in her right. Signed Miyao in a cartouche.
H. 29.5 cm
JAPAN - MEIJI period (1868 - 1912)
Brown patina bronze bowl with chased relief decoration of dragons in clouds. Dragon-shaped feet. Watakumo mark on reverse.
H. 8.5 cm
JAPAN - MEIJI period (1868 - 1912)
Okimono in bronze with brown patina, crane on a minogame turtle. Signed in a shibuichi cartouche Kunichika (Missing).
L. 28 cm H. 22 cm
JAPAN - EDO period (1603 - 1868), 19th century
Wooden statuette of Amida Nyorai with traces of gold lacquer, standing on a lotiform base resting on a multi-stage hexagonal base, hands in raigo-in gebon josho style.
H. Amida 30.3 cm H. total 40 cm
JAPAN - MEIJI period (1868 - 1912)
Low-bodied, long-necked vase in bronze with a brown patina, decorated with peonies and a spray. Joun stamp on reverse.
H. 28 cm
JAPAN - MEIJI period (1868 - 1912)
Shibuichi soliflore vase chased in high relief with lobsters. Kantei chaser stamp, Hiromasa stamp on bottom.
H. 29 cm
JAPAN - MEIJI period (1868 - 1912)
Okimono in silver-plated metal depicting a standing rooster, beak open, crowing, red-lacquered crest. (accidents and missing legs and tail, knocks, wear) H. 30 cm
JAPAN - MEIJI period (1868 - 1912)
Gilt bronze and cloisonné enamel box decorated with fish, the lid and handles forming crayfish (major restorations and missing parts) H. 11.5 cm
JAPAN - MEIJI period (1868 - 1912)
Brass octagonal lantern opening with two doors decorated with stylized dragonflies, resting on six cloud-shaped feet. (The bar to close the doors is missing). H. 59.5 cm.
JAPAN - MEIJI period (1868 - 1912)
Large rectangular tray in kinji lacquer decorated in takamaki-e, hiramaki-e with gold, red and silver lacquer, kirigane and inlays of mother-of-pearl and rakan bone. One scrolls under blossoming trees while another flies over them on the back of a crane. The wing of the tray is decorated with hanabishi motifs and môn with aoi leaves (accidents and missing parts) Dim. 69.3 x 51.5 cm
JAPAN - MEIJI period (1868 - 1912)
Large four-legged incense burner in bronze with brown patina, the four-lobed body with chased decoration of a phoenix in flight in the clouds against a background of archaic interlacing, framed by friezes of foam, fleurons and Greques. The handles are shaped like dragons. The feet, clasped by qilin, rest on a four-lobed pedestal decorated with florets on an interlacing background. Polylobed lid decorated with a frieze of lotus flowers and Greek foliage on a background of interlacing, and a dolphin-shaped grip in the foam (Accidents, missing).
H. 36.4 cm. without lid H. 54.5 cm. with lid
JAPAN - MEIJI period (1868 - 1912)
Lotus leaf-shaped wooden tray inlaid with bronze, mother-of-pearl and bone and decorated with gold and green lacquer of three frogs fighting under reeds, one on the ground. Ryosai stamp. (Minor damage, natural cracks).
Dim. 43.6 x 62.9 cm
JAPAN - MEIJI period (1868 - 1912)
Bronze group with brown patina, crane standing on a rock at the water's edge, a turtle preparing to climb.
Signed Shima.
H. 22.9 cm
JAPAN - MEIJI period (1868 - 1912)
Bronze basket with brown patina, chased decoration in relief of six reserves decorated with birds and flowers, the handle chased with fish and flowers.
H. 16 cm
JAPAN - MEIJI period (1868 - 1912)
Bronze baluster vase with inlaid shibuichi and copper decoration of a pine tree
under a full moon. Signed Yamamoto.
H. 18 cm
JAPAN - MEIJI period (1868 - 1912)
Baluster-shaped bronze vase with a brown and red patina and inlaid
of a bird on a bamboo branch.
Signed Shoun (?).
H. 30 cm
JAPAN - MEIJI period (1868 - 1912)
Baluster vase with flared neck in bronze with brown patina, decorated in high relief with a bird resting on a branch of cherry blossom (minor damage to the neck, de-patinated) H. 33.2 cm
JAPAN - EDO period (1603 - 1868)
Shinto naginata, shinogi zukuri, hada masame, hamon notare.
Signed shimosaka.
(Small traces of rust to the tempering).
Nagasa 47.6 cm
Shirasaya
JAPAN - MEIJI period (1868 - 1912)
Mizuire in brown stoneware glazed with beige and blue drips. The neck is square, the shoulder adorned with two handles. (Two chips on the neck).
H. 24.5 cm
JAPAN, Satsuma kilns - 20th century
Polychrome and gold-glazed earthenware vase decorated with women near a stream under a blushing maple tree, the shoulder adorned with a frieze of peonies. Satsuma mark on reverse.
H. 17.5 cm
JAPAN - MEIJI period (1868 - 1912)
Satsuma earthenware vase with polychrome enameled decoration of birds flying among peonies in reserves alternating with a blue background decorated with rosettes, chevron friezes and gilded fans. On the reverse, the Shimazu family coat of arms surmounting the Banzan mark. On the reverse, the Shimazu family coat of arms surmounted by the Banzan mark (crack).
