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Les 1001 vies de Monsieur A. (without reserve price)

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49 rue Saint Sabin 75011 Paris, France
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Lot 144 - LOT VENDU SUR DESIGNATION - Alain Bublex (né en 1961) - Aéro Fiat 5.1 2002 Prototype Fiat 126 revisited and enriched with various materials Unique piece H. 135 cm W. 310 cm D. 177 cm Provenance: > Galerie Georges-Philippe et Nathalie Vallois, Paris > Collection of Monsieur A., Nice Bibliography: > "Aerofiat" exhibition catalog, Centre d'Art Plastique de Saint-Fons, 1997, reproduced > "Pleins phares full beam im Schweinwerflich" exhibition catalog, Cité de l'Automobile de Mulhouse, Éditions Hazan, Paris, 2007, reproduced Exhibitions: > Aérofiat, Centre d'Art Plastique de Saint-Fons, 1997 > Donjon de Vez, "Machins-Machines", 1999 > Pleins phares full beam im Schweinwerflicht, Cité de l'Automobile de Mulhouse, September 20, 2007 - January 31, 2008 Condition report: This lot is to be collected after the sale from a storage facility in Goussainville (Val d'Oise) at the buyer's expense. No condition report will be issued prior to the sale. Neither the mechanical operation nor the general condition of the work is guaranteed. Alain Bublex has devoted a large part of his artistic output to the automobile for several years. The Aérofiat project is a tentacular undertaking, comprising a body of work including drawings, aerodynamic studies, photographs and prototypes. Drawing on research from the 1930s and applying it to a contemporary vehicle, the artist constructs a story parallel to that of the history of the automobile. The Fiat 126, archetypal of the small, popular and modern car of its time, served as the basis for these reflections and trasnformations. The various prototypes created by Alain Bublex are the result of possible hybridizations between two worlds: that of everyday rationality and that of a utopia of progress where all human dreams remain accessible. The 4 Aérofiat models modestly embody these ideal projections, synthesizing our desire to travel in the same vehicle, not only on the road, but also in the water and in the air. --- A car fanatic, Alain Bublex has devoted a large part of his artistic production to the automobile for several years. The Aérofiat project is a sprawling body of work that includes drawings, aerodynamic studies, photographs and prototypes. Drawing on research from the 1930s and applying it to a contemporary vehicle, the artist is building a story parallel to that of the history of the automobile. The Fiat 126, archetypal of the small, popular, modern car of its time, provided the basis for this reflection and these trasnformations. The various prototypes created by Alain Bublex are the result of possible hybridizations between two worlds: that of everyday rationality and that of a utopia of progress where all human dreams remain accessible. The Aérofiat, of which there are 4, seems to embody these ideal projections with modesty, synthesising our desires to travel in the same vehicle on the road but also in the water and in the air.

Estim. 1 000 - 2 000 EUR

Lot 155 - Jacques-Emile Ruhlmann (1879-1933) - Important decorative elements for the Rotonde in the Van Beuningen apartment 1930-1933 Set comprising 6 ceruse-finish oak doors, each with its own set of three hinges, three with handles on both sides and three with handles on one side - 217.5 x 67.5 cm each A large lot of woodwork is included: uprights, wall panels, boards, etc. Provenance: > Décor for Daniel van Beuningen's (1877-1955) apartment on the 5th floor of 93 Quai d'Orsay, Paris, the last interior decoration project orchestrated by Jacques-Emile Ruhlmann and completed in 1933. > Mr. A. Collection, Nice Condition report: general average condition: chips, missing pieces, various scratches, holes. We do not guarantee that the elements constituting the lot will enable the purchaser to reconstitute all or part of the Rotonde, due to probable missing and/or altered elements of woodwork and accessories. LOTS 157 to 168 ARE SOLD WITH FACULTY OF REUNION "Le Dossier Van Beuningen. Located on the Quai d'Orsay, near the Seine, in an elegant building designed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, this vast apartment is entirely furnished by Ruhlmann. In addition to the usual rooms, it features an immense rotunda room, enlarged by a mirrored wall incorporating half-columns. Arranged in the non-conformist style of the 1929 Studio, the space is both a study and a reception room" (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009). --- The Van Beuningen File. Located on the Quai d'Orsay, close to the Seine, in an elegant building constructed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, the vast flat was entirely fitted out and furnished by Ruhlmann. In addition to the usual rooms, it had a huge rotunda room, enlarged by a mirrored wall incorporating half-columns. Furnished in the non-conformist style of the 1929 Studio, the space was both a study and a reception room (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009).

