DROUOT
Saturday 24 Aug at : 11:00 (CEST) , resuming at 14:00

MONTIGNAC - 29th BOOK SALE - Day 4 of 5 (1558 to 2085)

Pastaud - +33555343331 - Email CVV

5, rue Cruche-d'Or 87000 Limoges, France
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Lot 1573 - CARICATURE (La), complete collection from no. 1 (November 4, 1830) to no. 251 (August 27, 1835). 9 volumes in-4, havana half calf, smooth spine decorated, gilt title, tomaison and dates (period binding). Numerous rubs. Each issue consists of 2 printed ff. and one to three lithographed plates by Grandville, Daumier, Traviès, Monnier, Adam, Charlet, Devéria, Lami, Raffet, Forest, etc. etc., thus forming 526 (of 527) lithographed plates (including plates 56bis, 132bis "croquades [de Louis Philippe] faites à l'audience", 153bis), some of which folding or partially colored, with the pink poster bound in volume 5. Each volume with its printed title, as well as the tables of each issue (text and plates) up to n°234). Missing only plate no. 450 ("Revolutionary Supper" by Benjamin). With 23 (of 24) additional plates ("dessin de la souscription mensuelle") including Daumier's 2 famous engravings "Le Ventre législatif" and "Rue Transnonain, le 15 avril 1834" (missing 23rd supplement "Le Docteur Gervais..." by Traviès). With duplicate issues 193, 195, 187 and 189 bound at the end of the last volume. The set thus comprises a total of 485 full-page engraved LITHOGRAPHIES (some folding or on double pages counting double or triple), including 104 IN COLOR. Numerous freckles, text pages more or less browned, light or russet dampening in places. (Detailed list on request.) This illustrated periodical was run by its founder Charles Philipon until early 1839, with Auguste Audibert as editor-in-chief, then Louis Desnoyers. The periodical was first published by Aubert, a print merchant based at no. 31 Galerie Vero-Dodat. Honoré de Balzac, who was associated with Philipon in the creation of the journal, wrote the prospectus and contributed some thirty articles under various pseudonyms until February 1831, as well as the essay Petites Misères de la vie conjugale in 1830. From 1832, the title was changed to La Caricature politique, morale, littéraire et scénique. The 251 issues published between 1830 and 1835 represent a corpus of 2,000 pages and 530 lithographs. La Caricature fought against the power of Louis-Philippe I ("Philipon contre Philippe"), making it an important publication in the history of French caricature. Faced with royal censorship bans and other lawsuits brought by the authorities, Philipon founded the Association pour la Liberté de la Presse (Association for Press Freedom) to ensure the paper's survival and finance its various expenses. In return, subscribers received a monthly lithograph. It appeared under the name La Lithographie mensuelle from August 1832 to 1834. La Caricature temporarily ceased publication following the enactment of the press law of September 9, 1835, in the wake of the Fieschi assassination attempt. Resumed in 1838 under the title La Caricature provisoire, the paper changed its formula and subtitle. From issue no. 36 of July 7, 1839, it was known as La Caricature morale judiciaire, littéraire, artistique, fashionable et scénique, then in January 1842 as La Caricature, revue satirique des modes, des théâtres, de la musique, des tribunaux et de la littérature. Political satire gave way to studies of manners and social satire. Emmanuel Gonzalès was editor from 1839 to 1840, and Louis Huart from 1840 to 1843, when it was absorbed by Le Charivari. Created in the atmosphere of the years of political and social protest that followed the advent of the July monarchy, La Caricature is the prototype of the committed satirical newspaper. Along with Le Charivari, it was the most successful of the many sheets published at the time, contributing to the undermining of the July monarchy. The verve of its editors and the talent of the greatest caricaturists of the time (led by Daumier, Grandville and Traviès) explain the notoriety acquired by the paper in this battle. Its charges against Louis-Philippe's regime led to numerous prosecutions, including the sentencing of its editor, Charles Philipon, inventor of the "pear", to six months' imprisonment for "outrages à la personne du roi" (November 1831). (source Wikipedia.)

