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PRESTIGIOUS SALE - Paintings, Furniture, and Works of Art

PRESTIGIOUS SALE - Paintings, Furniture, and Works of Art

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Limoges Enchères

+33 5 55 77 60 00 contact@limogesencheres.fr

32 RUE GUSTAVE NADAUD 87000, Limoges

326 results

ADAMSON, Sydney (active between 1892 and 1914). “

1 - ADAMSON, Sydney (active between 1892 and 1914). “Women with Parasols in a Park.” Oil on paper mounted on cardboard, signed lower left and dated 1904, 69 x 52 cm. Wear and minor imperfections.

Estimation

€200 - 300

ADAMSON, Sydney (active between 1892 and 1914). “W

2 - ADAMSON, Sydney (active between 1892 and 1914). “Woman with a Veil.” Mixed media on paper mounted on cardboard, signed lower left, 75 x 54 cm. Wear and tear.

Estimation

€150 - 200

ADAMSON, Sydney (active between 1892 and 1914). "P

3 - ADAMSON, Sydney (active between 1892 and 1914). "Press design for the International Exhibition of Arts and Techniques in Modern Life, Paris 1937." Drawing enhanced with watercolor and wash, signed lower right. 73 x 97 cm. Wear, losses, and tears.

Estimation

€200 - 300

Late 18th-century French school. "Portrait." Graph

4 - Late 18th-century French school. "Portrait." Graphite drawing, 11 x 9.5 cm. Paper slightly marked. Framed under glass.

Estimation

€100 - 200

17th-century Italian school. "Shepherd and His Flo

5 - 17th-century Italian school. "Shepherd and His Flock." Ink and wash on paper, 34 x 46 cm. Holes and surface wear. In an 18th-century frame (minor imperfections)

Estimation

€300 - 400

17th-century Italian school. "Saint Jerome." Ink a

6 - 17th-century Italian school. "Saint Jerome." Ink and wash drawing on paper. 20 x 25 cm. Slight wear. Framed.

Estimation

€400 - 600

18th-century French school. "Architectural Caprice

7 - 18th-century French school. "Architectural Caprice." Ink and watercolor drawing, 17 x 25 cm. Framed under glass. The frame has some damage.

Estimation

€300 - 400

FREUDENBERGER, Sigismond (1745–1801). “The Swing.”

8 - FREUDENBERGER, Sigismond (1745–1801). “The Swing.” Watercolor and ink on paper, signed lower left.

Estimation

€200 - 300

17th-century Italian school. "The Holy Family." Te

9 - 17th-century Italian school. "The Holy Family." Tempera on canvas, 28 x 23.5 cm. Minor signs of wear. Framed.

Estimation

€300 - 400

CAMPI, Antonio (Cremona, 1523–1587) “The Death of

10 - CAMPI, Antonio (Cremona, 1523–1587) “The Death of Lucretia.” Large oil on canvas, 125 x 150 cm. Re-stretched and minor restoration. Set in a large 19th-century wooden frame with gilded stucco.

Estimation

€40,000 - 60,000

Late 17th-century French School, circle of Pierre

11 - Late 17th-century French School, circle of Pierre MIGNARD (1612–1695). “Portrait of King Louis XIV in Armor.” Oil on oval canvas. 41 x 32 cm. Period carved gilded wood frame with floral decoration (gilding touched up, minor imperfections). Provenance: Château de L. (Haute-Vienne).

Estimation

€600 - 800

French school, late 17th–early 18th century, circl

12 - French school, late 17th–early 18th century, circle of Hyacinthe RIGAUD (1659–1743), “Portrait of Godefroy Maurice de la Tour d’Auvergne, Duke of Bouillon, in Armor.” Oil on canvas, 45 x 36 cm. Re-stretched and minor restorations. Later frame. Inscriptions on the reverse. Provenance: Château de L. (Haute-Vienne). Godefroy Maurice de la Tour d’Auvergne (1641–1721) was the third Duke of Bouillon and Grand Chamberlain of France under Louis XIV, appointed in 1658. He was the nephew of

Estimation

€1,000 - 1,500

French schools of the late 17th century, circle of

13 - French schools of the late 17th century, circle of Pierre MIGNARD (1612–1695). Pair of oval-shaped oil-on-canvas paintings, “Presumed Portraits of the Duke and Duchess of Burgundy.” The Duke is depicted in armor. 41 x 32 cm. Period gilded wooden frames with carved floral decoration (minor imperfections, gilding touched up). Provenance: Château de L. (Haute-Vienne).

Estimation

€1,500 - 2,000

18th-century French school. "Still Life with Flowe

14 - 18th-century French school. "Still Life with Flowers." Oil on canvas, 62 x 49 cm. Restored and re-stretched. Framed

Estimation

€600 - 800

French school, circa 1700. "Still Life with Fruit,

15 - French school, circa 1700. "Still Life with Fruit, a Basin, an Ewer, and a Dog on an Armchair." Oil on canvas, 70 x 88 cm. Signs of wear, small losses, and restorations; re-stretched. Framed.

