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[LIVE SALE] In aid of "Le Domaine du Possible" school: Donations and works of art raised

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Place Nina Berberova 13200 Arles, France
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Lot 9 - Patrick PLEUTIN aka BANGALA (born 1965) Artichokes Gouache on cardboard 60 X 80 cm Patrick Pleutin aka Bangala mainly paints from live performances, but is also keen to link his pictorial practice with other disciplines. A regular contributor to Le Monde's M magazine, he has over the years created a poetic cartography of taste and gesture, from the markets of Analakely, Madagascar, to the roads of Afghanistan's Bâmiyân valley. The artist also worked with Yona Friedman, who designed a Museum without a building to preserve for the future the richness of Afghanistan's artistic heritage, weakened by years of war. He shared his drawing, painting and calligraphy skills with boys and girls from the Fine Arts department of Kabul University, during an artist residency at the Kabul National Archives Museum, followed by a number of animated films. Bangala and agnès b. Bangala, freshly graduated from the Ecole Supérieure Estienne (Ecole du Design de Livre et du Dessin de Presse), exhibits a painted book at the Galerie du Jour agnès b. In 1987, agnès b. offers Bangala a first exhibition in homage to Saul Steinberg: Morsures. This was followed by numerous solo and group exhibitions in collaboration with galerie du jour and the agnès b. collection: Objets trouvés d'artistes, Un regard sur l'art contemporain, Collection agnès b, Espace des arts Chalon sur Saône The works currently on show at FAB are the fruit of their collaboration and form part of the agnès b. collection: LA PEINTURE FIGURATIVE CONTEMPORAINE DANS LA COLLECTION AGNES B.

Estim. 400 - 800 EUR

Lot 10 - Patrick PLEUTIN aka BANGALA (born 1965) Zucchinis Gouache on cardboard 60 x 80 cm Patrick Pleutin aka Bangala mainly paints from live performances, but is also keen to link his pictorial practice with other disciplines. A regular contributor to Le Monde's M magazine, he has over the years created a poetic cartography of taste and gesture, from the markets of Analakely, Madagascar, to the roads of Afghanistan's Bâmiyân valley. The artist also worked with Yona Friedman, who designed a Museum without a building to preserve for the future the richness of Afghanistan's artistic heritage, weakened by years of war. He shared his drawing, painting and calligraphy skills with boys and girls from the Fine Arts department of Kabul University, during an artist residency at the Kabul National Archives Museum, followed by a number of animated films. Bangala and agnès b. Bangala, freshly graduated from the Ecole Supérieure Estienne (Ecole du Design de Livre et du Dessin de Presse), exhibits a painted book at the Galerie du Jour agnès b. In 1987, agnès b. offers Bangala a first exhibition in homage to Saul Steinberg: Morsures. This was followed by numerous solo and group exhibitions in collaboration with galerie du jour and the agnès b. collection: Objets trouvés d'artistes, Un regard sur l'art contemporain, Collection agnès b, Espace des arts Chalon sur Saône The works currently on show at FAB are the fruit of their collaboration and form part of the agnès b. collection: LA PEINTURE FIGURATIVE CONTEMPORAINE DANS LA COLLECTION AGNES B.

