50th Timed Auction: Old Master and 19th-Century Prints, Drawings, and Oil Paintings

Temps restant :

05j 15h 55m 06s

Jusqu'au samedi 31 octobre | 14:00

H. W. Fichter Kunsthandel

Arndtstr. 49 60325, Frankfurt

999 résultats

50th Timed Auction: Old Master and 19th-Century Prints, Drawings, and Oil Paintings

H. W. Fichter Kunsthandel

401 - Unknown (17th century), "Pauromama Vreugdenberg," a settler in Japan, 1669, copper engraving

402 - Unknown (17th century), The Murder of Emperor Cubus, Kyoto, copper engraving

403 - Unknown (17th), View of the city of Suzhou, around 1665, Copper engraving

404 - Unknown (17th century), View of the town of Gaoyou, China, around 1665, copper engraving

405 - Unknown (17th), View of Tuncham from the river. China, Copper engraving

406 - Unknown (17th), View of the Porcelain Pagoda, Nanjing, around 1665, Copper engraving

407 - Unknown (17th), Königstein in the Taunus, around 1626, Copper engraving

408 - Unknown (17th century), Charles II in a laurel wreath, copper engraving

409 - P. GHIGI (18th–19th century) after AGRICOLA (*1759), Bust of Antinous, copper engraving

410 - B. BARON (*1696) after AMIGONI (*1682), Portrait of Sir Thomas Reeve, copper engraving

411 - A. AUBRY (?–1682), The Wise and Foolish Virgins, copper engraving

412 - W. WATTS (*1752) after BARRET (*1767), Lodge in Richmond Park, 1780, Etching

413 - W. WATTS (*1752) after BARRET (*1767), Cadland Park in Hampshire, 1780, Etching

414 - F. BARTOLOZZI (*1728) after BEAUCLERK (*1734), Trial proof: A tomb allegory for Leonora, 1796, Etching

415 - F. BARTOLOZZI (*1728) after BEAUCLERK (*1734), A Funerary Allegory for Leonora, 1796, Etching

416 - J. PELLETIER (*1736) after BEGA (*1631), Interior scene. Farmer with a prostitute, copper engraving

417 - C. VISSCHER (*1586) after BERCHEM (*1620), Farmers’ Wives with a Cow in a Landscape, copper engraving

418 - D. BEYEL (1760-1823), Lawyer Daniel Nettelbladt, Copper engraving

419 - J. BOISSIEU (1736–1810), *Les petits Charlatans*. *The Little Charlatans*, 1773, etching

420 - I. CLAUSSIN (*1766) after BOISSIEU (*1736), Portrait studies of older people, Etching

421 - J. FOLKEMA (*1692) after BOURG (*1693), The Arrival of the Batavians, Copper engraving

422 - J. FOLKEMA (*1692) after BOURG (*1693), The Batavi Submit to Julian, Copper engraving

423 - A. CAYLUS (*1692) after BRANDI (*1621), The Sick Call Upon the Holy Bishop, ca. 1707, etching

424 - W. WATTS (*1752) after BROOKS (18th), Southill in Bedfordshire, 1782, Etching

425 - J. SMITH (*1752) after BUNBURY (*1750), Charlotte and Werther, 1782, stipple engraving

426 - R. VINKELES (*1741) after BUYS (18th), Portrait of the cartographer Petrus Bertius, 1787, Copper en

427 - C. GREGORI (*1702) after CAMPIGLIA (*1692), Portrait of Santi di Tito, Etching

428 - C. GREGORI (*1702) after CAMPIGLIA (*1692), Portrait of Galeazzo Campi, Copper engraving

429 - P. PAZZI (*1706) after CAMPIGLIA (*1692), Portrait of Andrea Pozzo, Etching

430 - C. GREGORI (*1702) after CAMPIGLIA (*1692), Portrait of Angel Michele Colonna, Etching

431 - F. GREGORI (*1743) after CAMPIGLIA (*1692), Portrait of Francesco Cairo, Etching