Estim. 1 000 - 2 000 EUR

Lot 156 - Jacques-Emile Ruhlmann (1879-1933) - A vertical double door with mirrors from the Van Beuningen apartment 1930-1933 Entirely encircled in bronze, each panel hinged, the largest with an integrated handle 85 x 56.5 cm and 130 x 56.5 cm Provenance: > Decor for Daniel van Beuningen's (1877-1955) 5th-floor apartment at 93 Quai d'Orsay, Paris, the last interior design project orchestrated by Jacques-Emile Ruhlmann and completed in 1933. > Mr. A. Collection, Nice Condition report: Average condition LES LOTS 157 à 168 SONT VENDUS AVEC FACULTE DE REUNION "Le Dossier Van Beuningen. Located on the Quai d'Orsay, near the Seine, in an elegant building designed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, this vast apartment is entirely furnished by Ruhlmann. In addition to the usual rooms, it features an immense rotunda room, enlarged by a mirrored wall incorporating half-columns. Arranged in the non-conformist style of the 1929 Studio, the space is both a study and a reception room" (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009). --- The Van Beuningen File. Located on the Quai d'Orsay, close to the Seine, in an elegant building constructed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, the vast flat was entirely fitted out and furnished by Ruhlmann. In addition to the usual rooms, it had a huge rotunda room, enlarged by a mirrored wall incorporating half-columns. Furnished in the non-conformist style of the 1929 Studio, the space was both a study and a reception room (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009).

Estim. 800 - 1 200 EUR

Lot 157 - Jacques-Emile Ruhlmann (1879-1933) - Two doors from the Van Beuningen apartment 1930-1933 In black lacquered wood, each with its own set of three hinges 217.5 x 82.5 cm and 217.5 x 92 cm Provenance: > Decor for the apartment of Daniel van Beuningen (1877-1955) on the 5th floor of 93 Quai d'Orsay, Paris, the last interior decoration project orchestrated by Jacques-Emile Ruhlmann and completed in 1933. > Mr. A. Collection, Nice Condition report: average overall condition: chips, missing pieces, various scratches, holes. LOTS 157 to 168 ARE SOLD WITH FACULTY OF REUNION "Le Dossier Van Beuningen. Located on the Quai d'Orsay, close to the Seine, in an elegant building constructed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, this vast apartment is entirely furnished by Ruhlmann. In addition to the usual rooms, it features an immense rotunda room, enlarged by a mirrored wall incorporating half-columns. Arranged in the non-conformist style of the 1929 Studio, the space is both a study and a reception room" (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009). --- The Van Beuningen File. Located on the Quai d'Orsay, close to the Seine, in an elegant building constructed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, the vast flat was entirely fitted out and furnished by Ruhlmann. In addition to the usual rooms, it had a huge rotunda room, enlarged by a mirrored wall incorporating half-columns. Furnished in the non-conformist style of the 1929 Studio, the space was both a study and a reception room (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009).