Estim. 400 - 800 EUR

Lot 11 - Patrick PLEUTIN aka BANGALA (born 1965) Radish Gouache on cardboard 60 X 80 cm Patrick Pleutin aka Bangala mainly paints from live performances, but is also keen to link his pictorial practice with other disciplines. A regular contributor to Le Monde's M magazine, he has over the years created a poetic cartography of taste and gesture, from the markets of Analakely, Madagascar, to the roads of Afghanistan's Bâmiyân valley. The artist also worked with Yona Friedman, who designed a Museum without a building to preserve for the future the richness of Afghanistan's artistic heritage, weakened by years of war. He shared his drawing, painting and calligraphy skills with boys and girls from the Fine Arts department of Kabul University, during an artist residency at the Kabul National Archives Museum, followed by a number of animated films. Bangala and agnès b. Bangala, freshly graduated from the Ecole Supérieure Estienne (Ecole du Design de Livre et du Dessin de Presse), exhibits a painted book at the Galerie du Jour agnès b. In 1987, agnès b. offers Bangala a first exhibition in homage to Saul Steinberg: Morsures. This was followed by numerous solo and group exhibitions in collaboration with galerie du jour and the agnès b. collection: Objets trouvés d'artistes, Un regard sur l'art contemporain, Collection agnès b, Espace des arts Chalon sur Saône The works currently on show at FAB are the fruit of their collaboration and form part of the agnès b. collection: LA PEINTURE FIGURATIVE CONTEMPORAINE DANS LA COLLECTION AGNES B.

Estim. 400 - 800 EUR

Lot 16 - Laurence LEBLANC (born 1967) Photograph, II 967/23, Jatayus, Cambodia 2000 from the series "Rithy, Chéa, Kim Sour et les autres" 2000 2001 FORMAT of photograph 18 cm X 18 cm Artist's proof TITLE II 967/23, Jatayus, Cambodia 2000 from the "Rithy, Chéa, Kim Sour and others" series 2000 2001 Laurence Leblanc, courtesy Galerie S. TECHNIQUE Silver chlorobromide print on baryta paper (AGFA MCC111FB, now defunct) made by the author French artist Laurence Leblanc was born in Paris on June 6, 1967. Winner of the Villa Médicis Hors Les Murs in 2000, she has received numerous awards, including one from the HSBC Foundation for Photography. Her first book, "Rithy, Chéa, Kim Sour et les autres", was published on this occasion by Actes-Sud. In 2009, also published by Actes-Sud, "Seul l'air" was simultaneously exhibited at the 40th Rencontres Internationales de la Photographie d'Arles. Represented by Galerie Claude Samuel in 1999, then by Galerie VU' from 2001 to 2015, she is a regular exhibitor at art fairs. In 2016 she received the Prix Niépce and a limited edition artist's object was produced with Laurel Parker Book. A retrospective entitled "Où subsiste encore" will be held at the Musée Nicéphore Niépce in 2022. In 2023, she is featured in the book and exhibition "Noir & Blanc: une esthétique de la photographie / Collection de la BNF", as well as at Galerie S. for a solo show. Laurence Leblanc pursues her work in silent solitude, establishing herself firmly in the field of contemporary creation, and making time for observation and maturation a sure ally. Her work is part of the public collections of the Fonds National d'Art Contemporain, the Musée Nicéphore Niépce, the Bibliothèque Nationale de France and numerous private collections.

Estim. 2 300 - 3 000 EUR

Lot 18 - Réjean DORVAL (born 1966) visual artist, draughtsman and performer En creux 2024 Tinted charcoal drawing on paper 150 cm x 150 cm DESCRIPTION: "Is it the mark of frozen lightning or the shape of a young pine tree that crosses the leaf and the image in this way? It's in a dream or in a half-sleep, after we've gone deep into the forest of floating thoughts, that a breakthrough in the forest appears in the light. The rich subsoil of forest litter mixes the earthy white scents of networked mycelium with those of mosses and lichens thawing under the first rays of spring. The atmosphere is frozen but not silent, and you can hear the rustle of a mammal, hidden by the ferns, foraging nearby for juicy berries. Emmanuel Druon We're probably on the edge of a forest with abundant, dense vegetation. Through this vegetation, the hollow profile of three trees is clearly visible. Here, what defines the presence of the trees is not so much what constitutes them per se, but rather all the living things that surround, enclose and contain them. At first glance, the workmanship of the drawing might suggest the use of the rubbing technique. But this is not the case. The artist has allowed the spontaneous encounter of tool and gesture with the surface of the paper to determine the gradual appearance of the plant forms. In this way, the forest drawing forest-drawing "resurfaces" in the same way as the artist's childhood memories of the boreal forests of the Laurentians, where he lived and still lives. After a university education in the humanities and a career in research, Réjean DORVAL trained in artistic drawing with Saskia Weyts at the Ecole Supérieure d'Art de Tournai in Belgium. He then taught drawing for 10 years, focusing on body awareness and the body's involvement in the act of tracing and drawing. At the same time, he was introduced to contemporary dance and trained in performance art in Brussels under the guidance of artist and choreographer Sandra Vincent. For the past 15 years, Réjean DORVAL's drawing work has revolved around the theme of nature and the forest, most often taking the form of large-scale, even monumental, drawings. His performances question both the act of drawing and our relationship with the living. Through the interweaving of the gesture of drawing, the density of the sensations that inhabit it and the performative act, his artistic work raises the question of what we keep alive in each of us. His drawings and performances have been shown regularly in France and Belgium. An exhibition of a series of very large-scale drawings at the Chapelle du Méjan in Arles in 2018 was published by Actes Sud in 2020, entitled Le Temps n'existe pas; produced with Emmanuel Druon, who wrote the texts.