Estimation

€600 - 800

18th-century Italian school. "Saint Anthony of Pad

16 - 18th-century Italian school. "Saint Anthony of Padua and the Infant Jesus." Oil on canvas mounted on panel, 25 x 19 cm. Some damage.

Estimation

€200 - 300

19th-century school, follower of Pietro LONGHI (17

17 - 19th-century school, follower of Pietro LONGHI (1702–1785). “The Spinner and Her Family in an Interior.” Oil on canvas (re-stretched), 55 x 46 cm. Impressive wooden frame with gilded stucco. Provenance: Château de L., Haute-Vienne.

Estimation

€600 - 800

19th-century school, follower of Pietro LONGHI (17

18 - 19th-century school, follower of Pietro LONGHI (1702–1785). “The Music Lesson.” Oil on canvas (re-stretched), 55 x 46 cm. Substantial wooden frame with gilded stucco. Minor imperfections on the frame. Provenance: Château de L., Haute-Vienne.

Estimation

€600 - 800

DANLOUX, Henri Pierre (1703–1809), attributed to.

19 - DANLOUX, Henri Pierre (1703–1809), attributed to. “Portrait of a Young Woman.” Oil on canvas mounted on panel, 20 x 16 cm. Framed. Label on the back from a Galliera auction held on December 5, 1960.

Estimation

€600 - 800

MILLOT, Henri (?–1756). “Presumed Portrait of Mada

20 - MILLOT, Henri (?–1756). “Presumed Portrait of Madame de Barmont, née De Croix.” Oil on oval canvas, 82.5 x 65.5 cm. Restored. 19th-century gilded wood and stucco frame (with some damage). Provenance: Château de L., Haute-Vienne. Sotheby’s Paris auction of June 25, 2008, lot 54.

Estimation

€2,000 - 3,000

Early 19th-century French school, follower of Ange

21 - Early 19th-century French school, follower of Angelica KAUFFMANN (1741–1807). “Presumed Portrait of Jeanne Elisabeth Archer, née Horngacher, in a Romantic Landscape.” Oil on an oval panel, 28.5 x 24.5 cm. Minor losses. Framed. Annotations on the back. Madame Archer was a historical figure associated with Geneva’s upper middle class as early as the late 18th century.

Estimation

€500 - 700

17th-century French school. "Saint Francis of Assi

22 - 17th-century French school. "Saint Francis of Assisi." Oil on slate, 16.5 x 13.5 cm. Minor losses. 19th-century wooden frame with gilded stucco.

Estimation

€200 - 300

DESGOFFE, Blaise Alexandre (1830–1901). “Still Lif

23 - DESGOFFE, Blaise Alexandre (1830–1901). “Still Life with a Pitcher.” Oil on mounted paper, signed, 50 x 45 cm. Framed under glass.

Estimation

€600 - 800

17th-century Flemish School. "Lively Landscape." O

24 - 17th-century Flemish School. "Lively Landscape." Oil on canvas mounted on panel, with an illegible signature in the lower right corner. 18.5 x 22 cm. Framed.

Estimation

€200 - 300

Early 19th-century French school, follower of Jose

25 - Early 19th-century French school, follower of Joseph VERNET (1714–1789). “Lively Harbor Scene at Dusk.” Oil on canvas (re-stretched), 33 x 42 cm. Signs of wear and restoration. Framed.

Estimation

€200 - 300

19th-century French school, a follower of Jean Bap

26 - 19th-century French school, a follower of Jean Baptiste GREUZE (1725–1805). "Neoclassical Woman and Cherub." Large pastel. 100 x 73 cm. Wood and gilded stucco frame (frame has some damage).

Estimation

€400 - 600

LOUTZ-KONITSCHECK, G. (Active in the early 20th ce

27 - LOUTZ-KONITSCHECK, G. (Active in the early 20th century). "Portrait of a Young Man." Oil on canvas. Signed upper left and dated 1909. Dimensions: 46 x 38 cm. Minor wear on the canvas. Regency-style wooden frame with gilded stucco.

Estimation

€150 - 200

DEPIEZ, D. (19th century). “The Cherry Seller.” La

28 - DEPIEZ, D. (19th century). “The Cherry Seller.” Large oil on canvas, signed and dated 1861 or 1867 in the lower left corner. 54 x 64.5 cm. Wooden frame with gilded stucco and rocaille decoration.

Estimation

€500 - 700

19th-century Flemish school, follower of VAN OSTAD

29 - 19th-century Flemish school, follower of VAN OSTADE. "Tavern Scene." Oil on canvas, 58 x 73 cm. Minor losses. Wood and stucco frame (damage).

Estimation

€500 - 700

LUMINAIS, Evariste Vital (1821–1896), “Portrait of

30 - LUMINAIS, Evariste Vital (1821–1896), “Portrait of a Seated Lady of Distinction.” Oil on stiff cardboard, signed lower left, 24 x 16 cm. Framed. The artist distinguished himself throughout his career by participating in numerous art salons. A great academic painter, he excelled in history paintings, magnificent equine paintings, landscapes, and portraits. A note on the back suggests that this may be a portrait of a queen.

