A Dan Mask, "zakpai" Dan, Côte d'Ivoire Mit Sockel / with base Wood. H 23,5 cm. Provenance: - Center des Sciences Humaines, Abidjan. - 1969: Jean-Louis Rinsoz (1932-1971), Vevey. - Heirs of Jean-Louis Rinsoz, French-speaking Switzerland. Exhibited: Africa 69, Arts de la Côte-d'Ivoire et de l'Afrique occidentale. Vevey (1969). Since the use and meaning of the masks, in addition to the geographical differences that have always existed, have changed over time, it is sometimes difficult to make retrospective statements about their use at the time. There is much to suggest that this was a fire alarm mask known as a "zakpai", which, unlike most other types of mask, neither danced nor sang. During the dry season, a masked figure would check whether the women had extinguished their hearth fires in the evenings, as there was an increased risk of fire due to the winds. In the event of violations, she took punitive action and sometimes took a pledge, which the owner had to redeem later. Further reading: Fischer, Eberhard (1976). The Art of Dan. Zurich: Museum Rietberg. ----------------------------------------------------- Jean-Louis Rinsoz Jean-Louis Rinsoz was born in Vevey in 1932. After completing his schooling, he studied economics at the University of Lausanne (Faculty of Business Administration, HEC) before joining the family business "Rinsoz et Ormond SA" in Vevey, which manufactured tobacco, cigars and cigarettes. Deeply attached to his home region, he was always closely involved in Vevey's social, cultural and industrial activities. In order to diversify the sources of tobacco supply and meet the growing demands of an expanding market, Jean-Louis Rinsoz looked for new production areas. His travels took him first to Maryland (USA) and then, in the mid-1960s, to Côte d'Ivoire. This country was a revelation for him. Everything he was passionate about was there: the nature, the people and their culture! In addition to developing a significant economic partnership with the Ivorian state by setting up several tobacco production centers there, Jean-Louis Rinsoz financed the opening of a number of small schools to provide access to education for the children of this country. He was officially appointed by the Ivorian state as "Honorary Consul of Côte d'Ivoire in Switzerland, based in Vevey" and was even inaugurated as village chief in the Baoulé region. He was equally fascinated by the traditional art of these regions, in its social, aesthetic and religious dimensions. It was in this context that he met the ethnologist and art historian Bohumil Holas, who was then director of the Museum of Civilizations of Côte d'Ivoire in Abidjan. The two men became friends. The confluence of all these factors resulted in the exhibition "Arts de la Côte d'Ivoire. The Treasures of the Abidjan Museum", which was held at the Museum of Fine Arts in Vevey in 1969. Jean-Louis Rinsoz was the chairman of the committee. The moving foreword he wrote for the catalog of this event testifies to his deep attachment to this country. Jean-Louis Rinsoz had applied for Ivorian citizenship. He was never to live to see that day, as he died in a tragic accident in 1971. The African objects from Jean-Louis Rinsoz's personal collection have been in the family ever since and this "treasure from Vevey" is being offered to international collectors of traditional African art for the first time at our auction. CHF 2 000 / 4 000 Weight in grams: 456 Condition: The condition (possible wear, signs of use, tears, possible other impairments and the signs of age etc.) of this lot can be seen in the photos we have uploaded for your documentation. If you have any questions about this item, please do not hesitate to contact Hammer Auctions ([email protected]). The information regarding the condition of the items provided for the convenience of interested parties is an opinion only and should not be treated as a statement of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided they notify Hammer Auctions within 5 days of receiving the lot.

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African and Oceanic Art from the Collections of

Jean-Louis Rinsoz, Marcel Roux, Pierre Vérité, Henri Kamer, Paul Berger-Frei, Gérald and Muriel Minkoff, Charles-Edouard Duflon,

Thierry Santos, Hans und Carla Baumann, René Rickli, Alfons J. Keller, Edwin Bentley Savage, Edith Mbella, Mama Mecano,

Galerie Alain Bovis, Galerie Alain Naoum, Galerie Tribal Art Classics, Galerie Alain Lecomte, Galerie Walu

All items are guaranteed to be as described or your MONEY BACK.

A "Confirmation of Provenance" and a "Right to Dispose" as well as all mentioned certificates will accompany each artwork.

BEST OF LUCK !

Hammer Auktionen