Null ARCHIVES of Andrei BALASHOV (1889-1969)
VELIYASHEV Leonid (1856-1939), gene…
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ARCHIVES of Andrei BALASHOV (1889-1969) VELIYASHEV Leonid (1856-1939), general VELIYASHEV Dimitri Extensive archive of documents concerning General Leonid Veliyashev. The archive includes: - Typescript copies of Leonid Veliyashev's letters to his son Dimitri Veliyashev in France, then in Abyssinia. Copies made in the 1950s by D.Veliyashev, then addressed to Andrei Balashov. The letters were written between 1921 and 1939 (with interruptions), 114 pp. in-4, A.B.E. (traces of rust). Detailed letters about General L. Veliyashev's life in Lutsk (Poland) "I lived in Lutsk from 1901 to 1910, commanding a regiment, then a brigade. First I lived in a government apartment, now that house is destroyed / by peasant democrats/, my other apartment was fine, now occupied by a Polish club..." "Today, I'm in the service of a notary's office, as a witness and night watchman. Thus, a cavalry general, member of the Military Council, obtained with great difficulty, among other things, the functions of night watchman (...)", the life of the general in exile is hard, but he refuses to settle with his son in France. He shares many memories of the First World War period and talks about his former comrades. - Collection of data on General Leonid Veliashev. Typescripts, handwritten notes, obituaries, copies of service records, extracts from letters from the general to his son, reminiscences of colleagues, etc. Approx. 100 pp. various formats; collection of biographical data on the Veliyashev family. 21 pp. various formats; LAS to A.V. Balashov with reminiscences about General L.N. Veliashev (by A.A. Panov, B.Tsarevsky and others), 1956. Extracts from historical references. 51 pp. total, various formats. - Correspondence between A.V. Balashov and Dimitri Veliashev in France. LAS, CAS, envelopes from D. Veliashev to A. Balashov. Copies of typescript letters from A.V. Balashov. 1937, then 1951-1968. 417 pp. in total, various formats. Exchange of biographical data on General L.Velyashev, characteristics of regiment comrades, recollections of regimental life, news of emigrant life. Leonid Veliashev (1856-1939) - cavalry general, participated in the Russo-Turkish War in the ranks of the Akhtyrsky regiment, commander of the 3rd field gendarmerie squadron in Kiev, then of the hussar regiment of the Iziumski regiment. Temporarily retired in 1914, he returned to service when Russia entered the First World War. After the revolution, he went into exile in Poland. Arrested by the Reds in 1939, he died a few days after his arrest. АРХИВ Андрея БАЛАШОВА (1889-1969) ВЕЛЬЯШЕВ Леонид (1856-1940), генерал ВЕЛЬЯШЕВ Дмитрий Объемный архив относительно генерала Леонида Николаевича Вельяшева. Включает: - Копии писем Л.Н.Вельяшева к сыну Дмитрию Вельяшеву во Францию и Абессинию. Машинописные копии, направлены А.В.Балашову в 1950х гг. Д.Л.Вельяшевым с пояснениями. Копии с писем 1921-1939 гг. (с перерывами), 114 стр., 27 х 22 см., след ржавчины. Подробные письма о жизни генерала Л.Вельяшева в Луцке (Польша) "В Луцке я прожил с 1901 года по 1910-ый командуя полком и бригадой. Жил сперва на казенной квартире, - теперь этот дом разрушен / демократами крестьянами/, другая моя квартира оч.хорошая - занята польским клубом..." "Теперь на службе в одной из контор нотариуса, - свидетелем и сторожем. Итак, Генерал от Кавалерии, Член Военного Совета, добрался с большим трудом, между прочим, до обязанностей сторожа (....)», жизнь генерала в эмиграции тяжела, но к сыну во Францию он переезжать отказывается «Я, милый Митя, не уклоняюсь, но боюсь необдуманного шага, чтобы потом не сожалеть, что поторопился. Ведь ты не можешь не согласиться, что я раз перееду, то уже делаюсь дармоедом, обузой - одним словом старым, большим Чемодан Ивановичем, к

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ARCHIVES of Andrei BALASHOV (1889-1969) VELIYASHEV Leonid (1856-1939), general VELIYASHEV Dimitri Extensive archive of documents concerning General Leonid Veliyashev. The archive includes: - Typescript copies of Leonid Veliyashev's letters to his son Dimitri Veliyashev in France, then in Abyssinia. Copies made in the 1950s by D.Veliyashev, then addressed to Andrei Balashov. The letters were written between 1921 and 1939 (with interruptions), 114 pp. in-4, A.B.E. (traces of rust). Detailed letters about General L. Veliyashev's life in Lutsk (Poland) "I lived in Lutsk from 1901 to 1910, commanding a regiment, then a brigade. First I lived in a government apartment, now that house is destroyed / by peasant democrats/, my other apartment was fine, now occupied by a Polish club..." "Today, I'm in the service of a notary's office, as a witness and night watchman. Thus, a cavalry general, member of the Military Council, obtained with great difficulty, among other things, the functions of night watchman (...)", the life of the general in exile is hard, but he refuses to settle with his son in France. He shares many memories of the First World War period and talks about his former comrades. - Collection of data on General Leonid Veliashev. Typescripts, handwritten notes, obituaries, copies of service records, extracts from letters from the general to his son, reminiscences of colleagues, etc. Approx. 100 pp. various formats; collection of biographical data on the Veliyashev family. 