Estimation

€300 - 400

CHARBONNEAU, Georges (1867–1942). “Portrait of a M

31 - CHARBONNEAU, Georges (1867–1942). “Portrait of a Man,”. Oil on canvas, signed lower right and inscribed, 26.5 x 22 cm. Framed. An academic painter of the early 20th century, the artist produced beautiful historical and mythological paintings, landscapes, and a few portraits, including this one.

Estimation

€150 - 200

BRUNEL DE NEUVILLE, Alfred Arthur (1852–1941), att

32 - BRUNEL DE NEUVILLE, Alfred Arthur (1852–1941), attributed to. “Still Life with Fruit, Peaches, and Plums.” Oil on canvas, 54 x 64 cm. Framed.

Estimation

€200 - 300

BRUNEL DE NEUVILLE, Alfred Arthur (1852–1941), att

33 - BRUNEL DE NEUVILLE, Alfred Arthur (1852–1941), attributed to. “Still Life with Red Currants, a Basket, and Plums.” Oil on canvas, 54 x 64 cm. Damage. Framed

Estimation

€150 - 200

French school, late 18th century. "River Landscape

34 - French school, late 18th century. "River Landscape with Ruins." Oil on canvas mounted on panel, 16 x 21 cm. Framed.

Estimation

€150 - 200

17th-century Neapolitan school. "St. Anthony of Pa

35 - 17th-century Neapolitan school. "St. Anthony of Padua Surrounded by Angels Before an Altar." Oil on canvas. 91 x 83 cm.

Estimation

€2,000 - 3,000

17th-century French school, circle of the LE NAIN

36 - 17th-century French school, circle of the LE NAIN brothers. “Portrait of Joseph de Bonnot de Bay.” Oil on canvas, 64 x 51 cm. Re-stretched and restored. 19th-century wooden frame with gilded stucco.

Estimation

€2,000 - 3,000

18th-century French school. "Lively Landscape with

37 - 18th-century French school. "Lively Landscape with a Bridge." Oil on canvas mounted on panel. 21 x 26 cm. Some lifting. Wood and gilded stucco frame.

Estimation

€300 - 400

19th-century Italian school, follower of the Bassa

38 - 19th-century Italian school, follower of the Bassanos. “The Entombment of Christ.” Oil on canvas, 110 x 83 cm. Re-stretched and restored. Framed.

Estimation

€1,000 - 1,500

JOUHAUD, Léon (1874–1950). “The Railroad Tracks Le

39 - JOUHAUD, Léon (1874–1950). “The Railroad Tracks Leading to the Limoges Station.” Oil on heavy cardboard, signed twice on the right and dated 1910. 50 x 61 cm. A renowned enamel artist, but also a talented watercolorist and pastel artist, he is recognized as one of the major artists of the Art Deco period. His views of Limoges are highly sought after.

Estimation

€1,000 - 1,500

TEILLIET, Jean (1870–1931) “Figure Seated in Front

40 - TEILLIET, Jean (1870–1931) “Figure Seated in Front of the Saint-Martin de Confolens Gorge, Charentes.” Oil on canvas, signed lower left, 73 x 92 cm. Framed. Jean-Cyprien Teillet was born on September 4, 1870, in Saint-Junien, at his parents’ home on Rue Saler (now Faubourg Liebneck). He was the son of Pierre-Séverin, a medical doctor, and Marie-Alexine Laveyssière. Surrounded by the greatest artists of the time (his mother was a musician, and his grandparents hosted Lamartine, Musset,

Estimation

€800 - 1,200

TEILLIET, Jean (1870–1931). “Landscape near Le Châ

41 - TEILLIET, Jean (1870–1931). “Landscape near Le Châtelard, near Saint-Junien, Haute-Vienne.” Oil on canvas, signed lower right, 73 x 92 cm. Framed. Jean-Cyprien Teillet was born on September 4, 1870, in Saint-Junien, at his parents’ home on Rue Saler (now Faubourg Liebneck). He was the son of Pierre-Séverin, a medical doctor, and Marie-Alexine Laveyssière. Surrounded by the greatest artists of the time (his mother was a musician, and his grandparents hosted Lamartine, Musset, and Corot

Estimation

€1,000 - 1,500

Édouard Bourgeois, known as DEBOURG (1880–1939). “

42 - Édouard Bourgeois, known as DEBOURG (1880–1939). “At the Confluence of the Two Creuses.” Oil on canvas, signed on the back, 46 x 55 cm. Framed. Édouard Bourgeois, known as Debourg (1880–1939), was a French painter associated with the Crozant School.

Estimation

€300 - 500

THOMAS, Pierre (1865–1930). “The Bishop’s Garden i

43 - THOMAS, Pierre (1865–1930). “The Bishop’s Garden in Limoges.” Oil on canvas, signed lower right, 38 x 46 cm. Framed. A cousin of the painter Paul Thomas, Pierre Thomas devoted his work to landscapes of the Haute-Vienne and the Creuse Valley. Two of his paintings are housed at the Limoges Museum of Fine Arts.

