Null Attic black-figure bowl kyphos of the Haimon group. 500 - 480 BC H 7.7cm, W…

Description

Attic black-figure bowl kyphos of the Haimon group. 500 - 480 BC H 7.7cm, W with handles 19.8cm, ø mouth 13.2cm. Deep rim bowl on a low profiled foot. Painting in silhouette technique showing a dancing woman on both sides between two men leaning on sticks. See J. Boardman, Schwarzfigurige Vasen aus Athen - Ein Handbuch (1977) p. 162 with fig. 275. Cf. for example the similar bowl kyphos Bucharest, MIRSR 15: Corpus Vasorum Antiquorum 1 pl. 23, 6; Beazley Archive Pottery Database 352044. Glossy tone chipped in small areas, otherwise intact with sinter remains. Provenance: In the private collection of P. A., Munich, since 2021; previously in German family ownership since before 2000.

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Attic black-figure bowl kyphos of the Haimon group. 500 - 480 BC H 7.7cm, W with handles 19.8cm, ø mouth 13.2cm. Deep rim bowl on a low profiled foot. Painting in silhouette technique showing a dancing woman on both sides between two men leaning on sticks. See J. Boardman, Schwarzfigurige Vasen aus Athen - Ein Handbuch (1977) p. 162 with fig. 275. Cf. for example the similar bowl kyphos Bucharest, MIRSR 15: Corpus Vasorum Antiquorum 1 pl. 23, 6; Beazley Archive Pottery Database 352044. Glossy tone chipped in small areas, otherwise intact with sinter remains. Provenance: In the private collection of P. A., Munich, since 2021; previously in German family ownership since before 2000.

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HOLLAND & HOLLAND A .500/.450 (3 1/4IN.) NITRO EXPRESS 'ROYAL' SIDELOCK EJECTOR DOUBLE RIFLE, SERIAL NO. 17914, for 1902, 26in. Whitworth-steel nitro chopperlump barrels, proofed for 70grs Cordite, 480 grs bullet maxm, matt sight rib with open sights and two folding leaf sights, marked 100, 200 and 300, ramp-mounted bead fore-sight with flip-up moonsight, the tubes engraved 'HOLLAND & HOLLAND. 98 NEW BOND STREET. LONDON.', 'WINNERS OF ALL THE "FIELD" RIFLE TRIALS. LONDON. 1883', (refreshed), rounded bar treble-grip action with hidden third bite, removable striker discs, gold-inlaid cocking-indicators, elongated top tang with automatic safety best bold Royal scroll engraving, the underside with an elaborate cartouche engraved 'CHARGE 70 GRAINS CORDITE 500/450 CASE 3 1/4 INCHES', the action flats with a Belgian proof mark and 'PICOT R219' (presumably for an additional set of barrels - not present), 14 1/4in. figured pistolgrip stock with cheekpiece, engraved steel pistolgrip-cap (with trap), sling swivels and including 3/4in. recoil pad, fore-end with grip-catch release lever, weight 10lb. 2oz., in a leather case. S1 - Sold as a Section 1 Firearm under the 1968 Firearms Act * Please note this item is subject to 5% VAT on the hammer price (UK Buyers only).

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A collection of two classics on letterpress vignettes: 1. BOPPE (Auguste) and BONNET (Raoul): Les vignettes emblématiques sous la Révolution. 250 reproductions of letterheads. With the collaboration of M. Raoul Bonnet. Paris, Nancy, Berger-Levrault, 1911. One volume. 24.5 by 32 cm. VIII-181-(3) pages. Modern full cloth, black title page, cover preserved. Good condition, a few discreet scattered foxings. Sought-after first edition. Illustrated with 253 in-text figures. Edition of 500 copies. One of 480 copies on wove paper (N°76). 2. CHAMPFLEURY (Jules-François-Félix Husson, dit Fleury, dit): Les vignettes romantiques. Histoire de la littérature et de l'art 1825-1840. 150 vignettes. Célestin Nanteuil, Tony Johannot, Devéria, Jeanron, Edouard Nay, Jean Gigoux, Camille Rogier, Achille Allier. Suivi d'un catalog complet des romans, drames, poésies, ornés de vignettes, de 1825 à 1840. Paris, E. Dentu, 1883. One volume. 21.5 by 31 cm. 1 portrait of Champfleury, from the Galerie contemporaine, based on a Nadar photograph (photoglyptie), added at the beginning of the volume-VIII-438 pages + 14 uncensored leaves (Champfleury's artistic works) + 10 plates h.t. Full damask silk binding with flaps, basane title-piece on spine, cover boards preserved. Spine faded, scattered brown spots. Numerous in-text illustrations. First edition. "Limited edition". A vignette by T. Johannot is in double condition with a print on Chine.

Estim. 180 - 200 EUR

LORENZO FRECHILLA (Valladolid, 1927 - Madrid, 1990) Untitled. Steel, copy 171/500. Signed and numbered. Velvet lined base with heavy soiling. Measurements: 12 x 9 x 5 cm (sculpture); 2 x 11 x 7,5 cm (base). Lorenzo Frechilla del Rey was a Spanish sculptor. He studied at the School of Arts and Crafts in Valencia. In 1948 he participated in the foundation of the avant-garde group Pascual Letreros from Valladolid. This is a literary artistic group influenced by the constructive universalism of the Uruguayan Joaquín Torres García, which was active until the first half of the 1950s. The theorist and founder of the group was the Uruguayan poet José Parrilla and the Uruguayan painters Alma Castillo and Raúl Javiel Cabrera and the Valladolid artists Publio Wifrido Otero, Gerardo Pintado, Primitivo Cano and the Cantabrian sculptor Teodoro Calderón participated in it. Until 1954 he exhibits with them. In 1951 he moved to Madrid where he met his wife Teresa Eguibar, also a sculptor. Both moved to Paris and from 1961 they joined the International East-West Group with which they toured Europe during the sixties. In 1968 he travels to the Nordic countries. He exhibited in Norway with the East-West Group and held an individual exhibition in Helsingborg, Sweden and two in Paris. In 1969 he attends the computer art seminars at the Centro de Cálculo de la Universidad de Madrid. He participates in the Exhibition on Cybernetic Art together with Eusebio Sempere, Jose Luis Alexanco, Manuel Barbadillo, Manolo Quejido, Jose Maria Yturralde and Teresa Eguibar. He died in Madrid in 1990.

Greek coins ATTIC ISLANDS Aegina - Stater (ca. 510-480 B.C.) Turtle - R/ Square incuse - cf. HGC 6, 433 AG (g 12.00) - qBB

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