PREMIERE VENTE à 10h30 : Art moderne • Art contemporain …

Lot 1 - Émile Bernard (1868-1941) Jardin égyptien 1893 Watercolour and ink on paper signed and dated lower right 29.8 x 19.8 cm Condition report: Framed

Estim. 1 500 - 2 500 EUR

Lot 2 - André Devambez (1867-1943) Reconnaissance des cosaques sur les bords du fleuve Yalou circa 1916 Ink wash and gouache on paper signed and dedicated "à monsieur Max Pomierski avec son meilleur souvenir" lower left 35.2 x 45.3 cm Provenance: > Max Pomierski collection, given by the artist > Private collection, Paris Condition report: Framed under glass, dimensions 29 x 40 cm Devambez enlisted in the First World War, but was soon wounded. During his convalescence at the Pitié-Salpétrière Hospital, he befriended a masseur, Max Pomierski, who took care of the artist's shell-ridden legs.

Estim. 1 000 - 2 000 EUR

Lot 3 - Auguste Rodin (1840-1917), after Hand of Rodin holding a type A torso circa 1970 Proof in bronze with a green-brown patina, signed, numbered 5/8 and bearing the founder's stamp "C. Valsuani cire perdue". Model of 1917 H. 15 cm W. 25 cm D. 10.5 cm

Estim. 2 000 - 3 000 EUR

Lot 4 - Joseph Lacasse (1894-1975) "Refugee Period" circa 1917-1920 Charcoal on paper 51 x 47 cm Condition report: Framed, dimensions at sight Joseph Lacasse, Belgian painter and sculptor, moved to Paris in 1925, to the rue Mazarine, where he met Maurice Denis and Robert Delaunay. In his own words, "the son of a militant socialist worker, a quarryman and a militant (himself)", he first found success between the wars as a painter of religious themes of a social nature. The year 1934 marked a significant turning point towards abstraction, following a conflict and a lost court case in which the bishopric of Versailles had his frescoes washed out of the Saint Dominique chapel in Juvisy sur Orge. He would not return to success until the 1950s, a prelude to critical recognition and growing fame in the last years of his life. The work presented here is an early addition to the artist's career. It echoes his modest origins and living conditions in the aftermath of the 1st World War. Although figurative, the construction of this drawing shows the beginnings of his abstract forms. "In this innovative movement, Lacasse, who only came to prominence belatedly, was nonetheless an ardent pioneer, and many painters once haunted his studio. I saw Delaunay there..." (Henry Poulaille - Revue Arts n° 35, April 6, 1951)

Estim. 600 - 800 EUR

Lot 5 - Henry de Waroquier (1881-1970) Tragodia 1 1914 Gouache, charcoal and graphite on paper signed, titled, dated and inscribed "n°3223" lower right 76 x 56 cm Condition report: Framed

Estim. 500 - 800 EUR

Lot 6 - Henry de Waroquier (1881-1970) Grande tête de femme 1920 Ink, gouache and graphite on paper signed and dated lower right 57 x 41 cm Condition report: Framed, dimensions on view

Estim. 800 - 1 200 EUR

Lot 7 - Henry de Waroquier (1881-1970) Grande Tête 1937 Indian ink and wash on paper signed, monogrammed and dated lower right 49 x 37 cm Condition report: Framed

Estim. 400 - 600 EUR

Lot 8 - Henri Manguin (1874-1949) Maternité Charcoal on paper signed lower right 24.6 x 20 cm Condition report: Framed

Estim. 300 - 500 EUR

Lot 9 - Jules Pascin (1885-1930) Portrait of a woman Oil on canvas signed lower right 12.5 x 18 cm A certificate of authenticity from Mme Rosemarie Napolitano will be given to the buyer. Condition report : Framed

Estim. 2 000 - 3 000 EUR

Lot 10 - Edmond Chauvet (1903-1968) Nature morte aux pleurants 1928 Oil on canvas signed and dated lower left 81 x 60 cm Condition report: Wear and missing edges

Estim. 300 - 500 EUR

Lot 11 - Eugène Robert Poughéon (1886-1955) Study of a nude woman Charcoal and red chalk on paper signed lower left 65.5 x 28 cm Condition report: Framed, dimensions on view

Estim. 800 - 1 200 EUR

Lot 12 - Kees Van Dongen (1877-1968) Carriage on horseback Charcoal on paper monogrammed lower right 60 x 76 cm Condition report: Framed "If you want to see a great loner, one of the most feared wildcats in the independent pampas, linger at the Folies Bergère. [They call him the nocturnal bearded one, because he prowls tirelessly around his lair, which is a large studio [...]. the first amateur comes along, and the beast feeds, gains strength and boldness, and is seen fighting. The hunters who have made such fine speculative paintings out of modern painting follow in his footsteps. And Kees van Dongen has become a great fawn." R. Gignoux, 1911

Estim. 6 000 - 8 000 EUR

Lot 13 - Raoul Dufy (1877-1953) Fabric project for Bianchini-Ferier Watercolor and graphite on paper bearing Raoul Dufy's monogram stamp and n°134 in pencil on the back 23.5 x 19.5 cm Condition report: Framed

Estim. 500 - 800 EUR

Lot 14 - Albert Gleizes (1881-1953) Composition aux figures 1920 Gouache with stencil on wove paper signed and dated lower right 39 x 29 cm Condition report: Framed, dimensions at sight

Estim. 3 000 - 5 000 EUR

Lot 15 - Albert Mantelet (1858-?) Scène à l'hippodrome Pastel and gouache on paper signed lower left 36 x 57 cm Condition report: Framed, dimensions at sight

Estim. 300 - 500 EUR

Lot 16 - Pere Créixams Pico (1893-1965) Head Graphite on paper signed lower right 50 x 32.2 cm Condition report: Framed

Estim. 100 - 200 EUR

Lot 17 - PICASSO (Pablo) & REVENTÓS (Ramon). Dos Contes. 1947 Paris- Barcelona, Editorial Albor, 1947. In leaves, filled folder (torn), top and bottom boards in wood, comprising 4 plates engraved on Lana wove paper by the Lacourière workshops. Title page signed, located at "Céret-Paris" and dated "June 6/8, 1949" by Picasso in blue ballpoint pen. From an edition of 250 copies, this one no. 175/250. Bibliography: CRAMER (Patrick). Pablo Picasso, les livres illustrés. Paris, Cramer, 1983. N°45, page 126. Condition report: Freckles, stains and wetness.

Estim. 8 000 - 12 000 EUR

Lot 18 - Serge Charchoune (1888-1975) Composition 1943 Oil on paper signed and dated lower right, mounted on canvas 60 x 72 cm Provenance: > Private collection, Paris Condition report: Restoration "For me, there are two painters: Juan Gris and Charchoune". Pablo Picasso

Estim. 8 000 - 12 000 EUR

Lot 19 - Pablo Serrano (1908-1985) Stylized bird In grey-veined white marble, signed, dated and justified AP (artist's proof) H. 7.5 cm W. 14 cm D. 12 cm Condition report: One small chip

Estim. 600 - 800 EUR

Lot 20 - Pablo Serrano (1908-1985) Abstract sculpture in 2 elements Proof in polished bronze on the inside and brown patina on the outside, signed H. 4 cm W. 4 cm D. 3.5 cm

Estim. 600 - 800 EUR

Lot 21 - Istvan Fisch (1922-2007) Abstract composition 1966 Mixed media on canvas signed and dated lower left 98 x 130 cm Condition report: Baguette frame, recessed top left Like Etienne Beöthy, Etienne Hajdu, Simon Hantaï, Judit Reigl, Alfréd Réth, Árpád Szenes, Nicolas Schöffer, Victor Vasarely... Hungarian-born painter Istvan Fisch moved to Paris in the 1950s after studying at the Beaux-Arts in Budapest and graduating from the Academy of Arts in Rome. From this period until his death in 2007, he never ceased to paint, engrave and create tangled lines and forms based on his in-depth knowledge of architecture.