Estim. 800 - 1 200 EUR

Lot 158 - Jacques-Emile Ruhlmann (1879-1933) - Two doors (forming a large double door) from the Van Beuningen apartment 1930-1933 Painted wood with gilded caming, bronze plates and bronze handle on one door Dimensions of doors: 220 x 78 cm each Provenance: > Decor for Daniel van Beuningen's (1877-1955) 5th-floor apartment at 93 Quai d'Orsay, Paris, the last interior decoration project orchestrated by Jacques-Emile Ruhlmann and completed in 1933. > Mr. A. Collection, Nice Condition report: Average overall condition: chips, missing pieces, various scratches, holes. LOTS 157 to 168 ARE SOLD WITH FACULTY OF REUNION "Le Dossier Van Beuningen. Located on the Quai d'Orsay, close to the Seine, in an elegant building constructed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, this vast apartment is entirely furnished by Ruhlmann. In addition to the usual rooms, it features an immense rotunda room, enlarged by a mirrored wall incorporating half-columns. Arranged in the non-conformist style of the 1929 Studio, the space is both a study and a reception room" (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009). --- The Van Beuningen File. Located on the Quai d'Orsay, close to the Seine, in an elegant building constructed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, the vast flat was entirely fitted out and furnished by Ruhlmann. In addition to the usual rooms, it had a huge rotunda room, enlarged by a mirrored wall incorporating half-columns. Furnished in the non-conformist style of the 1929 Studio, the space was both a study and a reception room (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009).

Estim. 800 - 1 200 EUR

Lot 159 - Jacques-Emile Ruhlmann (1879-1933) - Three doors from the Van Beuningen apartment 1930-1933 Wooden, one with bronze handle on each side 193 x 72 cm, 216 x 78 cm and 192.5 x 71.5 cm Provenance: > Decor for Daniel van Beuningen's (1877-1955) 5th-floor apartment at 93 Quai d'Orsay, Paris, the last interior decoration project orchestrated by Jacques-Emile Ruhlmann and completed in 1933. > Mr. A. Collection, Nice Condition report: Average overall condition: chips, missing pieces, various scratches, holes. LOTS 157 to 168 ARE SOLD WITH FACULTY OF REUNION "Le Dossier Van Beuningen. Located on the Quai d'Orsay, close to the Seine, in an elegant building constructed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, this vast apartment is entirely furnished by Ruhlmann. In addition to the usual rooms, it features an immense rotunda room, enlarged by a mirrored wall incorporating half-columns. Arranged in the non-conformist style of the 1929 Studio, the space is both a study and a reception room" (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009). --- The Van Beuningen File. Located on the Quai d'Orsay, close to the Seine, in an elegant building constructed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, the vast flat was entirely fitted out and furnished by Ruhlmann. In addition to the usual rooms, it had a huge rotunda room, enlarged by a mirrored wall incorporating half-columns. Furnished in the non-conformist style of the 1929 Studio, the space was both a study and a reception room (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009).

Estim. 800 - 1 200 EUR

Lot 160 - Jacques-Emile Ruhlmann (1879-1933) - Three doors from the Van Beuningen apartment 1930-1933 Wooden, one with bronze handle on each side 193.5 x 71.5 cm, 75.5 x 215.5 cm and 219 x 66.5 cm Provenance: > Decor for Daniel van Beuningen's (1877-1955) 5th-floor apartment at 93 Quai d'Orsay, Paris, the last interior decoration project orchestrated by Jacques-Emile Ruhlmann and completed in 1933. > Mr. A. Collection, Nice Condition report: Average overall condition: chips, missing pieces, various scratches, holes. LOTS 157 to 168 ARE SOLD WITH FACULTY OF REUNION "Le Dossier Van Beuningen. Located on the Quai d'Orsay, close to the Seine, in an elegant building constructed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, this vast apartment is entirely furnished by Ruhlmann. In addition to the usual rooms, it features an immense rotunda room, enlarged by a mirrored wall incorporating half-columns. Arranged in the non-conformist style of the 1929 Studio, the space is both a study and a reception room" (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009). --- The Van Beuningen File. Located on the Quai d'Orsay, close to the Seine, in an elegant building constructed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, the vast flat was entirely fitted out and furnished by Ruhlmann. In addition to the usual rooms, it had a huge rotunda room, enlarged by a mirrored wall incorporating half-columns. Furnished in the non-conformist style of the 1929 Studio, the space was both a study and a reception room (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009).