Estimation

€500 - 700

BRON, Achille (1867–1949). “Old Houses by the Rive

44 - BRON, Achille (1867–1949). “Old Houses by the River.” Oil on panel, signed lower left, 38 x 45 cm. Framed. A student of Paul Madeline, he exhibited the painting Le Marais poitevin at the 1927 Salon des Indépendants, followed by Les Rochers rouges in 1928 and L'Automne sur la rivière the following year. His works are represented in numerous regional museums (notably in Saintes, Angoulême, and La Rochelle).

Estimation

€400 - 500

MARTY, Henriette (1902–1996). “Snow-Covered Roofs.

45 - MARTY, Henriette (1902–1996). “Snow-Covered Roofs.” Oil on heavy cardboard, signed lower left, 27 x 21 cm. Framed (damage to the frame). Renowned for her work in enamel painting beginning in 1930, the artist also produced an excellent body of graphic work, notably featuring interesting views of Limoges.

Estimation

€200 - 300

JOSEPH Albert (1868–1952). “Chaumière et basse cou

46 - JOSEPH Albert (1868–1952). “Chaumière et basse cour.” Oil on canvas, signed and inscribed in the lower right corner, 54 x 65 cm. Minor peripheral losses. Framed. A friend of Paul MADELINE and Eugène ALLUAUD, the painter enjoyed a distinguished career; his landscapes of the Haute-Vienne and Creuse regions were very successful.

Estimation

€500 - 700

HUGARD, Claude Salvator (1861–1931). “The Piano Le

47 - HUGARD, Claude Salvator (1861–1931). “The Piano Lesson.” Oil on canvas, signed lower right, 50 x 61 cm. Framed.

Estimation

€400 - 600

HUGARD, Claude Salvator (1861–1931). "The Spinners

48 - HUGARD, Claude Salvator (1861–1931). "The Spinners." Oil on panel, signed lower left, 50 x 61 cm. Framed.

Estimation

€400 - 600

DECAUX, Roger (1899–1955). “The Village of Gargile

49 - DECAUX, Roger (1899–1955). “The Village of Gargilesse.” Oil on panel, signed lower left, 57 x 46 cm. In a frame stamped “BOUCHE.” Based in Châteauroux and deeply attached to the Creuse region, he participated in numerous art shows. A retrospective was held at the Galerie Bernheim in Paris in the 1930s.

Estimation

€700 - 1,000

PAILLER, Henri (1876–1954). “Bridge, Haystack, and

50 - PAILLER, Henri (1876–1954). “Bridge, Haystack, and Tree-Lined Path in Quinçay, Vienne (86).” Oil on canvas, signed lower right and dated 1908 on the back. Dimensions: 46 x 62 cm. Framed. A student of Léon BONNAT at the École des Beaux-Arts in Paris, Pailler is considered an outstanding painter of the Crozant school. This painting is notable for its loose, Neo-Impressionist brushwork.

Estimation

€1,000 - 1,500

MAILLAUD, Fernand (1862–1948). “Oxen in a Creuse L

51 - MAILLAUD, Fernand (1862–1948). “Oxen in a Creuse Landscape.” Oil on heavy cardboard, signed lower right, 22.5 x 32 cm. Wood and gilded stucco frame. Exhibition labels from Canada on the back. We thank the Galerie Laurent Goudard in Limoges for its assistance in authenticating the work.

Estimation

€700 - 1,000

MAILLAUD, Fernand (1862–1948). “Shepherdess in the

52 - MAILLAUD, Fernand (1862–1948). “Shepherdess in the Heather of the Guéret Mountains.” Oil on heavy cardboard, signed lower right, 32 x 40 cm. Framed.

Estimation

€700 - 1,000

BRON, Achille (1867–1949). “The Surroundings of Ta

53 - BRON, Achille (1867–1949). “The Surroundings of Taillebourg, Charente-Maritime.” Oil on canvas, signed lower right and inscribed and dated 1915 lower left, 44 x 55 cm. Minor restorations. Framed. A student of Paul MADELINE, he exhibited at the Salon des Indépendants in 1927. This work depicts a lake near Taillebourg, the village where he owned a property. He died in that same village in 1949.

Estimation

€700 - 1,000

MERCIER, Mary Adolphe (1882–?). “Bridge and Mill i

54 - MERCIER, Mary Adolphe (1882–?). “Bridge and Mill in Eymoutiers, Haute-Vienne.” Oil on canvas, signed lower right, 50 x 65 cm. Framed. MERCIER was a student of Jules ADLER and also of Pierre Eugène MONTEZIN. Few of his works are documented on the market. Nevertheless, this painting, executed around 1915–1920 and reminiscent of a fine work by MONTEZIN, undeniably demonstrates the painter’s Neo-Impressionist virtuosity.

