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A Pende Axe (Adze / Sceptre) Ceremonial axe (sceptre) Pende / Mbuun / Mbala, DR Congo Ohne Sockel / without base Wood, iron. H 38,5 cm. Provenance: Gérald Minkoff (1937-2009) and Muriel Olesen (1948-2020), Geneva. Ceremonial weapons are characterized by careful manufacture and decorative design, e.g. the ornamentation with valuable materials such as copper, bronze, ivory or fur. Their original function is thus limited, so that their use as a weapon of war is no longer the main focus. Instead, they signaled the wearer's social status and power, making them more like cult, ceremonial, dignity and status weapons that were also used in barter. Further reading: Ethan Rider (2021). 100 African Blades from 55 Collections. San Francisco: J. M. Fogel Media. ----------------------------------------------------- Gérald Minkoff and Muriel Olesen Muriel Minkoff-Olesen (1948- 2020) completed her training at the School of Design in Geneva. Gérald Minkoff (1937-2009) was a trained anthropologist and biologist. Both achieved fame as artists and from their meeting in 1967, the emblematic couple of contemporary art were inseparable. The travel-loving Olesen-Minkoff duo explored life like curious nomads, roaming the globe from Africa to Asia, Oceania, America and Patagonia. As artists and experienced collectors of contemporary art, they understandably had a keen sensitivity to the aesthetics and concepts of non-European art. The couple's Geneva apartment, perhaps their most beautiful joint work, thus became a place where the works of close friends such as Daniel Spoerri, Arman and Man Ray, as well as their own photographs, lived together with almost a thousand objects from Africa, Oceania, Asia and South America. CHF 100 / 200 Weight in grams: 275 Condition: The condition of this lot (wear, signs of use, tears, any other detractions and the signs of age, etc. The condition of this lot (wear, tears, possible other impairments and signs of age, if applicable) can be seen in the photos we have uploaded for your documentation. Please do not hesitate to contact Hammer Auctions with any questions regarding this lot ([email protected]). The statements regarding the condition of the items made for the convenience of interested parties are opinions only and should not be treated as statements of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided Hammer Auctions has been notified within 5 days of receipt of the lot.

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A Pende Axe (Adze / Sceptre) Ceremonial axe (sceptre) Pende / Mbuun / Mbala, DR Congo Ohne Sockel / without base Wood, iron. H 38,5 cm. Provenance: Gérald Minkoff (1937-2009) and Muriel Olesen (1948-2020), Geneva. Ceremonial weapons are characterized by careful manufacture and decorative design, e.g. the ornamentation with valuable materials such as copper, bronze, ivory or fur. Their original function is thus limited, so that their use as a weapon of war is no longer the main focus. Instead, they signaled the wearer's social status and power, making them more like cult, ceremonial, dignity and status weapons that were also used in barter. Further reading: Ethan Rider (2021). 100 African Blades from 55 Collections. San Francisco: J. M. Fogel Media. ----------------------------------------------------- Gérald Minkoff and Muriel Olesen Muriel Minkoff-Olesen (1948- 2020) completed her training at the School of Design in Geneva. Gérald Minkoff (1937-2009) was a trained anthropologist and biologist. Both achieved fame as artists and from their meeting in 1967, the emblematic couple of contemporary art were inseparable. The travel-loving Olesen-Minkoff duo explored life like curious nomads, roaming the globe from Africa to Asia, Oceania, America and Patagonia. As artists and experienced collectors of contemporary art, they understandably had a keen sensitivity to the aesthetics and concepts of non-European art. The couple's Geneva apartment, perhaps their most beautiful joint work, thus became a place where the works of close friends such as Daniel Spoerri, Arman and Man Ray, as well as their own photographs, lived together with almost a thousand objects from Africa, Oceania, Asia and South America. CHF 100 / 200 Weight in grams: 275 Condition: The condition of this lot (wear, signs of use, tears, any other detractions and the signs of age, etc. The condition of this lot (wear, tears, possible other impairments and signs of age, if applicable) can be seen in the photos we have uploaded for your documentation. Please do not hesitate to contact Hammer Auctions with any questions regarding this lot ([email protected]). The statements regarding the condition of the items made for the convenience of interested parties are opinions only and should not be treated as statements of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided Hammer Auctions has been notified within 5 days of receipt of the lot.

Estimate 100 - 200 CHF
Starting price 5 CHF

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For sale on Thursday 29 Aug : 18:00 (CEST)
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A Pende Mask, "kiwoyo-muyombo" Pende, DR Kongo Ohne Sockel / without base Holz, Raphia. H 46,5 cm. Provenienz: - Imelda und Paul (1924-2014) Berger-Frei, Riehen. - Erbengemeinschaft Berger-Frei, Basel. Die Masken aus dem reichen Repertoire der Pende-Tradition waren traditionell Mittler zwischen den Kräften des Dies- und des Jenseits, z.B. während der Knaben-Initiation als Erscheinungsform der Ahnengeister. Heute treten sie eher bei allgemeinen Festen auf um die Anwesenden mit kleinen Szenen zu unterhalten und damit den sozialen Zusammenhalt der Gesellschaft zu fördern. Die giwoyo (auch kiwoyo) genannten Maske tragen die Tänzer im 45-Grad-Winkel auf der Stirn. Dargestellt ist vermutlich ein alter Mann dessen Kinn in einem Bart endet der die Autorität und Weisheit der Ahnen symbolisiert. Die Gestalt schlägt eine Brücke zwischen sichtbarem und unsichtbarem, heiligem und profanem, lebendem und totem, traditionellem und neuzeitlichem. Sie erschien bei Heilritualen und schützte vor Krankheit oder Schadenzauber. Leon de Sousberghe (op. cit.) vermutet den Ursprung der giwoyo-Maske im Zusammenhang mit den ersten Begegnungen mit bärtigen europäischen Missionaren zu Beginn des 18. Jahrhunderts. Weiterführende Literatur: de Sousberghe, Leon (1958). L`art Pende. Gembloux: Éditions J. Duculot. CHF 1 000 / 2 000 Gewicht in Gramm: 637 Zustand: Der Zustand (allfällige Abnutzung, Gebrauchsspuren, Risse, eventuelle andere Beeinträchtigungen und die Altersspuren usw.) dieses Lots ist auf den Fotos, die wir für Ihre Dokumentation hochgeladen haben, zu sehen. Für alle Fragen zu diesem Objekt steht Ihnen Hammer Auktionen gerne zur Verfügung ([email protected]). Die Angaben zum Zustand der Objekte, die aus Sachdienlichkeit gegenüber den Interessenten gemacht wurden, sind nur eine Meinung und sollten nicht als Tatsachenbehauptung behandelt werden. Hammer Auktionen übernimmt keine Verantwortung für etwaige Fehler oder Unterlassungen. Im seltenen Fall, dass der Artikel nicht mit der Beschreibung im Katalog übereinstimmt, ist Hammer Auktionen hier, um zu helfen. Käufer können das Lot gegen volle Rückerstattung zurückgeben, sofern sie Hammer Auktionen innerhalb von 5 Tagen nach Erhalt des Lots benachrichtigen.