Null MANOLO VALDÉS BLASCO (Valencia, 1942)

"Infanta V", 1985.

Cardboard and po…
Description

MANOLO VALDÉS BLASCO (Valencia, 1942) "Infanta V", 1985. Cardboard and polychrome hessian canvas. Attached certificate issued by the artist in 2019. Measurements: 164 x 177 x 40 cm. This work from 1985, is part of a series dedicated to the Meninas, in fact, it is worth mentioning that a very similar work, made in the same year, belongs to the collection of the Museo Nacional y Centro de Arte Reina Sofía. The subject of this work is the Infanta Margarita of Austria, following the aesthetic models established by Juan Bautista Martínez del Mazo, Velázquez's disciple and son-in-law. Valdés's relationship with the representation of the Infanta began early in his career, when he was a member of Equipo Crónica. However, after the death of Rafael Solbes, although he continued to reinterpret historical figures from the history of art, Valdés began to change his aesthetic language, moving away from pop art, in favour of experimentation with tactile values, where textures play a leading role. Manolo Valdés introduced in Spain a form of artistic expression that combines political and social commitment with humour and irony. He began his training in 1957, when he entered the San Carlos School of Fine Arts in Valencia. However, two years later he abandoned his studies to devote himself fully to painting. In 1964 he founded the artistic group Equipo Crónica, together with Juan Antonio Toledo and Rafael Solbes, in which he remained until the latter's death in 1981, despite the fact that Toledo had left the group two years after its foundation. Since then he has settled in New York, where he currently lives and where he has continued to experiment with new forms of expression, including sculpture. Among the numerous awards Manolo Valdés has won are the Lissone and Biella awards in Milan, the silver medal at the II International Biennial of Engravings in Tokyo, the Bridgestone Art Museum prize in Lisbon, the National Prize for Plastic Arts, the medal at the International Festival of Fine Arts, the International Festival of Fine Arts in Paris, and the International Festival of Fine Arts medal at the International Festival of Fine Arts in Paris, among others, the medal of the International Festival of Plastic Artists of Baghdad, the Decoration of the Order of Andrés Bello in Venezuela, the prize of the National Council of Monaco, the Gold Medal for Merit in Fine Arts, the Prize of the Spanish Association of Art Critics and the Prize for the Best Print Artist, among others. Formally, Valdés produces a large-format work in which the lights and colours express tactile values, due to the treatment given to the materials. His work forces the viewer to delve into memory and search for significant images from the history of art. He is represented in some of the world's leading museums, such as the Reina Sofía in Madrid, the Metropolitan, the MoMA and the Guggenheim in New York, the Centre Georges Pompidou and the Fons National d'Arts Plastiques in Paris, the Kusnthalle in Hamburg, the Kunstmuseum in Berlin and the Museo de Bellas Artes in Bilbao, among many others.

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MANOLO VALDÉS BLASCO (Valencia, 1942) "Infanta V", 1985. Cardboard and polychrome hessian canvas. Attached certificate issued by the artist in 2019. Measurements: 164 x 177 x 40 cm. This work from 1985, is part of a series dedicated to the Meninas, in fact, it is worth mentioning that a very similar work, made in the same year, belongs to the collection of the Museo Nacional y Centro de Arte Reina Sofía. The subject of this work is the Infanta Margarita of Austria, following the aesthetic models established by Juan Bautista Martínez del Mazo, Velázquez's disciple and son-in-law. Valdés's relationship with the representation of the Infanta began early in his career, when he was a member of Equipo Crónica. However, after the death of Rafael Solbes, although he continued to reinterpret historical figures from the history of art, Valdés began to change his aesthetic language, moving away from pop art, in favour of experimentation with tactile values, where textures play a leading role. Manolo Valdés introduced in Spain a form of artistic expression that combines political and social commitment with humour and irony. He began his training in 1957, when he entered the San Carlos School of Fine Arts in Valencia. However, two years later he abandoned his studies to devote himself fully to painting. In 1964 he founded the artistic group Equipo Crónica, together with Juan Antonio Toledo and Rafael Solbes, in which he remained until the latter's death in 1981, despite the fact that Toledo had left the group two years after its foundation. Since then he has settled in New York, where he currently lives and where he has continued to experiment with new forms of expression, including sculpture. Among the numerous awards Manolo Valdés has won are the Lissone and Biella awards in Milan, the silver medal at the II International Biennial of Engravings in Tokyo, the Bridgestone Art Museum prize in Lisbon, the National Prize for Plastic Arts, the medal at the International Festival of Fine Arts, the International Festival of Fine Arts in Paris, and the International Festival of Fine Arts medal at the International Festival of Fine Arts in Paris, among others, the medal of the International Festival of Plastic Artists of Baghdad, the Decoration of the Order of Andrés Bello in Venezuela, the prize of the National Council of Monaco, the Gold Medal for Merit in Fine Arts, the Prize of the Spanish Association of Art Critics and the Prize for the Best Print Artist, among others. Formally, Valdés produces a large-format work in which the lights and colours express tactile values, due to the treatment given to the materials. His work forces the viewer to delve into memory and search for significant images from the history of art. He is represented in some of the world's leading museums, such as the Reina Sofía in Madrid, the Metropolitan, the MoMA and the Guggenheim in New York, the Centre Georges Pompidou and the Fons National d'Arts Plastiques in Paris, the Kusnthalle in Hamburg, the Kunstmuseum in Berlin and the Museo de Bellas Artes in Bilbao, among many others.