Estimation

€700 - 1,000

TEILLIET, Jean (1870–1931). “Le Rocher du Maine on

55 - TEILLIET, Jean (1870–1931). “Le Rocher du Maine on the Issoire River near Saint-Germain-de-Confolens in Charentes.” Oil on canvas, signed lower right, 50 x 60 cm. Framed.

Estimation

€1,000 - 1,500

BRON, Achille (1867–1949). “Old Street in Corrèze,

56 - BRON, Achille (1867–1949). “Old Street in Corrèze, Presumed View of Beaulieu-sur-Dordogne.” Oil on canvas, signed lower right, 54 x 65 cm. Framed. A student of Paul MADELINE, he exhibited at the Salon des Indépendants in 1927. This work depicts a lake near Taillebourg, the village where he owned a property. He died in that same village in 1949.

Estimation

€700 - 1,000

ALLUAUD, Eugène (1866–1947). “The Moulin de la Fol

57 - ALLUAUD, Eugène (1866–1947). “The Moulin de la Folie on the Banks of the Sédelle.” Oil on canvas, signed lower right, 65 x 53 cm. Framed.

Estimation

€700 - 1,000

TEILLIET, Jean (1870–1931). “View of Bellac in the

58 - TEILLIET, Jean (1870–1931). “View of Bellac in the Snow.” Oil on canvas, signed lower right and dated 1918, 65 x 80 cm. Framed (minor imperfections on the frame). The painter’s snowy landscapes are extremely rare on the market. Jean TEILLIET was originally from Saint Junien and exhibited at numerous art shows (Salon des Artistes Français, Salon des Indépendants). Several museums have acquired works by the painter over the years.

Estimation

€1,500 - 2,000

PAGUENAUD, Jean-Louis (1876–1952). “Hunter, Dog, a

59 - PAGUENAUD, Jean-Louis (1876–1952). “Hunter, Dog, and Pheasant in a Limousin Landscape.” Large oil, gouache, and watercolor on paper mounted on panel. Dimensions: 138 x 76 cm. Certificate by Vincent Pecaud, expert and biographer of the artist, on the back of the painting. Paguenaud, known as one of the official painters of the Navy, also painted a wide variety of subjects, including scenes depicting hunting lodges.

Estimation

€300 - 500

PAGUENAUD, Jean-Louis (1876–1952). “Warship on a R

60 - PAGUENAUD, Jean-Louis (1876–1952). “Warship on a Rough Sea.” Large oil on canvas, signed lower right. Dimensions: 74 x 134 cm. Varnish worn; canvas needs cleaning. Framed. Paguenaud is known as one of the official painters of the Navy in the early 20th century.

Estimation

€1,000 - 1,500

FERNIER, Robert (1895–1977). “Wood Market in Bétaf

61 - FERNIER, Robert (1895–1977). “Wood Market in Bétafo.” Oil on panel, signed lower left, located in Bétafo, Madagascar, and dated “53” on the back; 50 x 61 cm. Framed.

Estimation

€600 - 800

CHABAUD, Auguste (1882–1955), “Graveson, Bouches-d

62 - CHABAUD, Auguste (1882–1955), “Graveson, Bouches-du-Rhône, 1934.” Oil on heavy cardboard, signed lower right and on the back, 50 x 61 cm. Damage and missing areas. The painter is widely renowned for his work, which bridges the gap between Fauvism and Expressionism.

Estimation

€600 - 800

ZEYTLINE, Léon Abramovitch (1885–1962). “Boat in a

63 - ZEYTLINE, Léon Abramovitch (1885–1962). “Boat in a Storm.” Oil on panel, signed lower left, 38 x 46 cm. Framed. Famous for his views of Paris, the painter nevertheless produced some beautiful seascapes.

Estimation

€200 - 300

ESCHBACH, Paul André Jean (1881–1961). “Les Voilie

64 - ESCHBACH, Paul André Jean (1881–1961). “Les Voiliers.” Oil on canvas, signed lower right, 39 x 79 cm. Framed. A student of Jean Paul Laurens, among others, he exhibited in numerous art shows and painted beautiful portraits early in his career before specializing in seascapes and landscapes.

Estimation

€300 - 400

LECOZ, Alphonse (active from the late 19th to the

65 - LECOZ, Alphonse (active from the late 19th to the mid-20th century) “View of Venice.” Oil on canvas, signed lower right, 60 x 120 cm. Framed.

Estimation

€800 - 1,200

GODCHAUX, Emile (1860–1938). “Country Landscape.”

66 - GODCHAUX, Emile (1860–1938). “Country Landscape.” Oil on canvas, signed lower left, 68 x 92 cm. Minimal restoration.