Estim. 600 - 800 EUR

Lot 22 - Istvan Fisch (1922-2007) Abstract composition with black circle 1976 Oil on canvas signed and dated lower right 135 x 98 cm Condition report : Baguette frame Like Etienne Beöthy, Etienne Hajdu, Simon Hantaï, Judit Reigl, Alfréd Réth, Árpád Szenes, Nicolas Schöffer, Victor Vasarely... Hungarian-born painter Istvan Fisch moved to Paris in the 1950s after studying at the Beaux-Arts de Budapest and graduating from the Académie des arts de Rome. From this period until his death in 2007, he never ceased to paint, engrave and create tangled lines and forms based on his in-depth knowledge of architecture.

Estim. 600 - 800 EUR

Lot 23 - Paul Ackerman (1908-1981) Le Moine compositeur Oil on canvas signed lower right 60 x 72 cm Bibliography: > André Parinaud, Paul Ackerman, Editions Mayer, Paris, 1987, reproduced p. 214 Condition : Framed

Estim. 600 - 800 EUR

Lot 24 - Jean Criton (1930-2022) La Nuit gonflable 1971 Oil on canvas signed and dated lower right, titled on back 130 x 97 cm Jean Criton was born in Paris in 1930. At just 17, he entered the Charpentier academy, where he befriended Bernard Réquichot. In 1950, they tied for first place at the École des Beaux-Arts de Paris. Initially influenced by Jacques Villon and Vieira da Silva, by 1956 he was fully committed to lyrical abstraction - and successfully so! He then bought a house in the Luberon with his wife, also an artist, Dominique d'Acher and his friend Bernard Réquichot... but 1961 marked a definitive turning point: Réquichot committed suicide and Jean Criton discovered the work of Francis Bacon. Little by little, he incorporated figuration into his work, which he never abandoned. Pierre Restany invited him to take part in the Paris Biennial with Martial Raysse, and his works became increasingly colorful, with flesh, eyes and bodies making their appearance. In the 70s, he exhibited alongside the great names of narrative figuration (Monory, Aillaud, Klasen, Rancillac, Stämpfli etc.).) and mutilated body parts appeared in architectural settings that soon gave way to a long series of imaginary buildings and places worthy of the best science-fiction scenarios... soon all that remained were the lines and a return to strict abstraction in the late 1990s. Here, a canvas from 1971, part of a series of works begun in 1961, a period of return to figuration. Here, Jean Criton explores the body and its organs in tight frames, where straps constrain them and fences enclose them. It's a dystopian universe, never seen before and belonging only to the artist, where we admire the precision of the drawing: the perspectives, the reliefs evoking swellings, the shadows, give life to beings that are nonetheless non-existent. Criton dares to predict that, like a science-fiction writer whose writings come true, his canvases could be painted today and proudly displayed on the white walls of contemporary art galleries alongside the most promising young artists!

Estim. 1 000 - 1 500 EUR

Lot 25 - Balthus, Balthasar Kłossowski dit (1908-2001) Les Hauts de Hurlevent 6 lithographs on paper signed, annotated EA and bearing the printer's dry stamp lower right or left 37 x 28 cm Condition report: stains at the top on one of the sheets This series of lithographs, by the French figurative painter Balthus, illustrates Emily Brontë's only novel, Les Hauts de Hurlevent. This masterpiece of English literature depicts the story of a fusional and destructive love on the Yorkshire moors. Heathcliff, a young orphan taken in by the Earnshaw family, falls in love with their daughter Catherine, while being bullied by her brother. The young girl finally decides to marry the more eligible Edgar Linton. The result is a tumult of devastating passions, as strong as they are opposed, just like the storms that sweep through the Wuthering Heights estate. (MLD)

Estim. 2 000 - 3 000 EUR

Lot 26 - Gérard Titus-Carmel (b. 1942) Monument à la méthode Silkscreen and collage on paper signed and dated lower right, numbered 6/100 lower left 54 x 75 cm Condition report: Plexiglas frame

Estim. 200 - 300 EUR

Lot 27 - Claude Viseux (1927-2008) Totem with caduceus Collage on paper signed and dated lower right 64 x 49 cm Condition report: Framed Claude Viseux was born and raised in Champagne-sur-Oise, near Paris. In 1946, he studied architecture at the École des Beaux-Arts in Paris. He then met Jean Prouvé and Constantin Brancusi, and finally decided to turn to painting. Success was almost immediate, with his first exhibition at Galerie Vibaud in 1952, and by 1955 his work was being shown at René Drouin, before Daniel Cordier chose him - for his very first exhibition! - in 1956. In 1957, he was honored by Léo Castelli in New York! The 4 works we are offering in this sale bear witness to these prosperous years. From 1959-1960, he created his first sculptures from objects found on the seashore, impressions of stones and seaweed cast in bronze, then industrial steel cut, assembled and welded, in the manner of his surrealist friends Max Ernst, Man Ray, Henri Michaux... In 1972, he represented the French pavilion at the Venice Biennale, alongside Christian Boltanski, Jean le Gac and Gérard Titus-Carmel, and unveiled his famous Instables series. The same year, he installed an immense stainless steel sculpture suspended in the Auber RER station in Paris. In 1977, to celebrate his 50th anniversary, the Musée d'Art Moderne de la Ville de Paris organized an exhibition entitled "Viseux" from June to September. In the '80s and '90s, he travelled extensively in India, whose myths and traditions are subtly reflected in his drawings and collages, and their influence translated into sculpture. A year before his death, while living in Anglet - still close to the water - Claude Viseux continued his collages, blending the marine world with troubling industrial forms - echoes of the Expériences automatiques du crabe (Automatic Crab Experiments) of the 1950s - and the sculptures that mark out his career. In the words of Geneviève Bonnefoi: "Through such diverse research, we can discover in Viseux's work a rather surprising continuity, an indisputable mark of his personality and temperament. He is one of those artists passionate about technique and knowledge who tend towards a total art, the only one capable of expressing the different aspirations of today's man".

Estim. 300 - 500 EUR

Lot 28 - Claude Viseux (1927-2008) Les Serpents Collage on paper signed and dated lower center 64 x 49 cm Condition report: Framed Claude Viseux was born and raised in Champagne-sur-Oise, near Paris. In 1946, he studied architecture at the École des Beaux-Arts in Paris. He then met Jean Prouvé and Constantin Brancusi, and finally decided to turn to painting. Success was almost immediate, with his first exhibition at Galerie Vibaud in 1952, and by 1955 his work was being shown at René Drouin, before Daniel Cordier chose him - for his very first exhibition! - in 1956. In 1957, he was honored by Léo Castelli in New York! The 4 works we are offering in this sale bear witness to these prosperous years. From 1959-1960, he created his first sculptures from objects found on the seashore, impressions of stones and seaweed cast in bronze, then industrial steel cut, assembled and welded, in the manner of his surrealist friends Max Ernst, Man Ray, Henri Michaux... In 1972, he represented the French pavilion at the Venice Biennale, alongside Christian Boltanski, Jean le Gac and Gérard Titus-Carmel, and unveiled his famous Instables series. The same year, he installed an immense stainless steel sculpture suspended in the Auber RER station in Paris. In 1977, to celebrate his 50th anniversary, the Musée d'Art Moderne de la Ville de Paris organized an exhibition entitled "Viseux" from June to September. In the '80s and '90s, he travelled extensively in India, whose myths and traditions are subtly reflected in his drawings and collages, and their influence translated into sculpture. A year before his death, while living in Anglet - still close to the water - Claude Viseux continued his collages, blending the marine world with troubling industrial forms - echoes of the Expériences automatiques du crabe (Automatic Crab Experiments) of the 1950s - and the sculptures that mark out his career. In the words of Geneviève Bonnefoi: "Through such diverse research, we can discover in Viseux's work a rather surprising continuity, an indisputable mark of his personality and temperament. He is one of those artists passionate about technique and knowledge who tend towards a total art, the only one capable of expressing the different aspirations of today's man".