Estim. 1 000 - 2 000 EUR

Lot 28 - Silva BELA (born 1966) Lithography 20.5 x 15 cm accompanied by a limited edition of the Cahier Regala L'éveil du végétal Sold unframed Bela Silva was born in Lisbon, Portugal. She lives and works between Brussels, Lisbon and Paris. In Portugal, she studied at the Porto and Lisbon Schools of Fine Arts, as well as at Ar.Co. She attended Norwich Fine Arts in the UK and the Art Institute of Chicago in the USA. Her work has been exhibited around the world, with shows in China, Japan, Brazil, Spain and France, and she has organized several ceramics workshops in Japan and Morocco. She has taken part in artist residencies in Kohler (Wisconsin, USA) and at Fábrica Bordalo Pinheiro in Caldas da Rainha (Portugal). Recently, in 2023, she exhibited in South Korea and at the Palácio Cadaval in Portugal. Bela Silva has created several public artworks in which she integrates her work with the architectural element. Examples include the tile panels at Lisbon's Alvalade metro station, the panels in the gardens of Japan's Sakai cultural center, and the panels at the João de Deus school in the Azores. She has also created numerous works specially designed for private collectors in Europe and the United States. Bela Silva's travels are an inexhaustible source of inspiration, enabling her to include local history, culture and nature in her creative approach. The artist values the link between communities and identities, incorporating traditional elements into her work and reinterpreting them in a contemporary way. Bela Silva is represented by galleries in Paris, Lisbon, Brussels and Toulouse.

Estim. 150 - 300 EUR

Lot 29 - Silva BELA (born 1966) Kissing, 2022 Watercolor on paper 20 x 18.5 cm Bela Silva was born in Lisbon, Portugal. She lives and works between Brussels, Lisbon and Paris. In Portugal, she studied at the Porto and Lisbon Schools of Fine Arts, as well as at Ar.Co. She attended Norwich Fine Arts in the UK and the Art Institute of Chicago in the USA. Her work has been exhibited worldwide, with shows in China, Japan, Brazil, Spain and France, and she has organized several ceramics workshops in Japan and Morocco. She has taken part in artist residencies in Kohler (Wisconsin, USA) and at Fábrica Bordalo Pinheiro in Caldas da Rainha (Portugal). Recently, in 2023, she exhibited in South Korea and at the Palácio Cadaval in Portugal. Bela Silva has created several public artworks in which she integrates her work with the architectural element. Examples include the tile panels at Lisbon's Alvalade metro station, the panels in the gardens of Japan's Sakai cultural center, and the panels at the João de Deus school in the Azores. She has also created numerous works specially designed for private collectors in Europe and the United States. Bela Silva's travels are an inexhaustible source of inspiration, enabling her to include local history, culture and nature in her creative approach. The artist values the link between communities and identities, incorporating traditional elements into her work and reinterpreting them in a contemporary way. Bela Silva is represented by galleries in Paris, Lisbon, Brussels and Toulouse.

