Null Thomas Aquinas - Sanctus Thomas super anima. Sancti doctoris. Thome de aqui…

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Thomas Aquinas - Sanctus Thomas super anima. Sancti doctoris. Thome de aquino: in tres libros Aristotelis De anima: profundissima commentaria cum duplici textu Venice, Lucantonio Giunta, 1518. In 2nd. 86 cc. Text on two columns in Gothic typeface, text of Aristotle in Latin, woodcut initials, slight water gouge, slight defect in inner margin of first fascicles, later period binding in stiff vellum, red boards, slight defects.

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Thomas Aquinas - Sanctus Thomas super anima. Sancti doctoris. Thome de aquino: in tres libros Aristotelis De anima: profundissima commentaria cum duplici textu Venice, Lucantonio Giunta, 1518. In 2nd. 86 cc. Text on two columns in Gothic typeface, text of Aristotle in Latin, woodcut initials, slight water gouge, slight defect in inner margin of first fascicles, later period binding in stiff vellum, red boards, slight defects.

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Series of twelve prints. Burin engravings on laid paper. 430x325 mm. ca. All of them in ancient frame. The engravings are signed on platemark.On left below: "Ioannes Bapta. Piazzetta pinxit"; on the right: "Marcus Pitteri sculpsit".Under: latin title / "Venetiis cum privilegio Excellentiss. Senatus." The plates are:1. "Sanctus Petrus". Wiel 112. "Sanctus Andreas." Wiel 123. "Sanctus Jacobus Maior." Wiel 134. "Sanctus Joannes." Wiel 145. "Sanctus Thomas." Wiel 156. "Sanctus Jacobus Minor." Wiel 167. "Sanctus Philippus." Wiel 178. "Sanctus Bartholomaeus." Wiel 189. "Sanctus Matthaeus." Wiel 1910. "Sanctus Simeon." Wiel 2011. "Sanctus Thaddaeus." Wiel 2112. "Sanctus Mathias." Wiel 22 Engraving masterpiece of the Venetian eighteenth century, from the masterful drawings of Piazzetta. Superb and rare complete collection of this prestigious series, in antique frames.Succi: "These prints are among Pitteri's most highly prized ... These masterful engravings from the fifth decade of the eighteenth century ... highlight the effort Pitteri made toward the realization of his ideal of pictorial engraving, capable of a vibrant and passionate rendering of the peculiar qualities of grazing luminosity and powerful chiaroscuro prominence of Piazzetta's models ... Pitteri, more and more refining his technique, succeeded in interpreting Piazzetta's models with results of exceptional vivacity and dazzling chiaroscuro orchestration." Wiel: "Stylistically, the Apostles mark a decisive advance in Pitteri's technique [...] Pitteri's Apostles met with great success ..."

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[INGRES] - Jules UZANNE (1822-1895, painter and pupil of Ingres) / His signature on the diploma of the Société de Secours Mutuel de Saint-Thomas d'Aquin of which he was President, given on January 17, 1862, awarded to the Comte de Cambacérès, countersigned by Eugène Muller, decorative frame (32.5 x 25 cm, was folded at the time, qq soiling)

Estim. 3 000 - 4 000 EUR

Thomas Aquinas THOMAS SUPER POSTE CUM TABULA.ANGELICI DIUINIQUE DOCTORIS SANCTISSIMI THOMAE AQUINATIS Venice, Luca Antonio Giunta Idib[us] Septembris. [13 Sept.], 1526 Small folio. Papers. [14], 96, 74 Work in two parts with numerous capilettera and woodcut illustrations in the text. Binding with original plates and modern spine.

Estim. 1 400 - 1 500 EUR

Saint Thomas of Aquinas on copper, Italo-Flemish school from the end of the 16th century - beginning of the 17th century Oil on copper with gilded bronze frame, measurements: 15 x 11 cm, measurements with frame 18 x 12 cm

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