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JEWELS and LUXURY BAGS

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216 results

Lot 226 - COLLIER EN OR ET BRONZE, SIGNÉ BVLGARI, COLLECTION MONETE - one bronze coin "TETRADRACHME TRAJANO 98-117 A.D.", hallmark 750 and goldsmith's mark Weight approx. 138.1 g, length approx. 48.5 cm A GOLD AND BRONZE NECKLACE, SIGNED BVLGARI, MONETE COLLECTION A TRIBUTE TO THE GREATNESS OF BVLGARI ON THE 140TH ANNIVERSARY OF ITS FOUNDATION LOTS 226; 255 Sotírios Voúlgaris was a Greek goldsmith originally from Paramythià, where he opened his first store, still in existence today. In 1881, he arrived in Rome and opened several goldsmith and antique stores, including one in 1884 in Via Sistina 4. In 1905, the Via Sistina boutique was replaced by today's iconic store at Via Condotti 10. Jewelry designed in the early 1920s-30s was in the Art Deco style, with refined shapes and geometric stylization combined with the use of platinum. The 1930s saw the emergence of more imposing models, with diamond elements matching precious stones: sapphire, emerald or ruby. Some sets were 'convertible' and could be worn as necklaces or bracelets, while brooches could be transformed into pen; dentifs. One of Bulgari's masterpieces was the Trombino, a small trumpet-shaped ring. Forced by the restrictions imposed by the Second World War, Bulgari replaced diamond-set platinum with gold with a smaller number of stones. The design became softer and more natural. In the late 1940s, Bulgari launched the Serpenti wristwatch. After the war, with the establishment of the Cinecittà studios in Rome, the Roman boutique saw the arrival of celebrities such as: Elizabeth Taylor with Richard Burton, Marlene Dietrich, Clark Gable, Gary Cooper, Audrey Hepburn, Sophia Loren, Romy Schneider, Gina Lollobrigida, Ingrid Bergman, etc..... They particularly appreciated the brand's extravagant jewelry, such as the Monete line (1966), inspired by ancient empires. The post-war economic boom led to renewed interest in jewelry. The post-war economic boom led to a return to white metal models set with precious stones, particularly diamonds. In the late 1950s, Bulgari moved away from sharp design towards silkier shapes. At the same time, the use of large cabochons became a Bulgari trademark. The Bulgari style also asserted itself through its structured, symmetrical and compact gold shapes and the colorful results of its multiple gemstone combinations. The creations of the 1970s are distinguished by their diversity. They were inspired by fireworks, oriental art with the use of snake motifs, and pop art with the 'stars and stripes' collection. At this time, yellow gold was one of the preferred materials, and the use of oval elements set with cabochons surrounded by gold and diamonds became the Bulgari trademark, as did the thick gold chain. The 80s were characterized by volumes, bright colors, simple shapes and stylized decorative motifs. In the 90s, the use of yellow gold continues, but the Bulgari style is less structured. In March 2024, the Bvlgari jewelry house formalized and announced the creation of the Fondazione Bvlgari, an institution in line with the brand's founding values, in particular its commitment to safeguarding historical heritage.

Estim. 14 000 - 16 000 EUR

Lot 282 - BANDEAU/COLLIER EN PLATINE, OR ET DIAMANTS, SIGNÉ MUSY PADRE E FIGLI TORINO - old-cut and rose-cut diamonds, with gold setting, PT hallmark and goldsmith's mark, with original case Total weight approx. 46.0 g, band length approx. 20.5 cm, necklace length approx. 43.5 cm A PLATINUM, GOLD AND DIAMOND TIARA/NECKLACE, SIGNED MUSY PADRE E FIGLI TORINO Musy Padre e Figli is Turin's oldest jewelry and watchmaking company. Its production was so precious and precise that it quickly became the most sought-after jewelry store in Casa Savoia. In 1868, Princess Margherita di Savoia entrusted the company with the reassembly of two bracelets on the occasion of her marriage to her cousin Umberto. From then on, Musy became the trusted jeweler of the woman who was to become Italy's first queen. Numerous jewels were created for her, and later became part of the Italian Crown Jewels. In 1925, Musy Padre e Figli was licensed by King Vittorio Emanuele III to supply the royal household. The most famous jewels In 1868, Marguerite de Savoie received a pair of bracelets set with 34 diamonds, which she herself had asked to be reassembled and whose central part could be detached and used as a brooch. They were also asked to compose a large diamond diadem. Also in 1868, the large noud brooch with pendant was delivered. The jewel was made from stones belonging to the Savoia family. In the center stands a large pink diamond, which legend has it was given by Marshal Auguste Marmont. In 1883, the Great Diamond Tiara was created by order of Umberto I for the 15th anniversary of his marriage to Margherita di Savoia. For this precious diadem, the Queen provided pearls and jewellery of her own. The 'Grand Diadem' was delivered for the Christmas festivities and has since become the official tiara of the Queen of Italy. In 1896, the five-flower diamond tiara was commissioned by Umberto I for Elena d'Aosta as a wedding gift. In 1904, the Queen Mother commissioned the famous diamond and pearl tiara to mark the birth of the Crown Prince. The Queen Mother, who had passed on the great crown jewels to her daughter-in-law, asked Musy to create a new tiara from some of the jewels she had left behind. The new jewel had the unique feature of being removable, allowing 7 different tiaras to be created. Worn for the first time on the occasion of his grandson's christening, this extraordinary piece of jewelry was bequeathed to Umberto himself and became the favorite tiara of his wife, and last Queen of Italy, Maria José of Belgium.

Estim. 24 000 - 28 000 EUR