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Description

An Asante Royal Throne, "asipim" Courtly throne, "asipim" Asante, Ghana Ohne Sockel / without base Wood, copper alloy, iron, leather. H 93.5 cm. Provenance: - Galerie Walu, Zurich. - Andreas Vontobel (1931-2011), Waltalingen. Chair of a royal court called asipim ("I am steadfast"). The seats reserved for high-ranking notables are still a symbol of dignity and power today. They are the most important regalia of the Asante rulers. Depending on the situation, their role varies from a simple utilitarian object to a symbol of the entire state. There is a very special intimacy between owner and seat: Asante wisdom says that there are no secrets between them. The seats are kept as memorabilia by the bereaved until no one can remember the former owners. Further reading: Bocola, Sandro (1994). African seats. Munich, Prestel Verlag. CHF 1 000 / 2 000 Weight in grams: 13300 Condition: The condition of this lot (wear, signs of use, tears, any other detractions and the signs of age, etc. The condition of this lot (wear, tears, possible other impairments and signs of age, if applicable) can be seen in the photos we have uploaded for your documentation. Please do not hesitate to contact Hammer Auctions with any questions regarding this lot ([email protected]). The statements regarding the condition of the items made for the convenience of interested parties are opinions only and should not be treated as statements of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided Hammer Auctions has been notified within 5 days of receipt of the lot.

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An Asante Royal Throne, "asipim" Courtly throne, "asipim" Asante, Ghana Ohne Sockel / without base Wood, copper alloy, iron, leather. H 93.5 cm. Provenance: - Galerie Walu, Zurich. - Andreas Vontobel (1931-2011), Waltalingen. Chair of a royal court called asipim ("I am steadfast"). The seats reserved for high-ranking notables are still a symbol of dignity and power today. They are the most important regalia of the Asante rulers. Depending on the situation, their role varies from a simple utilitarian object to a symbol of the entire state. There is a very special intimacy between owner and seat: Asante wisdom says that there are no secrets between them. The seats are kept as memorabilia by the bereaved until no one can remember the former owners. Further reading: Bocola, Sandro (1994). African seats. Munich, Prestel Verlag. CHF 1 000 / 2 000 Weight in grams: 13300 Condition: The condition of this lot (wear, signs of use, tears, any other detractions and the signs of age, etc. The condition of this lot (wear, tears, possible other impairments and signs of age, if applicable) can be seen in the photos we have uploaded for your documentation. Please do not hesitate to contact Hammer Auctions with any questions regarding this lot ([email protected]). The statements regarding the condition of the items made for the convenience of interested parties are opinions only and should not be treated as statements of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided Hammer Auctions has been notified within 5 days of receipt of the lot.

Estimate 1 000 - 2 000 CHF
Starting price 5 CHF

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For sale on Thursday 29 Aug : 18:00 (CEST)
basel, Switzerland
Hammer Auktionen AG
+41444000220
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A Fante Drum Standing drum Akan, Fante, Ghana Ohne Sockel / without base Wood, leather, cord. H 84 cm. Provenance: Galerie Walu, Basel. The Akan peoples are a group of linguistically and culturally related peoples who live mainly in Ghana and Côte d'Ivoire. Among the best known are the Asante, Fante, Akuapem, Akyem, Kwahu and Baule. Barrel-shaped drums such as the one offered here are owned by music and dance societies, which used them at celebrations and other social events such as funerals, to entertain the audience and as rhythm instruments during dance performances. Barrel-shaped drums like the one offered here are owned by music and dance societies and are used at various celebrations and social events. They are used to entertain the audience and act as rhythm instruments during dance performances. The breasts refer to the drum's role as the "mother" of the ensemble, and the surrounding relief carvings illustrate general proverbs, political statements or satirical thoughts. The breasts on the drum indicate its role as the "mother" of the ensemble. The surrounding relief carvings illustrate general proverbs, political statements or satire and contribute to the cultural and social significance of the instrument. Further reading: Meyer, Andres (1997). African drums. Berlin: Museum of Ethnology. CHF 300 / 600 Weight in grams: 12500 Condition: The condition of this lot (wear, signs of use, tears, any other detractions and the signs of age, etc. The condition of this lot (wear, tears, any other damage and signs of age, etc., if applicable) can be seen in the photos we have uploaded for your documentation. Please do not hesitate to contact Hammer Auctions with any questions regarding this lot ([email protected]). The statements regarding the condition of the items made for the convenience of interested parties are opinions only and should not be treated as statements of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided Hammer Auctions has been notified within 5 days of receipt of the lot.