Vases

Emile GALLÉ (1846-1904) Vase ovoïde en verre dégagé à l'acide à décor de boutons et branchages d'aubépine en camaïeu bleu et vert sur fond orangé Signé "Gallé" Hauteur : 32 cm

CHINA - KANGXI period (1662 - 1722) Porcelain baluster vase decorated in blue underglaze and red, eggplant, green and yellow "wucai" enamels with dragons in flight in clouds chasing the flamed pearl, the neck decorated with leaves and the lid with clouds and lotus. (chips on the neck, firing crack inside) H. 41.6 cm

"Mayerhofer & Klinkosch. Covered goblet or Pokal in silver and vermeil with a lustrous, amber patina. Taking the form of a Medici vase, the cup is adorned with a richly chased decoration, a tribute to the arts of the Renaissance with the evocation of the liberal arts and the muses represented in the form of women dressed in antique style. The lid, richly decorated with Baroque foliage and shells, features three seated allegories: Music, Astronomy and Rhetoric. While the lower, swollen part of the bowl gives way to leafy reserves decorated with attributes of the arts (masks and musical instruments), the central part, with its Baroque ornamentation, is composed of niches set against a gold background, from which stand out silvered female figures, allegories of the arts, all surmounted by a shell motif. The entire surface of the bowl, from the foot to the lid, is richly decorated with arabesques, curves and foliage. Vienna, 1840 (Vienna 1840 and goldsmith's hallmarks). Total weight: 2kg742. H.44 cm. Comparable references: A model of a covered bowl by the silversmiths Mayerhofer & Klinkosch, dated 1847 and with comparable workmanship, is in the Schottenstif collection in Vienna. A covered bowl by the silversmiths Mayerhofer & Klinkosch, dated 1840 with a comparable shape, went on sale at Dorotheum, Vienna, on 24.11.2015 lot.83 Wiener Deckelpokal "

"Emile GALLE (1846-1904). Herbs and butterflies" vase - circa 1880. Twisted spherical body topped by a wide tubular neck in moonlight glass with blue, red, white and black enamel decoration and gold highlights. Enameled signature under the base: "E Gallé à Nancy". H. 20.8 cm. Some rubbing to the decoration. Ref. An example similar to ours is on display at the Musée de Nancy. A similar piece was exhibited at the 1878 World's Fair and another is in the Santory Museum of Art in Tokyo".

Etablissements GALLE. Small vase with flattened body and high neck in multi-layered glass with acid-etched decoration of mauve water lilies on a blue background. Signed Height Height : 13 cm

Pair of green glazed ceramic vases Forming lamps Electrically mounted H. 41 cm

François-Théodore LEGRAS (1839-1916). Large multi-layered glass scroll vase with small flared neck, acid-etched decoration of chrysanthemums on a milky beige background (slight chip on the underside). Signed. Art Nouveau period. Height: 39.5 cm

Etablissements GALLE. Small soliflore vase in multi-layered glass with acid-etched decoration of mauve flowers. Signed. Height Height : 17 cm

Gaetano Pesce, Fish Design, large Vase, model Medusa - Gaetano Pesce, Fish Design, large Vase, model Medusa Design about 2005 Large vase, model Medusa. Designed around 2005. Soft, translucent synthetic resin. 32 x 23 x 24 cm. Inscribed 'Fish Design Series 2007' on the foot.

MURANO, 20th century. Important orange bubble glass VASE, with indented ribs, the handles with gilded inclusions worked with tongs. Height 38 cm

François-Théodore LEGRAS (1839-1916). Long-necked vase in multi-layered glass with acid-etched plant decoration. Circa 1910. Signed. 38 x 16 cm.