Estim. 300 - 500 EUR

Lot 29 - Jean-Charles Blais (b. 1956) La Main rouge Mixed media on card 77 x 66 cm Provenance: > Former Jean-Charles de Castelbajac collection, Paris > Private collection, Paris Condition report: Framed In 1989, Keith Haring visited Paris and painted a pair of monumental vases for Jean-Charles de Castelbajac. Numerous photographs from the period illustrate this intervention, and on one of them, the Blais drawing we present (then unframed) appears on the designer's wall, echoing the work of the American Keith Haring.

Estim. 4 000 - 6 000 EUR

Lot 30 - Geneviève Asse (1923-2021) Composition Oil on paper signed lower right 14.5 x 10.5 cm Condition report: Framed

Estim. 2 000 - 3 000 EUR

Lot 31 - Maria Manton (1910-2003) La Mosquée verte 1982 Oil on panel signed lower center, countersigned, titled and dated on back 38 x 39.5 cm Condition report: Framed Born in Blida (Algeria) in 1910, Maria Manton was a non-figurative artist of the Nouvelle École de Paris. From 1948, she exhibited as part of a group at the Galerie Colette Allendy, then at Lydia Conti, where her works rubbed shoulders with those of Hans Hartung, Gérard Schneider, Pierre Soulages... In 1961, she became general secretary of the Salon des Réalités Nouvelles, for which she remained actively involved until her death in 2003. Her works are held by the Musée National d'Art Moderne in Paris, the Musée d'Art Moderne de la Ville de Paris, the Musée National des Beaux-Arts in Algiers, the National Museum in Budapest, the Musée de Gajac in Villeneuve-sur-Lot... More recently, some of her paintings were exhibited at the Musée Soulages as part of the "Femmes années 50. Au fil de l'abstraction, peinture et sculpture." (December 2019 - October 2020).

Estim. 1 000 - 1 500 EUR

Lot 32 - John-Franklin Koenig (1924-2008) Porte d'Armor [diptych] 1992 Mixed media on canvas, one signed, titled and dated on back Dimensions of each canvas 150 x 50 cm Overall dimensions 151.50 x 101 cm Condition report: Framed in the same frame John Franklin Koenig, an American artist, discovered France with the Allied Liberation troops during the Second World War. He settled in Paris in 1948 and remained there for over thirty years. In the 1950s, he helped found the Galerie Arnaud, and at the same time edited the magazine Cimaise. Faithful to the practice of non-figurative art, he attracted the attention of art critic Michel Ragon, who considered him a major figure in abstract landscape painting, alongside Martin Barré and James Guitet. According to Pierre Restany, he is one of the few designers of imaginary spaces. His works are now housed in the Musée des Beaux-Arts in Angers and the Musée des Beaux-Arts in Nantes. (MLD)

Estim. 2 000 - 3 000 EUR

Lot 33 - Istvan Fisch (1922-2007) Geometric Abstraction 1998 Oil on canvas signed and dated lower right 90 x 130 cm Condition report: Indentations lower left and center right, framed with baguette Like Etienne Beöthy, Etienne Hajdu, Simon Hantaï, Judit Reigl, Alfréd Réth, Árpád Szenes, Nicolas Schöffer, Victor Vasarely... Hungarian-born painter Istvan Fisch moved to Paris in the 1950s after studying at the Beaux-Arts in Budapest and graduating from the Academy of Arts in Rome. From this period until his death in 2007, he never ceased to paint, engrave and create tangled lines and forms based on his in-depth knowledge of architecture.

Estim. 600 - 800 EUR

Lot 34 - Jean-Paul Riopelle (1923-2002)* Le Cirque 1989-1996 Montréal, Michel Tréteault Art International, 1996 Large folio in slipcase Comprising 12 etchings on BFK Rives paper stamped R by Jean-Paul Riopelle lower right and numbered 29/75 lower left 63 x 90 cm

Estim. 5 000 - 8 000 EUR

Lot 35 - Jean-Pierre Raynaud (born 1939) Hommage à Duchamp 1993 Earthenware tiles on aluminum and wheel from invalid's chair, signed and dated on back H. 77 cm W. 77 cm D. 14.5 cm Provenance: > Former Jean-Pierre Raynaud collection > Private collection, Paris Bibliography: > Jean-Luc Chalumeau, Catherine Flohic, La Vie, la mort sont des catatrophes tranquilles, Ninety n°. 14, 1994, p. 20 (reproduced) > Gérard de Cortanze, Ateliers, Paris, 1994, p. 112 (reproduced) > La Collection Raynaud par Raynaud, Interview with Philippe Piguet, L'Œil, April 2006, p. 77 (reproduced) > Journal des Arts, no. 241, July 7 - September 7, 2006, p. 11 (reproduced) > Exhibition catalog Nice, MAMAC, Les Raynaud de Raynaud, March 25-September 10, 2006, p. 41 (reproduced) Exhibitions: > Mulhouse, Maison de la Céramique, Jean-Pierre Raynaud Céramique 1974-1993, June-September 1999 > Nice, MAMAC, Les Raynaud de Raynaud, March 25-September 10, 2006 (label on back) This work is referenced in the archives of Madame Denyse Durand-Ruel under no. 4716.

Estim. 3 000 - 5 000 EUR

Lot 36 - Bengt Lindström (1925-2008) Untitled Acrylic on kraft paper signed lower left 76 x 56 cm Provenance: > Private collection, Netherlands A certificate from the Bengt Lindström Committee will be given to the buyer. Condition report: Framed, tear/chip top left and missing bottom left

Estim. 1 500 - 2 000 EUR

Lot 37 - Bram Bogart (1921-2012) Composition 38 1998 Ceramic signed and dated in the paste lower right, titled and numbered HC II/II on the back H. 33 cm L. 53 cm

Estim. 1 500 - 2 000 EUR

Lot 38 - Michel Potage (1949-2020) 4 Oil and sand on canvas (mixed technique) monogrammed and dated on back 38 x 46 cm Michel Potage is a painter through and through: he paints in the solitude of the sacred place that is his studio, having waited a long time for inspiration... and, when it comes, he becomes frenetic, relentless, virtuoso. He paints the subject to the point of exhaustion, hence his serial work: the Aborigines, the correspondence between Van Gogh and his brother Theo, the Gypsies, the mythical Trees series... In the late 1990s, Michel Potage began a cycle of writing and signage. This was accompanied by texts, giving his work an increasingly poetic dimension that draws its inspiration directly from the street.

