50th Timed Auction: Old Master and 19th-Century Prints, Drawings, and Oil Paintings

Remaining time:

05d 10h 20m 09s

Timed auctions

Until Saturday, October 31 | 02:00 PM

H. W. Fichter Kunsthandel

Arndtstr. 49 60325, Frankfurt

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50th Timed Auction: Old Master and 19th-Century Prints, Drawings, and Oil Paintings

H. W. Fichter Kunsthandel

501 - J. PUNT (1711–1779), A Cockerel and a Fox in a Landscape, 1759, Etching

502 - J. PUNT (1711–1779), Hare and Frogs, 1759, Etching

503 - J. PUNT (1711–1779), *Astrologer Falls into the Well*, 1759, Etching

504 - J. PUNT (1711–1779), *The Dove and the Ant*, 1759, etching

505 - J. PUNT (1711–1779), *The Lion and the Donkey*, 1759, etching

506 - J. PUNT (1711–1779), *The Cat as a Woman*, 1759, etching

507 - J. PUNT (1711–1779), *The Limbs and the Stomach*, 1759, Etching

508 - J. PUNT (1711–1779), *The Will*, as explained by Aesop, 1759, etching

509 - J. PUNT (1711–1779), A Cat and a Pig in a Tree, 1760, Etching

510 - J. PUNT (1711–1779), *The Drop and the Spider*, 1760, etching

511 - J. PUNT (1711–1779), *The Drinker and His Wife*, 1760, etching

512 - J. PUNT (1711–1779), A Dilapidated Farmstead with a Round Tower, 1760, Etching

513 - J. PUNT (1711–1779), *The Lion Vanquished by Man*, 1760, etching

514 - J. PUNT (1711–1779), A Fox and a Billy Goat by the Well, 1760, Etching

515 - J. PUNT (1711–1779), A Quote from Socrates, 1762, Etching

516 - J. PUNT (1711–1779), Lark and Field Marshal with a Boy, 1762, Etching

517 - J. PUNT (1711–1779), *The Miser and His Lost Treasure*, 1762, etching

518 - J. PUNT (1711–1779), *The Oracle and the Wicked Man*, 1762, etching

519 - J. PUNT (1711–1779), *The Woodcutter and Mercury*, 1762, etching

520 - J. PUNT (1711–1779), *The Fox and the Bust*, 1761, etching

521 - J. PUNT (1711–1779), The Man and the Wooden Idol, 1761, Etching

522 - J. PUNT (1711–1779), A Monkey on a Dolphin in the Sea, 1761, etching

523 - J. PUNT (1711–1779), The Animals’ Tribute to Alexander, 1761, etching

524 - J. PUNT (1711–1779), *The Camel and the Floating Sticks*, 1761, etching

525 - J. PUNT (1711–1779), Birds in the Forest, 1761, Etching

526 - J. PUNT (1711–1779), *The Old Lion*, 1761, etching

527 - J. PUNT (1711–1779), *The Wolves and the Sheep*, 1761, etching

528 - J. PUNT (1711–1779), Wolves and Sheep, 1761, Etching

529 - J. PUNT (1711–1779), *The Swan and the Cook*, 1761, etching

530 - J. PUNT (1711–1779), *The Fox and the Grapes*, 1761, etching

531 - J. PUNT (1711–1779), The Wolf at the Goat Pen, 1761, Etching

532 - J. PUNT (1711–1779), A Peacock and Birds in a Fable Scene, 1761, Etching

533 - J. PUNT (1711–1779), *The Gardener and His Master*, 1761, etching

534 - J. PUNT (1711–1779), Battle of the Rats and Weasels, 1761, Etching

535 - J. PUNT (1711–1779), The Frog and the Rat, 1761, etching

536 - J. HOUBRAKEN (*1698) after RAVESTEYN (*1570), Portrait of Johannes Wtenbogaert, Copper engraving

537 - After RENI (*1575), David with Goliath’s Head, mezzotint

538 - J. FREY (*1681) after RENI (*1575), Salome with the head of John, 1745, Etching

539 - E. MORACE (*1766) after REYNOLDS (*1723), Portrait of Angelika Kauffmann, copper engraving

540 - R. PURCELL (*1746) after REYNOLDS (*1723), John Manners as a military commander, mezzotint

541 - R. PURCELL (*1746) after REYNOLDS (*1723), Portrait of the Countess of Essex, around 1760, mezzotint

542 - W. WATTS (*1752) after RICHARDS (18th century), Halfwell in Somerset, 1780, Etching

543 - F. SINTZENICH (*1780) after RIGAUD (*1659), Portrait of General Moritz of Saxony, Etching