Estim. 800 - 1 200 EUR

Lot 161 - Jacques-Emile Ruhlmann (1879-1933) - Entrance door leading to the study in the Van Beuningen apartment 1930-1933 Wooden door entirely encased in gilded bronze, with three hinges and bronze handles on both sides 218.5 x 92 cm Provenance: > Decorative elements for the apartment of Daniel van Beuningen (1877-1955) on the 5th floor of 93 Quai d'Orsay, Paris, the last interior decoration project orchestrated by Jacques-Emile Ruhlmann and completed in 1933. > Collection of Monsieur A., Nice Condition report: Average overall condition. LOTS 157 to 168 ARE SOLD WITH FACULTY OF REUNION "Le Dossier Van Beuningen. Located on the Quai d'Orsay, near the Seine, in an elegant building designed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, this vast apartment is entirely furnished by Ruhlmann. In addition to the usual rooms, it features an immense rotunda room, enlarged by a mirrored wall incorporating half-columns. Arranged in the non-conformist style of the 1929 Studio, the space is both a study and a reception room" (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009). --- The Van Beuningen File. Located on the Quai d'Orsay, close to the Seine, in an elegant building constructed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, the vast flat was entirely fitted out and furnished by Ruhlmann. In addition to the usual rooms, it had a huge rotunda room, enlarged by a mirrored wall incorporating half-columns. Furnished in the non-conformist style of the 1929 Studio, the space was both a study and a reception room (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009).

Estim. 800 - 1 200 EUR

Lot 162 - Jacques-Emile Ruhlmann (1879-1933) - Bathroom door from the Van Beuningen apartment 1930-1933 In painted wood with gilded caming, complete with bronze plaque and bronze handle. H. 213 cm L. 71.5 cm Provenance: > Decor for Daniel van Beuningen's (1877-1955) apartment on the 5th floor of 93 Quai d'Orsay in Paris, the last interior decoration project orchestrated by Jacques-Emile Ruhlmann and completed in 1933. > Mr. A. Collection, Nice Condition report: Average overall condition: chips, missing pieces, various scratches, holes. LOTS 157 to 168 ARE SOLD WITH FACULTY OF REUNION "Le Dossier Van Beuningen. Located on the Quai d'Orsay, close to the Seine, in an elegant building constructed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, this vast apartment is entirely furnished by Ruhlmann. In addition to the usual rooms, it features an immense rotunda room, enlarged by a mirrored wall incorporating half-columns. Arranged in the non-conformist style of the 1929 Studio, the space is both a study and a reception room" (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009). --- The Van Beuningen File. Located on the Quai d'Orsay, close to the Seine, in an elegant building constructed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, the vast flat was entirely fitted out and furnished by Ruhlmann. In addition to the usual rooms, it had a huge rotunda room, enlarged by a mirrored wall incorporating half-columns. Furnished in the non-conformist style of the 1929 Studio, the space was both a study and a reception room (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009).

Estim. 600 - 800 EUR

Lot 163 - Jacques-Emile Ruhlmann (1879-1933) - Set of locks, hardware, plate and jambs for the Van Beuningen apartment 1930-1933 In bronze, one of the elements fitted with a handle formerly covering a false mirrored door Provenance: > Decor for the apartment of Daniel van Beuningen (1877-1955) on the 5th floor of 93 Quai d'Orsay in Paris, the last interior decoration project orchestrated by Jacques-Emile Ruhlmann and completed in 1933. > Mr. A. Collection, Nice Condition report: Average condition LES LOTS 157 à 168 SONT VENDUS AVEC FACULTE DE REUNION "Le Dossier Van Beuningen. Located on the Quai d'Orsay, near the Seine, in an elegant building designed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, this vast apartment is entirely furnished by Ruhlmann. In addition to the usual rooms, it features an immense rotunda room, enlarged by a mirrored wall incorporating half-columns. Arranged in the non-conformist style of the 1929 Studio, the space is both a study and a reception room" (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009). --- The Van Beuningen File. Located on the Quai d'Orsay, close to the Seine, in an elegant building constructed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, the vast flat was entirely fitted out and furnished by Ruhlmann. In addition to the usual rooms, it had a huge rotunda room, enlarged by a mirrored wall incorporating half-columns. Furnished in the non-conformist style of the 1929 Studio, the space was both a study and a reception room (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009).