MANUFACTURE NATIONALE DE SEVRES A. LEDUC et DECOEUR - Domed vase with straight neck in almond green enameled porcelain with aquatic decor in light relief. Factory stamp Signed and dated 1945 Height: 50 cm

Raoul LACHENAL (1885-1956) Brown stoneware two-handled baluster vase with celadon glaze and bluish coulure. Original R Lachenal mark on bottom. H. 19 cm Slight chip under the base

MULLER Frères - "Storks and Strasbourg Cathedral" Acid-etched double-layered glass vase. Height: 17 cm, signed. Delivery of lots free of charge to LA SALLE 20 rue DROUOT-PARIS the day after the sale (Saturday May 4) or a few days after the sale GALERIE 18, rue Grange-Batelière (25 meters from Hôtel Drouot) otherwise shipment from FRANCE at the buyer's expense by the carrier of his choice. High-resolution photos: https://bit.ly/41uZlKv

Émile GALLÉ (1846-1904). Multi-layered acid-etched glass piriform soliflore vase decorated with a lake landscape and trees in shades of green and blue on a yellow ground. Signed in the decoration. Circa 1900. H.: 17.5 cm.

DAUM, Nancy - Arabesque in black and pink High flute with hemmed lip, resting on a slender pedestal that accentuates its elegance. Characteristic of the move towards transparency and the abandonment of pre-war naturalism, this vase in colorless bubble glass is entirely made by blow-molding: allusive, colorful decoration, a thread of black glass curls in a continuous arabesque all along the vase, punctuated by single drops of pink glass placed as if at random. The sense of color and contrast marks Paul Daum's desire to be of his time. Signed with a stylus on the transparent black-belted pedestal. Circa 1920/1921 Height: 34 cm Reference: Paris, "'Salon d'automne", 1921, (set of vases designed on the same principles) Provenance: Ader Picard Tajan sale, 3rd Sale in Japan Daum Nancy Collection, Tokyo-Hôtel Okura, Wednesday, October 7, 1987

Alphonse George REYEN (1844-1910) - Multi-layered glass vase with acid-etched and ground decoration of a grasshopper and a bee in hot-applied relief in a burgundy floral surround on an opaque ground. Signed "A REYEN Paris 1890". H: 24 cm (crack)

Ernest CHAPLET (Sèvres, 1835 - Choisy-le-Roi, 1909) Suite of four small vases Glazed stoneware : Two vases, one oxblood, the other oxblood and bluish 8 cm (Traces of signature on each piece) A barrel-shaped vase with brown patina Unsigned 7.7 cm Restorations A white vase Signature trace 6.7 cm A set of four enamelled stoneware small vases by Ernest Chaplet 3.1 to 2.6 in. Ernest CHAPLET (Sèvres, 1835 - Choisy-le-Roi, 1909)

Emile GALLE (1846-1904). Hexagonal-bodied ovoid vase in amber glass with acid-etched decoration of a Lorraine cross surrounded by thistles enhanced with polychrome enamels and gilding (tiny chip to a branch, wear to the gilding). Signed on the reverse "Gallé déposé" with a double line in a thistle leaf motif. Circa 1890. Height Height : 25.5 cm

Charles SCHNEIDER: Baluster vase with hemmed neck in blue and orange marmorated glass. Signed on the pedestal. 38 x 11 cm

PORTICAL CLOCK in white and black marble, chased and gilded bronze. The dial is crowned by a mask radiating in the clouds, and underlined by two laurel stems embellished with musical attributes. It is supported by two pillars adorned with caryatids and antique vases. The whole rests on a base enriched with an acanthus frieze. The movement is stamped: "MEDAILLES D'OR JAPY FRERES ANNEES 1823.27.34.39.44.49" and "AERA G128 BREVETE". Watchmaker listed in the Tardy, dictionnaire des horlogers. With its balance wheel. Paris. First half of the 19th century Dimensions: 66 x 48 x 14 cm. Restorations, accidents and missing parts. Expert: Stéphane PEPE

PRIMAVERA MULLER FRERES Acid-etched glass vase with floral design 25cm

CHINA FOR VIETNAM, LATE NINETEENTH-EARLY TWENTIETH CENTURY Small bottle vase in blue-white porcelain, decorated with Taoist Immortals, the opening encircled with metal. H. 20.8 cm

