Null "Atget's Seven Album", Molly Nesbit, Ed. Yale 1992
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"Atget's Seven Album", Molly Nesbit, Ed. Yale 1992

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"Atget's Seven Album", Molly Nesbit, Ed. Yale 1992

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Collection of 8 18th and 19th century books on osteology: 1. VIGAROUS (Barthélemi): Opuscules sur la régénération des osseuses, les loupes osseuses et les hernies. Published and enlarged by M. Vigarous de Montagut. Paris, Mequignon, 1788, one volume 12 by 20 cm. VIII-223-(2) pages. Modern bradel boards. Very slight marginal spotting. First collective edition. Blake p. 474; missing Osler and Waller. Vigarous is considered a precursor of osteoplasty. 2. COOCHE (Edouard-Joseph): Quelques considérations sur les fractures de la jambe. Thesis presented and publicly defended at the Montpellier Faculty of Medicine, June 15, 1844. Montpellier, Pierre Grollier, 1844. One volume. 19 by 25 cm. 34-(2) pages. Modern bradel boards. Slight wetness in upper margin of all pages, rare foxing. First edition. 3. WAGHETTE (Nicolas-Jules-Ed.): Réflexions sur les divers points où l'on peut amputer la jambe. Thesis presented and publicly defended at the Montpellier Faculty of Medicine, June 21, 1847. Montpellier, Ricard Frères, 1847. One volume. 19 by 25 cm. 44 pages. Modern bradel boards. Slight staining in upper margin of all pages, a few light freckles, signed autograph letter from the author on the 2nd page. First edition. No copy at N.U.C.. 4. MALAVAL (Dr. Marcellin): Quelques considérations sur les principales méthodes de traitement des fractures, appliquées au traitement des fractures simples de la diaphyse du fémur. Thesis presented and publicly defended at the Montpellier Faculty of Medicine, April 25, 1854. Montpellier, L. Cristin et C., 1854. One volume. 19.5 by 25.5 cm. 29-(3) pages. Modern bradel boards. Foxing on first 2 pages. First edition. 5. LANNELONGUE (Dr. Odilon-Marc): Cold abscesses and bone tuberculosis. With figures in text and 12 chromolithograph plates. Paris, Asselin et Cie, 1881. One volume. 14.5 by 23 cm. (4)-186 pages and 12 plates (6 in color). Contemporary red half-chagrin, nicely decorated 5-rib spine. Copy in very good condition. 9 in-text figures. First edition. 6. OLLIER (Léopold): Osteoplasty applied to the restoration of the nose (Read at the Société impériale de médecine de Lyon). Lyon, Aimé Vingtrinier, 1863. One volume. 13 by 21 cm. 12 pages. Modern bradel boards. Ollier was interested in reconstructive surgery and performed numerous rhinoplasties. 7. OLLIER (Léopold): Current trends in surgery. Speech delivered by the author at his installation as Surgeon Major of the Hôtel-Dieu de Lyon [January 23, 1863]. Lyon, Aimé Vingtrinier, 1863. One volume. 12.5 by 21 cm. 38 pages. Modern bradel boards. First edition. 8. OLLIER (Léopold): De l'inégalité congénitale des deux moitiés latérales du corps chez l'homme. Insuccès de quelques tentatives expérimentales pour reproduire de pareilles lésions chez les animaux. S.l.n.d. [1869]. One volume. 12.5 by 21 cm. 6 ff. ch. [105] à 116. Modern bradel boards. Very rare extract from the Journal de physiologie. Worldcat lists only one copy (Yale university); CCFr. lists none.

FRATELLI ALINARI (19th), View of Mount Vesuvius and the surrounding countryside, around 1880, albume Fratelli Alinari (19th century): View of Mount Vesuvius and the surrounding countryside with a traveller leading a donkey, near Naples, c. 1880, albumen paper print Technique: albumen paper print Inscription: Lower middle signed in the printing plate: "(Ed. ne Alinari)". Lower middle inscribed in the printing plate: "Napoli - Dintorni. Vesuvio. La funicolare.". Lower middle numbered in the printing plate: "P.e I.a N.o 11696.". Date: c. 1880 Description: Original photograph with high detail sharpness. An early example of travel photography. Around the middle of the 19th century, more and more tourists from bourgeois circles travelled to Italy. At that time, photographs could only be taken at great expense in terms of time and with expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site, so that they could bring back a souvenir from their holiday home or collect them as mementos. Famous photographers such as Carlo Naya, Giorgio Sommer and the Alinari brothers photographed the most famous sights in their home cities and travelled themselves to photograph their customers' favourite destinations and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting the art treasures and making them accessible to scholars from all over Europe, who previously had to rely on copies or engravings if they were unable to view the original themselves. "Fratelli Alinari" in Florence are the oldest surviving photographic company in the world: founded in 1852, a good two decades after the French inventor Joseph Nicéphore Niépce succeeded in capturing an image on a tin plate. The Alinari brothers were Romualdo (1830-1891), Leopoldo (1832-1865) and Guiseppe (1836-1892). Leopoldo began taking photographs during the daguerreotype period and worked for the lithographer Guiseppe Bardi, with whom he founded a joint photographic studio in 1850. In 1854, Leopoldo bought Bardi's shares and, together with his brothers, founded the Fratelli Alinari studio. It became one of the most important Italian studios of the 19th century and later one of the largest photographic archives in the world, which still exists today. Keywords: Italy view, documentary photography, travel photography, Vesuvius, volcano, landscape panorama, 19th century, Historicism, Landscape, Italy, Pompeii (Campanian), Size: Albumen paper: 19,7 cm x 25,6 cm (7,8 x 10,1 in)