Estim. 1 200 - 1 800 EUR

Lot 30 - Hervé DI ROSA (born 1959) Lithography 22 x 15 cm accompanied by a limited edition of Cahier Regala Madame & Monsieur Sold unframed A student at the École Nationale Supérieure des Arts Décoratifs, Hervé Di Rosa began selling his paintings in 1979. By the age of 20, he was exhibiting in Paris, Amsterdam and New York. In 1981, he co-founded the Figuration Libre movement, so named by the artist Ben. Gradually, he diversified his artistic approaches through contact with craftsmen he met on his world tour. Without claiming a particular style, but developing a narrative universe of his own, populated by recurring characters, he practices all creative techniques: painting, sculpture, comics, tapestry, printmaking, fresco, lacquer, embossed silver, ceramics, cartooning, digital images, among others. He is also the author or subject of over 150 art books and publications between 1978 and 2021. In 2000, he founded the Musée international des arts modestes (MIAM) in Sète, where he exhibits works by artists from all over the world and creates exhibitions that question the boundaries of contemporary art. Since 1981, his work has been the subject of over 200 solo exhibitions and is represented in major public and private collections in Europe, America and Asia. Hervé Di Rosa was elected President of ADAGP on December 16, 2021. Hervé Di Rosa was elected on Wednesday November 23, 2022 to chair IV of the painting section of the Académie des Beaux-Arts, the chair previously held by Jean Cortot (1925-2018). He currently lives and works in Lisbon (Portugal).

Estim. 150 - 300 EUR

Lot 32 - Astrid de la FOREST (born 1962) LES PINS DE LA VILLA MÉDICIS (AUBE Ill), 2021 Lithograph, artist's proof signed and annotated E.A. VIII/XX Edition IDEM Paris 52 x 67 cm at image edges Born in 1962 in Paris. Lives and works in Seine-et-Marne. Astrid de la Forest is a visual artist. At the age of 17, she entered the ESAG on rue du Dragon. On graduating, she joined the set design team at the Théâtre des Amandiers under the direction of Richard Peduzzi and Patrice Chéreau. For Chéreau, she created the poster for Chekhov's Ivanov, her first monotype. She worked as an illustrator for a number of media, and her talent as a portraitist led her to become a legal draughtswoman for television, covering political and criminal trials for 10 years, including the Touvier, Action directe and ETA trials. A traveling exhibition at the Bibliothèque Publique d'information du Centre Pompidou, Traits de Justice, retraced this experience in 2010. Having settled in Burgundy in the 90s, Astrid de la Forest first devoted herself entirely to painting, then to engraving from 1995 onwards. She worked at the Lacourrière-Frélaud studios, whose last exhibition she curated, René Tazé, and finally Raymond Meyer in Pully, Switzerland, with whom she developed her particular techniques, enabling her to produce large-format etchings and monotypes. She has perfected her technique around the world in numerous artist residencies, including the Institut français de Tétouan in Morocco, Tasmania, Japan, Ireland and the Villa Médicis. Astrid de la Forest uses several etching techniques: etching, aquatint, drypoint and carborundum, which she uses either alone or in combination, on limited series or as a monotype. Her subjects are mainly taken from nature, the animal world and portraits in the form of watercolors, which she transcribes into large-format prints.