Estimation

€300 - 400

GUILLOU, Alfred (1844–1926). “Portrait of a Gentle

67 - GUILLOU, Alfred (1844–1926). “Portrait of a Gentleman with a Beard and Glasses.” Oil on canvas, signed lower left, 55 x 44 cm. Minor craquelure. Framed. Alfred Guillou received his first drawing lessons from the lithographer Théodore Lemonnier, whom he met in Concarneau in 1860. On Lemonnier’s advice, he moved to Paris in 1862, where he attended the Académie Suisse for a time and continued his training with Alexandre Cabanel. It was there that he met Jules Bastien-Lepage, Fernand Cormo

Estimation

€300 - 500

French School, circa 1860. “Portrait of Alphonse L

68 - French School, circa 1860. “Portrait of Alphonse Lavallée.” Oil on oval canvas, 64 x 53 cm. Minor signs of wear. Wood and gilded stucco frame (minor imperfections on the frame). Born on July 1, 1797, in Savigné-l’Évêque and died on May 15, 1873, in Paris, he was a businessman in Nantes and later in Paris who used his personal fortune to found the École centrale des arts et manufactures, better known as École Centrale Paris.

Estimation

€600 - 800

NOEL Jules Achille (1810–1881), attributed to. “Ha

69 - NOEL Jules Achille (1810–1881), attributed to. “Harbor Scene with Boats.” Oil on canvas, 33.5 x 55.5 cm. Restored and re-stretched. Framed. A handwritten note on the back reads: “To Mr. GERARDIN, a token of friendship, Vice Admiral E. MIOT, Malaga 1873.”

Estimation

€800 - 1,000

CHARRETON, Victor (1864–1936). “Snow in Front of t

70 - CHARRETON, Victor (1864–1936). “Snow in Front of the Church of Saint Saturnin, Puy-de-Dôme.” Oil on canvas, signed on the back, 73 x 92 cm. Framed. Listed as number 701 in Robert Chatin’s catalog raisonné of the painter, Volume 1. Charreton remains the master of the Auvergne Neo-Impressionist school, also known as the “Murol School.”

Estimation

€4,000 - 6,000

CHARRETON, Victor (1864–1936). “Breton Hamlet in S

71 - CHARRETON, Victor (1864–1936). “Breton Hamlet in Spring.” Oil on canvas, signed lower right, 60 x 73 cm. RG frame in the Louis XV style. Listed in the painter’s catalog raisonné under number 964 by Robert Chatin. Charreton remains the master of the Auvergne Neo-Impressionist school, also known as the “Murol School.”

Estimation

€5,000 - 7,000

ENJOLRAS Delphin (1857–1945). “Young Woman Putting

72 - ENJOLRAS Delphin (1857–1945). “Young Woman Putting on Her Shoes by Lamplight.” Pastel drawing, signed, 55 x 38 cm. Louis XV-style wooden and stucco frame (minor imperfections and restorations to the frame). Enjolras is regarded today as “the painter of reflections,” having made this type of intimate scene his specialty.

Estimation

€2,000 - 3,000

ADRION, Lucien (1889–1953). “Lively Scene on the B

73 - ADRION, Lucien (1889–1953). “Lively Scene on the Banks of the Seine.” Oil on canvas, signed lower right, 45 x 54 cm. Framed. In 1921, Lucien Adrion held his first solo exhibition at the Galerie Chéron; then, in 1926, at the age of 37, he had another major exhibition at the Salon des Indépendants. In 1940, he exhibited at the Salon d’Automne, and the following year, in 1941, at the Salon des Tuileries, where he displayed several landscapes. An engraver, watercolorist, and painter of the

Estimation

€1,500 - 2,000

MENARD, René (1862–1930). “Lake Geneva, Sunset.” O

74 - MENARD, René (1862–1930). “Lake Geneva, Sunset.” Oil on canvas, signed lower left, 72 x 90 cm. Framed. Annotations on the back. Known for his symbolist and twilight landscapes, he participated in the Salon der Sezession in Munich and the Salon de la Libre Esthétique in Brussels in 1897. In June 1899, he joined the Société nouvelle de peintres et de sculpteurs, with his first group exhibition held at the Georges Petit Gallery in Paris in March 1900[4]. Several solo exhibitions were subs

Estimation

€1,500 - 2,000

GUILLEMINET, Claude (1821–1885). “Les deux basses

75 - GUILLEMINET, Claude (1821–1885). “Les deux basses cours.” Pair of oil-on-panel paintings, signed lower left, 33 x 23 cm. Wood and gilded stucco frame (frame has some damage). Note a spelling error on the cartouche. Claude Guilleminet was a genre painter who specialized in depictions of farmyards: roosters, hens, chicks, ducks, turkeys, etc. He made his debut at the 1856 Salon and participated in the 1864 and 1866 Salons. The Fabre Museum in Montpellier holds several of his works.

Estimation

€400 - 600

SCHMID, René (1889–1962). "Alpine View." Oil on c

76 - SCHMID, René (1889–1962). "Alpine View." Oil on canvas, signed lower right, 48 x 64 cm. Framed. Known for his beautiful landscapes and depictions of harbors, the painter traveled throughout France and produced a few rare Alpine views.

Estimation

€150 - 200

MAYODON, Jean (1893–1967). “Bouquet of Flowers.” M

77 - MAYODON, Jean (1893–1967). “Bouquet of Flowers.” Mixed media on paper, signed lower right, 45 x 32 cm. Framed. As we know, MAYODON was a renowned ceramist known worldwide for his Art Deco vases, but he was also an excellent painter and draftsman.