Estim. 600 - 800 EUR

Lot 39 - Michel Potage (1949-2020) Bodies 1997 Oil and sand on canvas (mixed media) monogrammed and dated on back 22 x 27 cm In the late 1990s, Michel Potage began a cycle of writing and signage. This was accompanied by texts, giving his work an increasingly poetic dimension that draws its inspiration directly from the street. "For a (long) time alcoholic, crazy, offbeat, unpredictable, sometimes delirious, Michel Potage lives in a poetic space that is chaotic but of rare scope." "In 2015, Olivier Cena wrote: "The accuracy of his work endows it with a singular symbolic force, arousing a sometimes overwhelming emotion.

Estim. 400 - 600 EUR

Lot 40 - Arman (1928-2005) Montre Lito, maquette 1990 Tubes of gouache and gouache on circular cardboard laminated to cardboard, signed, dated and annotated "projet pour montre LITO" on the left 53 x 53 cm Condition report: Framed in Plexiglas traces of humidity The Lito brand, founded in 1988, specialized in the production of limited edition artists' watches, collaborating with the greatest names of the second half of the 20th century. In addition to Arman, Ben, César, Combas, Corneille, Di Rosa, Haring, Rougemont etc... The work we present was used to create the watch face with the 12 tubes representing the hour markers. (see watch in illustration, not sold with the lot)

Estim. 2 800 - 3 500 EUR

Lot 41 - Jacques Villeglé (1926-2022) Passage de l'Aurès 2008 Silkscreen on paper signed lower right, numbered EA 23/40 lower left and mounted on canvas 116 x 89 cm

Estim. 2 000 - 2 500 EUR

Lot 42 - Peter Klasen (born 1935) Vapor d'allmentacão/G 2017 Gouache and collage on cardboard signed and dated lower right and titled lower left 50 x 70 cm Condition report: Framed

Estim. 2 500 - 3 500 EUR

Lot 43 - Gudmundur Erró (born 1932) Untitled [Tribute to Pablo Picasso & Joan Miró] 2007 Acrylic on canvas signed and dated on the back 99 x 70 cm This work is accompanied by a certificate of authenticity signed by the artist. Condition report : Framed

Estim. 10 000 - 15 000 EUR

Lot 44 - Edgar P. Jacobs (1904-1987) The Yellow Mark - Olrik! 1982 Silkscreen on paper signed lower right and justified lower left EA Publisher Archives Internationales, Repérages collection (stamps on back) 75 x 55 cm Condition report: Framed

Estim. 800 - 1 200 EUR

Lot 45 - Jean-Claude Mézières (1938-2022) Le Cinquième élément - Taxi! circa 2000 Offset with selective gloss varnish print on paper signed and dedicated "Pour Alain Chabat, Avé Cesar!" lower right Publisher Condition 50 x 60 cm Condition report: Framed This is one of Mézières' most famous images, designed for Luc Besson's cult film released in 1998, and enriched by a dedication to actor and director Alain Chabat with a mischievous reference to the success of his film "Asterix Mission Cleopatra".

Estim. 500 - 700 EUR

Lot 46 - Moebius (1938-2012) & Enki Bilal (born 1951) 2 prints > Moebius (1938-2012) Venise Céleste, 1984, offset on paper signed and annotated FC ("fuori commercio" for hors commerce), Éditions Del Grifo - 69 x 100 cm > Enki Bilal (born 1951) La Femme Piège - Mauer Palats, 1988, mixed technique (silkscreen and offset) on paper, signed in pencil lower right, Editions Escale à Paris - 69 x 100 cm (some wear, folds)

Estim. 400 - 600 EUR

Lot 47 - Robert Combas (born 1957) Mademoiselle La Roche sur Guy Boleu le mec à tige de fer ! 2012 Felt pen and ink on paper signed lower right 48 x 62 cm Condition report: Framed

Estim. 15 000 - 20 000 EUR

Lot 48 - Robert Combas (b. 1957) Sacho Mado Paris, Galerie Rachlin Lemarie, FIAC 2000. Enriched with a felt-tip drawing signed on a double page: 31 x 46.5 cm

Estim. 800 - 1 200 EUR

Lot 49 - Julião Sarmento (1948-2021) Some Rethorical Structures To Be Identified In This Image 2002 Mixed media on canvas Signed, titled, dated on back 190 x 190 cm Provenance: > Galerie de France, Paris (label on back) > Sean Kelly Gallery, New York (label on back) Bibliography: > Ombres exhibition catalog, Éditions Galerie de France, Paris, 2008 Exhibitions: > Ombres, Galerie de France, Paris, November 8, 2008 - January 24, 2009 > Juliao Sarmento - Silhouettes noires 2002-2003, Galerie de France, Paris, May 19 - July 4, 2009 He is one of the world's best-known Portuguese artists. A pioneer of conceptual art, art critic Hans Ulrich Obrist says he has "changed Portugal", "very few artists transform an entire country". In a Portugal marked by revolution, the visual artist proposes innovative works combining sensuality and transgression. As this painting illustrates, women are at the heart of his thinking. She is merely a faceless silhouette. The focus is on the body. The representation of this body is sometimes stereotyped, as Sarmento seeks to explore the way in which the viewer possesses, sometimes perversely, the subject of the work. Inspired by Michel Foucault and the writings of Maria Gabriela Llansol, Sarmento pushes the limits of the medium. "I believe in negative space, the space outside the frame, as an active space of possibility. After all, to be human is to constantly desire, imagine or create that which we cannot see or experience." Today, his work is exhibited in the world's leading museums (MoMA and Guggenheim in New York, Centre Pompidou in Paris and Tate Modern in London). (MLD)

Estim. 15 000 - 20 000 EUR

Lot 50 - Sam Szafran (1934-2019) L'Escalier 2011 Lithograph on paper signed lower right and annotated EA lower left Printer Atelier Idem, Paris 29 x 21 cm We would like to thank Madame Lilette Szafran, the artist's widow, for confirming the authenticity of this work This print was produced for the publication of the book "Itinéraire d'un marchand de couleurs à Montparnasse" by Edouard Adam, published by Editions du Chêne, with a preface by Pierre Soulages. French painter. His work reflects his figurative and poetic approach to reality. He misuses perspective to challenge the eye. "Samy, the street urchin, was familiar with Les Halles before it was destroyed, when it was still home to the brutal fauna of vendors, thieves and prostitutes. Gradually, slowly, he developed a refined, erudite painting sensibility. The dabbler, unaware of the teaching of his practice, would become one of the greatest painters of his time." (Jean Clair, Sam Szafran, Un gamin des Halles, ed. Flammarion)

Estim. 800 - 1 200 EUR

Lot 51 - Ma Desheng (b. 1952) Untitled 2024 Ink on paper signed and dated lower right, countersigned and dedicated on the back 80 x 60 cm

Estim. 2 000 - 3 000 EUR

Lot 52 - Yan Pei Ming (born 1960) Icons - rare complete suite [x4] 2013 4 lithographs on paper, each signed lower right and numbered 39/75 lower left Pope John Paul II, Marat assassinated, Portrait of Mao and Mao's Tunic 119.5 x 80 cm

Estim. 5 000 - 7 000 EUR

Lot 53 - Sayed Haider Raza (1922-2016) Dualité 2008 Lithograph on paper signed lower right and numbered VIII/XXX lower left Éditions La Différence, Paris (stamped on back) 110 x 54 cm

Estim. 500 - 700 EUR

Lot 54 - Jonone (born 1963) Roles 2021 Acrylic on canvas signed, titled, dated on back 100 x 90 cm