544 - J. TISCHBEIN (*1742) after REMBRANDT (*1606), Portrait of a man, Etching

545 - W. WATTS (*1752) after ROBERTSON (*1748), Mount Clare in Surrey, 1784, Etching

546 - W. WATTS (*1752) after ROBERTSON (*1748), Mount Clare in Surrey, 1784, Etching

547 - R. HOUSTON (*1721) after RUSSELL (*1745), Portrait of Reverend John Ryland, 1775, mezzotint

548 - R. HOUSTON (*1721) after RUSSELL (*1745), Portrait of John Macgowan, 1774, Mezzotint

549 - R. HOUSTON (*1721) after SADLER (*1647), Portrait of John Bunyan, Mezzotint

550 - W. WATTS (*1752) after SANDBY (*1725), West Combe in Kent, 1779, Etching

551 - C. BRICART (*1705) after SANTERRE (*1651), *The True Portrait of the Thief Cartouche*, copper engraving

552 - P. SCHENK (1653–1713), Portrait of Frederick I, King of Prussia (1657–1713), 1705, mezzotint

553 - After SCHLEY (*1715), Samboupo, Sulawesi Island, Indonesia, around 1780, Copper engraving

554 - J. SCHLEY (1715-1779), View of the city of Ambon from the sea, Copper engraving

555 - C. SCHNEIDER (*1753), An Arcadian Scene by the Fountain, ca. 1790, Etching

556 - A. SERGENT-MARCEAU (*1751), Portrait of M. l'Abbé Marolle, Mezzotint

557 - J. BAQUOY (*1721) after SÈVE (*1742), A View of a Snow Leopard, ca. 1770, copper engraving

558 - J. BAQUOY (*1721) after SÈVE (*1742), A zoological depiction of a tiger, copper engraving

559 - J. BAQUOY (*1721) after SÈVE (*1742), Depiction of a leopard, around 1770, Copper engraving

560 - J. SMITH (1733–1759), King William II in the Oval, circa 1733, etching

561 - Unger (19th century) after SNYDERS (*1579), "Cockfight" – Landscape with Birds, Etching

562 - R. HOUSTON (*1721) after SOEST (*1600), Portrait of Richard Pendrell, Mezzotint

563 - G. VERTUE (*1684) after SOMER (*1576), Portrait of James I, 1736, etching

564 - C. MOSLEY (*1720) after SOMER (*1576), Portrait of James I, copper engraving

565 - D. BERGER (*1744) after SUEUR (*1691), Head studies of a man and a woman, Lithograph

566 - D. BERGER (*1744) after SUEUR (*1691), Head studies of a young girl, Lithography

567 - D. BERGER (*1744) after SUEUR (*1691), Study of a Man’s Head in Profile, Lithograph

568 - J. BAS (*1707) after TENIERS (*1610), *The Smoker*, etching

569 - J. TISCHBEIN (*1742), Woman with a Baby in a Diaper, Etching

570 - W. MAYR (*) after TISCHBEIN (*1722), Division of the Landgraviate of Hesse in 1567, copper engraving

571 - J. TISCHBEIN (*1742), Experiments on Etched Leaves, around 1785, Etching

572 - G. VERTUE (1684–1756), Portrait of Thomas Sackville, circa 1737, Etching

573 - R. VINKELES (1741–1816), *The Hare in a Riverside Landscape*, 1770, etching

574 - R. VINKELES (1741–1816), *The Animals Infected with the Plague*, 1770, etching

