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Description

EUGENE BOUDIN (FRENCH 1824-1898), TROUVILLE, LE PORT, LE MATIN

EUGĖNE BOUDIN (FRENCH 1824-1898)TROUVILLE, LE PORT, LE MATINOil on canvasSigned (lower left)32 x 46cm (12½ x 18 in.)Painted in 1881. Provenance:Cyrus J. Lawrence, New YorkGaleries Durand-Ruel, New York (acquired from the above, 16 April 1895)A.A. Crosby, New York (acquired from the above, 27 January 1904)Galeries Durand-Ruel, New York (acquired from the above, 5 January 1905)M. Henkel, New York (acquired from the above, 27 December 1905)Galeries Durand-Ruel, New York (acquired from the above, 15 August 1906)Coudray, Paris (his sale, Hôtel Druout, Paris, 12 June 1908, lot 7)Max Lévy, Paris (acquired at the above sale)Sale, Sotheby's, London, 1st July 1964, lot 67Acquired from the above by the present ownerLiterature:Robert Schmit, Eugène Boudin 1824-1898, Paris, 1973, vol. II, no. 1542 (illustrated in black and white)This work is recorded in the Archives Eugène Boudin at Galerie Brame & Lorenceau.The Normandy coast was a favourite subject matter of Eugene Boudin. Having grown up in Honfleur and then Le Havre, he was familiar with the many seaside towns which became increasingly popular with fashionable Parisians wanting to escape the crowded city. Boudin's first depictions of Trouville date from the early 1860s. Encouraged by his friend Johan Barthold Jongkind, he is one of the first artists to practice plein air painting and is credited by his life-long friend, Claude Monet, as being instrumental in his early development as an artist. The present work, painted in 1881, typifies Boudin's approach to landscape painting with its quintessential brooding skies filled with energy and movement. An excerpt from his diary in 1856, demonstrates that, even as a young artist honing his craft, the sky was paramount to his art.'To swim in the open sky. To achieve the tenderness of clouds. To suspend these masses in the distance, very far away in the grey mist, make the blue explode. I feel all this coming, dawning in my intentions. What joy and what torment!'Corot was so impressed with Boudin's ability to depict the sky that he called him 'King of the Skies'. His preoccupation with the sky meant that, as with the current work, it frequently occupied more than half the composition. In referencing the time of day in the title of the work, Boudin reveals his enduring interest in the subtleties of light and weather at different times of the day and in different seasons, often noting exact atmospheric conditions at the time of painting.Unlike Boudin's many depictions of Trouville as a fashionable resort, the present work belongs to a body of work that focusses on the port, devoid of the groups of stylish visitors that are frequently at the centre of the artist's work. Instead Trouville, Le Port, Le Matin is an exemplary study of the play of light through the clouds onto the water, an example of Boudin's mature impressionistic style.

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EUGENE BOUDIN (FRENCH 1824-1898), TROUVILLE, LE PORT, LE MATIN

Estimate 30 000 - 40 000 GBP
Starting price 26 000 GBP

* Not including buyer’s premium.
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Sale fees: 34.8 %
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For sale on Thursday 11 Jul : 10:30 (BST)
newbury, United Kingdom
Dreweatts
+441635553553
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