Estim. 8 000 - 12 000 EUR

Lot 55 - JonOne (born 1963) The Kind of moods 2014 Acrylic on canvas signed, titled, dated and located in Paris on the back 60 x 48 cm Provenance: > Galerie Rabouan Moussion > Private collection, south of France Condition report: Framed, under glass

Estim. 6 000 - 8 000 EUR

Lot 56 - JonOne (born 1963) Poetry in Motion 2019 Ink, aerosol, grease pencil and pastel on paper mounted on canvas, signed lower right and dated lower left 85 x 101 cm Condition report: Framed

Estim. 4 000 - 6 000 EUR

Lot 57 - Jérôme Mesnager (born 1961) 31 2023 Acrylic on canvas signed and dated lower left, titled on back 73 x 60 cm Condition report: Framed

Estim. 1 000 - 2 000 EUR

Lot 58 - M. Chat (b. 1977) Pre-Banksy Acrylic and mixed media on canvas signed lower right, countersigned and titled on back 80 x 80 cm Condition report: Framed

Estim. 5 000 - 6 000 EUR

Lot 59 - Mr. Chat (born 1977) Chat in love (grand modèle) 2018 Steel sculpture signed, dated and numbered 7/8 on the back H. 100.5 cm W. 106 cm D. 1 cm

Estim. 3 000 - 4 000 EUR

Lot 60 - M. Chat (born 1977) Pompes Funèbres - Place Jules Joffrin Mairie XVIIIe 2022 Acrylic on paper signed lower left 65 x 50 cm Condition report: Framed

Estim. 1 500 - 2 000 EUR

Lot 61 - JR (b. 1983) Trompe l'œil, Les Falaises du Trocadéro, 19 mai 2021, 19h57, Paris, France 2021 Giclée print on aluminum composite panel signed, dated and numbered 185/472 on the back on a label Heni Editions 64 x 96 cm

Estim. 1 800 - 2 200 EUR

Lot 62 - Jesus Rafael Soto (1923-2005) Vibration bleue 2001 Silkscreen in color on Plexiglas and cardboard signed and numbered 209/280 on the back 18 x 11 cm

Estim. 2 000 - 3 000 EUR

Lot 63 - Felipe Pantone (born 1986) Integration System P#01 UV ink serigraph on paper signed, numbered 116/300 in pencil on the back and stamped by the artist In its original wooden box 63 x 63 cm This work is accompanied by a certificate of authenticity from the artist Born in Buenos Aire in 1986, the artist now based in Valencia has been imposing his characteristic pixelated signature on the world of graffiti for several years. In his digital landscapes, the protagonists disappear in favor of code lines, a pictorial language that follows in the wake of geometric abstraction and the Op-Art of Vasarely and Cruz-Diez. Represented in France by Galerie Magda Danysz, his work has been exhibited in Seoul, Miami, Mexico... Felipe Pantone is multiplying his mural interventions and collaborations with brands. Following in his footsteps, many are promising him an Invader-like destiny. (Thanks to the digital platform set up by the artist, each user can determine his or her own color combination from a total of 5,642 proposals. So, even if the work is published in 300 copies, each print is unique).

Estim. 1 000 - 1 500 EUR

Lot 64 - Felipe Pantone (b. 1986) & Configurable Art Substractive Variability Compact 2022 UV paint, PMMA (poly(methyl methacrylate)) and pulleys, signed and numbered 100/200 on back label In its original box 47 x 45 cm This work is accompanied by a certificate of authenticity from the publisher Configurable Art

Estim. 3 000 - 5 000 EUR

Lot 65 - L'Atlas (b. 1978) Calques 2021 Acrylic on canvas signed, titled and dated on the back 103 x 132 cm Condition report: Framed

Estim. 4 000 - 6 000 EUR

Lot 66 - Damien Hirst (born 1965) Wu Zetian 2022 Print on aluminum enhanced by a glitter screen print Signed and numbered 1018/2853 on the back Hedi Editions 100 x 100 cm

Estim. 5 000 - 6 000 EUR

Lot 67 - JonOne (born 1963) Black Spades 2021 Ink on canvas signed, titled and dated on the back 100 x 90 cm Condition report: Framed

Estim. 8 000 - 12 000 EUR

Lot 68 - Claude Viallat (born 1936) Composition 2019 Acrylic on pillowcase 132 x 71 cm Certificate signed by the artist

Estim. 8 000 - 12 000 EUR

Lot 69 - George Ward Tjungarrayi (Pintupi) (born circa 1945) Cercle Tingari / Tingari Cycle circa 1985 Acrylic on Belgian linen canvas 121 x 75 cm Provenance: > Commissioned by Papunya Tula Artists Pty Ltd (Alice Spings) > Peter Los Collection > Boomerang Gallery, Netherlands > Peter Madden Collection Accompanied by a certificate of authenticity from the Western Desert Aboriginal Art gallery. Painting reference GW841227 During initiation periods, Tingari men travel to most of the important sites in Pintupi country to show and explain the country in detail to younger members of the tribe. Traditionally, the artists who painted these pictures underwent the same ceremonies and are familiar with the details of the stories that are told to the young men in song, dance and ceremony. This information is secret and known only to initiated members of the tribe. We are shown the grid representing the locations where the men stop to camp and perform the rituals.

Estim. 2 500 - 3 500 EUR

Lot 70 - Kathleen Kngale (Anmatyerre) (Born c. 1930) Prune de la brousse / Bush Plum 2010 Acrylic on Belgian linen 148.5 x 107 cm Provenance: > Commissioned by Artlore gallery (Marc Gooch) > Boomerang Gallery, Netherlands > Peter Madden Collection Accompanied by an Artlore gallery certificate of authenticity dated December 31, 2010 Bush plums are Possum's ancestor's main source of food. He travels from tree to tree feasting on the ripe berries. People do the same. The berries are ripe at a certain time of year, and harvesting ceremonies take place at the same time to ensure that the crop receives the amount of rain needed to trigger a good harvest. Kathleen indicates the color of the fruit when it's ready to eat.

Estim. 3 000 - 5 000 EUR

Lot 71 - Ally Kemarre (Anmatyerre) (1920-2007) Prune de la brousse / Bush Plum 2006 Acrylic on Belgian linen canvas 122 x 60 cm Provenance: > Commissioned by Artlore gallery (Marc Gooch) > Boomerang Gallery, Netherlands > Peter Madden Collection Accompanied by a certificate of authenticity from Artlore gallery dated December 27, 2010 This painting takes an aerial view of the land of bush plums. This food is associated with the Possum Dream, as plums are the favorite food of these animals and the women who harvest them. It's an important Dream, celebrated with song and dance just after the summer rains trigger the berries' growth.

Estim. 1 500 - 2 000 EUR

Lot 72 - Ally Kemarre (Anmatyerre) (1920-2007) Prune de la brousse / Bush Plum 2007 Acrylic on Belgian linen canvas 150.5 x 60.7 cm Provenance: > Commissioned by Artlore gallery (Marc Gooch) > Boomerang Gallery, Netherlands > Peter Madden Collection Accompanied by a certificate of authenticity from Artlore gallery dated July 31, 2007 The artist illustrates an aerial view of Bush plum country. The colors represent the fruit and its stage of ripeness.

Estim. 1 300 - 1 500 EUR

Lot 73 - Elizabeth Kngwarreye (Anmatyerre) (born 1961) Awelye 1997 Acrylic on Belgian linen canvas 126 x 83 cm Provenance: > Commissioned by Rodney Gooch > Boomerang Gallery, Netherlands > Peter Madden Collection Accompanied by a certificate of authenticity from the Arltlore gallery dated November 22, 1997 These ceremonies are conducted by women and take place in secret. They are necessary to pass on information about gathering food from the bush and to reinforce kinship ties and laws. Details remain secret, but digging sticks and collecting dishes (coolamons) are shown. Body-painting motifs are mentioned.

