Charly Rocks (NÉ EN 1983) Paint can in resin.
25x17x30cm

Description

Charly Rocks (NÉ EN 1983)

Paint can in resin. 25x17x30cm

68

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Charly Rocks (NÉ EN 1983)

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Estim. 25 000 - 35 000 EUR

Angel OTERO Untitled (SK-NG, Album series) - 2013 Oil paint and oil paint skins glued to canvas Signed, dated and titled on the back "SK-NG". 102 × 81.50 cm Oil paint and oil paint skins collaged on canvas; signed, dated and titled on the reverse 40.15 × 32.08 in. Provenance: Kavi Gupta Gallery, Chicago Acquired directly from the latter by the current owner Angel OTERO Quote: "For me, very early on, art consisted of painting landscapes... then a guy showed me images of a Pollock painting and it shocked me; It was very liberating that the world accepted this as art."- Angel Otero Angel Otero's artistic approach combines methods of formation and deformation, a way of working that results in images and objects that seem to be in a perpetual state of becoming. Among his most illustrative works are his "paint skins". The singularity of Otero's work is inseparable from his particular brand of process-oriented formal innovation. Painting upside down, he applies oil paint to large sheets of glass. Once these have dried (which can take up to two weeks), Otero peels the oil paint from their surfaces with a set of "blades", then glues their looped compositions to the canvas, modifying their broken surfaces with additional painted gestures, shapes and letters. "These procedures," Otero told me, "produce surprises to which I have become addicted. Assembled negatively - like a print or photographic film - Otero's recent textual invocations of twentieth-century philosophy (which include quotations from Sartre, among other totemic figures) also serve as visual essays on the metaphysical instability of our own astonishingly thoughtless and culturally stunned age. Angel Otero's approach to art making combines methods of formation and deformation, a way of working that results in images and objects that seem to be in a continual state of becoming. Among his most illustrative bodies of work are his so-called "paint skins,". The singularity of Otero's work is indivisible from his particular species of process-oriented formal innovation. Painting in reverse, with a nod to the filmMemento(2000), he applies oil paint onto large sheets of glass. Once these have dried (which can take up to two weeks), Otero peels the oil paint off their surfaces with a set of 'blades', then adheres their buckled compositions onto canvas, amending their broken surfaces with additional painted gestures, shapes and letters. "These procedures", Otero told me, "produce surprises to which I've become addicted". Assembled negatively - like a print or photographic film - Otero's recent text-based invocations of twentieth-century philosophy (which include quotes from Sartre, among other totemic figures) also serve as visual essays in metaphysical instability for our own stunningly unreflective, culturally dumbfounded time.

Estim. 30 000 - 40 000 EUR

DRAN Thank you - 2016 Acrylic, spray paint and paper collage on canvas Signed and titled; countersigned on back 150.30 × 125 cm Acrylic, spray paint and paper collage on canvas; signed and titled; countersigned on the reverse 59.05 × 49.21 in. Bibliography: Dran, ABCD'air, Éditions Nobulo, 2016, reproduced under the letter M for Merci Exhibitions: Brussels, Adda Galerie, Dran, Tiens , June 12-July 10, 2016 Condition: A certificate will be given to the buyer. DRAN Quote: "dran is unclassifiable. Happily unpredictable and seriously disturbing. His single line is but a thin border between his strange inner world and us mere humans. He draws like he talks and thinks. The flow is rapid, the ideas atomized, leaving us in awe of the relevance of his dark but strangely enlightening vision" - Maurizio Cattelan A gritty, critical observer of society, dran traces on paper and canvas acerbic, cynical visions of human relationships in contemporary society, which Guy Debord described as the Society of the Spectacle. He criticizes its shortcomings, its evolutions, its political, economic and religious approaches, as well as the news stories that litter its pages. His intervention at the heart of the Inside exhibition at the Palais de Tokyo left a lasting impression. His work is a series of sketches conveying a corrosive message. The grimacing, dreaming children are threatened by the world around them. Between dream and nightmare, society and its violence impose themselves on them. In 2016, he presented the exhibition Tiens à Bruxelles in the form of an alphabet book. From the A in Abécédaire to the Z in Zèbre, dran shows, with humor and irony, realistic scenes that only his acute sensitivity can bring to life. Without dictating anything to us, losing us in his colorful, childlike universe, he offers reflections, tenderness and emotions to the inquisitive mind. A critical and unforgiving observer of society, dran uses paper and canvas to draw ascer- bic and cynical visions of human reltionships in contemporary society, the one that Guy Debord described as a Society of Spectacle. He criticizes its failings, its evolutions, its political economics and religions approaches, and also various facts that litter the news pages. His intervention at the heart of the exhibition Inside the Palais de Tokyo made an impression. His works are scenes conveying a corrosive message. The grimacing and dreaming children are threate- ned by the world around them. Between dream and nightmare, society and its violence are thrust upon them. In 2016, he presented the exhibition Tiens à Bruxelles in the form of an alphabet book. From the A in Abécédaire to the Z in Zèbre, dran shows, with humour and irony, realistic scenes that only his acute sensitivity can bring to life. And as usual, or like the way he handles his website, everything is there to be discovered, searched for, delved into and surprised by. Without dictating anything to us, he loses us in his colourful, childlike universe, offering reflections, tenderness and emotions to the inquisitive mind.

Estim. 150 - 250 EUR

Van Diepenbeeck, Abraham ; Meyssens, Cornelis

Estim. 12 000 - 15 000 EUR

Portrait de Nasser al-Din Shah Qajar (r. 1848-96)

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