Null Herbert Kuron (Breslau 1888 - 1951 Berlin), ,Weite Landschaft mit Getreideg…

Description

Herbert Kuron (Breslau 1888 - 1951 Berlin), ,Weite Landschaft mit Getreidegarben, c. 1910, oil on canvas, mounted on cardboard, signed lower left, 34 x 46 cm, still in the muted colors of the artist's early phase as well as with the directly opposite, comparatively uniform color areas, in silver frame (dam.), overall size: 50 x 64 cm. Limit 270,- >> German landscape painter, draughtsman, illustrator and etcher, studied at the Breslau Academy under Carl Ernst Morgenstern, further training under Georg Müller-Breslau in Dresden and at the Berlin Academy under Friedrich Kallmorgen, temporarily active in the Worpswede and Nidden painters' colonies.

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Herbert Kuron (Breslau 1888 - 1951 Berlin), ,Weite Landschaft mit Getreidegarben, c. 1910, oil on canvas, mounted on cardboard, signed lower left, 34 x 46 cm, still in the muted colors of the artist's early phase as well as with the directly opposite, comparatively uniform color areas, in silver frame (dam.), overall size: 50 x 64 cm. Limit 270,- >> German landscape painter, draughtsman, illustrator and etcher, studied at the Breslau Academy under Carl Ernst Morgenstern, further training under Georg Müller-Breslau in Dresden and at the Berlin Academy under Friedrich Kallmorgen, temporarily active in the Worpswede and Nidden painters' colonies.

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Herbert KITZEL (1928-1978) "Jazz" (1957) Watercolour - on width, matted cut-out, 43 cm x 51cm, signed and dated 57 on the lower right, exhibition label Deutscher Künstlerbund 7. Exhibition Berlin, Hochschule für bildende Künste In July 1957 Herbert Kitzel was appointed as a teacher at the Kunsthochschule Karlsruhe and emigrated to the West in 1958 after submitting an application. After the end of the Second World War, 1945-1950, he studied at Burg Giebichenstein and is one of the most important artists and representatives of the Halle School. Herbert Kitzel insisted on an art scene that painted independently of the state and the functionaries of the GDR. He could not indulge in the officially desired socialist realism, "The grey over Halle". Here he created his pictorial worlds, melancholic in character, radiating colour, painted decisively out of the grey: Pictures of artists, jugglers, harlequins, jazz musicians.

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