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Description

A Yoruba Beaded Panel, fixed on a wooden board Panel embroidered with glass beads, fixed on a wooden board Yoruba, Nigeria Ohne Sockel / without base Glass beads. H 24 cm. L 61 cm. Provenance: Gérald Minkoff (1937-2009) and Muriel Olesen (1948-2020), Geneva. Published: Illustrated: Hainard, Jacques / Kaehr, Roland / Sabelli, Fabrizio / Milliet, Jacqueline / Minkoff, Gérald (1989). Le salon de l'ethnographie. Musée d'ethnographie, Neuchâtel. Such panels were described in 2016 by Peter Liaunig in "Afrikanische Glasperlenkunst. African Beaded Art" as follows: "Beaded panel yata These (...) particularly detailed and precisely designed bead panels without a pocket function are called yata and are usually used in pairs by priests in the cult of the various Yoruba gods. Since the colors gold, silver and blue are associated with the goddess Oshun, it is reasonable to assume that these pieces are dedicated to her." See: Oehrl, Michael / Liaunig, Peter (2016). African glass bead art. African Beaded Art. Museum Liaunig, Neuhaus. Page 102. ----------------------------------------------------- Gérald Minkoff and Muriel Olesen Muriel Minkoff-Olesen (1948- 2020) completed her training at the School of Design in Geneva. Gérald Minkoff (1937-2009) was a trained anthropologist and biologist. Both achieved fame as artists and from their meeting in 1967, the emblematic couple of contemporary art were inseparable. The travel-loving Olesen-Minkoff duo explored life like curious nomads, roaming the globe from Africa to Asia, Oceania, America and Patagonia. As artists and experienced collectors of contemporary art, they understandably had a keen sensitivity to the aesthetics and concepts of non-European art. The couple's Geneva apartment, perhaps their most beautiful joint work, thus became a place where the works of close friends such as Daniel Spoerri, Arman and Man Ray, as well as their own photographs, lived together with almost a thousand objects from Africa, Oceania, Asia and South America. CHF 200 / 400 Weight in grams: 1099 Condition: Attached to a wooden plate with three metal pins which can be easily removed. -------------------------------- The condition of this lot (wear, signs of use, cracks, any other damage and signs of age, etc.) can be seen in the photos we have uploaded for your documentation. If applicable) can be seen in the photos we have uploaded for your documentation. Please do not hesitate to contact Hammer Auctions with any questions regarding this lot ([email protected]). Any statements regarding the condition of items made for the convenience of interested parties are opinions only and should not be treated as statements of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided Hammer Auctions has been notified within 5 days of receipt of the lot.

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A Yoruba Beaded Panel, fixed on a wooden board Panel embroidered with glass beads, fixed on a wooden board Yoruba, Nigeria Ohne Sockel / without base Glass beads. H 24 cm. L 61 cm. Provenance: Gérald Minkoff (1937-2009) and Muriel Olesen (1948-2020), Geneva. Published: Illustrated: Hainard, Jacques / Kaehr, Roland / Sabelli, Fabrizio / Milliet, Jacqueline / Minkoff, Gérald (1989). Le salon de l'ethnographie. Musée d'ethnographie, Neuchâtel. Such panels were described in 2016 by Peter Liaunig in "Afrikanische Glasperlenkunst. African Beaded Art" as follows: "Beaded panel yata These (...) particularly detailed and precisely designed bead panels without a pocket function are called yata and are usually used in pairs by priests in the cult of the various Yoruba gods. Since the colors gold, silver and blue are associated with the goddess Oshun, it is reasonable to assume that these pieces are dedicated to her." See: Oehrl, Michael / Liaunig, Peter (2016). African glass bead art. African Beaded Art. Museum Liaunig, Neuhaus. Page 102. ----------------------------------------------------- Gérald Minkoff and Muriel Olesen Muriel Minkoff-Olesen (1948- 2020) completed her training at the School of Design in Geneva. Gérald Minkoff (1937-2009) was a trained anthropologist and biologist. Both achieved fame as artists and from their meeting in 1967, the emblematic couple of contemporary art were inseparable. The travel-loving Olesen-Minkoff duo explored life like curious nomads, roaming the globe from Africa to Asia, Oceania, America and Patagonia. As artists and experienced collectors of contemporary art, they understandably had a keen sensitivity to the aesthetics and concepts of non-European art. The couple's Geneva apartment, perhaps their most beautiful joint work, thus became a place where the works of close friends such as Daniel Spoerri, Arman and Man Ray, as well as their own photographs, lived together with almost a thousand objects from Africa, Oceania, Asia and South America. CHF 200 / 400 Weight in grams: 1099 Condition: Attached to a wooden plate with three metal pins which can be easily removed. -------------------------------- The condition of this lot (wear, signs of use, cracks, any other damage and signs of age, etc.) can be seen in the photos we have uploaded for your documentation. If applicable) can be seen in the photos we have uploaded for your documentation. Please do not hesitate to contact Hammer Auctions with any questions regarding this lot ([email protected]). Any statements regarding the condition of items made for the convenience of interested parties are opinions only and should not be treated as statements of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided Hammer Auctions has been notified within 5 days of receipt of the lot.

Estimate 200 - 400 CHF
Starting price 5 CHF

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