THARAUD CAMILLE (1878-1956) Bottle vase, high-fire enamel, gold highlights, Art Deco decoration, H 22 cm

MONTJOYE, Saint Denis crystal works. Ball vase with flared neck in frosted glass with enamelled decoration of pansies, neck, stems and gilded leaves (worn gilding). Art Nouveau period. Height Height : 10.5 cm

André DELATTE (1887-1953) - "Trees" Acid-etched double-layered glass vase. Height: 21 cm, signed. Delivery of lots free of charge to LA SALLE 20 rue DROUOT-PARIS the day after the sale (Saturday, May 4) or a few days after the sale GALERIE 18, rue Grange-Batelière (25 meters from Hôtel Drouot) otherwise shipment from FRANCE at buyer's expense by carrier of his choice. High-resolution photos: https://bit.ly/41uZlKv

DENBAC. Pair of flamed stoneware bottle vases with brown and green enamel casting, signed. H 25 cm

Émile GALLÉ (1846-1904) - "L'aube sur le paysage à la rivière" An imposing and exceptional vase, the largest ever to emerge from Émile GALLÉ's kilns, in double-layered glass etched with acid to reveal the decoration. Height: 86 cm, signed. Lots will be delivered free of charge to LA SALLE 20 rue DROUOT-PARIS the day after the sale (Saturday, May 4) or a few days after the sale GALERIE 18, rue Grange-Batelière (25 meters from Hôtel Drouot), otherwise shipment from FRANCE at the buyer's expense by the carrier of his choice. High-resolution photos: https://bit.ly/41uZlKv

FRENCH GLASS. An ovoid vase on a foot in multi-layered glass in shades of red, decorated with stylized flowers. Signed "le verre français" on the foot. Height: 30 cm.

Émile GALLE (1846-1904) - Glazed earthenware pique-fleurs decorated with japanese gardens, chrysanthemums and a butterfly Signed circa 1890 H : 16 cm Diam : 20 cm Bibliography: "La céramique de Gallé- Musée de Matsue Kitahori" for a similar design reproduced on page 49 EMILE GALLE A renowned botanist and gifted scientist, Gallé was a true nature worshipper. This irresistible attraction to nature, combined with his repeated participation in World Fairs from 1867 onwards, led Emile Gallé to take an interest in the art of Japan, and to immerse himself in the Japanese culture that Europe was discovering in the mid-nineteenth century. He embraced the Japanese sensibility for nature, drawing inspiration from it while preserving his own concepts. Émile Gallé thus renewed both European and Japanese art. If he borrowed from Japan, it was to create a new art, a synthesis of the two cultures. "Nature itself is the starting point of everything" (Emile GALLÉ, 1884) It is to Japanese art that Gallé owes his elegance and his ability to stylize, keeping intact the essence of the object represented. The emphasis on the silhouette and deliberate asymmetry were the key lessons he drew from Japanese art. The catalyst for this source of inspiration seems to have been a certain Takacyma, a Japanese student at the Ecole forestière in Nancy between 1882 and 1885, whose sketches E mile Gallé and Eugène Vallin admired, and with whom it is safe to assume that the two Nancy natives had many exchanges of ideas. As early as 1871, during his visit to London, Gallé could not fail to observe the infatuation with Japanese art that reigned in the artistic and social circles of the British capital. By 1867, Whistler and Godwin had already furnished their homes in the Japanese style; Rossetti, William Morris, Oscar Wilde and many others became enthusiastic champions after discovering it at the 1862 South Kensington Exhibition. It was in the creations of the mature period that the influence of Japanese art was most important and significant. "Nature itself is the starting point of everything". (Emile GALLÉ, 1884)

VASE soliflore in royal blue opaline glass with gold decoration, bronze mounting with ribboned rim. bears a Baccarat label.