432 - F. CARSTENS (1762–1798), Traditional and Modern Costumes, Etching

433 - F. CARSTENS (1762-1798), Ulrich von Suhm and P. Maupertuis, Etching

434 - F. CARSTENS (1762-1798), Keyserlingk and Voltaire, Etching

435 - A. CAYLUS (1692–1765), Lombard Landscape with a Town, Etching

436 - J. WILLE (*1715) after CHÉRON (*1648), Madeleine de Scudéry, 1st edition, circa 1765, copper engraving

437 - P. CHOFFARD (1730–1809), Ovid’s *Metamorphoses*: Title page, 1767, etching

438 - A. SAINT-AUBIN (*1736) after COCHIN (*1715), Portrait of Charles A. Jombert, 1770, copper engraving

439 - J. COLE (18th), The Tomb of Mary, Queen of Scots, Copper engraving

440 - W. WATTS (*1752) after DALBY (*1794), Hooton in Cheshire, 1780, Etching

441 - W. WATTS (*1752) after DALBY (*1794), Hooton in Cheshire, 1780, Etching

442 - W. WATTS (*1752) after DEVIS (*1762), Appuldurcombe Park, Isle of Wight, 1780, Etching

443 - F. RASTAINI (18th century) after DOLCIBENE (18th century), bas-relief depicting the five labors of Hercules, etching

444 - W. WATTS (*1752) after DUNCANNON (*1758), Lulworth Castle in Dorsetshire, 1785, Etching

445 - C. DUPUIS (1685-1742), Emperor Trajan grants an audience, around 1717, Copper engraving

446 - G. VERTUE (*1684) after DYCK (*1599), Portrait of Sir John Suckling, 1744, copper engraving

447 - K. ERNST (1758–1830), Epitaph of a Duke of Württemberg, ca. 1790, Etching

448 - J. WILSON (*1735) after FARREL (18th century), Portrait of Louisa Williams, 1771, mezzotint

449 - P. PAZZI (*1706) after FERRETTI (*1692), Portrait of Martino de Vos, Etching

450 - J. GAMELIN (1738–1803), Anatomical Study of Muscles, 1779, copper engraving

451 - G. GOUWEN (17th), An Allegory of the City of London, 1713, copper engraving

452 - J. BAUSE (*1738) after GRAFF (*1736), Portrait of Johann G. Böhme, 1782, Copper engraving

453 - J. BAUSE (*1738) after GRAFF (*1736), Portrait of Gottlieb Wilh. Rabener (1714-1771), Copper engravi

454 - J. BAUSE (*1738) after GRAFF (*1736), Joh. Thomas Richter (1728–1773), 1775, copper engraving

455 - J. BAUSE (*1738) after GRAFF (*1736), Portrait of J. G. Quandt (1721–1784), 1784, copper engraving

456 - C. GUÉRIN (1758–1831), Napoleon at the Palais Rohan, Strasbourg, Steel engraving

457 - J. HAID (1704–1767), Portrait of Johann Georg Pertsch, ca. 1744, mezzotint

458 - W. WATTS (*1752) after HEARNE (*1744), Ranston Country House in Dorsetshire, 1779, etching

459 - W. WATTS (*1752) after HEARNE (*1744), Corsham House in Wiltshire, 1781, Etching

460 - W. WATTS (*1752) after HEARNE (*1744), Heveningham Hall in Suffolk, 1782, Etching

461 - W. WATTS (*1752) after HEARNE (*1744), The Moat in Kent, 1783, Etching

462 - J. HEINS (1697-1756), Portrait of Robert Camell, Mezzotint

463 - J. HIRSCHMANN (*1672) after HEUMANN (*1691), Portrait of W. Sigmund Harrlach, Copper engraving

464 - J. HAID (*1704) after HEUMANN (*1691), Philosopher Samuel Hollmann, mezzotint

465 - R. PURCELL (*1746) after HOARE OF BATH (*1707), William Pitt, Earl of Chatham, around 1765, Mezzotint

466 - R. HOUSTON (*1721) after HOARE OF BATH (*1707), William Pitt the Elder, Mezzotint

