Ritual staff for Shango, oshe shango. Yoruba, Nigeria. H 41cm, carved with an ad…
Description

Ritual staff for Shango, oshe shango. Yoruba, Nigeria. H 41cm, carved with an adorant with a high, tapered hairstyle, arranged in knots and crowned by the double axe symbol; she is adorned around the neck with numerous carved and one real necklace and holds a lidded vessel in her hands. Depicted in: K.-F. Schädler, African Art in German Collections (1973) p. 166, fig. 222; ders. Afrikanische Kunst / African Art (1975) p.117, fig.164. These dancing sticks oshe were carried in honor of the thunder god Shango by male and female members of the cult during the shango festival in the processions. The main feature is the double axe, originally probably hand axes, which were found and hurled from the sky by Shango. In a good sense, Shango is associated with fertility-giving rain, he is considered truthful and is said to punish lies and theft. Minor abrasions from prolonged use, otherwise intact; gray, partially encrusted sacrificial patina. Provenance: ex Coll. Walter Kaiser, Stuttgart; ex Coll. Walter Schmidt, Würzburg/Innsbruck; ex Zemanek-Münster, Auction 86, Würzburg 27 May 2017, lot 41.

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Ritual staff for Shango, oshe shango. Yoruba, Nigeria. H 41c

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A Yoruba Staff (Dance Wand), "oshe shango" ("Osé-Sàngó") Yoruba, Nigeria Ohne Sockel / without base Wood. H 46 cm. Provenance: - 1969: Jean-Louis Rinsoz (1932-1971), Vevey. - Heirs of Jean-Louis Rinsoz, French-speaking Switzerland. One of the most famous deities in the Yoruba pantheon is shango, the god of thunder and lightning. The cult of shango became so successful in almost the entire Yoruba country in large part because the god is believed to have reigned as the fourth king in Oyo. In the 17th and 18th centuries, Oyo was the center of the Oyo empire, which ruled over numerous Yoruba kingdoms. According to local myths, shango was the fourth alafin (ruler of the palace) of Oyo. Traditions describe shango as a rather irresponsible ruler with a violent temper who played with fireworks and burnt down his palace. He was eventually chased out of the city and hanged himself out of despair. However, his followers reject this version and propagate a different version of the myth: according to their belief, he ascended to heaven, where he reveals himself in thunderstorms. The shango cult became the state cult of Oyo and its priests acted as ambassadors and representatives of the alafin of Oyo in the vassal states. Beyond his cult, shango manifests himself in thunder and lightning, hurling his thunderbolts (edun ara) from the sky and setting the bush or houses on fire. Where the lightning strikes, the shango priests collect the thunderbolts and carry them in their embroidered leather shoulder bags (laba) to the god's shrine. There they keep the stones in large wooden bowls or calabashes together with dancing sticks and gourd rattles and "feed" them with offerings. The best-known emblem and symbol of the shango cult is the dancing stick oshe shango ("osé-sàngó") with the depiction of two thunderbolts in the shape of a double axe. Further reading: Eisenhofer, Stefan (1997). Cults, artists, kings in Africa. Linz: Upper Austrian Provincial Museum. ----------------------------------------------------- Jean-Louis Rinsoz Jean-Louis Rinsoz was born in Vevey in 1932. After completing his schooling, he studied economics at the University of Lausanne (Faculty of Business Administration, HEC) before joining the family business "Rinsoz et Ormond SA" in Vevey, which manufactured tobacco, cigars and cigarettes. Deeply attached to his home region, he was always closely involved in Vevey's social, cultural and industrial activities. In order to diversify the sources of tobacco supply and meet the growing demands of an expanding market, Jean-Louis Rinsoz looked for new production areas. His travels took him first to Maryland (USA) and then, in the mid-1960s, to Côte d'Ivoire. This country was a revelation for him. Everything he was passionate about was there: the nature, the people and their culture! In addition to developing a significant economic partnership with the Ivorian state by setting up several tobacco production centers there, Jean-Louis Rinsoz financed the opening of a number of small schools to provide access to education for the children of this country. He was officially appointed by the Ivorian state as "Honorary Consul of Côte d'Ivoire in Switzerland, based in Vevey" and was even inaugurated as village chief in the Baoulé region. Jean-Louis Rinsoz had applied for Ivorian citizenship. He was never to live to see that day, as he died in a tragic accident in 1971. CHF 400 / 800 Weight in grams: 400 Condition: The end piece of the right loop of the frontal garment knot is missing (broken off). -------------------------------- The condition (any wear, signs of use, tears, any other damage and signs of age, etc.) of this lot can be seen in the photos we have uploaded for your documentation. If you have any questions about this item, please do not hesitate to contact Hammer Auctions ([email protected]). The information regarding the condition of the items provided for the convenience of interested parties is an opinion only and should not be treated as a statement of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided they notify Hammer Auctions within 5 days of receiving the lot.