Estim. 800 - 1 200 EUR

Lot 74 - Kudditji Kngwarreye (Alyawarra) (circa 1928-2017) Untitled Acrylic on canvas 36 x 36 cm Provenance: > Private collection, France Condition report: Framed The artist is the brother of the famous Emily Kngwarreye of Utopia Station Northern Territory. He uses color in an abstract way to describe aspects of his life and country. The use of bright red refers to ceremonial rites and its significance is important to his culture. For example, bright red headbands are used when men indicate their status as fully initiated lawmen.

Estim. 600 - 900 EUR

Lot 75 - Freddy Timms (Kitja) (circa 1944-2017) Trou d'eau Hansard / Hansard Rockhole (Bow river) (diptych) 2010 Ochres on linen canvas signed, titled and referenced N 2580-FT on the back 60 x 59 cm Provenance: > Private collection, France Accompanied by a certificate of authenticity Condition report : Framed This painting is purely topographical. The colors represent aspects of the country seen from the sky, and the colors reflect certain aspects of the desert. White generally indicates salt lakes and flowing lines represent an intermittent stream. The painting reads like a map.

Estim. 2 500 - 3 500 EUR

Lot 76 - Craig Allan Charles (Yorta Yorta) (circa 1975-2017) Kangaroo Place... L'esprit de l'émeu / Kangaroo Place... Emu Mind 2008 Acrylic, gold and silver leaf and mixed media on Belgian linen canvas monogrammed, dated and titled on back 61 x 61 cm Provenance: > Commissioned by Australia Dreaming Art Gallery, Melbourne > Artcurial sale, November 4, 2008 > Private collection, France Accompanied by a certificate of authenticity from Australia Dreaming Art Craig Charles was an up-and-coming contemporary artist from Victoria who combined modern materials with traditional inspiration. The emu is a large, flightless bird that resembles an ostrich and is considered an important food. There are many stories about their human qualities and transformations, and this photo shows an emu ancestor that is almost human in its presentation.

Estim. 1 200 - 1 500 EUR

Lot 77 - Candy Nelson Nakamarra (Luritja) (born 1964) Rêve de l'eau à Kalipnypa / Water Dreaming at Kalipnya 2008 Acrylic on Belgian linen canvas signed, titled and referenced WAAA 110808 on back 46 x 104 cm Provenance: > Commissioned by Western Desert Aboriginal Art Gallery, Australia (Melbourne) > Private collection, France Accompanied by a certificate of authenticity from the Western Desert Aboriginal Art gallery Candy is the daughter of Johnny Warangkula, one of the country's first important painters west of Mount Leibig, who settled in Papunya. She illustrates a series of watering holes that served as a base for feeding during the rainy season, as her family moved along her songs.

Estim. 1 000 - 1 500 EUR

Lot 78 - Peggy Mpetyane (Anmatyerre) (born circa 1940) Miel une nourriture de la brousse provenant de l'arbre à liège / Bush tucker-honey from corkwood tree 1996 Acrylic on Belgian linen canvas 123 x 85 cm Provenance: > Commissioned by Rodney Gooch > Boomerang Gallery, Netherlands > Peter Madden Collection Accompanied by a certificate of authenticity from Arltlore Gallery dated November 22, 1996 Corkwood has a sap that bleeds from its flowers and has a sweet, cola-like taste. The flowers are presented, their location known to the artist and passed on to the young girls during ceremonies.

Estim. 800 - 1 200 EUR

Lot 79 - Jean Hudson Nampitjinpa ( Anmatyerre-Warlpiri) (1956-2019) Rêve de femmes / Women's Dreaming 1993 Acrylic on cotton canvas 60.5 x 91.5 cm Provenance: > Allan Maxwell and Jean N.H. > Boomerang Gallery, Netherlands > Peter Madden Collection Accompanied by a certificate of authenticity from Western Desert Aboriginal Art Gallery Jean was Clifford Possum's cousin. She illustrates a ceremony of women with their digging sticks and hair belts worn for dancing.

Estim. 700 - 900 EUR

Lot 80 - James Pwerle (20th century) Ignames de la brousse / Bush Yam circa 1993 Acrylic on linen canvas 86 x 52.5 cm Provenance: > Galerie Boomerang, Netherlands > Peter Madden Collection Accompanied by a certificate of authenticity from Western Desert Aboriginal Art Gallery Bush yams grow underground in areas of permanent artesian water. The artist has illustrated the plant and the journeys of the women who search for and dig up the root vegetable. It is a very important source of food, and is cooked over coals. The junction of the two circles indicates that there are two distinct important sites for finding this food and that people move between the two, allowing time for the other to recover and let the roots produce more food.

Estim. 700 - 1 000 EUR

Lot 81 - Lily Kelly Napangardi (Pintupi/Luritja) (b. 1948) Dunes de sable / Sand Hills 2020 Acrylic on Belgian linen canvas signed on back 90 x 60 cm Provenance: > Bargain Hunt sale > Private collection, France Accompanied by a certificate of authenticity Lily illustrates the patterns the wind makes in the sand. They have a mystical, dream-like power, but the details are not shared with anyone outside the community, which has not undergone traditional Aboriginal initiation ceremonies. Lily comes from Sandhill Country, west of Alice Springs.

Estim. 800 - 1 200 EUR

Lot 82 - Samoa Island 2 tapas Natural pigments on beaten paper mulberry bark (Broussonetia papyrifera) Dimensions 42 x 62 cm and 39 x 54 cm Provenance: > Massimo Campigli Collection > Private collection France, artcurial sale lot 166 A december 2022 > Private collection Paris Condition report: Framed Tapas could be used as curtains, bedspreads, mosquito nets, garments or shrouds.

Estim. 150 - 300 EUR

Lot 83 - Western Australia Wunda Shield" Shield Early 20th century Hardwood, rounded corners, incised with stone and animal tooth tools in linear patterns, traces of natural ochre H. 67 cm L. 13 cm Provenance: > Private collection Netherlands Condition report: Traces of use

Estim. 1 300 - 1 800 EUR

Lot 84 - Australia, Western and Central Desert 2 killer boomerang > Boomerang, early 50s, hardwood with traces of red ochre, each side stone-worked - 67 cm x 5.5 cm > Boomerang, early 70s, in hardwood with numerous traces of red ochre - 69 cm x 5 cm Provenance: > Private collection Netherlands

Estim. 300 - 500 EUR

Lot 85 - South Queensland, Australia Killer boomerang Late 19th century In hardwood, one side engraved with stone and animal tooth tools and numerous geometric motifs H. 70 cm L. 6.5 cm Provenance: > Private collection Victoria > Private collection Netherlands Condition report: Beautiful patina, traces of use and slight wear

Estim. 700 - 1 200 EUR

Lot 86 - South Australia Killer boomerang Early 20th century In hardwood. Both sides worked with stone tools and animal teeth. Very interesting motifs on both sides of the boomerang. In good condition with a beautiful patina. Provenance: > Private collection New South Wales > Private collection England > Private collection Netherlands

Estim. 400 - 700 EUR

Lot 87 - Western Australia Killer boomerang Early 20th century In hardwood, both sides worked with stone tools H. 70 cm L. 5.5 cm Provenance: > New South Wales private collection > Private collection England > Private collection Netherlands