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MANOLO VALDÉS (Valencia, 1942). "Picasso", 1984. Series "Reina Mariana as a pretext". Etching on GVARRO paper. 58/75 copy. Signed and numbered in pencil. Measurements: 42 x 30 cm (print); 76 x 56,50 cm (paper). Manolo Valdés was born in Valencia on March 8, 1942. In 1957 he enrolled in the School of Fine Arts of San Carlos where he spent two years, abandoning his studies to devote himself to painting. In 1964 he founded the artistic group Equipo Crónica together with Juan Antonio Toledo and Rafael Solbes, in which he remained until Solbes' death in 1981, even though two years after the group was founded, Toledo had left it. After the death of Rafael Solbes he continued working alone in Valencia for a few years, until 1989, when he traveled to New York where he set up his studio and continued experimenting with new forms of expression. He belongs to the Marlborough Gallery and the Freites Gallery. He also set up a studio in Madrid for the realization of large sculptures, alternating his work in both cities. Influenced by Velázquez, Rembrandt, Rubens and Matisse, Manolo Valdés creates a large format work in which lights and colors express a feeling of tactility by the treatment given to the materials. His work forces the viewer to delve into memory and search for significant images from the history of art. In addition to the works exhibited as part of Equipo Crónica, Valdés had more than 70 solo and group exhibitions between 1965 and 1981. As a sculptor, he is the author of La Dama del Manzanares (2003), a 13-meter high work located in the Parque Lineal del Manzanares (Madrid). In 2005 he created the sculptural group Asturcones, for the city of Oviedo. Valdés has received several awards, among which stand out: in 1965 the Lissone and Biella prizes, in Milan (Italy), in 1979, the Silver Medal of the II International Biennial of Engravings in Tokyo (Japan) and the Bridgestone Art Museum Prize in Lis'79 in Lisbon (Portugal); in 1983 the National Prize of Plastic Arts; the Alfons Roig Award, in Valencia; the National Prize of Fine Arts of Spain; in 1986 the Medal of the Biennial of the International Festival of Plastic Artists, in Baghdad (Iraq) and in 1993 the Decoration of the Order of Andres Bello in the class of Band of Honor, in Venezuela. In 2012 he was in charge of designing the poster for the bullfighting season at the Real Maestranza de Caballería in Seville.

MANOLO VALDÉS (Valencia, 1942). "Reina Mariana in Art Decó", 1982. Iron and wood. Provenance: Maeght Gallery. Work reproduced in "Manolo Valdés In Cardiff". Measurements: 172,8 x 112 x 27,5 cm. The game of combinations and stylistic permutations and references to the history of art was an inexhaustible source for Manolo Valdés. Here, in this iron and wood sculpture, we are faced with a classic example of this playful spirit: we recognise Queen Mariana of Austria dressed in her court dress with a pompous skirt, just as Velázquez represented her in his day, albeit in an Art Deco version. Thus, the angular, idealised, balanced and proportioned, yet synthetic and essential forms pay homage to Velázquez and make this sculpture a true statement of intent by the Valencian painter, vindicating the role of the great traditional and modern painters in the evolution of the history of art. Manolo Valdés introduced in Spain a form of artistic expression that combines political and social commitment with humour and irony. He began his training in 1957, when he entered the San Carlos School of Fine Arts in Valencia. However, two years later he abandoned his studies to devote himself fully to painting. In 1964 he founded the artistic group Equipo Crónica, together with Juan Antonio Toledo and Rafael Solbes, in which he remained until the latter's death in 1981, despite the fact that Toledo had left the group two years after its foundation. Since then he has settled in New York, where he currently lives and where he has continued to experiment with new forms of expression, including sculpture. Among the numerous awards Manolo Valdés has won are the Lissone and Biella awards in Milan, the silver medal at the II International Biennial of Engravings in Tokyo, the Bridgestone Art Museum prize in Lisbon, the National Prize for Plastic Arts, the medal at the International Festival of Fine Arts in Paris, the International Festival of Fine Arts in Paris, and the National Prize for Sculpture, among others, the medal of the International Festival of Plastic Artists of Baghdad, the Decoration of the Order of Andrés Bello in Venezuela, the prize of the National Council of Monaco, the Gold Medal for Merit in Fine Arts, the Prize of the Spanish Association of Art Critics and the Prize for the Best Print Artist, among others. Formally, Valdés produces a large-format work in which the lights and colours express tactile values, due to the treatment given to the materials. His work forces the viewer to delve into memory and search for significant images from the history of art. He is represented in some of the world's leading museums, such as the Reina Sofía in Madrid, the Metropolitan, the MoMA and the Guggenheim in New York, the Centre Georges Pompidou and the Fons National d'Arts Plastiques in Paris, the Kusnthalle in Hamburg, the Kunstmuseum in Berlin and the Museo de Bellas Artes in Bilbao, among many others.