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Thursday 04 Jul at : 11:00 (CEST)

[LIVE SALE] In aid of "Le Domaine du Possible" school: Donations and works of art raised

Ader Entreprises & Patrimoine - +33183641170 - Email CVV

Place Nina Berberova 13200 Arles, France
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25 results

Lot 9 - Patrick PLEUTIN aka BANGALA (born 1965) Artichokes Gouache on cardboard 60 X 80 cm Patrick Pleutin aka Bangala mainly paints from live performances, but is also keen to link his pictorial practice with other disciplines. A regular contributor to Le Monde's M magazine, he has over the years created a poetic cartography of taste and gesture, from the markets of Analakely, Madagascar, to the roads of Afghanistan's Bâmiyân valley. The artist also worked with Yona Friedman, who designed a Museum without a building to preserve for the future the richness of Afghanistan's artistic heritage, weakened by years of war. He shared his drawing, painting and calligraphy skills with boys and girls from the Fine Arts department of Kabul University, during an artist residency at the Kabul National Archives Museum, followed by a number of animated films. Bangala and agnès b. Bangala, freshly graduated from the Ecole Supérieure Estienne (Ecole du Design de Livre et du Dessin de Presse), exhibits a painted book at the Galerie du Jour agnès b. In 1987, agnès b. offers Bangala a first exhibition in homage to Saul Steinberg: Morsures. This was followed by numerous solo and group exhibitions in collaboration with galerie du jour and the agnès b. collection: Objets trouvés d'artistes, Un regard sur l'art contemporain, Collection agnès b, Espace des arts Chalon sur Saône The works currently on show at FAB are the fruit of their collaboration and form part of the agnès b. collection: LA PEINTURE FIGURATIVE CONTEMPORAINE DANS LA COLLECTION AGNES B.

Estim. 400 - 800 EUR

Lot 10 - Patrick PLEUTIN aka BANGALA (born 1965) Zucchinis Gouache on cardboard 60 x 80 cm Patrick Pleutin aka Bangala mainly paints from live performances, but is also keen to link his pictorial practice with other disciplines. A regular contributor to Le Monde's M magazine, he has over the years created a poetic cartography of taste and gesture, from the markets of Analakely, Madagascar, to the roads of Afghanistan's Bâmiyân valley. The artist also worked with Yona Friedman, who designed a Museum without a building to preserve for the future the richness of Afghanistan's artistic heritage, weakened by years of war. He shared his drawing, painting and calligraphy skills with boys and girls from the Fine Arts department of Kabul University, during an artist residency at the Kabul National Archives Museum, followed by a number of animated films. Bangala and agnès b. Bangala, freshly graduated from the Ecole Supérieure Estienne (Ecole du Design de Livre et du Dessin de Presse), exhibits a painted book at the Galerie du Jour agnès b. In 1987, agnès b. offers Bangala a first exhibition in homage to Saul Steinberg: Morsures. This was followed by numerous solo and group exhibitions in collaboration with galerie du jour and the agnès b. collection: Objets trouvés d'artistes, Un regard sur l'art contemporain, Collection agnès b, Espace des arts Chalon sur Saône The works currently on show at FAB are the fruit of their collaboration and form part of the agnès b. collection: LA PEINTURE FIGURATIVE CONTEMPORAINE DANS LA COLLECTION AGNES B.

Estim. 400 - 800 EUR

Lot 11 - Patrick PLEUTIN aka BANGALA (born 1965) Radish Gouache on cardboard 60 X 80 cm Patrick Pleutin aka Bangala mainly paints from live performances, but is also keen to link his pictorial practice with other disciplines. A regular contributor to Le Monde's M magazine, he has over the years created a poetic cartography of taste and gesture, from the markets of Analakely, Madagascar, to the roads of Afghanistan's Bâmiyân valley. The artist also worked with Yona Friedman, who designed a Museum without a building to preserve for the future the richness of Afghanistan's artistic heritage, weakened by years of war. He shared his drawing, painting and calligraphy skills with boys and girls from the Fine Arts department of Kabul University, during an artist residency at the Kabul National Archives Museum, followed by a number of animated films. Bangala and agnès b. Bangala, freshly graduated from the Ecole Supérieure Estienne (Ecole du Design de Livre et du Dessin de Presse), exhibits a painted book at the Galerie du Jour agnès b. In 1987, agnès b. offers Bangala a first exhibition in homage to Saul Steinberg: Morsures. This was followed by numerous solo and group exhibitions in collaboration with galerie du jour and the agnès b. collection: Objets trouvés d'artistes, Un regard sur l'art contemporain, Collection agnès b, Espace des arts Chalon sur Saône The works currently on show at FAB are the fruit of their collaboration and form part of the agnès b. collection: LA PEINTURE FIGURATIVE CONTEMPORAINE DANS LA COLLECTION AGNES B.