Estim. 350 - 500 EUR

Lot 88 - Western Australia Propeller (woomera) Early 20th century In hardwood with wooden lug and spinifex (vegetable tar) attachment. The grip is also in spinifex with a trace of kaolin. Both sides have been worked with stone tools. Piece in good condition with a beautiful patina. H. 62 cm L. 7.5 cm Provenance: > Private collection England > Private collection Netherlands

Estim. 700 - 1 200 EUR

Lot 89 - Western Australia Propeller (woomera) Second half of the 20th century In hardwood with wooden lug and spinifex (vegetable tar) attachment. Wooden grip. Very nice trace of red ochre over the entire piece. Thruster in good condition with beautiful patina H. 89 cm L. 11 cm Provenance: > Private collection Melbourne > Private collection Netherlands

Estim. 400 - 700 EUR

Lot 90 - Western Australia Woomera" spear thrower 2nd half of the 20th century In hardwood carved with triangle motifs framed in white paint, wooden lug, ligature fastening H. 99.5 cm L. 9.5 cm Condition report: Some white paint missing

Estim. 300 - 500 EUR

Lot 91 - Tiwi Islands, Australia 2 spearheads Early 1970s Carved softwood and pigments, used for ceremonies Dimensions 46 cm x 4 cm and 45 cm x 3 cm Provenance: > Private collection Netherlands Condition report: Slight lack of wood on two points and ochre on the whole piece. Fairly good condition with numerous traces of use.

Estim. 150 - 300 EUR

Lot 92 - Northern Territory, Australia Woomera" spear thrower 2nd half of the 20th century Carved and painted white hardwood, wooden lug, ligature attachment H. 90 cm L. 5.5 cm Provenance: > Private collection Queensland > Private collection Netherlands Condition report: Traces of use, some paint missing

Estim. 300 - 500 EUR

Lot 94 - Western Australia Wunda shield Early 20th century In oval-shaped hardwood. The incisions are made with stone and animal tooth tools and are linear and diagonal (zig-zag). These motifs are typical of this type of shield, with traces of natural red and white ochre. The patina is old, with traces of use on the handle. H. 73 cm L. 13.5 cm Provenance: > Scottish collection > Private collection Netherlands

Estim. 1 000 - 1 500 EUR

Lot 95 - Victoria, Australia Lil Lil club" Mid-19th century Carved hardwood, old patina Traces of aboriginal restoration with red vegetable wax (spinifex) H. 66 cm L. 8 cm Provenance: > Belgian collection > Private collection Netherlands Condition report: Some cracks and knots

Estim. 800 - 1 200 EUR

Lot 96 - North Queensland, Australia Pandanus club 2nd half 19th century Carved hardwood, old patina, numerous incisions in the grip H. 71 cm L. 6 cm Provenance: >Queensland collection > Private collection Netherlands Condition report: Knots and cracks

Estim. 750 - 1 200 EUR

Lot 97 - Kimberley Bullroarer" rhombus 2nd half of the 20th century In hardwood engraved on one side with linear and zigzag motifs, the link used to turn the rhombus in hair braiding, some traces of white pigment H. 47 cm L. 6 cm Provenance: > Private collection Melbourne > Private collection Netherlands

Estim. 350 - 500 EUR

Lot 98 - Yuendumu, Australia Ceremonial coolamon" dish 2nd half of the 20th century In soft wood engraved with snake and plant motifs on both sides, painted with ochre and acrylic H. 77.5 cm L. 21 cm Provenance: > Private collection Netherlands Condition report: Small paint chips. In the hollow part of the dish, an indication in pencil of the provenance and title of the ceremony: Myt Theo Snake Dreaming Warpiri tribe Yuedumu NT.

Estim. 600 - 1 000 EUR

Lot 99 - Queensland, Australia 2 "bullroarer" rhombes 2nd half 20th century > In softwood with black and white painted motifs and cord - 36 x 8.5 cm > Hardwood with ceremonial motifs on one side - 17.5 x 5 cm Provenance: > Melbourne private collection > Brisbane private collection > Collection Pays Bas

Estim. 200 - 400 EUR

Lot 100 - Thonet frères, Wien 2 armchairs and 2 chairs circa 1910 In curved, stained wood, with molded armrests, stamped below the belt, one armchair bearing a "Thonet / Wien" label. Armchair dimensions H. 96 cm ; W. 63 cm ; D. 50 cm Chair dimensions H. 96 cm ; W. 45 cm ; D. 45 cm Condition report: Chips, wear

Estim. 800 - 1 200 EUR

Lot 101 - Napoleone Martinuzzi (1892-1977) Vase circa 1930 In green pulegoso glass signed with Venini Murano acid under the base H. 31 cm D. 24 cm Provenance: > Private collection, Italy Condition report: Perfect condition, no scratches, no chips or accidents Napoleone Martinuzzi is an Italian sculptor, designer and glass artist. He studied at the Academy of Fine Arts in Venice before joining the Cà Pesaro group. In 1917, he befriended writer Gabriele D'Annunzio and became his protégé. A few years later, he was appointed director of the Murano Glass Museum, a post he held for ten years. Inspired by the work of Vittorio Zecchin, he created pieces in blown glass, often playing with the transparency of the material. Then, at the end of the 1920s, he turned to a more personal style and began a series of sculptures in pulegoso glass, featuring brightly-colored containers, cacti, fruit and animals. His work has been exhibited extensively in Italy, and he has taken part in the Venice Biennale on several occasions.

Estim. 15 000 - 20 000 EUR

FIRST SALE at 10:30 am: Modern Art - Contemporary Art - Australian Aboriginal Art - Furniture & Design - SECOND SALE at 2 pm: 1950s-1970s, iconic decades

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Lot 1 - Émile Bernard (1868-1941) Jardin égyptien 1893 Watercolour and ink on paper signed and dated lower right 29.8 x 19.8 cm Condition report: Framed

Lot 3 - Auguste Rodin (1840-1917), after Hand of Rodin holding a type A torso circa 1970 Proof in bronze with a green-brown patina, signed, numbered 5/8 and bearing the founder's stamp "C. Valsuani cire perdue". Model of 1917 H. 15 cm W. 25 cm D. 10.5 cm

Lot 5 - Henry de Waroquier (1881-1970) Tragodia 1 1914 Gouache, charcoal and graphite on paper signed, titled, dated and inscribed "n°3223" lower right 76 x 56 cm Condition report: Framed

Lot 6 - Henry de Waroquier (1881-1970) Grande tête de femme 1920 Ink, gouache and graphite on paper signed and dated lower right 57 x 41 cm Condition report: Framed, dimensions on view

Lot 7 - Henry de Waroquier (1881-1970) Grande Tête 1937 Indian ink and wash on paper signed, monogrammed and dated lower right 49 x 37 cm Condition report: Framed

Lot 8 - Henri Manguin (1874-1949) Maternité Charcoal on paper signed lower right 24.6 x 20 cm Condition report: Framed

Lot 9 - Jules Pascin (1885-1930) Portrait of a woman Oil on canvas signed lower right 12.5 x 18 cm A certificate of authenticity from Mme Rosemarie Napolitano will be given to the buyer. Condition report : Framed

Lot 10 - Edmond Chauvet (1903-1968) Nature morte aux pleurants 1928 Oil on canvas signed and dated lower left 81 x 60 cm Condition report: Wear and missing edges

Lot 11 - Eugène Robert Poughéon (1886-1955) Study of a nude woman Charcoal and red chalk on paper signed lower left 65.5 x 28 cm Condition report: Framed, dimensions on view