Estimation

€200 - 300

TANOUX, Adrien Henri (1865–1923), attributed to. “

78 - TANOUX, Adrien Henri (1865–1923), attributed to. “Pensive Woman, Sketch.” Oil on canvas, 65 x 55 cm. Signs of wear; needs cleaning. We believe this painting may be by this artist, a student of Léon BONNAT, who specialized in portraits of elegant women around 1900.

Estimation

€200 - 300

JOUVE, Paul (1878–1973). “Sow, Boars, and Piglets.

79 - JOUVE, Paul (1878–1973). “Sow, Boars, and Piglets.” Color lithograph on vellum. Print signed, monogrammed, and numbered 9/50 by the artist. 37.5 x 51.5 cm (image size). Signs of wear. Framed. JOUVE was one of the greatest animal artists of the 20th century, known for his famous panthers, which enjoyed worldwide success.

Estimation

€400 - 500

GEN PAUL (1895–1975). “The Woman in the Green Hat.

80 - GEN PAUL (1895–1975). “The Woman in the Green Hat.” Oil on canvas, signed in the upper right corner. Dimensions: 65 x 46 cm. Framed. A renowned Expressionist painter, engraver, and lithographer, he was one of the iconic figures of Montmartre’s bohemian scene. A close friend of the writer Louis Ferdinand CELINE, he developed a free-spirited, self-taught style. This painting is of particular interest because it dates from the 1930s.

Estimation

€1,500 - 2,000

GRISOT, Pierre (1911–1995). “Two Elegant Women in

81 - GRISOT, Pierre (1911–1995). “Two Elegant Women in a Garden.” Oil on canvas, signed lower left. Dimensions: 61 x 51 cm. Wood and gilded stucco frame. A student of Jean Gabriel DOMERGUE, the painter is an undisputed master of portraits of Parisian women. He has exhibited in numerous galleries around the world, including New York. This work is quite rare due to its large format.

Estimation

€600 - 800

OLLIVIER, Gaston (1867–1937). “Figures from the Co

82 - OLLIVIER, Gaston (1867–1937). “Figures from the Congo.” Set of three oil-on-panel paintings forming a triptych, all signed, 21 x 44.5 cm. Framed. A painter originally from Saintes, he painted numerous landscapes of his region, seascapes, and portraits, as well as a few rare Oriental-style paintings.

Estimation

€1,000 - 1,500

PILNY, Otto (1866–1936). “Berber Women Cutting Bra

83 - PILNY, Otto (1866–1936). “Berber Women Cutting Branches.” Watercolor and gouache on paper, signed lower left and dated 1925, 14 x 17 cm (image size), framed. Born in Bedweis in 1866, his family moved to Prague in 1873, where he likely received his artistic education. At the age of nineteen, he undertook his first journey to the East, following the caravan route from Cairo to Tripoli, accompanied only by his dog. After a brief stay in Prague, he returned to Egypt from 1889 to 1892. His work

Estimation

€600 - 700

GILL, Mariquita (1861–1915). "Houses by the Water,

84 - GILL, Mariquita (1861–1915). "Houses by the Water," oil on panel, signed lower right, 14 x 22 cm. Framed. A naturalized American Impressionist painter, he was born in Montevideo (Uruguay) and studied painting in New York and Paris. He was part of the first generation of American painters to live and work in Giverny, following in the footsteps of Claude MONET. He painted seascapes and landscapes featuring flower-filled gardens, both in France and on the American continent, particularly in New M

Estimation

€400 - 500

GILBERT Victor Gabriel (1847–1935) – “In the Luxem

85 - GILBERT Victor Gabriel (1847–1935) – “In the Luxembourg Gardens.” Oil on canvas, signed lower left. 39 x 47 cm.

Estimation

€2,000 - 3,000

KOROCHANSKY, Michel (1866–1925). “House by the Riv

86 - KOROCHANSKY, Michel (1866–1925). “House by the River.” Oil on canvas, signed lower left, 46 x 55 cm. Michel Korochansky was a French painter and draftsman of Ukrainian origin. Born in Odessa, he moved to Paris in the 1880s and studied at the Académie Julian under William Bouguereau and Tony Robert-Fleury. He exhibited regularly in Paris and became a member of the Société des Artistes Français and the Société des Artistes Indépendants. Korochansky is particularly known for his landsc

Estimation

€600 - 800

Albert DE GESNE (1834–1903). “Wild Boar Caught in

87 - Albert DE GESNE (1834–1903). “Wild Boar Caught in a Trap in Front of a Pack of Dogs.” Oil on canvas, signed lower right, 46 x 55 cm. Wood and gilded stucco frame.

Estimation

€400 - 500

CHABAUD, Auguste (1882–1955), “Village View.” Oil

88 - CHABAUD, Auguste (1882–1955), “Village View.” Oil on cardboard, signed with a stamp, "Studio Sale" in the lower right corner, 38 x 51.5 cm. The painter is widely renowned for his work, which bridges the gap between Fauvism and Expressionism.