575 - R. VINKELES (1741–1816), Foxes at a Rock Cave, 1770, Etching

576 - R. VINKELES (1741–1816), Horse and Wolf, 1770, etching

577 - R. VINKELES (1741–1816), Horse and Donkey, 1770, Etching

578 - R. VINKELES (1741–1816), *The Charlatan*, 1770, etching

503 - J. PUNT (1711–1779), Astrologer Falls into the Well, 1759, Etching

504 - J. PUNT (1711–1779), The Dove and the Ant, 1759, etching

505 - J. PUNT (1711–1779), The Lion and the Donkey, 1759, etching

506 - J. PUNT (1711–1779), The Cat as a Woman, 1759, etching

507 - J. PUNT (1711–1779), The Limbs and the Stomach, 1759, Etching

508 - J. PUNT (1711–1779), The Will, as explained by Aesop, 1759, etching

510 - J. PUNT (1711–1779), The Drop and the Spider, 1760, etching

511 - J. PUNT (1711–1779), The Drinker and His Wife, 1760, etching

513 - J. PUNT (1711–1779), The Lion Vanquished by Man, 1760, etching

517 - J. PUNT (1711–1779), The Miser and His Lost Treasure, 1762, etching

518 - J. PUNT (1711–1779), The Oracle and the Wicked Man, 1762, etching

519 - J. PUNT (1711–1779), The Woodcutter and Mercury, 1762, etching

520 - J. PUNT (1711–1779), The Fox and the Bust, 1761, etching

524 - J. PUNT (1711–1779), The Camel and the Floating Sticks, 1761, etching

526 - J. PUNT (1711–1779), The Old Lion, 1761, etching

527 - J. PUNT (1711–1779), The Wolves and the Sheep, 1761, etching

529 - J. PUNT (1711–1779), The Swan and the Cook, 1761, etching

530 - J. PUNT (1711–1779), The Fox and the Grapes, 1761, etching

533 - J. PUNT (1711–1779), The Gardener and His Master, 1761, etching

536 - J. HOUBRAKEN (1698) after RAVESTEYN (1570), Portrait of Johannes Wtenbogaert, Copper engraving

538 - J. FREY (1681) after RENI (1575), Salome with the head of John, 1745, Etching

539 - E. MORACE (1766) after REYNOLDS (1723), Portrait of Angelika Kauffmann, copper engraving

540 - R. PURCELL (1746) after REYNOLDS (1723), John Manners as a military commander, mezzotint

541 - R. PURCELL (1746) after REYNOLDS (1723), Portrait of the Countess of Essex, around 1760, mezzotint

543 - F. SINTZENICH (1780) after RIGAUD (1659), Portrait of General Moritz of Saxony, Etching

544 - J. TISCHBEIN (1742) after REMBRANDT (1606), Portrait of a man, Etching

545 - W. WATTS (1752) after ROBERTSON (1748), Mount Clare in Surrey, 1784, Etching

546 - W. WATTS (1752) after ROBERTSON (1748), Mount Clare in Surrey, 1784, Etching

547 - R. HOUSTON (1721) after RUSSELL (1745), Portrait of Reverend John Ryland, 1775, mezzotint

548 - R. HOUSTON (1721) after RUSSELL (1745), Portrait of John Macgowan, 1774, Mezzotint

549 - R. HOUSTON (1721) after SADLER (1647), Portrait of John Bunyan, Mezzotint

550 - W. WATTS (1752) after SANDBY (1725), West Combe in Kent, 1779, Etching

551 - C. BRICART (1705) after SANTERRE (1651), The True Portrait of the Thief Cartouche, copper engraving

557 - J. BAQUOY (1721) after SÈVE (1742), A View of a Snow Leopard, ca. 1770, copper engraving

558 - J. BAQUOY (1721) after SÈVE (1742), A zoological depiction of a tiger, copper engraving

559 - J. BAQUOY (1721) after SÈVE (1742), Depiction of a leopard, around 1770, Copper engraving

562 - R. HOUSTON (1721) after SOEST (1600), Portrait of Richard Pendrell, Mezzotint

563 - G. VERTUE (1684) after SOMER (1576), Portrait of James I, 1736, etching

564 - C. MOSLEY (1720) after SOMER (1576), Portrait of James I, copper engraving

565 - D. BERGER (1744) after SUEUR (1691), Head studies of a man and a woman, Lithograph

566 - D. BERGER (1744) after SUEUR (1691), Head studies of a young girl, Lithography

567 - D. BERGER (1744) after SUEUR (1691), Study of a Man’s Head in Profile, Lithograph

568 - J. BAS (1707) after TENIERS (1610), The Smoker, etching

570 - W. MAYR () after TISCHBEIN (1722), Division of the Landgraviate of Hesse in 1567, copper engraving

573 - R. VINKELES (1741–1816), The Hare in a Riverside Landscape, 1770, etching

574 - R. VINKELES (1741–1816), The Animals Infected with the Plague, 1770, etching

578 - R. VINKELES (1741–1816), The Charlatan, 1770, etching

579 - R. VINKELES (1741–1816), The Discord, 1770, etching

580 - R. VINKELES (1741–1816), The Young Widow, 1770, etching

581 - R. VINKELES (1741–1816), The Stuck Cart, 1770, etching

584 - R. VINKELES (1741–1816), The Farmer from the Danube, 1777, etching

587 - R. VINKELES (1741–1816), The Farmer, the Dog, and the Fox, 1777, etching

588 - R. VINKELES (1741–1816), The Torrent and the River, 1773, etching

592 - R. VINKELES (1741–1816), The Unfaithful Custodian, 1773, etching

595 - R. VINKELES (1741–1816), The Advantage of Science, 1773, etching

596 - R. VINKELES (1741–1816), The Bassa and the Merchant, 1773, etching

598 - R. VINKELES (1741–1816), The Cat and the Rat, 1773, etching

599 - R. VINKELES (1741–1816), The Wolf and the Hunter, 1773, etching