Null De Marolles, Madeleine, watercolor painter, c. 19th century, "Eglise de Mar…

Description

De Marolles, Madeleine, watercolor painter, c. 19th century, "Eglise de Marolles en Brie", watercolor, probably signed lower left under mat opening, 21.5 x 20.5 cm (mat opening), on the reverse old adhesive label with title and information on the artist, lower glass rubbed, frame slightly dam. Glass rubbed, frame slightly worn, overall size: 38 x 33 cm, watercolor somewhat brownish. 4488-012a

500042

De Marolles, Madeleine, watercolor painter, c. 19th century, "Eglise de Marolles en Brie", watercolor, probably signed lower left under mat opening, 21.5 x 20.5 cm (mat opening), on the reverse old adhesive label with title and information on the artist, lower glass rubbed, frame slightly dam. Glass rubbed, frame slightly worn, overall size: 38 x 33 cm, watercolor somewhat brownish. 4488-012a

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Unknown (19th), Eglise de la Trinité, Paris, around 1880, albumen paper print Unknown (19th century): View of the west façade of the Eglise de la Trinité, Paris parish church, France, c. 1880, albumen paper print Technique: albumen paper print, mounted on Cardboard Inscription: Inscribed below. Stamp on verso right: "G Crilpa Paris 49 Rue Vivienne". Date: c. 1880 Description: Original photograph with high sharpness of detail. An early testimony to travel photography. Around the middle of the 19th century, more and more tourists from middle-class circles travelled in Europe. At that time, photographs could only be taken with a great deal of time and expensive, unwieldy equipment. This made many tourists all the more grateful for the work of the professional photographer's studios on site to bring back a souvenir from afar for those who stayed at home or to collect as souvenirs. The photographers photographed the most famous sights of their hometowns and went on trips themselves to photograph the most popular destinations of their clients and offer them as albumen prints. Ancient art treasures were also photographed and offered to travellers. The high-quality photographs of sculptures and frescoes continued to make an important contribution to documenting art treasures and making them accessible to scholars from all over Europe, who previously had to rely on tracings or engravings if they could not view the original for themselves. Keywords: 19th century, Historicism, Architecture, France, Size: Cardboard: 37,0 cm x 31,0 cm (14,6 x 12,2 in), Depiction: 25,8 cm x 20,0 cm (10,2 x 7,9 in)

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Beige background brocade cape embroidered in polychrome with floral motifs; velvet fringed border. Paris, E.Boudet, Boul'de la Madeleine, as labeled

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