467 - R. HOUSTON (*1721) after HOARE OF BATH (*1707), William Pitt the Elder, Mezzotint

468 - W. WATTS (*1752) after HODGES (*1744), Sandbeck in Yorkshire, 1779, etching

469 - R. HOUSTON (*1721) after HOLBEIN (*1497), Portrait of Erasmus, mezzotint

470 - J. HOUBRAKEN (*1698) after HOLBEIN (*1497), Portrait of John Fisher, copper engraving

471 - J. HOUBRAKEN (*1698) after HOLBEIN (*1497), Portrait of John Fisher, Etching

472 - J. HOUBRAKEN (*1698), Portrait of William Wykeham, 1738, Etching

473 - G. VERTUE (*1684) after HOWARD (*1675), Portrait of John Bagford, 1728, copper engraving

474 - G. KILIAN (*1709) after KILIAN (*1683), self-portrait, Mezzotint

475 - J. KLENGEL (1751–1824), A Family in a Pub, genre scene, etching

476 - J. KRAER (1711–1771), Reclining Cow, 1711, etching

477 - F. AVELINE (*1718) after KÜSEL (*1650), An Arcadian Landscape with a Temple Complex, copper engraving

478 - DIETRICY (*1712) after LAER (*1582), *The Mule Drivers’ Inn*, circa 1750, etching

410 - B. BARON (1696) after AMIGONI (1682), Portrait of Sir Thomas Reeve, copper engraving

412 - W. WATTS (1752) after BARRET (1767), Lodge in Richmond Park, 1780, Etching

413 - W. WATTS (1752) after BARRET (1767), Cadland Park in Hampshire, 1780, Etching

414 - F. BARTOLOZZI (1728) after BEAUCLERK (1734), Trial proof: A tomb allegory for Leonora, 1796, Etching

415 - F. BARTOLOZZI (1728) after BEAUCLERK (1734), A Funerary Allegory for Leonora, 1796, Etching

416 - J. PELLETIER (1736) after BEGA (1631), Interior scene. Farmer with a prostitute, copper engraving

417 - C. VISSCHER (1586) after BERCHEM (1620), Farmers’ Wives with a Cow in a Landscape, copper engraving

419 - J. BOISSIEU (1736–1810), Les petits Charlatans. The Little Charlatans, 1773, etching

420 - I. CLAUSSIN (1766) after BOISSIEU (1736), Portrait studies of older people, Etching

421 - J. FOLKEMA (1692) after BOURG (1693), The Arrival of the Batavians, Copper engraving

422 - J. FOLKEMA (1692) after BOURG (1693), The Batavi Submit to Julian, Copper engraving

423 - A. CAYLUS (1692) after BRANDI (1621), The Sick Call Upon the Holy Bishop, ca. 1707, etching

425 - J. SMITH (1752) after BUNBURY (1750), Charlotte and Werther, 1782, stipple engraving

427 - C. GREGORI (1702) after CAMPIGLIA (1692), Portrait of Santi di Tito, Etching

428 - C. GREGORI (1702) after CAMPIGLIA (1692), Portrait of Galeazzo Campi, Copper engraving

429 - P. PAZZI (1706) after CAMPIGLIA (1692), Portrait of Andrea Pozzo, Etching

430 - C. GREGORI (1702) after CAMPIGLIA (1692), Portrait of Angel Michele Colonna, Etching

431 - F. GREGORI (1743) after CAMPIGLIA (1692), Portrait of Francesco Cairo, Etching

436 - J. WILLE (1715) after CHÉRON (1648), Madeleine de Scudéry, 1st edition, circa 1765, copper engraving

437 - P. CHOFFARD (1730–1809), Ovid’s Metamorphoses: Title page, 1767, etching

438 - A. SAINT-AUBIN (1736) after COCHIN (1715), Portrait of Charles A. Jombert, 1770, copper engraving

440 - W. WATTS (1752) after DALBY (1794), Hooton in Cheshire, 1780, Etching

441 - W. WATTS (1752) after DALBY (1794), Hooton in Cheshire, 1780, Etching

442 - W. WATTS (1752) after DEVIS (1762), Appuldurcombe Park, Isle of Wight, 1780, Etching

