Null Kraus, Georg Melchior
(1737 Frankfurt am Main - Weimar 1806). Farewell: A p…
Description

Kraus, Georg Melchior (1737 Frankfurt am Main - Weimar 1806). Farewell: A peasant family says goodbye to their almost grown-up son, whose new master is already waiting at the door. Watercolor and brush in grey, over pencil, on laid paper. Depiction in the round. 10.1 x 10.6 cm. Reddened and traced on verso as well as an old attribution to J.A.B. Nothnagel (1729-1804). Preliminary drawing for an illustration. Provenance: Wilhelm Busch Collection, painter and draughtsman (1832-1908), according to oral tradition. ╔Including: Lavater (c. 1780/90), circle.╗ Physiognomic study of a boy with long hair and eyes of different sizes. Bust in three-quarter profile to the right. Watercolor and opaque colors, pen and black ink, with double brown pen line and light green watercolor border and black ink frame, on laid paper. 9.6 x 7.7 cm. Comparative literature: Catalog: Goethe and art. Edited by S. Schulze. Frankfurt am Main, Schirn Kunsthalle, 1994, nos. 152-15 with color illus. (I.B. Fliedl, Lavater, Goethe und der Versuch eine Physiognomik als Wissenschaft). D

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Kraus, Georg Melchior (1737 Frankfurt am Main - Weimar 1806). Farewell: A peasant family says goodbye to their almost grown-up son, whose new master is already waiting at the door. Watercolor and brush in grey, over pencil, on laid paper. Depiction in the round. 10.1 x 10.6 cm. Reddened and traced on verso as well as an old attribution to J.A.B. Nothnagel (1729-1804). Preliminary drawing for an illustration. Provenance: Wilhelm Busch Collection, painter and draughtsman (1832-1908), according to oral tradition. ╔Including: Lavater (c. 1780/90), circle.╗ Physiognomic study of a boy with long hair and eyes of different sizes. Bust in three-quarter profile to the right. Watercolor and opaque colors, pen and black ink, with double brown pen line and light green watercolor border and black ink frame, on laid paper. 9.6 x 7.7 cm. Comparative literature: Catalog: Goethe and art. Edited by S. Schulze. Frankfurt am Main, Schirn Kunsthalle, 1994, nos. 152-15 with color illus. (I.B. Fliedl, Lavater, Goethe und der Versuch eine Physiognomik als Wissenschaft). D

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[Bibliography] Set of 4 volumes: (Photocopies, A4 format in red cloth and Skivertex bindings) William Hobart Royce, Writings relative to the Life and Works of Honoré de Balzac. The University of Chicago Press, Kraus Reprint Co. 1969. Otto Klapp, Bibliographie d'Histoire littéraire française. Frankfurt,Vittorio Klostermann. Contains all "Balzac" entries in Volumes I to XXVIII, from 1956 to 1990. Otto Klapp, Bibliographie d'Histoire littéraire française. Frankfurt,Vittorio Klostermann. Volumes XXIX and XXX (1991-1992). L. Carteret, Le Trésor du bibliophile romantique et moderne, 1801-1875. Carteret, 1927 (Pages 41 to 92 on Balzac). Le Courrier Balzacien. Paris, 1948-1949, In-8. Set of the first 6 issues, December 1948 to December 1949, deluxe edition of 120 copies on vellum pur fil from Papeteries Johannot (N° XXII), N°6 is one of 10 H. C. copies (N°9). In sheets, printed cover, first cover with portraits of Balzac at different periods of his life on volumes 1 to 5. Good condition. Courrier Balzacien: Lot of approx. 120 issues from 1980 to 2022, some duplicates, series missing, some older issues photocopied. Anonymous [Harel, Alhoy and Jal], Dictionnaire théâtral ou douze cent trente-trois vérités sur les directeurs, Régisseurs, acteurs (etc.) des divers théâtres. 2nd edition with a supplement. Paris, Barba, 1825, in-12, 318p. The original edition is dated 1824. As a man of the theater, Harel can claim to have an inside view of the theatrical scene. At the time of publication of his dictionary, whose preface to the second edition testifies to its tumultuous reception, he was not yet director of the Odéon, and he had enlisted the help of two other authors, experienced in major publishing ventures but not at all theatrical specialists: Maurice Alhoy, a successful author, and Auguste Jal, a specialist in maritime literature. Salvador H." bookplate on title page. Bound in red half-basane, smooth spine with 5 false nerves of 3 gilt fillets, 3 cold fleurons and 2 gilt fleurons between the nerves, head and tail castors, spine slightly faded; marbled edges. A good copy.