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Sat 29 Jun

Sébastien de BOISHERAUD (1847-1927) "If I advance, follow me; if I retreat, kill me; if I die, avenge me - Henri de La Rochejacquelein", 1882. Plaster signed, titled and dated. Height: 70.5 cm. Width : 38 cm. Depth: 31.5 cm (missing, damaged and restored). This powerful figure of Monsieur Henri (1772-1794) probably evokes the Battle of Les Aubiers and echoes the painting by Pierre-Narcisse Guérin. Here, the 21-year-old general rises to the attack at the height of the battle, as evidenced by the bullet hole in his hat. Saber in the air, encouraging his men, he steps over a mortar and a broken rifle. With his left hand, he firmly holds the fleurdelisé standard. At the age of 19, Henri de La Rochejaquelein refused to follow his family into emigration, opting instead to defend the throne in Louis XVI's constitutional guard, to which he was called in 1791. On August 10, 1792, he joined the hapless Swiss in defense of the Tuileries Palace. Returning to his homeland, he discovered the Vendéens in revolt against religious persecution, conscription and the execution of the King. On April 13, 1793, at the Château de la Durbellière in Mauléon, 3,000 insurgent peasants cheered him on and urged him to lead them. It was there that he uttered his eternal words: "If I advance, follow me! If I retreat, kill me! If I die, avenge me! On the same day, he triumphed at Les Aubiers over General Quétineau's troops. The north of the Deux-Sèvres region was thrown into insurrection. Sébastien de Boishéraud had "known fire" as a grenadier for seven years. Gifted at drawing, he became interested in sculpture on his return from captivity in Germany in 1871. A pupil of Amédée Ménard and Charles Lebourg, he exhibited at art salons in Nantes and Paris. A figurative artist, he sculpted the people of his country, and of history. The Musée d'Art et d'Histoire de Cholet holds a terracotta statue of François-Athanase de Charette. Dated 1885, its dimensions are close to our work, which is also featured on the cover of the booklet "Les Boishéraud dans la Tourmente révolutionnaire, archives familiales, 2005". As far as we know, there are only a few known examples of this plaster, all in private collections.

Estim. 500 - 800 EUR

Sat 29 Jun

TWO FIDELITY RINGS in gold, forming a pair. - 1st ring : Ring of loyalty to the royal cause given to the Vicomte d'Hardouineau. Hollow, plain, 18-carat rose gold ring with an oval, slightly paler gold bezel, bearing two crossed swords on the top, with the cry "Vive le Roi quand même" ("Long live the King"). The circumference of the bezel engraved with "24 MAI 1815". Ring engraved on the front left of the bezel "A DIEU MON AME / MON CŒUR AUX DAMES" and on the right "MA VIE AU ROI / L'HONNEUR A MOI". In the place corresponding to the chaton, a heart-shaped escutcheon "Le Vte D'Hardouineau M al de Camp" adorned with the initials "L.M.T. / P.A.F. / C." corresponding to the members of the royal family (Louis XVIII, Marie-Thérèse, duchesse d'Angoulême, Charles-Philippe, comte d'Artois, Antoine, duc d'Angoulême, Ferdinand duc de Berry, Caroline, duchesse de Berry. France, Restoration period. Size 73. Gross weight: 3.69 g. Good condition, shocks and deformations, accident, sealed bezel. -2nd ring : Ring of loyalty to the royal cause given to the Vicomte d'Hardouineau. Hollow, plain, 18-carat rose gold ring with an oval, slightly paler gold bezel, bearing two crossed swords on the top, with the cry "Vive le Roi quand même" ("Long live the King"). The circumference of the bezel engraved "YPRES 25 MARS 1815". Ring engraved on the front left of the bezel "A DIEU MON AME / MON CŒUR AUX DAMES" and on the right "MA VIE AU ROI / L'HONNEUR A MOI". The inside of the ring engraved with "d'Hardouineau" and a heart adorned with the initials "L.M.T.P.A.F.C." corresponding to the members of the royal family (Louis XVIII, Marie-Thérèse duchesse d'Angoulême, Charles-Philippe comte d'Artois, Antoine duc d'Angoulême, Ferdinand duc de Berry, Caroline, duchesse de Berry). Goldsmith's hallmark ending in a B. France, Restoration. Size 64. Gross weight: 4.28 g. Good condition. Antoine-Philippe François Marie , vicomte d'HARDOUINEAU (1788-1865) was appointed Garde du Corps du Roi on January 3, 1800, as his father had been 23 years earlier. Made a Chevalier de l'Ordre de Légion d'Honneur on November 26, 1814, he was reported in action at Ghent in 1815. In the Mémoires secrets et inédits d'Alphonse de Beauchamp (1767-1832), he wrote about "l'exil et les infortunes des princes de la Maison Royale" (Paris, Vernarel et Tenon, 1825), introducing himself as "aide-de-camp to Louis XVIII". "At the dismissal of Louis XVIII's Maison Rouge, company officers received, as a rallying sign, a gold ring whose bezel bore the company's distinctive insignia." Type rings on both swords: The soldiers of the royal army who followed him to Belgium received a patent signed by the Duke of Berry, confirming that they had been part of this army. The officers resolved to have a ring made bearing two swords in the form of a cross, with this motto: "ma vie au roi, mon cœur aux dames" ("my life to the king, my heart to the ladies"). "This ring, which has just been made, also contains the initials of the royal family: L, MT, P, A, F, C. (Louis XVIII, Marie-Thérèse duchesse d'Angoulême, Louis-Philippe duc d'Orléans, Antoine duc d'Angoulême, Ferdinand duc de Berry, Charles, comte d'Artois). Also engraved is the name of the person for whom it was made, along with the day and place where he crossed the border." Among the few known examples, the full motto is still "à dieu mon âme ma vie au roi, mon cœur aux dames, l'honneur à moi." Monsieur Brechemin, jeweler at Palais-Royal, galerie des Bons-Enfants, no. 128, is in charge of making them, and keeps a register to prevent any mistakes. These rings are only made or given on the basis of the patent. One ring belonged to Jacques Brasseur, artillery train driver in the King's Bodyguard companies. The bezel bears the date Ghent, March 17, 1815, and the inside is engraved "Brasseur Jacques conducteur d'artillerie de la Garde royal (sic)" with an escutcheon bearing the initials L, M.T, P, A, F, C. Another example is dated March 25, 1815, and features a small oval hinged box serving as a reliquary; it bears the inscription "Mis de Monpezat, Major officier d'État-major du Mre de la Gre", and at the height of the bezel, in a heart-shaped escutcheon, the capital letters L. MT. P. A. F. Another example, dated March 1815, belonged to Gérard de Contamine d'Arimont, Garde-du-corps du Roi. On a ring of the same model from the de Valles (or d'Hozier) family, the bezel also forms a small reliquary box, and is dated "Ypres 25 mars 1815". An example from the former Thierry Marais collection, attributed to one of the King's bodyguards. Three