Estimation

€1,500 - 2,000

19th-century French school, after Claude Joseph VE

89 - 19th-century French school, after Claude Joseph VERNET (1714–1789). "The Bridge and Castel Sant'Angelo in Rome." Oil on canvas, 27 x 35 cm. Restored and framed. This is a smaller version of the master’s famous painting, which is housed at the Louvre Museum.

Estimation

€800 - 1,000

BONDY, Walter (1880–1940). “Post-Impressionist Lan

90 - BONDY, Walter (1880–1940). “Post-Impressionist Landscape.” Oil on canvas, 58 x 71 cm, signed lower left and dated 1928. Now recognized as one of the greatest Post-Impressionist painters from Eastern Europe in the early 20th century, he studied architecture and drawing at the Academy of Fine Arts in Vienna before studying for two years at the Academy of Arts in Berlin. In 1903, he moved to Paris’s Montparnasse district and frequented the café Le Dôme, where he became a regular until the

Estimation

€3,000 - 4,000

GAUTIER, Philippe (1928–2004). “Still Life with Ap

91 - GAUTIER, Philippe (1928–2004). “Still Life with Apricots.” Oil on canvas, signed lower right, 50 x 50 cm. Framed. His style, described as “transfigurative,” explores the boundary between figuration and abstraction. He envelops his subjects—female figures, still lifes, or seascapes—in a vibrant aura that goes far beyond mere realistic representation. His nuanced palette, composed of delicate layers, evokes an almost tactile emotion; his compositions seem animated, like “moving mas

Estimation

€200 - 300

GAUTIER, Philippe (1923–2004). “Shadow and Sunligh

92 - GAUTIER, Philippe (1923–2004). “Shadow and Sunlight on the Canal, Venice.” Oil on canvas, signed lower left, 46 x 61 cm. Framed. His style, described as “transfigurative,” explores the boundary between figuration and abstraction. He envelops his subjects—female figures, still lifes, or seascapes—in a vibrant aura that goes far beyond mere realistic representation. His nuanced palette, composed of delicate layers, evokes an almost tactile emotion; his compositions seem animated, lik

Estimation

€400 - 500

Armand Fernandez, known as ARMAN (1928–2005). “Unt

93 - Armand Fernandez, known as ARMAN (1928–2005). “Untitled.” An accumulation of paint tubes in a resin block.

Estimation

€3,000 - 4,000

By FRANCISCO Pietro (1873–1969). “The Fair at Vayr

94 - By FRANCISCO Pietro (1873–1969). “The Fair at Vayrac.” Oil on canvas, signed lower right, 33 x 44 cm. Framed. A landscape painter born in Palermo in 1873, he developed a unique style blending Impressionism and Pointillism, highly prized by French and Italian collectors.

Estimation

€600 - 800

Armand Fernandez, known as ARMAN (1928–2005). Unti

95 - Armand Fernandez, known as ARMAN (1928–2005). Untitled. Inclusions in a resin block.

Estimation

€1,500 - 2,500

CALES, Pierre (1870–1961), “Fontaine de Tencin” (I

96 - CALES, Pierre (1870–1961), “Fontaine de Tencin” (Isère–Savoie). Oil on panel, signed and dated 1958 in the lower right corner, 46 x 78 cm. Framed. Jean-Pierre Calestroupat, better known as Abbé Calès, was a French painter, born in Vienne on August 31, 1870, and died in Tencin on October 15, 1961. At age 20, he attended the minor seminary at Le Rondeau in Grenoble, where he received guidance from Abbé Laurent Guétal, though he was not significantly influenced by him. It was Philippe

Estimation

€600 - 800

ARMAN (1928–2005) “Arrêt musical n°5.” A very sign

97 - ARMAN (1928–2005) “Arrêt musical n°5.” A very significant silkscreen print, created in 1971. Small spots. 205 x 171 cm.

Estimation

€1,000 - 1,500

ROTRAUT, Rotraut Klein-Moquay (born in 1938). Impo

98 - ROTRAUT, Rotraut Klein-Moquay (born in 1938). Important "Abstraction" painting. A composition that straddles the line between painting and sculpture, featuring the use of KLEIN blue. 149 x 149 cm. 1988. Minor imperfections.

Estimation

€1,000 - 1,500

SANFOURCHE, Jean Joseph (1929–2010). "Good Friday

99 - SANFOURCHE, Jean Joseph (1929–2010). "Good Friday 98." Marker drawing on paper, signed lower right. Framed. The artist is the leading representative of the “Art Brut” movement in the Limousin region. He rubbed shoulders with such great artists as Jean DUBUFFET.

Estimation

€300 - 400

LALIQUE, Suzanne (1899–1989). “Les éventails brisé

100 - LALIQUE, Suzanne (1899–1989). “Les éventails brisés.” Oil on canvas, signed upper left. Dimensions: 74 x 62 cm.

Estimation

€1,000 - 1,500

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