Estim. 400 - 800 EUR

Lot 16 - Laurence LEBLANC (born 1967) Photograph, II 967/23, Jatayus, Cambodia 2000 from the series "Rithy, Chéa, Kim Sour et les autres" 2000 2001 FORMAT of photograph 18 cm X 18 cm Artist's proof TITLE II 967/23, Jatayus, Cambodia 2000 from the "Rithy, Chéa, Kim Sour and others" series 2000 2001 Laurence Leblanc, courtesy Galerie S. TECHNIQUE Silver chlorobromide print on baryta paper (AGFA MCC111FB, now defunct) made by the author French artist Laurence Leblanc was born in Paris on June 6, 1967. Winner of the Villa Médicis Hors Les Murs in 2000, she has received numerous awards, including one from the HSBC Foundation for Photography. Her first book, "Rithy, Chéa, Kim Sour et les autres", was published on this occasion by Actes-Sud. In 2009, also published by Actes-Sud, "Seul l'air" was simultaneously exhibited at the 40th Rencontres Internationales de la Photographie d'Arles. Represented by Galerie Claude Samuel in 1999, then by Galerie VU' from 2001 to 2015, she is a regular exhibitor at art fairs. In 2016 she received the Prix Niépce and a limited edition artist's object was produced with Laurel Parker Book. A retrospective entitled "Où subsiste encore" will be held at the Musée Nicéphore Niépce in 2022. In 2023, she is featured in the book and exhibition "Noir & Blanc: une esthétique de la photographie / Collection de la BNF", as well as at Galerie S. for a solo show. Laurence Leblanc pursues her work in silent solitude, establishing herself firmly in the field of contemporary creation, and making time for observation and maturation a sure ally. Her work is part of the public collections of the Fonds National d'Art Contemporain, the Musée Nicéphore Niépce, the Bibliothèque Nationale de France and numerous private collections.

Estim. 2 300 - 3 000 EUR

Lot 18 - Réjean DORVAL (born 1966) visual artist, draughtsman and performer En creux 2024 Tinted charcoal drawing on paper 150 cm x 150 cm DESCRIPTION: "Is it the mark of frozen lightning or the shape of a young pine tree that crosses the leaf and the image in this way? It's in a dream or in a half-sleep, after we've gone deep into the forest of floating thoughts, that a breakthrough in the forest appears in the light. The rich subsoil of forest litter mixes the earthy white scents of networked mycelium with those of mosses and lichens thawing under the first rays of spring. The atmosphere is frozen but not silent, and you can hear the rustle of a mammal, hidden by the ferns, foraging nearby for juicy berries. Emmanuel Druon We're probably on the edge of a forest with abundant, dense vegetation. Through this vegetation, the hollow profile of three trees is clearly visible. Here, what defines the presence of the trees is not so much what constitutes them per se, but rather all the living things that surround, enclose and contain them. At first glance, the workmanship of the drawing might suggest the use of the rubbing technique. But this is not the case. The artist has allowed the spontaneous encounter of tool and gesture with the surface of the paper to determine the gradual appearance of the plant forms. In this way, the forest drawing forest-drawing "resurfaces" in the same way as the artist's childhood memories of the boreal forests of the Laurentians, where he lived and still lives. After a university education in the humanities and a career in research, Réjean DORVAL trained in artistic drawing with Saskia Weyts at the Ecole Supérieure d'Art de Tournai in Belgium. He then taught drawing for 10 years, focusing on body awareness and the body's involvement in the act of tracing and drawing. At the same time, he was introduced to contemporary dance and trained in performance art in Brussels under the guidance of artist and choreographer Sandra Vincent. For the past 15 years, Réjean DORVAL's drawing work has revolved around the theme of nature and the forest, most often taking the form of large-scale, even monumental, drawings. His performances question both the act of drawing and our relationship with the living. Through the interweaving of the gesture of drawing, the density of the sensations that inhabit it and the performative act, his artistic work raises the question of what we keep alive in each of us. His drawings and performances have been shown regularly in France and Belgium. An exhibition of a series of very large-scale drawings at the Chapelle du Méjan in Arles in 2018 was published by Actes Sud in 2020, entitled Le Temps n'existe pas; produced with Emmanuel Druon, who wrote the texts.

Estim. 1 000 - 2 000 EUR