Estim. 800 - 1 000 EUR

Lot 34 - Jean-Michel ANDRE (born 1976) Photography | Borders #51 | Borders series, 2016-2020 Pigment print on Fine Art Hahnemühle paper 60 cm x 90 cm Artist's proof numbered 1/2 TITLE Borders #51, date 2019 Jean-Michel André, courtesy galerie Sit Down Sold unframed Jean-Michel André was born in Nantes in 1976. After graduating from the Ecole des Gobelins in 2000, he pursued his creative photographic work at the crossroads of plastic and documentary readings. His approach is based on a political and poetic vision of the territory, questioning its limits, memory and evolution. He also explores the notion of circulation, particularly that of economic, financial and migratory flows. His work is shown in exhibitions, residencies and publications in France and abroad. He is a member of the Sit Down gallery in Paris. In 2021, his Borders project is published by Actes Sud and exhibited at the Rencontres d'Arles and Paris Photo. In 2022, Jean-Michel André is one of the winners of the Grande commande nationale sponsored by the BnF and the French Ministry of Culture for his project À bout de souffle, which is awarded the Prix Maison Blanche in 2023. Maison Blanche prize. Chambre 207, his latest creation, will be published by Actes Sud and exhibited in autumn 2024 at the Musée de l'Hospice Comtesse, Lille, by the Institut pour la photographie and the Centre méditerranéen de la photographie. His work is part of the collections of the Bibliothèque Nationale de France, the Fondation Neuflize OBC, the Maison des arts du Léman and numerous private collections.

Estim. 2 800 - 3 200 EUR

Lot 36 - Ferrante FERRANTI (b. 1960) Ruins of Santa Clara Church, Antigua Guatemala, 2002 Signed photographic print 40x60cm I published this photograph in my book L'esprit des ruines with the following commentary: The nave was deserted and I framed to harmonize the curve of the shadows with those of the collapsed vault. The little girl burst out of the crypt, rounded me, then flew away, fluttering her scarf, before leaving the stones inhabited by a breath. And I resonated with the following quote: "Today and tomorrow, a ruined church is and will be an empty tomb whose stone has shattered, rolled onto the grass, to the astonishment of passers-by. A tomb where the sun had been thought to be enclosed, where it rises, shattering the vaults, leaving beneath the cradles of the broken naves a great lesson in darkness." François Cali, The Church of Ruins Ferrante Ferranti is a photographer and writer. Trained as an architect, his Écritures de Lumière (Writings of Light) is inspired by his approach to travel, art and heritage. Born in Algeria in 1960 to a Sardinian mother and Sicilian father, Ferrante Ferranti qualified as an architect in Paris in 1985, before devoting himself to photography. For the past thirty-five years, Ferranti has been working with Dominique Fernandez, a member of the Académie Française, on a joint exploration of the Baroque and the different strata of civilization, his photos interacting with the writer's texts, from Sicily to St. Petersburg, from Syria to Bolivia. In 2000, he illustrated the reissue of Mère Méditerranée, published in 1952 and now a classic of travel literature. He has photographed some forty books on Italy and the Mediterranean (as well as Syria, Libya, Algeria and ancient Turkey), Russia, Bolivia, Portugal, Brazil and India. All his work bears witness to his interest in the meeting of civilizations. Author of: - Lire la photographie, Bréal, 2002 - L'esprit des ruines, Chêne, 2005 - Athos, la Sainte Montagne, Desclées de Brouwer, 2015 and co-author of: - Les pierres vivantes (with Brother Philippe Markiewicz), Philippe Rey, 2005 - Les ancêtres liés aux étoiles (with visual artist Rachid Koraïchi), Actes sud, 2008 - L'Imaginaire des Ruines (with visual artist Patrice Alexandre), Actes Sud, 2009 - Empreintes du Sacré (with Olivier Germain-Thomas), La Martinière, 2012 A lecturer at the Université d'Artois (Arras), he has taught Hispanic civilization and conducts cycles on the History of Art. From 2014 to 2021, he directed a photography reading workshop at Sciences Po Paris, and has taught at L'Université Catholique de l'Ouest in Angers since 2015. Official photographer of the CNSMDP since 2010, he was elected corresponding member of the Bordeaux Academy of Fine Arts in 2018. He has exhibited in Paris (Galerie Agathe Gaillard, Italian Cultural Institute, Maison Européenne de la Photographie) and in France; in the FNAC photo galleries (in France, Belgium and Spain France, Belgium and Spain, in Brazil); in Italy, Spain, Germany, Romania, Russia, Syria, India, Indonesia, Ecuador, Colombia and Bolivia, Portugal, Japan, El Salvador, Brazil and Mexico, Pakistan; in London, Oslo, Vilnius, Prague, Budapest, Zagreb, Algiers, Tunis, Havana, Antigua (Guatemala), Panama, San Jose (Costa Rica), Caracas and Montevideo. The Maison Européenne de la Photographie, in Paris, devoted its first retrospective to him, "Itinerrances", from June 25 to September 15, 2013, repeated in 2015 at the Base sous-marine de Bordeaux in 2015.