H. 23 cm
JAPAN, Satsuma kilns - 20th century
Pair of polychrome and gold-glazed earthenware four-lobed vases decorated with rakan seated among bamboo, the shoulder decorated with flowers and shippo. Gyozan mark on reverse. (Cracks).
H. 18 cm
JAPAN - 19th century
Ink and colors on silk, birds posed among peonies and bamboo.
Signed lower left and stamped Yasunori.
(folds, tears, stains)
Size 109.1 x 44.4 cm
Mounted in a vertical scroll and framed under glass.
JAPAN - EDO period (1603 - 1868)
Samurai folding stool in wood and leather, the uprights adorned with tendrils and a bamboo môn evoking the Minamoto style.
Dim. 43 x 28 x 34 cm
JAPAN, Imari - Middle EDO period (1603 - 1868)
Porcelain fan-shaped dish decorated in blue underglaze, iron red and polychrome enamels with two poets under cherry blossoms.
On the reverse, the Fuki choshun mark.
(Small chips).
L. 27 cm
JAPAN, Imari - EDO period (1603 - 1868), 18th century
Porcelain beard dish decorated in blue underglaze, iron red and polychrome enamels with peonies in the center, the rim decorated with three aoi leaf reserves.
(Enamel chips).
Diam. 28.5 cm
JAPAN, Imari - 20th century
Polylobed porcelain bowl decorated in blue underglaze, iron red and gold enamel with bamboo and plum tree reserves among brocade motifs.
Diam. 16.5 cm
Two porcelain plates decorated in the Kakiemon style with peonies on a rock in bloom. Diam. 17.5 cm
JAPAN, Imari - EDO period (1603 - 1868), 18th century
Octagonal porcelain dish decorated in blue underglaze, iron red and gold enamel with a flowering basket of chrysanthemums and peonies in the center, the wing decorated with flowering vases and landscapes. (Star-shaped cracks at bottom).
31 cm in diameter
JAPAN - MEIJI period (1868 - 1912)
Two porcelain sorbets decorated in blue underglaze with a bird on a branch of flowers and a poem.
(Cracking).
Diam. 5.5 cm
JAPAN, Imari - Early 20th century
Polylobed porcelain bowl decorated in blue underglaze, iron red and polychrome enamels with a pine tree in front of Mount Fuji.
(Enamel chips).
Diameter: 29 cm
JAPAN - MEIJI period (1868 - 1912)
Shibuichi and cloisonné enamel pot decorated with roses on a red background.
Ando Jubei mark on the heel.
H. 15.5 cm
JAPAN - 20th century
Porcelain baluster vase decorated in blue underglaze with chrysanthemum branches, the flower petals in relief. On the reverse, an illegible mark. (small scratches, minor firing defects).
H. 32.5 cm
JAPAN, Imari - EDO period (1603 - 1868), 18th century
Porcelain dish decorated in blue underglaze, iron red and polychrome enamels with a figure on a bridge, the wing decorated with four reserves of chrysanthemums and peonies.
(Gold wear).
Diam. 29.5 cm
JAPAN, Imari - EDO period (1603 - 1868), 19th century
Large porcelain bowl decorated in blue underglaze, iron red and polychrome enamels with peonies and chrysanthemums in poly-lobed reserves on a background of karakusa motifs.
On the reverse, the apocryphal mark of Wanli.
Diam. 36 cm
JAPAN, Imari - MEIJI period (1868 - 1912)
Porcelain vase decorated in blue underglaze, iron red and gold enamel in poly-lobed panels with geese flying in reeds alternating with women in kimono admiring gardens. On the shoulder, kiku flowers in foliage, the neck adorned with dragons in clouds.
H. 31.2 cm. Restored lid.
JAPAN, Imari - MEIJI period (1868 - 1912)
Two porcelain bowls decorated in blue underglaze, iron red and polychrome enamels, one square with reserves decorated with flowers and geometric motifs.
Diam. 18 cm and 21.5 cm
JAPAN, Imari - EDO period (1603 - 1868), c. 1710-1730
Large porcelain dish decorated in blue underglaze, iron red and gold enamel with two men in the center looking at two women in a pavilion on the upper right in a lake landscape, the wing decorated with a street scene depicting young women and men strolling.
Diam. 55 cm
On the reverse, an old label from the Marius Bernard collection, Marseille (1894-1902)
Reference: Identical dish reproduced in John Ayers, Oliver IMpey, J.V.G. Mallet, Porcelain for Palaces. The Fashion for Japan in Europe. 1650-1750, Oriental Ceramic Society, 1990, n°233, p.221
JAPAN, Imari - EDO period (1603 - 1868), 18th century
Porcelain horn-shaped vase decorated in blue underglaze, iron red and gold enamel with peony branches.
(Restorations).
H. 21 cm.
Gilt bronze mounting
JAPAN, Imari - MEIJI period (1868 - 1912)
Two porcelain bowls decorated in blue underglaze, iron red and polychrome enamels with the three friends of winter and motifs of bats and characters.
Diam. 28.5 and 21 cm
JAPAN, Imari - MEIJI period (1868 - 1912)
Porcelain bowl decorated in blue underglaze, iron red and gold enamel
of three boys dancing inside. On the reverse, a reported inscription "Bing. Old Japan".
Diam. 21.5 cm
We use cookies to provide you with a better browsing experience, perform site traffic analysis, and deliver content and advertisements most relevant to your interests.
Cookie management:
By allowing these cookies, you agree to the deposit, reading and use of tracking technologies necessary for their proper functioning. Read more about our privacy policy.