21 pp. various formats; LAS to A.V. Balashov with reminiscences about General L.N. Veliashev (by A.A. Panov, B.Tsarevsky and others), 1956. Extracts from historical references. 51 pp. total, various formats. - Correspondence between A.V. Balashov and Dimitri Veliashev in France. LAS, CAS, envelopes from D. Veliashev to A. Balashov. Copies of typescript letters from A.V. Balashov. 1937, then 1951-1968. 417 pp. in total, various formats. Exchange of biographical data on General L.Velyashev, characteristics of regiment comrades, recollections of regimental life, news of emigrant life. Leonid Veliashev (1856-1939) - cavalry general, participated in the Russo-Turkish War in the ranks of the Akhtyrsky regiment, commander of the 3rd field gendarmerie squadron in Kiev, then of the hussar regiment of the Iziumski regiment. Temporarily retired in 1914, he returned to service when Russia entered the First World War. After the revolution, he went into exile in Poland. Arrested by the Reds in 1939, he died a few days after his arrest. АРХИВ Андрея БАЛАШОВА (1889-1969) ВЕЛЬЯШЕВ Леонид (1856-1940), генерал ВЕЛЬЯШЕВ Дмитрий Объемный архив относительно генерала Леонида Николаевича Вельяшева. Включает: - Копии писем Л.Н.Вельяшева к сыну Дмитрию Вельяшеву во Францию и Абессинию. Машинописные копии, направлены А.В.Балашову в 1950х гг. Д.Л.Вельяшевым с пояснениями. Копии с писем 1921-1939 гг. (с перерывами), 114 стр., 27 х 22 см., след ржавчины. Подробные письма о жизни генерала Л.Вельяшева в Луцке (Польша) "В Луцке я прожил с 1901 года по 1910-ый командуя полком и бригадой. Жил сперва на казенной квартире, - теперь этот дом разрушен / демократами крестьянами/, другая моя квартира оч.хорошая - занята польским клубом..." "Теперь на службе в одной из контор нотариуса, - свидетелем и сторожем. Итак, Генерал от Кавалерии, Член Военного Совета, добрался с большим трудом, между прочим, до обязанностей сторожа (....)», жизнь генерала в эмиграции тяжела, но к сыну во Францию он переезжать отказывается «Я, милый Митя, не уклоняюсь, но боюсь необдуманного шага, чтобы потом не сожалеть, что поторопился. Ведь ты не можешь не согласиться, что я раз перееду, то уже делаюсь дармоедом, обузой - одним словом старым, большим Чемодан Ивановичем, к

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Dutch school; 17th century. "Still life". Oil on oak panel. Cradled. Presents restorations. Measurements: 60 x 85 cm; 87 x 112 cm (frame). The trompe l'oeil generated by the folding of the white tablecloth describes the delicacy of this work, in which the whole set has an individuality defined by the quality with which each of the elements that make up the still life are painted. The author presents a scene of great verism, modeled by a kind and golden light, but does not renounce to a certain theatricality that is defined thanks to the porcelain tray placed at an angle with the intention of showing the viewer its contents. This tray full of grapes, which still retain the leaves of the vine, is arranged next to a plan placed on a shiny plate, both elements located in the foreground, invite the viewer to transcend the very subject of the still life, sponsoring an allegory of the Eucharist. Due to its technical and formal characteristics, the present work can be related to the circle of Willem Kalf, one of the most important Dutch still life painters of all times. True to his style, it is a still life captured in the foreground, in which select objects stand out on a table against a neutral background. As in many of Kalf's works, there is almost always a bone china bowl, often tilted so that the fruit falls out of it. Willem Kalf was born in Rotterdam in 1619. He was previously thought to have been born in 1622, but research by the archive of H. van Gelder established the painter's correct place and date of birth. In the late 1630s, Willem Kalf traveled to Paris and spent time in the circle of Flemish artists in Saint-Germain-des-Prés, Paris. In Paris, he painted mainly small-scale rustic interiors and still lifes. Kalf's rustic interiors are usually dominated by groups of vegetables, buckets, pots and pans, which are arranged in the foreground (e.g., Kitchen Still Life, Dresden, Gemäldegal, Alte Meister). The figures usually appeared in the blurred darkness of the background. Although painted in Paris, paintings of traditional works in Flanders in the early 17th century, by artists such as David Teniers the Younger. The only indication of the Flemish origin of the paintings is that Flemish exponents of the same genre would not have been depicted in their works. The rustic calf interiors had a great influence on French art in the circle of the Le Nain brothers. The semi-monochrome still lifes Calf created in Paris from a link to the banquet or "little banquet pieces" by Pieter Claesz, Willem Claeszoon Heda and others in the 1630s. During the 1640s, Calf further developed the bench into a novel form of sumptuous and ornate still lifes (known as show still life), depicting rich groups of gold and silver vessels. Like other lives of this period, these paintings often expressed vanitas allegories. Kalf's still life paintings vary little in their structure, and most of them actually feature the same objects. There is tableware, with gold and silver vessels, many of which have been identified as goldsmiths, such as Johannes Lutma. It presents restorations.