Estim. 6 000 - 8 000 EUR

Lot 1582 - CHARIVARI (Le). Important head of collection from no. 1 (December 1, 1832) to no. 181 eighth year (June 30, 1839). 18 small folio volumes, half red morocco, richly decorated smooth spines, gilded title, tomaison and dates (mid-19th c. bindings). The binding differs in format and ornamentation from the 13th volume onwards, while remaining generally homogeneous. Covers and corners worn and rubbed. Upper head of 17th volume damaged. Variable interior defects in the first 12 volumes: numerous freckles, soiling in places, several browned issues, a few tears or cuts, large brown spots in places. The last 6 volumes (containing the bulk of Daumier's engravings, among others) are much better preserved overall (apart from a few very acceptable small spots of foxing). Up to issue no. 313 of Nov. 9, 1835, each issue consists of 2 printed pages and a lithographed plate by Daumier, Benard, Gavarni, etc. Between November 9, 1835 and February 17, 1837, illustrations were no longer systematic, but more disparate, every 2 or 3 issues (rarely more). (For this period, there were around 170 lithographs engraved outside the text. From February 1837, the presentation reverted to a 4-page issue with 1 systematic full-page illustration. The total number of full-page lithographs is around 2090. The following 26 issues are missing from this copy: n°91 (1/4/1834), n°92 (2/4/1834), n°248 (7/9/1834), n°248 (8/9/1834), n°342 (11/12/1834), n°42 (11/2/1835), n°80 (31/3/1835), n°81 (1/4/1835), n°171 (30/6/1835), n°179 (8/7/1835), n°198 (27/7/1835), n°206 (3/8/1835), n°228 (16/8/1835), n°274 (1/10/1835), n°280 (7/10/1835), n°320 (17/11/1835), n°362 (28/12/1835), n°52 (21/2/1835), n°70 (10/3/1835), n°76 (16/3/1835), n°95 (15/4/1836), n°322 (17/11/1836), n°100? (10/4/1837), n°138 (19/5/1837), n°122 (4/5/1838). n°48 (18/2/1837). The world's first illustrated satirical daily, Le Charivari appeared from 1832 to 1937. Founded on December 1, 1832 by Charles Philipon as a newspaper of republican opposition to the July monarchy, the satirical entertainment paper asserted its radical, conservative, republican and anti-clerical credentials over the course of its history. Its most notable authors included Taxile Delord and Agénor Altaroche, while its most prominent cartoonists included Philipon, Nadar, Gustave Doré, Honoré Daumier, Cham, Gavarni, Pigal and Traviès. RARE ET EXCEPTIONNEL ENSEMBLE de près de 2350 numéros du Charivari, chacun complet de son illustration quand il y a lieu d'être (detailed list available on request).

Estim. 2 000 - 3 000 EUR

Lot 1591 - DELACROIX (Eugène) & GOETHE. Faust. Tragedy by M. de Goethe, translated into French by M. Albert Stapfer. Paris, Motte et Sautelet, 1828. In-folio of [2] ff., IV-148 pp. Dim. ff. 41.6 x 27.5 cm. Half blond calf, ornate smooth spine, dark brown title page (later binding). Portrait of the author and 17 engraved illustrations by DELACROIX. All plates bear the Motte address, characteristic of the first printing according to Delteil, 57-74. (Carteret III, 270 "a remarkable work typical of the Romantic period, a masterly illustration by the great Delacroix, who is fortunately increasingly esteemed by tasteful bibliophiles"; Vicaire III, 1013). The first edition of the beautiful illustrations drawn by Delacroix and lithographed by Motte; the first literary text illustrated by lithography (discovered by Senefelder in 1796 and introduced in France from 1818), this fine publication is considered the first modern book by a painter. Goethe himself was a particular admirer of Delacroix's genius, as demonstrated in his Faust: "Faust is a work that goes from heaven to earth, from the possible to the impossible, from coarseness to delicacy; all the antitheses that the play of a daring imagination can create are brought together in it, so M. Delacroix felt there as if at home and in his family [...] It must be admitted that this M. Delacroix is a great talent. Delacroix is a great talent who found his true nourishment in Faust [...] And if I have to agree that M. Delacroix has surpassed the pictures I had painted of the scenes written by myself, all the more reason will readers find these compositions full of life, and going far beyond the images they had created for themselves [...]" (Interviews with Eckermann). Unwashed copy, brown spots. A fine copy on Hollande paper containing the lithographs on wove paper.

Estim. 4 000 - 5 000 EUR

Lot 1608 - [FONTALLARD (Henri-Gérard) ou LEPRINCE (Xavier)]. [Métamorphoses d'Arlequin. Parades (Jouées sur le Théâtre Français) [Paris], [Langlumé], [1826]. Small in-4 oblong, in sewn ff., without cover or title. 11 (of 12) lithographed and watercolored plates. Size 25 x 24 cm. First edition of this extremely rare suite (only one copy in a public collection at the BnF, and none at auction in the last 36 years). The caricatures, attributed to either Gérard Fontallard or Xavier Leprince, show political or historical playlets illustrating political events between 1791 and 1826, featuring Commedia del'Arte characters sometimes hiding their costume under an outfit or uniform of the period: 1re Parade. - 1791. Colombine délaissée ou Fiez-vous aux vains discours des hommes ; 2nd Parade. - 1793. L'Orateur Populaire or Live Free or Die ; 3rd Parade. - 1795. Le Directorien ou Veillons au Salut de l'Empire ; 4th Parade. - 1799. - Le 18 Brumaire an ou la raison du plus fort est toujours la meilleure ; 5th Parade. - 1800. - Le Grenadier des Consuls or Je suis français, mon pays avant tout ; 6th Parade. - 1808. - Le Chambellon or Adieu Marton! Adieu Rosette ; 7th Parade. - 1814. - Le Marquis de Bergame or Vive le Roi! Quand même! ; 8th Parade. - 1815. - Le Champ de Mai ou l'on revient toujours à ses premiers amours ; 9th Parade. - 1820. - Tartufe ou L'habit ne fait pas le moine ; 10th Parade. - 1823. - Le Dîner ou Du courage, les amis sont toujours là ; 11th Parade. - 1825. - La Clôture or Hungry Belly Has No Ears. Without the 12th and last plate (Le Congréganiste). Minor scattered foxing, a few light wet spots.

Estim. 300 - 400 EUR
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