Large memorial head mma. Akan, Ghana, 18th / 19th century. H 20.5cm, made of gra…
Description

Large memorial head mma. Akan, Ghana, 18th / 19th century. H 20.5cm, made of gray slurry terracotta, probably from Hemang Twifo. With pursed lips and flared nostrils, coffee bean eyes and temple scarification marks. The upturned coiffure with applied beads to the front and back, the back with incised linear decoration, the top originally with superstructure, the back of the neck with handwritten collection number "08391". Although presented as portraits, these heads are no more so in the Western sense than the figures, which, like the heads, were also placed on sacred groves. They merely depict characteristics of the deceased, such as hairstyle, scarring or jewelry, which made him or her recognizable to relatives. According to oral tradition, however, the artist looked into a bowl of water or palm oil in order to guess the facial features of the deceased. Such heads mma were reserved only for the royal families and those who had served them and were usually used in funeral ceremonies 40 days after death (ideally when the deceased had achieved ancestral status) and placed on a special grove, grave or burial site. Fractures on the reverse. Provenance: ex Galerie Sonnenfels, Vienna; ex private collection Australia and UK; ex Woolley & Wallis, auction, Salisbury 8.6.2021, lot 318.

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Large memorial head mma. Akan, Ghana, 18th / 19th century. H

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An Akan Commemorative Head Akan, Ghana / Côte d'Ivoire Mit Sockel / with base Terracotta. H 19 cm. Provenance: - Mama Mecano, Accra. - 1984: Gallery Walu, Zurich. Published: Jean David (2003). Ghana, Akan, Komaland. Zurich: Galerie Walu, page 9. Exhibited: Galerie Walu, Zurich. "Ghana, Akan, Komaland" (2003). Thermoluminescence age determination: 250 years (+/- 25 %). The Akan peoples are a group of ethnically and culturally related peoples who live mainly in Ghana and Côte d'Ivoire. The best known are the Asante, Fante, Akuapem, Akyem, Kwahu and Baule. Idealized images made of baked clay were erected in separate groves in memory of ancestors. They were ceremonially worshipped there until no one could remember them. The terracottas, which radiate peace and serenity, were thus materialized connections between this world and the hereafter, which could serve similar purposes to monuments or gravestones elsewhere. Further reading: Cole, Herbert M. / Ross, Doran H. (1977). The Arts of Ghana. Los Angeles: University of California. CHF 1 000 / 2 000 Weight in grams: 1550 Condition: The condition (possible wear, signs of use, tears, possible other impairments and the signs of age etc.) of this lot can be seen in the photos we have uploaded for your documentation. If you have any questions about this item, please do not hesitate to contact Hammer Auctions ([email protected]). The information regarding the condition of the items provided for the convenience of interested parties is an opinion only and should not be treated as a statement of fact. Hammer Auctions accepts no responsibility for any errors or omissions. In the rare event that the item does not match the description in the catalog, Hammer Auctions is here to help. Buyers may return the lot for a full refund provided they notify Hammer Auctions within 5 days of receiving the lot.