Victor SAGLIER (1809-1894) - "Les Chardons" Oil lamp in glass painted with sunflowers, the silver-plated metal mount by this great silversmith who notably made mounts for glassware by Gallé and Daum. Height: 24.5 cm, signed under the glass. Delivery of lots free of charge to LA SALLE 20 rue DROUOT-PARIS the day after the sale (Saturday, May 4) or a few days after the sale GALERIE 18, rue Grange-Batelière (25 meters from Hôtel Drouot) otherwise shipment from FRANCE at the buyer's expense by the carrier of his choice. High-resolution photos: https://bit.ly/41uZlKv

Hans Coper*, large Vase Spade - Hans Coper*, large Vase Spade Large vase 'Spade'. Stoneware. Surface in layered light sand-colored and light gray nuances, in the lower area isolated light and red-brown spots. Flattened vessel body, narrow sides tapering towards the mouth, cylindrical base. 39 x 34 x 11.5 cm. Inscribed on the bottom: HC in a square (embossed stamp). Paper label: Kunstkammer Ludger Köster. Literature: Birks, Tony. Hans Coper. London 1983. S. 175 (zum Vergleich).

Jean MAYODON (1893-1967) - Polychrome enameled ceramic vase with swollen body and flared neck decorated with tritons and drained ceramics in brown and ochre tones with gold highlights Signed in gold and located Sèvres circa 1940 Height: 19 cm

Lucie Rie*, Vase. 1980-1981 - Lucie Rie*, Vase. 1980-1981 1980-81 Lucie Rie, vase, 1980-1981. Stoneware, manganese white and brown glazed, diagonal incised decoration. Oval body with opposite folded edge on a round stand. H. 20.2 cm. Inscribed on the bottom: artist's signet (embossed). Literature: vgl. Tony Birks, Lucie Rie, London 1987, S. 135.

LEGRAS Théodore (1839/1916) Large pink frosted glass vase, decorated with maple leaves. Signed. 20th century Fine original condition Dimensions: H: 38 cm

François-Théodore LEGRAS (1839-1916) - "Lacustrian landscape" ovoid glass vase with two hot-fired tips, acid-etched decoration. Height: 18.5 cm, signed in the decoration. Delivery of lots free of charge to LA SALLE 20 rue DROUOT-PARIS the day after the sale (Saturday May 4) or a few days after the sale GALERIE 18, rue Grange-Batelière (25 meters from Hôtel Drouot), otherwise shipment to FRANCE at the buyer's expense by the carrier of his choice. High-resolution photos: https://bit.ly/41uZlKv

Émile GALLÉ (1846-1904) - "Double-layered glass vase etched to reveal the decoration. Height: 52 cm, signed. Delivery of lots free of charge to LA SALLE 20 rue DROUOT-PARIS the day after the sale (Saturday May 4) or a few days after the sale GALERIE 18, rue Grange-Batelière (25 meters from Hôtel Drouot), otherwise shipment from FRANCE at the buyer's expense by the carrier of his choice. High-resolution photos: https://bit.ly/41uZlKv

LE VERRE French glass vase with mushroom design, H 36 cm (broken foot missing)

LALIQUE. Partially frosted molded glass vase, "Saint-Cloud" model, with flared neck decorated with acanthus leaves resting on a pedestal. Second half of the 20th century. Height Height : 11.5 cm

Pair of large polychrome porcelain vases, AMPHORA, Riessner, Stellmacher & Kessel, 19th c. cm 54x20x20, h cm 53x19x20 respectively from a model by Eduard Stellmacher, each surmounted by large-petaled Iris and young woman with veiled drapery; spider web relief decoration in the body of the vases with applied dragonflies; at the base spiral decoration of Iris leaves Under the base bear stamped mark AMPHORA in an oval, factory mark stamped in red, TURN-TEPLIZ-BOHEMIA R St K, stamped numerals 740, 1 and 748 and, 2. Bibliography: Richard R. Scott Ceramics from the house of Amphora and Byron Vreeland - Monsters & Maidens: Amphora pottery of the Art Nouveau Era - Collector's edition

Erika SUZUKI (née en 1985) - Suite of two ball vases Enameled stoneware H. 10 cm - D. 14 cm and H. 9 cm - D. 13 cm