Lot 13 - Raoul Dufy (1877-1953) Fabric project for Bianchini-Ferier Watercolor and graphite on paper bearing Raoul Dufy's monogram stamp and n°134 in pencil on the back 23.5 x 19.5 cm Condition report: Framed

Lot 14 - Albert Gleizes (1881-1953) Composition aux figures 1920 Gouache with stencil on wove paper signed and dated lower right 39 x 29 cm Condition report: Framed, dimensions at sight

Lot 15 - Albert Mantelet (1858-?) Scène à l'hippodrome Pastel and gouache on paper signed lower left 36 x 57 cm Condition report: Framed, dimensions at sight

Lot 16 - Pere Créixams Pico (1893-1965) Head Graphite on paper signed lower right 50 x 32.2 cm Condition report: Framed

Lot 18 - Serge Charchoune (1888-1975) Composition 1943 Oil on paper signed and dated lower right, mounted on canvas 60 x 72 cm Provenance: > Private collection, Paris Condition report: Restoration "For me, there are two painters: Juan Gris and Charchoune". Pablo Picasso

Lot 19 - Pablo Serrano (1908-1985) Stylized bird In grey-veined white marble, signed, dated and justified AP (artist's proof) H. 7.5 cm W. 14 cm D. 12 cm Condition report: One small chip

Lot 20 - Pablo Serrano (1908-1985) Abstract sculpture in 2 elements Proof in polished bronze on the inside and brown patina on the outside, signed H. 4 cm W. 4 cm D. 3.5 cm

Lot 23 - Paul Ackerman (1908-1981) Le Moine compositeur Oil on canvas signed lower right 60 x 72 cm Bibliography: > André Parinaud, Paul Ackerman, Editions Mayer, Paris, 1987, reproduced p. 214 Condition : Framed

Lot 26 - Gérard Titus-Carmel (b. 1942) Monument à la méthode Silkscreen and collage on paper signed and dated lower right, numbered 6/100 lower left 54 x 75 cm Condition report: Plexiglas frame

Lot 30 - Geneviève Asse (1923-2021) Composition Oil on paper signed lower right 14.5 x 10.5 cm Condition report: Framed

Lot 34 - Jean-Paul Riopelle (1923-2002)* Le Cirque 1989-1996 Montréal, Michel Tréteault Art International, 1996 Large folio in slipcase Comprising 12 etchings on BFK Rives paper stamped R by Jean-Paul Riopelle lower right and numbered 29/75 lower left 63 x 90 cm

Lot 36 - Bengt Lindström (1925-2008) Untitled Acrylic on kraft paper signed lower left 76 x 56 cm Provenance: > Private collection, Netherlands A certificate from the Bengt Lindström Committee will be given to the buyer. Condition report: Framed, tear/chip top left and missing bottom left

Lot 37 - Bram Bogart (1921-2012) Composition 38 1998 Ceramic signed and dated in the paste lower right, titled and numbered HC II/II on the back H. 33 cm L. 53 cm

Lot 41 - Jacques Villeglé (1926-2022) Passage de l'Aurès 2008 Silkscreen on paper signed lower right, numbered EA 23/40 lower left and mounted on canvas 116 x 89 cm

Lot 42 - Peter Klasen (born 1935) Vapor d'allmentacão/G 2017 Gouache and collage on cardboard signed and dated lower right and titled lower left 50 x 70 cm Condition report: Framed

Lot 43 - Gudmundur Erró (born 1932) Untitled [Tribute to Pablo Picasso & Joan Miró] 2007 Acrylic on canvas signed and dated on the back 99 x 70 cm This work is accompanied by a certificate of authenticity signed by the artist. Condition report : Framed

Lot 44 - Edgar P. Jacobs (1904-1987) The Yellow Mark - Olrik! 1982 Silkscreen on paper signed lower right and justified lower left EA Publisher Archives Internationales, Repérages collection (stamps on back) 75 x 55 cm Condition report: Framed

Lot 47 - Robert Combas (born 1957) Mademoiselle La Roche sur Guy Boleu le mec à tige de fer ! 2012 Felt pen and ink on paper signed lower right 48 x 62 cm Condition report: Framed

Lot 48 - Robert Combas (b. 1957) Sacho Mado Paris, Galerie Rachlin Lemarie, FIAC 2000. Enriched with a felt-tip drawing signed on a double page: 31 x 46.5 cm

Lot 51 - Ma Desheng (b. 1952) Untitled 2024 Ink on paper signed and dated lower right, countersigned and dedicated on the back 80 x 60 cm

Lot 52 - Yan Pei Ming (born 1960) Icons - rare complete suite [x4] 2013 4 lithographs on paper, each signed lower right and numbered 39/75 lower left Pope John Paul II, Marat assassinated, Portrait of Mao and Mao's Tunic 119.5 x 80 cm

Lot 53 - Sayed Haider Raza (1922-2016) Dualité 2008 Lithograph on paper signed lower right and numbered VIII/XXX lower left Éditions La Différence, Paris (stamped on back) 110 x 54 cm

Lot 54 - Jonone (born 1963) Roles 2021 Acrylic on canvas signed, titled, dated on back 100 x 90 cm

Lot 55 - JonOne (born 1963) The Kind of moods 2014 Acrylic on canvas signed, titled, dated and located in Paris on the back 60 x 48 cm Provenance: > Galerie Rabouan Moussion > Private collection, south of France Condition report: Framed, under glass

Lot 56 - JonOne (born 1963) Poetry in Motion 2019 Ink, aerosol, grease pencil and pastel on paper mounted on canvas, signed lower right and dated lower left 85 x 101 cm Condition report: Framed

Lot 57 - Jérôme Mesnager (born 1961) 31 2023 Acrylic on canvas signed and dated lower left, titled on back 73 x 60 cm Condition report: Framed

Lot 58 - M. Chat (b. 1977) Pre-Banksy Acrylic and mixed media on canvas signed lower right, countersigned and titled on back 80 x 80 cm Condition report: Framed

Lot 59 - Mr. Chat (born 1977) Chat in love (grand modèle) 2018 Steel sculpture signed, dated and numbered 7/8 on the back H. 100.5 cm W. 106 cm D. 1 cm

Lot 60 - M. Chat (born 1977) Pompes Funèbres - Place Jules Joffrin Mairie XVIIIe 2022 Acrylic on paper signed lower left 65 x 50 cm Condition report: Framed

Lot 61 - JR (b. 1983) Trompe l'œil, Les Falaises du Trocadéro, 19 mai 2021, 19h57, Paris, France 2021 Giclée print on aluminum composite panel signed, dated and numbered 185/472 on the back on a label Heni Editions 64 x 96 cm

Lot 62 - Jesus Rafael Soto (1923-2005) Vibration bleue 2001 Silkscreen in color on Plexiglas and cardboard signed and numbered 209/280 on the back 18 x 11 cm

Lot 65 - L'Atlas (b. 1978) Calques 2021 Acrylic on canvas signed, titled and dated on the back 103 x 132 cm Condition report: Framed

Lot 66 - Damien Hirst (born 1965) Wu Zetian 2022 Print on aluminum enhanced by a glitter screen print Signed and numbered 1018/2853 on the back Hedi Editions 100 x 100 cm

Lot 67 - JonOne (born 1963) Black Spades 2021 Ink on canvas signed, titled and dated on the back 100 x 90 cm Condition report: Framed

Lot 68 - Claude Viallat (born 1936) Composition 2019 Acrylic on pillowcase 132 x 71 cm Certificate signed by the artist