Estim. 1 300 - 1 800 EUR

Lot 38 - Jean-Luc PARANT (b. 1944) La Boule à pipes à Brassens Silkscreen print numbered 22/30 70x50cm photo Anna Blomme.jpg Born on April 10, 1944 in Mégrine-Côteaux near Tunis, Jean-Luc Parant continues to circle around a very singular body of work. Having called himself a "manufacturer of balls and texts on the eyes" since the late 1960s, then a "printer of his own material and his own thoughts" in the 2000s, as if he had invented his own unique profession, Jean-Luc Parant's poetic work is inseparable from his plastic work. Indeed, his work, conceived in the strict duality of its themes, is all about texts and balls, vision and touch, day and night, the infinite and the infinite. Jean-Luc Parant sings of space, the world and the eyes that see it, orbiting around a sun that no longer burns but illuminates us. Jean-Luc Parant is searching for a machine that could take man to the stars, as quickly as his eyes take him to the sun. He believes that men and women will not be able to continue to exist unless they find a way to change the sun and think of the world differently. His works and installations can be found in numerous public and private collections (Centre Pompidou, Musée d'art moderne de la Ville de Paris, Fondation Maeght, Musées d'art contemporain de Lyon, de Marseille, de Strasbourg, Musée des beaux-arts de Toulon, Fondation Stämpfli, Fondation Agnès B., and various Fonds Régionaux d'Art Contemporain...). His monographs are published by Actes Sud. His texts on eyes have been published by Argol, José Corti, Fage, Fata Morgana, La Différence and Les presses du réel, among others.

Estim. 400 - 600 EUR

Lot 41 - A limited-edition boxed set of plates inspired by Romain Urhausen's photographs, with the book "Romain Urhausen" (delpire, 2022): PORCELAIN PLATES BASED ON PHOTOS BY ROMAIN URHAUSEN In 2022, Lëtz Arles dedicated its Rencontres d'Arles exhibition to Luxembourg photographer Romain Urhausen (1930-2021). Renowned for his singular style, somewhere between the French humanist school and the subjective German school of the 1950s and 1960s, Urhausen is also renowned for his talents in architecture, design, graphics, film, sculpture and jewelry. The tribute continued in Luxembourg with various events and initiatives, including the limited edition of 120 sets of four porcelain plates, designed in collaboration with Maison Bonn. Produced in Limoges (France), the latter feature emblematic photographs by Romain Urhausen and evoke the diversity of subjects in which he took an interest. LËT'Z ARLES Since its launch in 2016, Lët'z Arles has taken Luxembourg photography beyond the country's borders. And with good reason: this association, founded by Florence Reckinger-Taddeï and placed under the High Patronage of H.R.H. the Hereditary Grand Duchess of Luxembourg, has made it its main mission to promote Luxembourg photography, notably - as its name suggests - at the Rencontres de la photographie international festival in Arles, which takes place every summer in France. Considered the world's leading photography event, the Rencontres last almost three months and attract a wide audience of professionals, amateurs and tourists. With this event in mind, Lët'z Arles has been awarding an annual prize and bursary since 2017 to artists from, or connected with, Luxembourg. This award goes hand in hand with a complete creative and distribution package, including the production of an exhibition presented on site, the accompaniment of the artists by a curator for over a year, the publication of a book, postcards or promotional objects, as well as the touring of their exhibition in Luxembourg. All of this gives the artists a high profile and enables their work to be showcased both locally and internationally.

Estim. 100 - 200 EUR
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