Estim. 600 - 800 EUR

Lot 164 - Jacques-Emile Ruhlmann (1879-1933) - Set of 22 door hinges from the Van Beuningen apartment 1930-1933 In gilded bronze Provenance: > Decor for the apartment of Daniel van Beuningen (1877-1955) on the 5th floor of 93 Quai d'Orsay in Paris, the last interior decoration project orchestrated by Jacques-Emile Ruhlmann and completed in 1933. > Mr. A. Collection, Nice Condition report: Average condition LES LOTS 157 à 168 SONT VENDUS AVEC FACULTE DE REUNION "Le Dossier Van Beuningen. Located on the Quai d'Orsay, near the Seine, in an elegant building designed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, this vast apartment is entirely furnished by Ruhlmann. In addition to the usual rooms, it features an immense rotunda room, enlarged by a mirrored wall incorporating half-columns. Arranged in the non-conformist style of the 1929 Studio, the space is both a study and a reception room" (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009). --- The Van Beuningen File. Located on the Quai d'Orsay, close to the Seine, in an elegant building constructed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, the vast flat was entirely fitted out and furnished by Ruhlmann. In addition to the usual rooms, it had a huge rotunda room, enlarged by a mirrored wall incorporating half-columns. Furnished in the non-conformist style of the 1929 Studio, the space was both a study and a reception room (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009).

Estim. 300 - 500 EUR

Lot 165 - Jacques-Emile Ruhlmann (1879-1933) - Important set of screws and door hinges from the Van Beuningen apartment 1930-1933 In bronze, metal... Provenance: > Decor for Daniel van Beuningen's (1877-1955) 5th-floor apartment at 93 Quai d'Orsay, Paris, the last interior decoration project orchestrated by Jacques-Emile Ruhlmann and completed in 1933. > Mr. A. Collection, Nice Condition report: Average condition LES LOTS 157 à 168 SONT VENDUS AVEC FACULTE DE REUNION "Le Dossier Van Beuningen. Located on the Quai d'Orsay, near the Seine, in an elegant building designed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, this vast apartment is entirely furnished by Ruhlmann. In addition to the usual rooms, it features an immense rotunda room, enlarged by a mirrored wall incorporating half-columns. Arranged in the non-conformist style of the 1929 Studio, the space is both a study and a reception room" (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009). --- The Van Beuningen File. Located on the Quai d'Orsay, close to the Seine, in an elegant building constructed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, the vast flat was entirely fitted out and furnished by Ruhlmann. In addition to the usual rooms, it had a huge rotunda room, enlarged by a mirrored wall incorporating half-columns. Furnished in the non-conformist style of the 1929 Studio, the space was both a study and a reception room (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009).

Estim. 200 - 300 EUR

Lot 166 - Jacques-Emile Ruhlmann (1879-1933) - Set of plates, switch covers, etc. 1930-1933 In bronze, brass, glass... Provenance: > Decor for Daniel van Beuningen's (1877-1955) 5th-floor apartment at 93 Quai d'Orsay, Paris, the last interior decoration project orchestrated by Jacques-Emile Ruhlmann and completed in 1933. > Mr. A. Collection, Nice Condition report: Average condition LES LOTS 157 à 168 SONT VENDUS AVEC FACULTE DE REUNION "Le Dossier Van Beuningen. Located on the Quai d'Orsay, near the Seine, in an elegant building designed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, this vast apartment is entirely furnished by Ruhlmann. In addition to the usual rooms, it features an immense rotunda room, enlarged by a mirrored wall incorporating half-columns. Arranged in the non-conformist style of the 1929 Studio, the space is both a study and a reception room" (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009). --- The Van Beuningen File. Located on the Quai d'Orsay, close to the Seine, in an elegant building constructed in 1930 by the architect Léon Azéma, winner of the Grand Prix de Rome, the vast flat was entirely fitted out and furnished by Ruhlmann. In addition to the usual rooms, it had a huge rotunda room, enlarged by a mirrored wall incorporating half-columns. Furnished in the non-conformist style of the 1929 Studio, the space was both a study and a reception room (in. Florence Camard, Ruhlmann, Editions Monelle-Hayot, Paris, 2009).

Estim. 300 - 500 EUR
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