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Trà Kieu style Lakshmi; Vietnam, Champa civilization, 10th century. Sedimentary rock. Attached certificate of authenticity from the specialist Ha Thuc Can. Measurements: 65 x 39 x 26 cm. Sculpture carved in sedimentary rock representing Lakshmi, sitting with her legs crossed and her hands on her knees, her torso naked and her eyes closed in a praying attitude. The piece has not been worked in the back area, a feature that indicates that it was conceived to be seen from the front. As for the carving, the voluptuousness of the forms stands out. Lakshmi is one of the main goddesses of Hinduism. She is the goddess of wealth, fortune, power, beauty, fertility and prosperity and is associated with Maya. Together with Parvati and Saraswati, she forms the Tridevi of Hindu goddesses. Lakshmi is both the consort and the divine energy (shakti) of the Hindu god Vishnu, the Supreme Being of Vaishnavism; She is also the Supreme Goddess in the sect and helps Vishnu to create, protect and transform the universe. Whenever Vishnu descended to Earth as an avatar, Lakshmi accompanied him as a consort, for example, as Sita and Radha or Rukmini as consorts of the avatars of Vishnu, Rama and Krishna, respectively.Trà Kieu was the first capital of the Hindu kingdom of Champa, then called Simhapura, between the 4th and 8th centuries AD. Nothing remains of the ancient city today, except for the rectangular walls. Although the Cham monuments of Trà Kieu, in Quang Nam province, have been destroyed, several magnificent pieces of sculpture associated with the site are still preserved in museums. Attached certificate of authenticity from specialist Ha Thuc Can.

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Trà Kieu style Lakshmi; Vietnam, Champa civilization, 10th century. Sedimentary rock. Attached certificate of authenticity from the specialist Ha Thuc Can. Measurements: 65 x 39 x 26 cm. Sculpture carved in sedimentary rock representing Lakshmi, sitting with her legs crossed and her hands on her knees, her torso naked and her eyes closed in a praying attitude. The piece has not been worked in the back area, a feature that indicates that it was conceived to be seen from the front. As for the carving, the voluptuousness of the forms stands out. Lakshmi is one of the main goddesses of Hinduism. She is the goddess of wealth, fortune, power, beauty, fertility and prosperity and is associated with Maya. Together with Parvati and Saraswati, she forms the Tridevi of Hindu goddesses. Lakshmi is both the consort and the divine energy (shakti) of the Hindu god Vishnu, the Supreme Being of Vaishnavism; She is also the Supreme Goddess in the sect and helps Vishnu to create, protect and transform the universe. Whenever Vishnu descended to Earth as an avatar, Lakshmi accompanied him as a consort, for example, as Sita and Radha or Rukmini as consorts of the avatars of Vishnu, Rama and Krishna, respectively.Trà Kieu was the first capital of the Hindu kingdom of Champa, then called Simhapura, between the 4th and 8th centuries AD. Nothing remains of the ancient city today, except for the rectangular walls. Although the Cham monuments of Trà Kieu, in Quang Nam province, have been destroyed, several magnificent pieces of sculpture associated with the site are still preserved in museums. Attached certificate of authenticity from specialist Ha Thuc Can.

Estimate 19 000 - 20 000 EUR
Starting price 8 000 EUR

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Brahma; Vietnam, Thap Nam, Binh Dinh province, Champa, 12th-13th century. Sandstone. Measurements: 95 x 52 x 11 cm. Stele made of sandstone representing the figure of Brahma in relief. In the framework of Hinduism, Brahma (literally "evolution" or "development", in Sanskrit), is the creator god of the universe and member of the Trimurti, the triad formed by himself (creator god), Vishnu (preserver god) and Shiva (destroyer god). There are several myths about the origin of the Trimurti, although the first myth is the one that supposes Brahma as the first being created by Brahman, and even as the first personification of this absolute deity, by whom everything was created. Thus, the three gods would be avatars of a single god, in his facets of creator, preserver and destroyer. Brahma is the husband of Sarasvati, the goddess of knowledge. However, being the Creator, all his children are born of his mind, and not of his body. Brahma intervenes only occasionally in the affairs of the gods, and rarely in those of mortals. Champa was a Southeast Asian civilization that flourished along the coasts of what is now central and southern Vietnam for a period of approximately one thousand years, between 500 and 1700 AD. The Cham created free-standing sandstone sculptures in round bulk, as well as high and low relief sandstone carvings. In general, they seem to have preferred to sculpt in relief, and excelled especially in high relief sculpture. Cham sculpture went through a marked succession of historical styles, the main one of which produced some of the finest works of Southeast Asian art.

Shiva Lingam; Thap Mam style, Champa, 12th-14th centuries. Carved stone. Attached certificate of authenticity from the specialist Le My Hao. It has slight damage. Measurements: 44,5 x 30,5 x 35,5 cm. A lingam sometimes called linga or Shiva linga, is an abstract or aniconic representation of the Hindu god Shiva in Shaivism. It is often depicted within a disc-shaped platform, the yoni - its female counterpart. consisting of a flat, horizontal element compared to the vertical lingam, and designed to allow liquid offerings to drain for collection. Together, they symbolize the merging of the microcosm and macrocosm. Shiva is one of the gods of the Trimurti or main trinity of Hinduism. He is the destroyer god, together with Brahma, the creator god, and Vishnu, the preserver god, although he does not incarnate meaningless destruction, but that which also allows regeneration, change and rebirth. Together with his consort Parvati (goddess with dual aspect: maternal and demon slayer) he is the father of Ganesha (god of wisdom) and Kartikeia (god of war).Champa was a Southeast Asian civilization that flourished along the coasts of what is now central and southern Vietnam during a period of approximately one thousand years, between 500 and 1700 AD. The Cham created freestanding sandstone sculptures in round bulk, as well as high and low relief sandstone carvings. In general, they seem to have preferred to sculpt in relief, and excelled especially in high relief sculpture. Cham sculpture went through a marked succession of historical styles, the main one of which produced some of the finest works of Southeast Asian art. Attached certificate of authenticity of the specialist Le My Hao. Slightly damaged.