Estim. 7 500 - 8 500 EUR

Sat 29 Jun

PENDULE dite "LE TELEGRAPHE D'AMOUR", bronze from Héricourt, mechanism by Lepaute, the Emperor's watchmaker in Paris. On archive O2 531 d2 , dated October 12, 1813, for delivery to the Palais de Rambouillet, we read: "Chambre à coucher du Roi, une pendule d'architecture à huit colonnes supportant un entablement le tout en bronze forme de portique, surmonté de signes télégraphiques avec deux figures analogues. It stands on a sea-green marble plinth. All the bronzes that decorate it are perfectly gilded, the movement is with striking, escapement with rest, heavy pendulum, knife suspension, cage and base, for the price of 1000 francs". The clock, beneath its blown-glass cage with black wooden base, rests on a sea-green marble plinth with gilded bronze feet adorned with a knurled wheel, from which rise eight gilded bronze columns. Between the columns, gilded children Cupid and Mercury operate the telegraph wheel or reel, corresponding to the very first model invented by Claude Chappe, known as the "Lille telegraph". The scene is repeated on the base of the clock, in a bas-relief frieze. Poseidon has been defeated by technology, and the waves are no longer an obstacle to the transmission of messages of love by telegraph operators on either side of the water's edge. The lovers at the end of the frieze await their messages, fully validating the name given by Héricourt to this model, "Telegraphe d'Amour" (Telegraph of Love). Poseidon, alone, is struck into the corners of the plinth. Above the columns, an entablature supports two confronted gilded swans, framing the movement and enamel dial. At the top of the clock, the telegraph regulator takes the form of a bow and the indicators the shape of arrows in matte-gilded bronze. A quiver of arrows symbolizes the double-notched mast typical of the Lille telegraph system. The Paris movement has a knife-edge suspension, with a half-pin escapement and hour and half-hour chimes on a bell. The white enamel dial with Roman numerals and Arabic quarter markings bears the signature "Lepaute H.r de l'Empereur à Paris". Partridge-eye hands in blued steel. The pendulum is heavily weighted in a lead-filled brass lens and formed by a long burnished steel rod; the fork has a return screw for easy setting of the clock "in its escapement", as Lepaute wrote. The striking and movement springs are dated September 1808 and signed "Lesieur". Overall dimensions: Height: 62.5 cm. Width: 38 cm. Depth: 15 cm. Overall dimensions of the period glass globe: Height: 70.7 cm. Width: 44.7 cm. Depth: 19.3 cm. Provenance: Private collection from Côtes d'Armor, old purchase. Condition : Complete clock in very good box condition, protected by its curved glass cage with stuccoed and gilded edges. Usual and maintenance repairs, one repair on three teeth of the barrel to be redone, an overhaul or curative conservation of the movement recommended. Reservations: No particular reservation, the mechanisms are not guaranteed in their operation. One repair to the striking barrel in 2022. Identical models: To date, only one other identical clock of this model is known. This is the clock similar to the one tendered to Mrs Lepaute Oncle et Neveu, 42 rue Saint Thomas du Louvre. It is described in the book "Pendules du Mobilier national 1800-1870", pages 131 and 132. Similar to the one ordered for the Emperor and King's bedroom at the Imperial Palace in Strasbourg on October 25, 1806. The quotation specifies that "les corps unis sont au vert antique". Delivered on March 9, 1807, payment validated on April 17, 1807. Madame Dupuy-Baylet provides an important detail in her 1810 inventory and detailed description of the Palais Rohan in Strasbourg: "le socle en marbre portor". (Mobilier national, Inv. GML 10687, acquired January 9, 1994). The model currently on deposit at the Mobilier National in Strasbourg bears none of the numbers of either the Garde-Muble or Saint-Cloud, when it was shipped under Louis Philippe. It cannot be ruled out that the model ordered in 1806 perished in the fire of October 13, 1870. The clock currently on display in Strasbourg, on the other hand, historically comes from the Ministry of the Interior. A complete examination of this clock would be most useful historically. It cannot be ruled out that several models were made, but that very few have survived to the present day. Theme models: a few so-called "telegraph clocks" are known; one in the Musée de la Poste in Pari

Estim. 60 000 - 80 000 EUR