François-Théodore LEGRAS (1839-1916) - "La rivière bordée d'arbres" Triangular candy box in acid-etched double-layered glass. Height: 10 cm, signed in the decoration. Delivery of lots free of charge to LA SALLE 20 rue DROUOT-PARIS the day after the sale (Saturday, May 4) or a few days after the sale GALERIE 18, rue Grange-Batelière (25 meters from Hôtel Drouot) otherwise shipment from FRANCE at the buyer's expense by the carrier of his choice. High-resolution photos: https://bit.ly/41uZlKv

Pair of Empire decorative bronze vases, dark patinated and partially gilded. High pedestal base over a square base with a surrounding palmette frieze, the front with an applied putti playing music. Above a baluster-shaped vase body with a wide palmette band, applied pharaoh mascarons and curved handles. H. 30 cm. A pair of French patinated and gilt bronze Empire vases. France. Circa 1810.

Japan, late 19th century Copper and polychrome cloisonné enamel vase with a large ribbed flared body on a blue background, decorated with wisteria flowers falling from the neck onto the body, towards rising chrysanthemum flowers, among which cranes fly on a background of small spirals. (Accents and enamel gaps inside). H. 19 cm - Max. diameter: 25 cm

Large krater vase with antique-style relief decoration Light blue and white, so-called jasperware (earthenware). On a round foot, a pressed, bulbous, chalice-shaped body with a wide, sweeping rim. Side bow handles and domed lid with stylized pine knob. The wall with classical relief decoration of antique-style female figures and putti in a stylized landscape on a light blue background. After designs by John Flaxman. Circumferential acanthus and lancet leaf frieze. Year letter. Impressed manufacturer's mark. H. 44 cm. Cf. Victoria and Albert Museum, inv. no. WE.9553-2014. A large lidded blue and white jasper ware crater vase with applied figural reliefs and ornamental borders. Date letter. Impressed manufacturer's mark. England. Etruria. Wedgwood. Circa 1899.

GIMORI, Important pair of majolica vases with Renaissance decoration, H.47cm (chip under the neck)

LEGRAS Théodore (1839/1916) France Glass ovoid vase, frosted white base with enameled flower design. Signed "Legras" in the decoration. Circa 1920. Good condition. Dimensions: H: 35 cm

Fulvio Bianconi, Fasce Orizzontale Vase, Venini & C., 1950s - Fulvio Bianconi, Fasce Orizzontale Vase, Venini & C., 1950s 1950s Vase Fasce Orizzontale. Cased glass, colorless and green with horizontal, white-lined bands in red. H. 32 cm. Inscribed on the bottom with a three-line etched stamp: Venini Murano ITALIA.

Felix BRACQUEMOND (Paris, 1833 - Sèvres, 1914) Manufacture HAVILAND & Co Zoomorphic vase - circa 1879 Yellow and blue-tinted molded glass proof, with hot-applied base in dark blue-tinted glass Made by Cristallerie de Sèvres Marked "H & Co 29 × 16 × 12.5 cm (Chip on neck) A tinted molded glass vase by Félix Bracquemond for Manufacture Haviland & Cº - circa 1879 11.4 × 6.2 × 4.9 in. Bibliography : Ayroles, Véronique, Félix Bracquemond, Haviland et le verre : une nouvelle rencontre d'exception, rev. de la Société des Amis du musée national de la Céramique, n°7, 1998, p. 21-31 for a similar model. Exhibitions : Bouillon, Jean-Paul (dir.), cat. exp. Félix Bracquemond et les arts décoratifs. Du japonisme à l'Art nouveau (Limoges, Musée national Adrien Dubouché, April 5 - July 4, 2005, then in Selb-Plössberg, Deutsches Porzellanmusem, July 25 - October 25, 2005, then in Beauvais, Musée départemental de l'Oise, November 16, 2005 - February 13, 2006), p. 187 for our model. Felix BRACQUEMOND (Paris, 1833 - Sèvres, 1914)