444 - W. WATTS (1752) after DUNCANNON (1758), Lulworth Castle in Dorsetshire, 1785, Etching

446 - G. VERTUE (1684) after DYCK (1599), Portrait of Sir John Suckling, 1744, copper engraving

449 - P. PAZZI (1706) after FERRETTI (1692), Portrait of Martino de Vos, Etching

452 - J. BAUSE (1738) after GRAFF (1736), Portrait of Johann G. Böhme, 1782, Copper engraving

453 - J. BAUSE (1738) after GRAFF (1736), Portrait of Gottlieb Wilh. Rabener (1714-1771), Copper engravi

454 - J. BAUSE (1738) after GRAFF (1736), Joh. Thomas Richter (1728–1773), 1775, copper engraving

455 - J. BAUSE (1738) after GRAFF (1736), Portrait of J. G. Quandt (1721–1784), 1784, copper engraving

458 - W. WATTS (1752) after HEARNE (1744), Ranston Country House in Dorsetshire, 1779, etching

459 - W. WATTS (1752) after HEARNE (1744), Corsham House in Wiltshire, 1781, Etching

460 - W. WATTS (1752) after HEARNE (1744), Heveningham Hall in Suffolk, 1782, Etching

461 - W. WATTS (1752) after HEARNE (1744), The Moat in Kent, 1783, Etching

463 - J. HIRSCHMANN (1672) after HEUMANN (1691), Portrait of W. Sigmund Harrlach, Copper engraving

464 - J. HAID (1704) after HEUMANN (1691), Philosopher Samuel Hollmann, mezzotint

465 - R. PURCELL (1746) after HOARE OF BATH (1707), William Pitt, Earl of Chatham, around 1765, Mezzotint

466 - R. HOUSTON (1721) after HOARE OF BATH (1707), William Pitt the Elder, Mezzotint

467 - R. HOUSTON (1721) after HOARE OF BATH (1707), William Pitt the Elder, Mezzotint

468 - W. WATTS (1752) after HODGES (1744), Sandbeck in Yorkshire, 1779, etching

469 - R. HOUSTON (1721) after HOLBEIN (1497), Portrait of Erasmus, mezzotint

470 - J. HOUBRAKEN (1698) after HOLBEIN (1497), Portrait of John Fisher, copper engraving

471 - J. HOUBRAKEN (1698) after HOLBEIN (1497), Portrait of John Fisher, Etching

473 - G. VERTUE (1684) after HOWARD (1675), Portrait of John Bagford, 1728, copper engraving

474 - G. KILIAN (1709) after KILIAN (1683), self-portrait, Mezzotint

477 - F. AVELINE (1718) after KÜSEL (1650), An Arcadian Landscape with a Temple Complex, copper engraving

478 - DIETRICY (1712) after LAER (1582), The Mule Drivers’ Inn, circa 1750, etching

479 - P. JEUNE (1742) after MARILLIER (1740), Easter, 1785, Copper engraving

483 - W. WARD (1766) after MORLAND (1762), The Dram, The Little Sip, mezzotint

484 - THE MEZZOTINT ARTIST (1652) after MURRAY (1663), Portrait of Richard Cumberland, 1714, mezzotint

486 - J. HOUBRAKEN (1698) after OLIVER (1556), Portrait of Ben Jonson, 1738, Copper engraving

490 - A. MARCENAY DE GHUY (1722) after PARROCEL (1646), A mounted battle scene, 1755, etching

491 - J. HAID (1704) after PIAZZETTA (1682), Portrait of an Italian Woman, Copper engraving

492 - R. HOUSTON (1721) after PINE (1730), Portrait of Jacob de Castro Sarmento, Mezzotint

493 - E. FISHER (1722) after POND (1700), Profile of Mark Akenside, 1772, mezzotint

494 - J. SANDRART (1630) after PREISSLER (1627), Portrait of Georgius Woelker (d. 1664), Etching